Showing posts with label 5 of Cups Disappointment. Show all posts
Showing posts with label 5 of Cups Disappointment. Show all posts

Sunday, November 24, 2024

First Knight of Noirvember

 

Continuing the Noir theme for November, I can't think of a more Noir track than Barry Adamson's The Big Bamboozle, from 1993's Oedipus Schmoedipus.
 


Watch:

I continued Noirvember this past weekend with a handful of first-time watches. First up, Fritz Lang's 1953 The Big Heat.


This one knocked my socks off. Glen Ford is absolutely fantastic in the role of Sgt. Dave Bannion and a young Lee Marvin chew up the scenery and spit it out on your shoes, man! Everyone here is a hard case, and it works because they all really inhabit that space and energy. Some of the violence shocked me a bit for '53, and overall, there's just such a nihilistic tone that the black-and-white cinematography feels etched into the screen as it moves. I'll definitely be adding this to the collection at some point, although, having watched this on the Criterion Channel, I would have assumed they put out a BR. That does not seem to be the case.

Next up, one I've heard about forever. Edgar G. Ulmer's Detour, from 1945.


Once nearly lost, Detour is considered an important film by the historical archives. Tom Neal plays Al Roberts, a frustrated nightclub piano man whose girlfriend leaves him in NYC for dreams of stardom in Hollywood. Eventually, Al decides to follow by hitchhiking across the states. He makes it as far as Arizona, then ends up embroiled in a pretty dicey situation he can't help but make worse with every decision he makes. Constantly giving him more slack for the noose is Ann Savage as the enigmatic Vera. Damn folks, this dame is merciless!

The chemistry here is fantastic, and at one hour and six minutes,  Detour is a short film and thus made a great second film in a Friday night double feature. 




Read:

Now that I have acquired all three issues of DC's Black Label The Bat-Man: First Knight, I finally read the entire storyline in a single sitting over the weekend. Perfect for Norvember!


Writer Dan Jurgens really thought out and researched what a Batman story set in 1939 would look like. The overall story centers around a mysterious ring leader known only as The Voice. From the shadowy comfort of closed quarters, The Voice is conducting a series of hits on city officials - Councilmen, the Mayor, even the Police Commissioner. The perpetrators seem more than human, and people are scared. 


In the background, helping to ramp up the tension is the world of 1939. The world is still reeling from the first "Great War." Uncertainty is everywhere, and to make matters worse, the cunt with the funny mustache is threatening the Jewish people of Europe. America sits on her hands, wishing against the inevitable. Hate spreads quickly, though, and travels on the wind. Hate crimes are on the rise in Gotham, and people are scared and frustrated. Sounds like a proper powder keg, eh? 



Jurgens does some really interesting things with The Bat-Man's supporting cast - Bruce is new to this and none of the confidants we're used to are anywhere to be found. Well, except Gordon. Tried and true, that man.

As you can see, I ended up with a cross-section of the different covers available, but that's fine by me. Each gives a different aspect of the tone series artist Mike Perkins has created here - with no small contribution from colorist Mike Spicer. This book really conveys the era - from the shop signs that line the streets of Gothamn, to the filth that clings to the buildings, shanty towns and alleys, First Knight really puts you there. 




Playlist:

Godflesh - A World Lit Only By Fire
Godflesh - Us and Them
Godflesh - Songs of Love and Hate
Raffertie - The Substance OST
Genghis Tron - Dream Weapon
Genghis Tron - Board Up the House
Sumerlands - Dreamkiller
Justin Hamline - The House with Dead Leaves
Godflesh - Post Self
Marilyn Manson - One Assassination Under God Chapter 1
Marilyn Manson - Antichrist Superstar
Fvnerals - Let the Earth Be Silent
The Soft Moon - Criminal
Crystal Castles - II
Drug Church - Prude
Fugazi - Steady Diet of Nothing
Fela Kuti - Sorrow Tears and Blood
Mrs. Piss - Self-Surgery
Oranssi Pazuzu - Muuntautuja




Card:

Today's card is the Five of Cups, or as Crowley dubbed it, "Disappointment."


An important note from my notes on this card: "Examine your expectations." I believe this is the root of the card for me. I can and will go into a little bit of whatever A.C. has in The Book of Thoth, but the older I get, a lot of the "in-depth" elements of association with Tarot feels... cunty. Or to quote Mr. David Byrne, "When I've got nothing (else) to say, my lips are sealed." I increasingly get the feeling that Crowley would have talked for days about any card in the deck if allowed, which means a lot of what he'd have to say would be, ahem, bullshit double talk. But then, the man sold his own semen as a "Health Elixir," so of course that's what he'd do.

