2018: October 14th

I had not heard of Prospect previous to encountering the trailer on Bloody Disgusting earlier this weekend. Looks pretty good. I think Annihilation paved the way for more of this type of Sci Fi film getting major theatrical releases, and that's a good thing.

Zeal and Ardor absolutely killed it last night at the Roxy. Having seen them about a year ago at the Hi Hat, a smaller venue, this band proved it is going nowhere but forward. Very little talk between songs, except to express gratitude and joy at their 100th show and such an awesome turnout (if it wasn't sold out it was close), the ripped through pretty much everything you could ask them to. I was especially happy to hear Waste live, and they closed with a new song called Baphomet, which was fantastic. Also, like I may have mentioned a few months ago when I saw Windhand there, the Roxy really does a good job maintaining their beer taps. The Lagunitas Pils was exceptional.

Here's a video of Baphomet from Lowlands in August:



31 Days of Horror continued with the Director's Cut of Land of the Dead. I liked it about as much as I did the theatrical version back in 2005 on opening night, which is to say not very much at all. Recently, George A. Romero's widow announced he had left behind a lot of scripts. Now, not all of them are necessarily zombie movies. However, I've always been kind of bummed that George A. did such an amazingly cerebral take on horror - while creating a new monster/genre* with the zombie film, no less - devolved into the pretty straight up action film Land and then he re-booted the continuity with Diary and Survival of the Dead. I've not seen those last two, but as soon as I heard he was no longer continuing the original timeline, I was out.

Why?

I want to know what the world we were introduced to in Night of the Living Dead looks like 6 days down the line, 6 months down the line, 6 years down the line, etc. Romero deftly continues the evolution of that world in Dawn and Day, the former being, in my opinion, the best zombie film of all time, and the latter, despite some questionable acting and directing choices (Jamaican accent?), a great continuation of that evolution, for both the "monster" and the concept, but what's next? This is why I've always loved The Walking Dead comic series: the evolution of the world where this apocalypse has come to pass. Incidentally, I read once that Robert Kirkman's original title for The Walking Dead was Night of the Living Dead, or that the intention was to set it in Romero's universe (it's public domain).

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle

And yes, at the time of writing this I've already watched today's movie, the just-dropped new film by Gareth Evans, Netflix's The Apostle. The articles I read about this describe it as somewhat Lovecraftian. Man, that is one over-used term these days! There is nothing Lovecraftian about this film. That said, I enjoyed The Apostle, however it has an odd pacing that feels a bit over-stuffed at times. My guess is this was originally supposed to be a series, then while filming the pilot someone decided to make it a film, and they shot enough to complete it. The film handles its multiple storylines well, however it just feels like the first season of a show streamlined into a 2 hour and 20-something minute movie. Not a bad thing, but makes for a little bit of cumbersome viewing. Cumbersome might be too harsh, so let's just say it doesn't flow the way a film like this seems it should.



Playlist from yesterday:

Joh Corigliano - Altered States OST
John Carpenter - Lost Themes II
Windhand - Eternal Return
Zeal & Ardor - Stranger Fruit
Tom Vek - Luck

Card of the day:

Confirmation of the dark side? Entering the night, exploring the darker aspects... of myself? Or something I'm writing? No real frame of reference for this one today.

2018: October 13th

The closing track from Windhand's Eternal Return, my current musical obsession.

Zeal and Ardor tonight at the Roxy! Can't wait. Normally I'd show up a bit later and hang at the bar, but K wants to get there early, grab a spot by the stage and hang there all night, so it'll be front-and-center for one of her favorite bands. We saw them last year at the High Hat and hot damn! what an awesome show. Not a huge fan of The Roxy, but I'm happy as hell to see them growing into bigger venues.

31 Days of Horror continued with George A. Romero's Day of the Dead, primarily because I ordered the bare bones, director's cut Blu Ray for Land of the Dead - a movie a saw opening night in '05 and did not like very much. In spite of this, I've decided it's time for reassessment, and my friend Anthony swears the Theatrical was unlikeable because of studio edits which the director's cut corrects. We shall see...

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead

Playlist from 10/12:

The Final Cut - Consumed
In Solitude - Sister
Alice in Chains - Eponymous
Sisters of Mercy - Floodland
Steve Moore - The Mind's Eye OST
Windhand - Eternal Return
Zeal and Ardor - Devil is Fine

Card of the day:

Probably because the prospects of doing any real writing this weekend are slim. Boo social activity!

2018: October 12th

Here's a track off one of my seasonal go-to's this time of year, The Final Cut's 1992 Consumed, which also happens to be my pick for today's edition of The Joup Friday Album, which you can read over HERE on Joup.co.

Continued 31 Days of Horror last night with Killer Klowns form Outer Space. Man, John Vernon is the shit, isn't he?

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space

Tonight? I'm thinking either George A. Romero's Day of the Dead or Dario Argento's Phenomenon. But we'll see.

I didn't talk about NCBD yet this week, primarily because I've been too busy to stop in and pick up the one thing that came out on my pull. But oh what a 'one thing' it is:

This original Hardcover Graphic Novel from the creators of recent favorites of mine Fatale, The Fade Out, and Kill Or Be Killed, My Heroes Have Always Been Junkies ties into the Criminal Universe in a small way via that series' first arc, Coward. Interestingly enough, I just read Coward for the first time a few days ago. I couldn't have timed that better if I'd tried! Criminal is the only Brubaker/Phillips series I've yet to engage with, and this little serendipitous jaunt should catapult me further into it nicely. Thanks to my good friend Joe.Baxter for lending me his trades and getting me started!

Playlist from yesterday:

Monolord - Rust
The Black Queen - Infinite Games
In Solitude - Sister
Blut Aus Nord - Memorial Vetusta II - Dialogue with the Stars

No, that damn second part of the novel still isn't finished, but I did come up with the plot point I believe it has always been missing. The somewhat clunky elements that haunted a certain character's motivations have now been replaced with what I can joyously say is a new, elegant arc that puts everyone where I need them to be for the plot to resolve in part three. I spent a good deal of time yesterday re-writing chapters in part one in order to massage this element in and it sent me skyrocketing into the second half with renewed vigor. So here's to that!

Card of the day:

Mind distracted at times you say? Why yes! All that writing time yesterday was hard-earned in between being distracted by this and this and this.

Bastards!

2018: October 11th

Finally. Last night showed K Mike Mendez's The Convent for the first time. Probably about the twentieth viewing for me since I first discovered it circa 2001. Still in my top five favorite movies ever; every moment is joy to me. Especially Frijole and the Lords of Darkness. Brilliant, and easily the best horror-comedy ever. Coincidentally it's playing in theaters this evening as the second in a double feature with Sweet Sixteen as part of Bloody Disgusting's RetroNightmares. I'm not going, and I'm sad.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent

Playlist from yesterday:

Windhand - Eternal Return
Alice in Chains - Rainier Fog
Blut Aus Nord - Memorial Vetusta II - Dialogue With the Stars

No card today either.

2018: October 10th

Thought I'd start today off with another under-appreciated Type O track. I know, I know... wrong holiday. Still, it fits the season.

The first episode of The Horror Vision is now available on Apple Podcasts HERE. Also available on The Horror Vision website HERE. The audio is good but not great; tweaks coming for the next episode, which we recorded last night and will land next week. #2 is a discussion of our Halloween go-to watches, from the standards to the more individualized, left-of-center picks we watch every year.

31 Days of Horror continued yesterday. Since I was out doing the podcast last night, K and I opted to continue to push back Mike Mendez's The Convent back, and instead I treated myself to an afternoon viewing of Ti West's first feature film, The Roost. LOVE this one, and it'd been a while. Holds up and then some. K watched The Haunting of Molly Hartley, liked it but said it kinda resembled a Lifetime movie if they did horror.

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost

Playlist from 10/09:

High On Fire - Electric Messiah
Nothing - Guilty Of Everything
The Skull - For Those Which Are Asleep
Type O Negative - October Rust
Type O Negative - Dead Again

No card today.

Pet Sematary Trailer!

Whoah. Thanks to my good friend Missi, I finally read Stephan King's Pet Sematary about five or six years ago. It immediately became my favorite non-Dark Tower King novel. It is chilling. End of story. And the scenes that brush up against the Wendigo - if that's what it is - SO spooky. So well done! The flick looks great - the directors previously did Starry Eyes, so that's a great sign in my book. Another upscale King Adaption on the heels of last year's IT. While I'll admit to a certain soft-spot for the original Pet Sematary, this looks to be a vast improvement.

2018: October 9th: New High on Fire

With all my elation at Windhand's Eternal Return dropping last Friday, I forgot High on Fire's new album Electric Messiah also hit the 'shelves.' After giving it a couple spins I dig it - Matt Pike and crew didn't reinvent their wheel here, but there's some digging around inside the confines of their patented sound that there's some growth here. As usual, it's pummeling and a bit exhaustive. Not a bad thing.

31 Days of Horror continued yesterday with another first timer for me (we opted to save The Convent for tonight):

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species

Species is one of K's favorites. I'd never really had any interest in seeing it until I recently read that the monster was based on an H.R. Giger design - obvious, but I guess I just thought it was a case of Hollywood cribbing the design on the Alien monster. Either way, I enjoyed Species in spite of it being very 90s- everything from the camera work to the overwrought score reeked of X-Files influence. Forest Whittaker overdoes his role as this search-and-destroy team's empath, although I suspect that was the product of direction more than his personal choice. Also, the use of ground fog where there shouldn't be any is very much a trope of the 90s.

Playlist from 10/08:

The Jesus and Mary Chain - Automatic
Corniglia - Eponymous
High on Fire - Electric Messiah
High on Fire - Snakes of the Divine
God is LSD - Spirit of Suicide

I ended up baulking on finishing the second part of the novel last night due to sheer exhaustion. After work was reserved for a big ol' nap! Today's card for the day reflects my adjusted expectations:

Also, there's the balance of contrasts inherent in this card, which ties into the book's attempt to balance YA adventure-horror with a touch of a literary pedigree.