Showing posts with label Spotlights. Show all posts
Showing posts with label Spotlights. Show all posts

Wednesday, March 22, 2023

Spotlight on Stephen King's Fairy Tale

 

Really digging this new EP from Spotlights. Order from Ipecac Records HERE.
 



NCBD:

As of Monday, I'm finally back from my two weeks in LaLaLand. Trapped up in West L.A./Santa Monica at the Sonder hotel at Found, I didn't get a chance to hit up my beloved Comic Bug until my final day in town, but I saw some old friends and got to pick up a few books that weren't on my list. Also, will be returning to Rick's Comic City today to grab my Pull-List books from the last two weeks, so here's everything I will have acquired starting back on NCBD 3/08/23:

This Week's Pull 3/22/23:




Last week's Pull, 3/15/23:


This, the penultimate issue of Hulk, is one I actually missed out on; I never added to my Pull, and The Bug was sold out, so I'll have to find it online somewhere.


The only one I've read at the point of reading this, I started out feeling pretty non-plussed, but ending up really liking where this second issue of Immoral X-Men went. I don't love Sins of Sinister, however, I'm reading through it simply to see the pretty big-swing ideas the X-writing stable are taking with it.


LOVE LOVE LOVE this cover!


Two Weeks Ago, 3/08/23:


Based on the Master of Reality and now Back in Black homage covers, I am SO hoping they do one for Mercyful Fate, Don't Break the Oath on a future issue of this series!


I'm glad this regular X-Men book isn't adhering or pausing for Sins of Sinister. With issue 19's start of a Brood-based story, I thought I was going to roll my eyes, however, the entire set-up was fantastic (the Nowhere thread is amazing!). I'm really looking forward to this one!




Read:

While in LaLaLand, I had a couple of occasions to catch up and hang out with my good friend Chris Saunders, formerly of The Thirsty Crows, and my co-host on the hiatus-ending-soon podcast A Most Horrible Library. Chris gifted me a beautiful Hardcover copy of Stephen King's newest novel Fairy Tale, and at ~120 pages into its ~600 pages, I'm hooked!


I haven't read a new King novel since 2010's Doctor Sleep (thanks to Mr. Brown!) and reading Fairy Tale makes me remember how much I adore the man's prose. I'm realizing now that one of the everlasting endearments of King's mind and how it translates to the page is he writes about a world that, while modern and incorporating modern elements (the internet, online shopping, current cultural establishments), King's world still feels very much like the world I grew up in, the one-two weeks in LaLaLand convinced me did not exist at all anymore. That's a very welcome refresher at the moment, as it gives me hope humanity isn't as far gone as it often feels when in a high-population center or tooling around online.




Playlist:

Le Butcherettes - A Raw Youth
Screaming Females - Desire Pathways
Bohren & Der Club of Gore - Sunset Mission
Led Zeppelin - Houses of the Holy
SQÜRL - Silver Haze
The Police - Regatta de Blanc
Burial - Untrue
Boards of Canada - Music Has the Right To Children
Boards of Canada - Geogaddi
Wayne Shorter - The All Seeing Eye
Spotlights - Seance EP
Spotlights - Love & Decay




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.



Emotional security leads to an Emotional breakthrough that ultimately could turn into a profitable partnership. 

Saturday, December 28, 2019

My Favorite Albums of 2019

The order is, for the most part, negotiable by day. However, Orville Peck's Pony is absolutely the best and my favorite record of 2019.


Beth Gibbons/Henry Gorecki - Symphony No. 3 - Admittedly, I'm a bit of a rube when it comes to orchestral/classical music. I know what I like, but I don't necessarily know how to find it. Imagine my surprise when I saw Beth Gibbons name attached to this one. Gibbons, along with legendary composer/conductor Krzysztof Penderecki and the Polish National Radio Symphony Orchestra deliver a rendition of Henryk Górecki's Symphony No. 3 that makes my heart both swell and sing with all the force of a cinematic thunderhead. Also, fantastic writing music.


Sunn O))) - Life Metal - PERFECT writing music, but beyond that, Sunn O)))'s Life Music, produced by Analog hero Steve Albini, contains a lot of rewarding textures that only reveal themselves after in-depth and multiple - and I mean multiple - listens. Easily my favorite record Sunn O))) has put out since 2009's Monoliths and Dimensions.


Lana Del Rey - Norman Fucking Rockwell - A late entry, this album is as calming as it is strange. Of course, at first glance, the strange is less than apparent, buried behind the subtle, acoustic pop sensibilities on display in the making and arranging of this record. But there's some pretty strange choices here when compared to what you get at first glance, and without having much of a history with Ms. Del Rey's earlier works, this one began as a curiosity for me and quickly grew into a calming obsession.


Blut Aus Nord - Hallucinogen - As much as I love Blut Aus Nord, I've come to terms with the fact that I don't love everything they put out. After a couple years of albums I've tried repeatedly to connect with and failed, Hallucinogen hit me from the opening chord and held me all the way through its runtime. My favorite thing they've released since 2012's 777 Cosmosophy.


The Thirsty Crow - Hangman's Noose - Yes, I am good friends with one of the members of The Thirsty Crows. Yes, I co-host two podcasts with him. Yes, I love his band. Do I love it because he's my friend? Yes, but that's not the only reason I love The Thirsty Crows. I also love them because they are A) Awesome live, and B) the only Rockabilly/Psychobilly band I have identified with since I was head over heels in love with The Reverend Horton Heat back in the mid/late 90s. That scene has broadened considerably, and while I dig a lot of it, I don't love any of it like I love the Crows. Their music is catchy AF, and dusty in a way that feels familiar and pleasing, like leaving the Joshua Tree Saloon at two in the morning hammered out of your skull and meeting people with drugs in the parking lot. "Drinking and drugging 'til six in the morning," yeah, I can't live that life anymore, but I can enjoy wicked ass thrashabilly songs about it.


Federale - No Justice - Another sun-drenched album, this one with enough cinematic flourish as to play like a Robert Altman flick from the 70s. No Justice is up there with my most listened to records this year, and it's been an absolute pleasure learning every nook and cranny of these songs.


Oh Baby - The Art of Sleeping Alone - What do you get when you have a band with a terrible name releasing an album with a fantastic name? Apparently, a hell of an album. Poppier than everything else represented here, this one scratched an itch that had lingered the last few years, a good dance/electro record with pop sensibilities and fantastic arranging, eschewing bubble gum for a kind of Neon Noir Dance Floor feeling.


Spotlights - Love and Decay - Beautiful beyond words from start to finish. Epic, haunted, brash, and polished, I absolutely love this album.


Boy Harsher - Careful - Dark LaLaLand electro that feels like old Revolting Cocks did the music for an alternate version of David Lynch's Lost Highway.


A dream, a lover's return, a haunted highway at night. Orbison, Lynch, Williams. Desert, tavern, danger. Pony is a place that I have always wanted to go to and now cannot stay away from for very long.