Wow. Dead Cross returns with a song and video that immediately make me like this album better than the last. Can't wait. Dead Cross II drop October 28 on Ipecac, Pre-order HERE.
Watch:
Over the last year, I finally did what everyone told me to do and watched Cobra Kai. Holy shit - this show is awesome. For someone who saw the first two Karate Kid flicks as a kid and never since I was floored by how much I dig this show. But hey, it is really well done.
Season Five and an entire valley of Terry Silver's domestic karate terrorist program? Wow. Looks fantastic.
How about some Slayer to start the day, eh? One of my all-time favorite tracks from them.
NCBD:
Short week (thankfully):
After that big Silver Coin reread over the weekend, I can't wait for this new issue.
Watch:
I for one LOVED Halloween Kills. Now, granted, I really dug DGG's Halloween 2018, too, until I rewatched it at home. Not that I hated it or anything, but that second, smaller viewing revealed a bit of a lackluster sheen that was no doubt covered up by the big, opening night, theatrical viewing my friends and I had first with that one (listen to our just-after-leaving-the-theatre review HERE). And I've only seen Kills the one time, again in the theatre, although not on opening day. Still, I dug pretty much everything but the ending, which proved to be a HUGE question mark. It catapults this new requel approach into possibly super-supernatural territory, so I really have to see Halloween Ends before I can make an overall judgment, Either way, this is going to be fun as hell in the theatre come October!
Visceral, to say the least. And call me old-fashioned, but the old hand-in-the-garbage-disposal is always a gag that makes me flinch.
Playlist:
Bria - Cunty Covers Vol. 1
ZZ Top - Eliminator
Sleep - Sleep's Holy Mountain
Black Pumas - Eponymous
Type O Negative - Bloody Kisses (digipak version)
Ghost - Impera
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
Fast-paced change? CHECK! I love how all my pulls are reflecting the heightened frenzy and complication party of my preparing to move across the country. Batten down the hatches, not long now!!!
Listening to Orville Peck's Bronco a lot these last few months since it dropped, and I've done that thing where pretty much every song rotates in as my favorite for a bit. A few weeks ago, it was the album closer "All I Can Say." Great duet that prompted me to look into Peck's guest Bria's work.
Cunty Covers Volume 1 dropped last year, and I'm pretty sure had I heard it then, the EP would have made it onto my year's best list. Wow. My favorite track on an album of favorite tracks, here's Bria's rendition of John Calle's "Buffalo Ballet." You can order the album from Bria's Bandcamp HERE.
READ:
I spent Saturday morning re-reading Michael Walsh and friends' The Silver Coin, then my co-host Butcher and I did a two-hour FULL SPOILER retrospective on the entire series for The Horror Vision, available now on all Podcast Platforms.
Then Sunday, I spent the morning re-reading Matthew Rosenberg and Tyler Boss's What's the Furthest Place From Here. Man, you can't get much better than these two series. While you can hear plenty of my thoughts on The Silver Coin in the episode mentioned above, I'll just use this space right here to tell you that WTFPFH is probably going to end up being my favorite book of the year.
There is just NOTHING else out there like this book. Sure, I could make comparisons to Teenagers From Mars and Black Hole, among others, but WTFPFH cuts the modern realism with a heaping dose of what the actual fuck? and it makes for a fun, quirky read that I really can't wait to see further unravel, because there is NO way to anticipate where the hell this one is going. Love it!
Playlist:
Ozzy Osbourne - Diary of a Madman
Prince and the Revolution - Purple Rain
John Cale - Black Acetate
Bria - Cuntry Covers Vol. 1
... And You Will Know Us By The Trail of the Dead - XI: Bleed Here Now
Withered - Veloren
The Sword - Age of Winters
Telekinetic Yeti - Primordial
Earthless - Black Heaven
Helms Alee - Keep This Be the Way
Sleep - Volume One
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
'
Another reminder that change is a'coming? Really? As if I don't know (he says while he's out of breath from packing).
