New Music from Pixies!

 

From the forthcoming album The Night the Zombies Came Out, dropping October 26th. Pre-order HERE.

Post-reunion Pixies has been a mixed bag for me. I LOVE Indie Cindy, but everything since has felt anticlimactic. Sure, I'll lean into Head Carrier and its brethren, but they don't put me in quite the same place. Plus, I've always been a bigger fan of the music Frank Black (or Black Francis) made after the Pixies' first breakup, so to see him essentially jettison those musical endeavors for the last ten years has been disappointing, to say the least. I'm hoping his upcoming Teenager of the Year anniversary tour early next year means maybe he will start dividing his time between Pixies and other bands (Catholics!). We'll see. In the meantime, I still love the Pixies, so I'm looking forward to hearing the new record come Halloween time.

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Watch:

The filmmaking collective of François Simard, Anouk Whissell, and Yoann-Karl Whissell - largely referred to as RKSS - is responsible for one of my favorite films of the last ten years: Summer of '84. Of course, they've also done Turbo Kid, which is fantastic in its own right. Not many films in recent memory have affected me like Summer of '84, though, so after that one, I'll follow RKSS to hell and back. And funny enough, it looks like that's where their next film will be taking us. 

Streaming everywhere on August 13th, We Are Zombies is based on Jerry Frissen and Guy Davis' comic series called The Zombies That Ate the World. I'm not familiar with that series, but like I said, I'd follow these filmmakers anywhere they want to take me, so based on the trailer, buckle up. 

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Read:

Over this past weekend, I sat down and re-read Ram V and Dan Watters' The One Hand and The Six Fingers as one complete story. 

This one is definitely going to be near the top of my year-end list. I read these all monthly, and re-read most of the series before the final two installments dropped, and I can say that when I finished the final issue last week, I was a little hesitant. I wasn't quite sure these guys had pulled off what they'd set up.

Boy was I wrong.

The key to 'getting' these books is reading them as one story because each issue of each book contains serious overlap, where we see the same events from both the Detective and the Killer's perspective. Not necessarily the most novel idea, except when you place the story in the context of a Blade Runner-esque Cyberpunk city like Neo Novena. 

Calling this Cyberpunk is a bit of a misnomer, but I can't really think of anything else that quite gets the tone across. With visual and tonal references to everything from the aforementioned Ridley Scott classic to Métal Hurlant, the atmosphere is thick enough to cloud the reader's perceptions. Something about the inevitability of these futuristic worlds makes them so real to me, and the creators use a mystery involving androids to pontificate on the human condition in a manner I've never quite seen before. I don't know. All I can say is there's a collected edition coming out in December, and I'm definitely going to recommend it to everyone who I think might dig this. 

Hopefully, this did well enough that both creators will return to Neo Novena at some point in the near future. Preferably before our world comes to resemble theirs any more than it already does.

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Playlist:

T. Rex - The Slider

Liars - Drum's Not Dead

Jerry Cantrell - Brighten

Japandroids - Celebration Rock

Queens of the Stone Age - In Times New Roman

Helmet - Monochrome

16 Horsepower - Hoarse

Liars - Sisterworld

Mr. Bungle - California

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE. Also, starting today for the next 30, Grimm's Kickstarter for the Hand of Doom Tarot Art Book is up. Check it out HERE.

• Two of Wands

• XVI: The Tower

• Seven of Swords

Collaboration of Will leads to a change in pre-existing paradigms - not an easy thing, but a good thing for those with the intellect to recognize the advantages of a system overhaul.

This has to be work-related. Not sure if that's good or bad. 

Justin Hamline - A Veil For Three Sisters

Justin Hamline is a guy I know only through his Instagram profile and some interactions through that platform; a like-minded Horror/Synth/Punk fan, I no longer remember how I came across him, but we have similar interests and ended up following one another for a couple years before I realized he was also a pretty freakin' awesome musician. Apparently, he took a break for a while but came back recently and has been releasing material left and right. Next up for Justin is the soundtrack to a Giallo that only exists in his head - The House With Dead Leaves! This is the kind of project I love, a la Barry Adamson's first albums; not just music but the story that goes with it in the artist's mind. I'm really digging this stuff - here's the full track:

Really digging this and can't wait to hear the finished product. The House With Dead Leaves drops next Friday, and I have a feeling I'll be incorporating an edible and a nice block of time to just sit in front of my big-ass stereo speakers and take the journey Justin has mapped out for us. 

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Watch:

There are two new Horror flicks coming to theatres this week, and I'm going to try and see them both!* Here's the trailer to Alan Cumming's Out of Darkness:

 

As usual, I watched about five seconds of this - just enough to see the set-up that the film takes place in 43, 000 BC, and I stopped it. That's enough to make me interested, and from here I'd just rather go in blind.

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Read:

As I mentioned in this week's NCBD segment, I picked up the first issue of the new Ram V/Laurence Campbell Futuristic Neo Noir The One Hand yesterday purely on a lark. 

After reading it, I am super excited for this book. But not only this book, because there is a second, complimentary series by Dan Watters and Sumit Kumar coming on February 21st! 

The Six Fingers takes place in the same Blade Runner-esque Future metropolis, Neo Novna, and based on the title and what I know after reading issue one of The One Hand doesn't just tie in but possibly completes the story in the first book. 

Image is just killing it right now. There's an article Image has up on their website HERE that talks about this a little more in-depth. 

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Playlist:

QOTSA - In Times New Roman

Raspberry Bulbs - Before the Age of Mirrors

Justin Hamline - A Veil for the Three Sisters (Un velo per tre sorelle) (single)

Windhand - Eternal Return

Donny Benét - The Don

Amigo the Devil - Your Until the War is Over (pre-release singles)

Mannequin Pussy - I Got Heaven (pre-release singles)

Mannequin Pussy - Patience

Mannequin Pussy - Romantic

T. Rex - The Slider

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• King of Swords

• VIII: Strength

• IV: The Emperor

Man, I see a lot of that Tony Iommi King of Swords in this deck! Does that make Iommi my spirit animal?

I'll tell you right off the bat, what I see here on a very surface, "what do the illustrations tell me" way two things I've been thinking a lot about. Two things that used to be a big part of my life but no longer really are: Guitar and Magick. I've been feeling a tug back to picking up an instrument, but I have several unfinished writing projects at the moment (one very close to completion and release, one a few months out). This is the struggle - stay focused. So, while it would definitely be more in my current inclination to read this one as telling me to go ahead and follow that tug, I'm actually going to look at it a different way - have the strength to recognize that the King of Swords - in Thoth the Prince - is a card that, by Crowley's own interpretation, indicates lots of good ideas but an unstable purpose. That's why I'm seeing this so much! Finish the interpretation off with The Emperor's nod toward linear thinking, and I see that this is in no small voice telling me to figure my shit out, commit and finish.