Contemplating Swamp Thing, Old and New

Posted an article here on Joup earlier about the end of Scott Snyder and Yanick Paquette's run on Swamp Thing (issue #18 came out this past Wednesday and wrapped it up). This led to me beginning a re-reading of Alan Moore, Steve Bissette and John Totleben's Swamp Thing run from 1984, the run that basically introduced Moore to American comics (thanks to Karen Berger) and changed the industry on this side of the pond, almost single-handedly launching DC's Vertigo line and very clearly inspiring Neil Gaiman's Sandman. While re-reading I came upon this line, both in  the beginning of chapter #6 (originally issue #26). It is BEYOND mastery of language:

"I used to think I knew from fear... I didn't. All I knew were the suburbs of fear... and now here I am, in the big city."

Wow.

Afghan Whigs Joined By... Usher on Stage???

Well, the sound sucks and it would have been great to have a full song instead of this jump around crap, but this is still an anomaly worth posting. I don't care too much for Usher (not at all really, from the little I know. I'm more of a Maxwell guy) but I LOVE the Whigs, so the completist in me is posting this for the other completists out there.

Flaming Lips Live @ SXSW - Are You a Hypnotist?

This is awesome, but what's even freakin' cooler is Brooklyn Vegan's pictures of the Lips last night as they performed Yoshimi Battles the Pink Robots live in it's entirety for apparently the first time ever.

I'm VERY hot and cold with the Lips. I got into them later than my friends (mainly Mr. Brown) - I always liked what I heard but not enough to actually become a fan. Brown saw them live way back when Tool was opening for THEM (crazy, right?) in like '93 or '94. He'd describe their awesome live show and it sounded great but somehow it never spurred me to accompany him (in my defense it wasn't always that I could get off work for shows back then - like now - so I had to pick and choose). Anyway, the first time I did see them was the Flaming Lips Boombox experiment at the Metro in Chicago, not sure what year but late 90's probably. It was awesome, but it wasn't them performing per se. They brought 50 folks out of the crowd, had 25 sit on one side of the stage and 25 on the other, then passed out 50 boomboxes and 50 bags of color-coded tapes. Wayne then 'conducted' the participants to insert and play various tapes at various times. It was pretty rad. I was closer to being a fan, but didn't take the first plunge until The Soft Bulletin blew my fucking head off - how was this the same band? That predates Radiohead's likewise similar change between OK Computer and Kid A (Kid A is my favorite Radiohead record and I wasn't really a fan until it's release) and was really the first time I'd seen a modern band pull such an massive evolutionary step. The only problem with the Soft Bulletin was it made me so sad I really had to be careful around it.

Flash forward to 2002 and on one of our first dates my then-girlfriend, now-wife brought me to see the Lips on their Yoshimi tour at Chicago's Riviera Theatre and it was the whole fabled spectacle - bubbles, stuffed animal suits, confetti, etc. When describing that show I've always said it was a celebration of being alive. It made me cry. Only other show to do that was Bjork at Chicago's Civic Opera house.

But I digress - What's my point? I dig this video, and the concept for this upcoming concept record The Terror. But I liked a lot of what I heard about Embryonic before it's release, even really liked the first single, but the record ended up falling flat for me. In fact, I haven't liked a lot of what the Lips have done since Yoshimi. Was this due to after waiting years for Christmas on Mars and then having Mr. Brown send it to me only to find that I loved it both visually and sonically but absolutely HATED the dialogue in it (I talk more in depth about my disappointment with that here)? I don't know. Then the band did Dark Side of the Moon and it sounded cool but fell flat for me when I heard it (though it may not have if I'd heard it live). Now the band is doing commercials and I'm weary of that. But this upcoming album again, like all Lips album's since I drank about half the glass of kool aid, has me really curious. Maybe it will be the album that finally does for their later career what Hit to Death in the Future Head and Telepathic Surgery did to their older stuff for me.

Maybe.

New Death Grips On the Horizon?

I find Death grips endlessly fascinating. And props to Pitchfork for always having great interviews with them. My favorite is here

American Mary

This is the theatrical trailer. The Red Band is a bit more... intense but I also think it gives more away. I have a good feeling about this one. I'm thinking something bitterly disturbing but worth it in the ballpark of Martyrs.

And in case you don't recognize her, if you're a Ginger Snaps fan like I am (part 2 RULES) that's Ginger -  Katharine Isabelle - herself, all grown up.

A Veronica Mars Movie?

This video reminded me just how damn awesome the show was and how attached I am to the characters. I didn't watch it when it was on, nor the first time through when my wife bought the DVD sets. However, about a year and a half ago something piqued my curiosity and we sat down over the course of however many weeks and watched the whole three season run, and it was fantastic, though it ends rather abruptly in season three and, like so many great shows do, leaves you hanging for something that's probably never gone come...

But now it might! Creator Rob Thomas has announced a Kickstarter campaign and shot a GREAT little video to introduce us to it - and to reacquaint us with the main characters and remind us what it was we loved about the show. Seriously - this video is fantastic.

And oh what a show...

The first season of VM especially is something I would put up with the best tv has ever had to offer. For me there's Breaking Bad, then there's Twin Peaks (it's only within the last two years that that order has emerged - I've been in love with Twin Peaks since the night the pilot aired and I just happened to watch it, waaaay back in what I believe was 1990) and then number three is probably season 1 of Veronica Mars. It's just that damn good; such a strong tone that runs through the entire thing, top to bottom, front to back. And so many great and complex characters, not to mention dozen of endearing little moments that stuck in my head only to re-surface on an almost daily basis (Vinnie Van Lowe singing Hall and Oats' Private Eyes to Veronica as a makeshift threat springs to mind immediately).

David Bowie - The Next Day

image courtesy of http://blog.kexp.org/

What does it say that two of the now most old school guys still making GREAT music released two of their finest records ever this year? First there was last month's marvelous Nick Cave and the Bad Seeds' record Push the Light Away and now there's David Bowie's The Next Day. I'm planning on doing a joint review of both records on Joup in the next couple days but in the meantime suffice it to say that tonight I purchased The Next Day on iTunes specifically to receive their particular Deluxe Edition which includes three extra songs that apparently are not on the hard copy. This even though I look at that cover above and absolutely LUST after the Vinyl. Maybe at some point in the future I'll splurge, but for now I'm on my first pass through the album and it is fantastic.