Anthrax's fan-chosen live album XL dropped yesterday, and while you can tell Joey is struggling a bit on some of the songs, overall this is a blast. Love these guys, can't wait to see them at the Paladium at the end of the month, my outro show from LaLaLand.
What a great way to exit, eh?
Watch:
I have to tell you, all the way until I hit play on the new trailer for Rob Zombie's The Munsters remake, I assumed I would hate what I saw. You know what though? This looks visually fantastic and fun as hell:
I also appreciate the fact that it's a love story? I mean, part of why I assumed I would not give a lick about this film is I had a really hard time imagining what RZ would do with this property - he hits the same note with his stuff so often that I just couldn't imagine a departure. That's not a complaint - despite regular complaints and disappointments, I generally like most of what he's done cinematically.
Playlist:
Metallica - Master of Puppets
Perturbator, Johannes Persson and Final Light - Final Light
Corrosion of Conformity - Deliverance
Baroness - Gold and Grey
John Cale - Black Acetate
Perturbator - The Uncanny Valley
Anthrax - XL
Telekinetic Yeti - Primordial
Bexley - Eponymous
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
Struggle? Oh yeah. Getting some people to start packing is like trying to get a liar to tell the truth. Still, the card reminds me not to give up, and that even when I feel totally immobilized, there will be a new card tomorrow (unless this one resurfaces. That would make me cry).
Andrei Tarkovsky has only ever barely been on my peripheral, but thanks to Criterion Channel, I just had the opportunity to watch his 1979 film Stalker.
I still need time to unpack this one before I can talk about it, however, let it be said that I absolutely LOVED this film. Talk about 'location porn.' The visual aesthetic of this film perfectly aligns with my innermost aesthetic - something that goes back to when I hunted around my yard for half-full culverts and dirt mounds, shattered bricks, twisted metal, anything to have a location for my action figures.
I've been obsessing over Stalker in my head for the last two days, and this inspired me to look for a podcast discussion of it. Well, boy did I find it.
The Weird Studies podcast is fantastic! Hosts Phil Ford and J.F. Martel not only deep-dive the film, but their discussion of philosophy, art and life feels absolutely refreshing in the stifled academic pretense of our time. I've already subscribed, and intend on Weird Studies keeping me company for many a commute to come (while I still have a commute, that is).
Watch.2:
I can't believe I'm saying this, but I cannot wait for this movie!
Against all odds, this really moved the needle for me. I "broke up" with Kevin Smith about the time I sat through Tusk, which could have been fantastic, but had James Laxton's gorgeous cinematography and a stellar Michael Parks performance destroyed by adolescent whimsy. I used to be a big fan of his films, but now, well, I still hold Chasing Amy in extremely high regard - the acting! - but other than that... not so much. Clerks II had its moments but was overall depressing. I'm not saying Smith makes bad movies (sometimes, sure), but overall I feel like I just outgrew him. This, though, looks like it will be a nice way to revisit that original film and these characters. My mileage varies with most of them, but it's been a minute and I didn't go within ten feet of that Reboot movie, so I think I may enjoy the Quick Stop one last time.
I have Alice in Chains on my mind. Mr. Brown often clues me in on the Pitchfork Sunday Review, where every Sunday a writer looks back on an iconic album. Yesterday was Dirt - one of the most important of my "forever albums," and it made me dive back in head-first.
I've never been much of a Pitchfork guy, but when they hit it, they really leave a mark on me. This was one of those times.
NCBD:
Back home (for now) in LA, so I'll be heading to the Bug to pick up this week's books, which are plentiful:
Some big events kicking off in TMNT and the X-Books, which have the second annual Hellfire Gala followed immediately by Judgment Night (which I'm still not sold on). Also, I'm not necessarily going to jump on this new Mandolorian series, but I definitely want to check out the #1.
Playlist:
Ghost - Impera
Bria - Cuntry Covers Vol. 1
Black Sabbath - Eponymous
Sleep - Sleep's Holy Mountain
Karma to Burn - V
Black Sabbath - Never Say Die
Mars Red Sky - Eponymous
Billy Idol - The Roadside EP
Faith No More - Sol Invictus
The Jesus Lizard - Liar
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
This gives me a teensy bit of an idea of how things are going to be as I prep for leaving LaLaLand. So far, no, things have not necessarily been the way I expected, but nothing has been a straight-up rug, so that's good. The idea in life is always to go in with loose expectations (if any at all), lest you succumb to disappointment despite a triumph.
Very curious about Addison Heimann's Hypochondriac, which Bloody Disgusting's John Squires says, "gives us Donnie Darko vibes." No quicker way to get me interested. Here's the trailer:
Read:
I had previously noticed the solicitation for Pentagram of Horror, a new anthology Horror comic created by Marco Fontanili, but the shop didn't order any (or was sold out), and I kinda forgot about it from there. Fast forward to Tennessee a few weeks ago and I was able to snag issue 2 from Rick's Comic City. I just read it this morning, and I have to say, I loved it.
Pentagram of Horror reminds me A LOT of The Silver Coin, though not in an imitation way. Having only read this second issue, I can say that the story here was very well told, with Fontanili's writing and art working together in such a way that it really strengthened the tone. Very horrific, stand-alone, but with a wide enough scope that it feels cinematic.
Can't wait to track down #1.
Playlist:
Baroness - Gold and Grey
Orville Peck - Bronco
Sal Salmena - Bria
Bria - Cuntry Covers Vol. 1
Greg Puciato - Mirror Cell
The Sword - Age of Winters
Seatbelts - Cowboy Bebop OST
Various - Lost Highway OST
Ozzy Osbourne - Diary of a Madman
Alice in Chains - Dirt
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
Flew home from Chicago yesterday after a post-house buying week where I tried like hell to relax. I mostly succeeded, thanks to all my dear friends who were more than happy to drive to my folks' place in the woods of Palos Park and sit on the patio for hours on end.
I'm using Boards of Canada's Dayvan Cowboy today because Boards are on of my two most commonly used airplane soundtracks - the other is Burial - and in spite of the fact that I usually use either the In A Beautiful Place Out In The Country EP or Geogaddi as flight-long loops in my earbuds, yesterday I went with 2005's Campfire Headphase because I know it the least.
And I realized at once that I know it better than I realize. Dayvan is Probably my favorite track. The guitar on this album is incredible, and I always mistakenly think is performed by Bibio, whose style is extremely similar. Either way, this record is fantastic, as are all the BOC outputs, and it helped make my flight smooth and a partial extension of my relaxation (as much as one can relax on a plane).
Read:
Well, I blew through most of Donnie Goodman's The Razorblades In My Head on the trip, read a shit ton of comics I bought at Rick's Comic City in Clarksville (soon to be my new shop, I'm happy to say. Great store, SUPER awesome, friendly people), and took a trepidatious cue from Warren Ellis' most recent newsletter and picked up Will Carver's Hinton Hollow Death Tripon Kindle for $0.99.
I read it in three days.
I suspect this will be the best book I read in 2022. It is dark and disturbing, but not in the ways I initially feared. But it's also one of the most human books I've read in some time, and it ended up making me want to be a better person. Not that I don't always want to be a better person, because this is literally a goal I think about on daily basis. However, it's something I think about after I've made stupid comments like, "Fuck that guy for not using a turn signal, if I were going to be a serial killer, those are the people I'd kill," and the like. And really, while there's nothing wrong with venting, c'mon. Also, and this has been hovering on my consciousness for decades, ever since I first tried it in 2001, but I think I'm going to stop eating meat for a while. I'm not going to go completely 'full-hilt' on Vegetarianism, however, meat bothers me. It always has, or at least since my early twenties. Morrissey's right - meat most certainly is murder, and it's one of the most fucked up elements of our modern culture I can think of. But I am programmed, from the youngest of ages. This is not my parents' fault, it's just what happens with systemic issues that people are born into generations after being installed. Sure, earlier versions of humans might not have had a choice - or really, maybe they did. It's not like plants didn't grow while early humans were spearing bores on the planes - but once we had agricultural systems in place for producing substitutes, well, why didn't we switch?
It doesn't matter. There's no way I'm going to say, "I'm never going to have a hamburger again," because I fucking love hamburgers, and in fact, am thinking about eating one right now. But I won't. While we were in Tennessee, something entirely different prompted me to declare I'm giving up "plated meat" dishes, which I only occasionally eat anyway. But we're heading to the store today for a post-trip restock, and we're thinking about picking up some of the Impossible stuff, to try and use it in some recipes K makes where the dish isn't dependent on the meat's flavor or texture. I'm hoping it works, as it's not only the principle issues of eating meat that is prompting me but goddamn if I didn't eat more red meat in the last three weeks than I have in probably a year, and I'm feeling it.
Also, yes, Carver's book had a little something to do with it. The man identifies himself on his Twitter profile as "Drinker. Non-preachy Vegan" and I'd agree with that. But his ideals come through in Hinton Hollow Death Trip, and they affected me for sure. In a good way.
I'll keep you posted.
Watch:
Bloody Disgusting had a pretty big Upcoming Horror Movies for July trailer dump last week. Here's one that caught my eye:
I'm not 100% on this one, as there are a few things in the trailer that give me concern, chief among them being that, although as a lifelong Lovecraft fan, I'm a sucker for anything with his name attached. This also means I am literally a sucker because adding HPL is an easy way to market a bad movie. Still, the goat-head silhouette effect seen near the end of the trailer makes me hopeful (despite also being a sucker for goats in Horror).
Playlist:
No way to list it all. Here are some of the staples, along with some new stuff:
Black Sabbath - Eponymous
Black Sabbath - Master of Reality
RHCP - Blood Sugar Sex Magik
Sleep - Sleep's Holy Mountain
Sleep - Volume One
Karma to Burn - V
Billy Idol - The Roadside E.P.
CCR - Bayou Country
Sleep - The Sciences
Orville Peck - Bronco
Witchcraft - Legend
The Sword - Age of Winters
Mars Red Sky - Eponymous
Baroness - Gold & Grey
The Company Band - Eponymous
Ween - a couple recent live shows, all curated by Mr. Brown. It appears the boys are digging deep into their back catalogue that included "Cornbread Red" and a couple from Craters of the Sac.
Card:
The first thing I did upon returning home was pull out Jonathan Grimm's Bound Tarot for a reading:
A call to relax and enjoy, but also a warning about intoxication and the indulgences it can bring. This feels prescient, simply because my plans for today are "Pack and Drink."
Heaven is an Incubator posted the new album by Spain's Calderum. I'd never heard of these guys (this guy?) before, or the idea that anyone was meshing Black Metal with Dungeon Synth. I mean, talk about a sound you didn't know you wanted but you've been anticipating for years!
You can pre-order the Vinyl like I did, or the cassette from Death Prayer Records in the UK, just head over to Calderum's Bandcamp HERE.
Write:
I just posted a story called The Bagman Cometh over on the Horror Amino app. I had a lot of fun doing this one, and a longer version will ultimately be included in my forthcoming FREE short story collection Its Soil Be Murder. To read the current version, go HERE.
The piece is a mashup of random pictures from my phone, all used to prompt the story. I really dig this one; it plays with the whole Creepy Pasta/Urban Legend thing, while also bringing back a character from a short story I wrote waaaaay back in the early 00s but still need to publish. Maybe I'll put that in the Free Collection as well.
Back:
Hasbro Pulse began a new Haslab campaign yesterday, and unfortunately, I caught wind of it early enough that I have about a week to struggle with whether or not to cough up $299 to back this:
Christ. One of my all-time favorite figures, the HISS Driver, working treads and the kicker? That fucking working beacon.
