Showing posts with label Soundtracks to films that don't exist. Show all posts
Showing posts with label Soundtracks to films that don't exist. Show all posts

Wednesday, February 7, 2024

Justin Hamline - A Veil For Three Sisters


Justin Hamline is a guy I know only through his Instagram profile and some interactions through that platform; a like-minded Horror/Synth/Punk fan, I no longer remember how I came across him, but we have similar interests and ended up following one another for a couple years before I realized he was also a pretty freakin' awesome musician. Apparently, he took a break for a while but came back recently and has been releasing material left and right. Next up for Justin is the soundtrack to a Giallo that only exists in his head - The House With Dead Leaves! This is the kind of project I love, a la Barry Adamson's first albums; not just music but the story that goes with it in the artist's mind. I'm really digging this stuff - here's the full track:


Really digging this and can't wait to hear the finished product. The House With Dead Leaves drops next Friday, and I have a feeling I'll be incorporating an edible and a nice block of time to just sit in front of my big-ass stereo speakers and take the journey Justin has mapped out for us. 




Watch:

There are two new Horror flicks coming to theatres this week, and I'm going to try and see them both!* Here's the trailer to Alan Cumming's Out of Darkness:

 

As usual, I watched about five seconds of this - just enough to see the set-up that the film takes place in 43, 000 BC, and I stopped it. That's enough to make me interested, and from here I'd just rather go in blind.




Read:

As I mentioned in this week's NCBD segment, I picked up the first issue of the new Ram V/Laurence Campbell Futuristic Neo Noir The One Hand yesterday purely on a lark. 


After reading it, I am super excited for this book. But not only this book, because there is a second, complimentary series by Dan Watters and Sumit Kumar coming on February 21st! 


The Six Fingers takes place in the same Blade Runner-esque Future metropolis, Neo Novna, and based on the title and what I know after reading issue one of The One Hand doesn't just tie in but possibly completes the story in the first book. 


Image is just killing it right now. There's an article Image has up on their website HERE that talks about this a little more in-depth. 




Playlist:

QOTSA - In Times New Roman
Raspberry Bulbs - Before the Age of Mirrors
Justin Hamline - A Veil for the Three Sisters (Un velo per tre sorelle) (single)
Windhand - Eternal Return
Donny Benét - The Don
Amigo the Devil - Your Until the War is Over (pre-release singles)
Mannequin Pussy - I Got Heaven (pre-release singles)
Mannequin Pussy - Patience
Mannequin Pussy - Romantic
T. Rex - The Slider




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• King of Swords
• VIII: Strength
• IV: The Emperor

Man, I see a lot of that Tony Iommi King of Swords in this deck! Does that make Iommi my spirit animal?

I'll tell you right off the bat, what I see here on a very surface, "what do the illustrations tell me" way two things I've been thinking a lot about. Two things that used to be a big part of my life but no longer really are: Guitar and Magick. I've been feeling a tug back to picking up an instrument, but I have several unfinished writing projects at the moment (one very close to completion and release, one a few months out). This is the struggle - stay focused. So, while it would definitely be more in my current inclination to read this one as telling me to go ahead and follow that tug, I'm actually going to look at it a different way - have the strength to recognize that the King of Swords - in Thoth the Prince - is a card that, by Crowley's own interpretation, indicates lots of good ideas but an unstable purpose. That's why I'm seeing this so much! Finish the interpretation off with The Emperor's nod toward linear thinking, and I see that this is in no small voice telling me to figure my shit out, commit and finish.