Showing posts with label Words Without Pictures. Show all posts
Showing posts with label Words Without Pictures. Show all posts

Friday, October 6, 2023

New Music from Mars Red Sky!

From the upcoming album Dawn of the Dusk, out December 8th on MRS and Vicious Circle. For whatever reason, I can't seem to find a link to pre-order the physical media, but I'm sure that will arrive before the record's release. In the meantime, digging this new track.




31 Days of Halloween:

My friends and I had the absolute privilege of rounding our 2023 Beyondfest out with a double feature at the lovely Los Feliz 3. 

First up, Documentarian Paul Duane's first narrative film, All You Need is Death. Please believe me when I say this one was revelatory! 

If you search go HERE, you'll see the inception of my stated fascination with "British Occult Films" - this is what I was using to discuss what has essentially become branded as modern entries in the resurgence of Folk Horror. Back when I was seeking out films like The Droving, Without Name, and the like in the wake of seeing Ben Wheatley's Kill List, Folk Horror hadn't yet become a household word, so English or UK Occult. Regardless of genre tags, these films were entries in a much more nuanced attempt to use the pre-Christian origins of modern society as the soil from which to mine Horrors born of folklore and the swirls mists of the pre-English, pre-industrialization world. That is very much the impetus for Duane's All You Need is Death, which explores the world of people who collect ancient folk songs. There's no trailer for this one yet, as in talking to Mr. Duane after the film he stated XYZ Films is releasing All You Need Is Death to the U.S. in mid-March. I'll definitely be watching for it, so when more info becomes available, I will post it here. In the meantime, here's a poster:


Next up was the new remaster of Maurice Devereaux's 2001 game show parody Slashers. This is one Terror Vision is putting out on BluRay in a couple of months. I couldn't find a trailer I could report, so here's the opening sequence:


This is a fun little gem from the early 00s and also, a movie my good friend Dennis had recommended to me over and over back when we'd hang out once or twice a week and watch flicks. I never saw it back then, and it had actually been on my mind about a week before Beyondfest announced this screening; fortuitous indeed.

The tally for 31 Days of Halloween so far:

1) When Evil Lurks/VHS 85/Adam Chaplin
2)Tales From the Crypt Ssn 1, Ep 6 "Collection Complete"
3) VHS
4) All You Need is Death
5) Slashers (2001)
6) The Beyond/Phenomena




Read:

I'm still slogging through Clive Barker's The Scarlet Gospels; truth be told, I haven't had much chance to read since I've been in LaLaLand, but there's also not a lot of excitement for me to finish the final 80% of the book. That said, I saw my A Most Horrible Library cohost Chris Saunders the other night, and as he always does, Chris gifted me a small handful of books he found thrifting. I'm mailing most back home to Tennessee so I don't have to weigh my luggage down with them, however, one that I'm keeping out in case I have some time and can't bring myself to return to the Gospels is this old gem: 

Originally published in 1990 and edited by Steve Niles long before he hit it big with 30 Days of Night,  I've seen this one around for years. I might have even had a copy at some point. Either way, what a great line-up of authors for one Anthology. Pretty excited to dig into this. 



Playlist:

Led Zeppelin - Get the Led Out Playlist
Spotlights - Seance EP
Mars Red Sky - Dawn of the Dusk (pre-release singles)
Frankie and the Witch Fingers - Data Doom
The Damned - Evil Spirits
Wire - Pink Flag
Pigface - Notes From the Underground
Gang of Four - Entertainment!
Drug Church - Hygiene
Gang of Four - Songs of the Free
Red Lorry Yellow Lorry - Talk About the Weather



Card:


Sometimes, what looks like defeat is actually a breakthrough (if you're wise enough to see that). Not entirely certain what this is in reference to. I'm tempted to read everything as being about work at the moment, but that's just because I'm on-site in person and a little baffled by the manner in which things are changing. I guess we'll leave it at that.