The root of this card isn't the disappointment; it's understanding disappointment as at least partially the disappointed one. Five's are Geburah, severity. These are demanding cards (which makes me wonder if the card is the one that's disappointed; is drawing it a scolding?).
Surprisingly, Crowley must, at least in part, agree that this is a simple card. Severity indicates simplicity, in a manner, so that tracks. 

Like in Trump 12, The Hanged Man, we once again see the inverted Pentagram, the triumph of Matter over Spirit. That's a disappointment. 

Sunday, May 7, 2023

Cruising Near Dark


From the 1987 OST for Kathryn Bigelow's inimitable debut film, Near Dark, one of about three vampire movies I can't live without. 

Tangerine Dream was such a solid choice for scoring this film, and I'd say it just accentuates William Friedkin's obvious influence on Bigelow film. The early scene in the film this song scores is one of the most era-defining moments of 80s Horror for me. I didn't see Near Dark until well after its release, but the sights and sounds of this sequence somehow sum up a large part of the texture I remember from the mid-to-late 80s. 




Watch:

Saturday night, K and I finally sat down and watched William Friedkin's 1980 thriller Cruising.

 
I remember some time back when Netflix was still by mail, I watched Friedkin's French Connection and To Live and Die in L.A. and realized, "Oh shit, this is the same guy who did The Exorcist. Wow."

I've never been one to get into an artist and just consume everything they've done immediately. There's still one Bret Baston Ellis book I haven't read; there are several Irvine Welsh novels I'm keeping on the back burner, and I've not heard more PJ Harvey than I've heard. This isn't to say there's any reason I'm avoiding these entries in the respective artist's canon except that I want to make sure there's something on deck. With Friedkin, I'm sure I looked up his filmography and made some long-forgotten notes, but I didn't exactly jump on anything else right away.

Sometime around 2013, titterings began for the restoration, release and revival house screenings of two "lost masterpieces" - 1977 Sorceror and Cruising. I remember mid-week screenings popping up at the New Beverly Cinema or the Silent Movie Theatre. I remember not having the money to go, or to buy the newly released DVD because my live was getting ready to explode. Ten years later, I finally sat down and watched Cruising and it absolutely blew me away, although not in the manner I expected. 

Friedkin is the best kind of sneaky when it comes to what he shows his audience. He manipulates his story via the medium of film by how he edits, what he puts in and what he leaves out of his script and its dialogue. Also, there's a level of casting manipulation here that I didn't understand at first, but after I read THIS ARTICLE. There is such mastery of film as a medium here, but not in the usual ways. Yes, the craft - the cinematography, writing, acting, all of it is superb, but the mastery I'm referencing here is the way Friedkin compresses his narrative into the actual physical act of showing it to us on screen. This isn't anything 'new,' however, I don't know anyone who has done it quite like this before. 
 


Playlist:

Black Sabbath - Master of Reality
Black Sabbath - Technical Ecstasy
Bongripper - Satan Worshipping Doom
Atrium Carceri - Kapnobatai
High on Fire - Death is this Communion
High on Fire - Surrounded By Thieves
Sleep - The Sciences
SQÜRL - Silver Haze
Gaupa - Myriad
Mars Red Sky - Eponymous
Steve Earle - J.T.
Trombone Shorty - Too True
The Devil's Blood - The Thousandfold Epicenter
Black Sabbath - Sabbath Bloody Sabbath
David Bowie - Diamond Dogs
        


Card:

A single Thoth card for my Pull today:



When one path closes, the trick is sidestep the disappointment and watch for the next opening sure to arise in the wake. 

 


Saturday, January 30, 2021

Genghis Tron's Dream Weapon

Wow. I haven't really checked in on Genghis Tron since 2005's Cloak of Love EP, when I fell in love with the track "Arms," putting it on a bunch of mixtapes (ie CDs) and playlists in the early days of iTunes. After only a handful of records in the 00s and nothing since 2008's Board Up the House, Tron is back and have a new record coming March 19, on Relapse Records! Pre-order Dream Weapon HERE.




Watch:

Okay. Wandavision was trying my patience up to and into the third episode, but as of last night's? SOLD.