Playlist:
Calderum - Mystical Fortress of Iberian Lands
Krallice - Demonic Wealth
Black Sabbath - Eponymous
Blut Aus Nord - Disharmonium: Undreamable Abysses
Ruby Friedman Orchestra - Fugue in La Minor (single)
Pink Milk - Ultraviolet
Black Sabbath - Paranoid
Various - The Void OST
Card:
Reminding me to make completely 'Scientific' decisions tomorrow at the home inspection; I must not succumb to emotion for or against the move. If it works, it works. If it doesn't, we go back to LaLaLand and start a new plan.
Thanks to Mr. Brown for turning me into the fact that Hellfest 2022 is streaming all the bands' sets. Of course, I'm most interested in Godflesh, a band I still hold out the hope we'll be getting another new album from sooner rather than later. Justin K. Broadrick is a very prolific, very busy man, but how do you turn your back on your baby when your baby is Godflesh?
NCBD:
Still out of town, but I'll probably pick these up anyway and just let my shop know not to pull.
Is this the end of the first arc for What's The Furthest Place From Here? or the start of a new one?
Jesus, it's only been two weeks since the previous X-Men Red. Based on the events of that book, I'm REALLY looking forward to this one.
Love this book, and the fact that I have no compass for how long this series is ultimately shaping up to be. Feels very open-ended, and like there could be a much bigger story here for Sonny and Xavier than I first suspected. Rick Remender - I love you!
Watch:
I can remember seeing the opening to Lewis Teague's Alligator so long ago; the scene of the father flushing his little girl's pet baby alligator down the toilet has stayed with me for most of my life. Thanks to Shudder, I've finally seen the entire movie.
I LOVED this flick! First, I had no idea Robert Fucking Forster was the lead! Also, hell, what a great Alligator!
Playlist:
Perturbator, Johannes Persson and Final Light - Final Light
Burning Witch - Crippled Lucifer
Black Sabbath - Eponymous
Card:
Confusing influences speak to the idea that we may have a lot of questions at our inspection tomorrow. There's a lot of 'Authority' at play, and juxtaposed with Will and the expediency I always associate with the Knight of Swords, the mental stamina that card tends to radiate, I think we may need to make some decisions that will be completely ours, i.e. not the kind of thing we can refer to our Realtor, the inspector, or the unbelievably valuable advice my parents have given to us in all this.
I took K and my folks to see Scott Derrickson and C. Robert Cargill's adaptation of Joe Hill's short story The Black Phone yesterday. This film 100% holds up to the magnificent impression it made on me at last year's Beyondfest; one of my favorite scenes (in a film with a lot of "Favorite Scenes") is the one that utilizes Pink Floyd's classic "On The Run," from their perfect 1973 MASTERPIECE Dark Side of the Moon.
Watch:
Here's a new Horror flick that drops on VOD this week from Dark Star Pictures and Bloody Disgusting films:
Wow! There are some pretty gross bits in here; loving that Body Horror has seeped into the overall Horror genre DNA.
Read:
Since switching from a Kindle to an iPad, I'm having trouble reading digital prose. I would love Kindles if they weren't total garbage machines made to be discarded when the new ones come out - you can accuse a lot of tech of that, however, I've had several Kindles over the last few years, and most of them don't last more than a year or two tops. The iPad was an investment I made primarily for artistic reasons, and I still have my one functioning Kindle, however, I'm already traveling with my Macbook, Nintendo Switch (for the plane, mainly; made the hours disappear), iPhone, and now iPad, so I didn't want to add yet another device to my already burdensome backpack. Anyway, I'm sorely missing reading, so while I was tooling around on Twitter last night and landed on author Donnie Goodman's book The Razorblades In My Head, I Eat Its Seeds, I ordered it.
What a great cover! And while you can't necessarily judge a book by its cover, I've been following Goodman's account for a little while and he's made an impression as a kindred soul, so of course, I'm going to read the man's book! I report back when I receive it and begin!
Playlist:
Powerman 5000 - The Noble Rot
Black Sabbath - Eponymous
Card:
Had to get in an actual Spread, as opposed to the daily, one-card pulls I normally do.
"Never mind what you would normally do."
Things are going to change quickly, and navigating those changes will require an abundance of love and support to get through. Not sure if that's a good reading or a "things are going to get tough" one. Obviously, I'm reading this as reference to the fact that we bought a house 2000+ miles away from where we live now. I will be going 'Remote' with my job, and there's a chance that, after a last-minute management change in the upper echelons of our company, that might put me on a chopping block. My ace is NO ONE can do what I do as fast as I can. I'll be stepping down from Management - which should improve my stress levels, as well as my opinion of the human race - and focusing on the International Logistics end of my job, already more than a full-time position on any given day. So I think I'm safe. But it's going to be a mountain to climb just to pack and move. So an abundance of love and support is exactly what we'll need.
One of my most anticipated albums dropping this year is Greg Puciato's sophomore Mirrorcell. I pre-ordered this as soon as it was announced a few months back, despite the fact that I wasn't sure where I would be living at the time of its release on the first of July (I used my parents' address, but there was speculation that they might move to TN as well). Regardless, our trip is more than halfway done now, we made an offer on a house that the seller accepted, so once the inspections and everything go through, I'll be able to lift that pre-order ban. Regardless, the album hasn't shipped yet, but Bloody Disgusting broke the news that Mirrorcell dropped early on Puciato's Bandcamp.
Watch:
On Saturday, K and I took my parents to the local AMC to see Baz Luhrmann's Elvis. I am NOT a Baz Luhrmann fan. Perhaps I shouldn't say that, because I've never actually been able to sit through one of his movies. I find his childish little "Look how anachronistic I am" proclivities to be infuriating, and the fact that he may be made the first good visual adaptation of my all-time favorite novel, F. Scott Fitzgerald's The Great Gatsby, only to eschew the Jazz music that is central to the book's themes for Hip Hop makes me want to scream at the top of my lungs directly into his face. I never bothered seeing that Gatsby (friends who did warned me to save myself, that the beauty of its visuals would only drive me crazy played under the soundtrack), but I'll say, this Elvis movie looked great. Plus, my Pops really wanted to see it. So we went.
On the way in, I almost made the statement, "If I hear one lick of Hip Hop or other modern music, I will get up and leave." Good thing I didn't, because of course, there are at least two instances in the first half of the movie with Hip Hop in the soundtrack.
It's so embarrassing. I mean, it's not that it's Hip Hop; if Luhrmann was adding Portishead, or Mastodon, or whatever other 'future music' to the film, I would have been equally pissed. He reminds me so much of Tim Burton - Lurhmann's idea of who he is as an icon or "brand" gets in the way of the decisions as to what's best for the movies he makes. The film also spruces up some of Elvis' music with a sometimes irritating modern twist, and some of the editing is a bit ridiculous in the amount of effect and flair. It works sometimes - more at the end of the film - and other times, not so much. Just looks like they were cutting it together in weird ways for the sake of making it a "Baz Luhrmann joint."
Still, the movie - despite all this - is fabulous. Austin Butler is FANtastic as The King, and Tom Hanks - Jesus. Really well done, and the script is great.
Playlist:
Powerman 5000 - The Notable Rot
The Ronettes - Presenting the Fabulous Ronettes
Jackie Wilson - Higher and Higher
Card:
Solid foundation - perhaps a literal nod to the fact that we made an offer, they accepted the offer, and now we have to go through the inspection process. One of those inspections? You guessed it: Foundation. A lot of work still to come.
Wow, not totally sold on the song yet, but I LOVE the video (how many times can you say those words?) From the forthcoming album Patient Number 9, out September 9th. You can pre-order HERE, which I broke my ban when I saw I could add this to my order:
Yes. I'm a f*&king sucker. I just can't help but picture our cat Sweetie curled up with this on the couch (she has a teddy bear she curls up with now, so not unheard of).
If I've not said it here previously, I find it endlessly fascinating that my own apparent "Mid-Life Crisis" consists of a reversion to obsession with the Action Figures, Super Hero Comics and Metal I loved as a kid.
Pretty good Crisis to have.
Watch:
Rob Zombie's brother Spider One has his first film hitting Shudder courtesy of Shudder and RLJE Films. Here's the trailer that dropped two days ago:
I'm not a Powerman 5000 fan, despite posting a track from their 2020 album The Noble Rot that sounded pretty good back sometime last year. Wasn't enough to inspire me to check out the rest of the record (I'm actually remedying that as I type this by downloading it on Apple Music to check out later). Anyway, this looks like it could be cool, so I'm laying aside any musical prejudices I might or might not have and going to go in with an open mind.
Playlist:
Perturbator, Johannes Persson and Final Light - Final Light
Sleep - Sleep's Holy Mountain
CCR - Bayou Country
Card:
We saw two more houses yesterday and attended an open house for the one we almost put an offer on two days ago. The two new ones didn't hold a candle to the one we re-walked, so we made an offer, just went in at the asking price. They had until 12:00 PM today to respond, and right up to the wire, the seller's agent reached out to ours and asked for an extension. We replied with EOD. I'm still feeling a bit of uncertainty, but I'm trying to just put myself back in my mindset at home in LaLaLand (i.e. - other than my friends and the abundance of culture we'll be leaving behind, I hate L.A.). If someone bids even a dollar over us, we're going to let this one go and reassess. I can't help thinking it's funny that on a day where there was an open house, the seller's agent hasn't talked to their client; seems this is probably a strategy while they maybe wait on some last-minute second offer. The Moon always denotes hidden influence/agenda.
Another new single/new album announcement my travels have left me behind on. After seeing The Soft Moon live several years ago for their 2016 album Criminal, I can attest to the fact that, as much as I dig Anthony Vasquez and crew's albums, they're way better live. Regardless, I'm psyched for the new album, Exister, which drops 9/23 on the always amazing Sacred Bones Records! Pre-order HERE.
Watch:
Saw this dropped and wanted to post it here for posterity's sake:
As per usual, I am not watching the trailer, just salivating until 4:2 drops. I still just don't understand how every season of this show is able to get exponentially better than the previous.
Read:
I'm not really getting a lot of time to read while we're out here. Since we arrived, it's been pretty hectic. We almost made an offer on a house last night, but there were two we were interested in that didn't hit the market until today, so we held off. Thing is, the one we almost made an offer on has an open house today, and so does one of the two that goes on sale today. So we could end up screwed. Fine. That'll suck, but I always read shit like that as "Wasn't meant to be." I'm not a believer in Fate, but I have reservations about EVERYTHING at the moment, so I'm happy to let the Universe act as an Equalizer.
No, not that Equalizer. Oh well, you get it.
Anyway... I haven't had a chance to read much, but I will say, I burned through the comics I bought the other day at Rick's Comic City - GREAT Shop and SUPER nice people - and I cannot get Immortal X-Men #3 out of my head.
Characters I've always loathed and found nothing but boring:
1) Charles Xavier
2) Magento
3) Mystique
4) Destiny
Characters I now find endlessly fascinating:
See 1-4 above.
I love the graphic representation Kieron Gillen and Lucas Werneck used to show us Destiny's Precognitive sight and at the same time tease possible future events. Also, I loved how big they went with the one future they did show us, simply because they're never going to show us it again.
What the hell is that? Giant Exodus possessed by The Phoenix Force eating Mr. Sinister (who manages to re-set the timeline first anyway?) This is some crazy shit, but the craziness is fleeting compared to the "game of thrones" going on and the character development. As Dave Buesing from Comic Book Herald points out in the most recent "Talking Krakoa," this is the first deep or probably even good character study on Destiny EVER in X-comics. That says a lot.
Then there's Mystique, I've never cared for her. When the original X-movies began to use her as a major character I always kinda scratched my head. Even for years after that, whenever I would dabble with an X-book again, I never bought Mystique's post-movies position as a now-major character. All that has changed. Hickman started it, and Gillen is CRUSHING it continuing this fascinating series.
Playlist:
Smokey Robinson and the Miracles - 1957-1972 (Live)
The Blues Brothers - Briefcase Full of Blues
16 Horsepower - Low Estate
Sleep - Sleep's Holy Mountain
Card:
Okay, based on my brief run-down of the last few days above, this is a sight for sore eyes. 10 of Disks: Wealth doesn't promise anything, but "A solid foundation" definitely equates to "A good home" in my mind, always has. So okay, let's go out and find a fucking house!
The Founder/Guitarist from iconic Horror Soundtrack Prog group Goblin passed away at 70. Goblin has many amazing tracks and albums, this may be the greatest.
Also, along with guitars, Morante played the bouzouki. How about that? If you're like me, you might find yourself suddenly wondering if that's the instrumental layers in some of their music you could never quite place before.
Watch:
I know there's not a lot of Goblin's music in the intro scene to Dario Argento's Suspiria, however, it feels like there's more than there is, right? I believe that's because Goblin crafted such a fantastic score - and I'm under the (possibly mistaken) assumption that they wrote the music without having viewed the final cut of the film - in such a way that it mixes perfectly with the nightmare logic of Argento's cinematic aspirations.
I love the way the music hard stops when they cut from what Susie sees to the medium close-up of her walking. The direction, editing and score suggest she's not seeing what is actually there, which, if you think about it, fits the film perfectly from start to finish. Or rather, she's seeing what is there but what no one else can see. She's entering a Nightmare. Massimo Morante ladies and gentlemen. Rest in Peace, sir.
Playlist:
Orville Peck - Pony
Roy Orbison - Mystery Girl
Gordon Lightfoot - Greatest Hits
The Soft Moon - Him (pre-release single)
Hank Williams III - Straight to Hell
The Essential Dolly Parton
Johnny Cash - At Folsom Prison
Alabama Shakes - Sound & Color
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Open to new influence, awareness and new life. Not sure any of that really does me any good at the moment. Both K and I are having MASSIVE doubts about our plans for TN. There are a ton of reasons, but a lot of it boils down to it may not be exactly what we thought, we're priced out of the area we wanted and our second choice isn't nearly the same, and even though we've seen some houses we love and almost jumped on, there's the idea that, find the perfect home, move in, and if you have nothing around it to make you happy, in six months it's a prison and that will make you resent it and maybe your partner. And fine, so don't move, but the thing is, I really don't know where the hell we're going to live if we don't move here. Stay in LaLaLand paying insane rent? There's really nowhere else we've thought of, so we would have to take some serious time. In my head, there's also the idea that, if this shit with my lungs goes south, I want to be able to get her into a house that's hers before I check out. That's probably paranoia, but that doesn't mean it isn't clouding the situation.
Really digging this new track from Preoccupations that not only did Heaven is an Incubator post about recently, but both my good friends Jacob and Mr. Brown sent me last week (or the week before, we are now officially in a blur, ladies and gentlemen). It's been some time since we had new music from these guys, and I'd forgotten just how much I love their Eponymous and New Material Records (not to mention the Viet Cong stuff).
The new album Arrangements is out September 9th, and you can pre-order it now HERE. I'm currently on a ban from anything pending our move, but that shouldn't hold you back.
Watch:
I feel like someone sent me something about this one a few months back, as the title rings familiar. After watching this trailer, however, I don't know. The first feature from Writer/Director Zach Cregger, this is new to me:
Holy smokes. SOLD. What a fantastic trailer - it gives us so much of the aesthetic but gives NOTHING away (I'm assuming). Bill Skarsgård is beginning to be enough to make me stop and consider anything he's in, so there's that, and the 'tunnels under suburbia' angle is right in my sweet spot, so my arse will be in a seat come 8/31.
Playlist:
Black Sabbath - Eponymous
The Mars Volta - Blacklight Shine (pre-release single)
The Soft Moon - Him (pre-release single)
Preoccupations - Ricochet (pre-release single)
Smokey Robinson and the Miracles - 1957-1972 (Live)
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Fortify your position. Definitely apt. I'm having massive "is this the right thing?" thoughts as we look at houses.
