Morgan Page feat. Nadia Ali - Carry Me

Harmony Korine's Spring Breakers

Facts (according to Shawn):

1) Harmony Korine's Gummo is in my top five favorite films of all time. Because of this I see everything he does. It's not all good, but when it's good, it's good.

2) I'm fairly certain James Franco is the next Gary Oldman.

3) Next Friday my friend Michael and I are going to see Spring Breakers. I'm pretty sure it's amazing. I'm also pretty sure it's a lot weirder than the pop elements of it (disney girls going bad, Franco, skrillux, tits) would have the masses believe. I'm pretty sure it's going to alienate some folk.

Drinking and Posting

image courtesy of bythepint.com

what follows is essentially a drunken mix tape. I'm drinking and on little sleep and stream of consciousnessing this - except where I'm totally biting Jason Bentley of KCRW's style, as he's on the radio live from SXSW on LA's public radio KCRW and really playing some AMAZING music. I'm not posting it all here, but I'm reiterating a lot of it while jumping around to random associations my mind is taking me to.

Alien Sex Fiend - Clockwork Banana, Banana Moon

I like a lot of weird music. This is among the weirdest.

Contemplating Swamp Thing, Old and New

Posted an article here on Joup earlier about the end of Scott Snyder and Yanick Paquette's run on Swamp Thing (issue #18 came out this past Wednesday and wrapped it up). This led to me beginning a re-reading of Alan Moore, Steve Bissette and John Totleben's Swamp Thing run from 1984, the run that basically introduced Moore to American comics (thanks to Karen Berger) and changed the industry on this side of the pond, almost single-handedly launching DC's Vertigo line and very clearly inspiring Neil Gaiman's Sandman. While re-reading I came upon this line, both in  the beginning of chapter #6 (originally issue #26). It is BEYOND mastery of language:

"I used to think I knew from fear... I didn't. All I knew were the suburbs of fear... and now here I am, in the big city."

Wow.

Afghan Whigs Joined By... Usher on Stage???

Well, the sound sucks and it would have been great to have a full song instead of this jump around crap, but this is still an anomaly worth posting. I don't care too much for Usher (not at all really, from the little I know. I'm more of a Maxwell guy) but I LOVE the Whigs, so the completist in me is posting this for the other completists out there.

Flaming Lips Live @ SXSW - Are You a Hypnotist?

This is awesome, but what's even freakin' cooler is Brooklyn Vegan's pictures of the Lips last night as they performed Yoshimi Battles the Pink Robots live in it's entirety for apparently the first time ever.

I'm VERY hot and cold with the Lips. I got into them later than my friends (mainly Mr. Brown) - I always liked what I heard but not enough to actually become a fan. Brown saw them live way back when Tool was opening for THEM (crazy, right?) in like '93 or '94. He'd describe their awesome live show and it sounded great but somehow it never spurred me to accompany him (in my defense it wasn't always that I could get off work for shows back then - like now - so I had to pick and choose). Anyway, the first time I did see them was the Flaming Lips Boombox experiment at the Metro in Chicago, not sure what year but late 90's probably. It was awesome, but it wasn't them performing per se. They brought 50 folks out of the crowd, had 25 sit on one side of the stage and 25 on the other, then passed out 50 boomboxes and 50 bags of color-coded tapes. Wayne then 'conducted' the participants to insert and play various tapes at various times. It was pretty rad. I was closer to being a fan, but didn't take the first plunge until The Soft Bulletin blew my fucking head off - how was this the same band? That predates Radiohead's likewise similar change between OK Computer and Kid A (Kid A is my favorite Radiohead record and I wasn't really a fan until it's release) and was really the first time I'd seen a modern band pull such an massive evolutionary step. The only problem with the Soft Bulletin was it made me so sad I really had to be careful around it.

Flash forward to 2002 and on one of our first dates my then-girlfriend, now-wife brought me to see the Lips on their Yoshimi tour at Chicago's Riviera Theatre and it was the whole fabled spectacle - bubbles, stuffed animal suits, confetti, etc. When describing that show I've always said it was a celebration of being alive. It made me cry. Only other show to do that was Bjork at Chicago's Civic Opera house.

But I digress - What's my point? I dig this video, and the concept for this upcoming concept record The Terror. But I liked a lot of what I heard about Embryonic before it's release, even really liked the first single, but the record ended up falling flat for me. In fact, I haven't liked a lot of what the Lips have done since Yoshimi. Was this due to after waiting years for Christmas on Mars and then having Mr. Brown send it to me only to find that I loved it both visually and sonically but absolutely HATED the dialogue in it (I talk more in depth about my disappointment with that here)? I don't know. Then the band did Dark Side of the Moon and it sounded cool but fell flat for me when I heard it (though it may not have if I'd heard it live). Now the band is doing commercials and I'm weary of that. But this upcoming album again, like all Lips album's since I drank about half the glass of kool aid, has me really curious. Maybe it will be the album that finally does for their later career what Hit to Death in the Future Head and Telepathic Surgery did to their older stuff for me.

Maybe.