The same way my favorite X-Men team will always be the Australian hide-out 8-piece of Storm, Havoc, Wolverine, Colossus, Rogue, Longshot, Dazzler, and pre-body shop Psylocke, the Avengers team that sticks in my head is from the same era:


It's not a stellar team, and I can't even say I was a huge fan of any of these characters at the time, but the impending 'End' of the team - very similar to Claremont's Dissolution and Rebirth arc in Uncanny X-Men at the time - coupled with the weird juxtaposition of knowing next to nothing about over half this team, made me interested as hell. Also, the fact that on the cover of Avengers 298 it appeared Dr. Druid was fighting Thor using a Zoid is what probably proved my impetus for picking the book up to begin with:


I digress, big time. However, that's the point. Seeing Monica Rambeau resurface in the hottest current Marvel franchise blows me away and just really makes me take a happy spiral down memory lane. Plus, Kat Dennings? YES PLEASE. Marvel, you have me really interested in seeing how this plays out.




Playlist:

The Besnard Lakes - The Besnard Lakes Are the Last of the Great Thunderstorm Warnings
CCR - Willy and the Poor Boys
Ministry - The Last Sucker
The Big Pink - Velvet (Single)
Mrs. Piss - Self Surgery
Deth Crux - Mutant Flesh 




Card:


I can't help but assume this is referring to the fact that we have had two days of glorious rain in LaLaLand and now that I will be off for the next five days, the sun will return and I will be unable to actually enjoy the weather. My folks back home will laugh at this, but the struggle for moisture and rain-soaked atmosphere is real. 

Saturday, October 13, 2018

2018: October 13th



The closing track from Windhand's Eternal Return, my current musical obsession.

Zeal and Ardor tonight at the Roxy! Can't wait. Normally I'd show up a bit later and hang at the bar, but K wants to get there early, grab a spot by the stage and hang there all night, so it'll be front-and-center for one of her favorite bands. We saw them last year at the High Hat and hot damn! what an awesome show. Not a huge fan of The Roxy, but I'm happy as hell to see them growing into bigger venues.

31 Days of Horror continued with George A. Romero's Day of the Dead, primarily because I ordered the bare bones, director's cut Blu Ray for Land of the Dead - a movie a saw opening night in '05 and did not like very much. In spite of this, I've decided it's time for reassessment, and my friend Anthony swears the Theatrical was unlikeable because of studio edits which the director's cut corrects. We shall see...

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead

Playlist from 10/12:

The Final Cut - Consumed
In Solitude - Sister
Alice in Chains - Eponymous
Sisters of Mercy - Floodland
Steve Moore - The Mind's Eye OST
Windhand - Eternal Return
Zeal and Ardor - Devil is Fine

Card of the day:


Probably because the prospects of doing any real writing this weekend are slim. Boo social activity!

Monday, October 1, 2018

2018: October 1st



Justin K. Broadrick + Nothing + Prurient? Wow. I didn't know this existed until five minutes ago. What an awesome collaboration! And Somersault, off Nothing's 2014 record Guilty of Everything, is one of my favorite tracks by the band. This really blows it up to a massive size.

The website for the new podcast I've undertaken, TheHorrorVision.com had a bit of a delay, but should be up by mid-week, along with the first episode.


Playlist from Sunday, 9/30:
Etta James - The Second Time Around
Chuck Berry - Berry on Top
The Fixx - Reach the Beach
Yob - Ablaze (Single track)
White Lung - Eponymous
Chris Connelly - Artificial Madness
Sunn O))) - Kanon
Zombi - Shape Shift

Card of the day:


This again. Loud and clear. Yesterday's writing was the first in a few days, and it was pretty disappointing. Basically interpreting a second day of the five of Cups as another day of breaking rocks, which means Wednesday should be good.

Sunday, September 30, 2018

2018: September 30th



One of the trailers that has been recurring at Beyondfest. Looks great. Free Screening at the Egyptian later this week, but it's a school day and a late show. Debating...

I can never fit enough Beyondfest in. I cherish everything I do get to attend, but I'm always left wanting more. Last night was brilliant: a pristine 35mm print of Dead Ringers, followed by Mick Garris interviewing Cronenberg and composer Howard Shore. The interview was recorded for later airing on Garris's podcast Post Mortem. The conversation covered everything - from Dead Ringers to The Fly, to Shore's work on Silence of the Lambs and Peter Jackson's Tolkien adaptations, to Cronenberg's role in Clive Barker's Nightbreed to his early short films Stereo and Crimes of the Future.

And everything in between.

What can top that? Well, there's a few more showings this year I may try and attend, Boat being one of them. Some of the others:







And one Cronenberg double feature remaining:





Playlist from yesterday was non-existent.

Card of the day: