Nox Novacula

 

From the upcoming album Feed the Fire, out August 2nd on Artoffact Records. 

I'd never heard Nox Novacula before, but I'm digging both this song and the video. You can pre-order from the band's Bandcamp HERE.

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Watch:

Friday night, I finally saw Kathryn Bigelow's first film, 1981's The Loveless. 

Willem Dafoe's debut performance and you can pretty much see that he's going to be a force to be reckoned with. I LOVED this film and have to wonder if it wasn't also an influence on David Lynch, which kind of blows me away, as I'd always thought of Kathryn Bigelow's most important work coming after Lynch's, but this would definitely rearrange that. 

Also, hot damn is this a great soundtrack. Robert Gordon - who plays Davis in the film - lays down a Rockabilly extravaganza the likes of which I'd not heard before. There's stuff here that bridges the greaser/beatnik aesthetic, which kind of runs together socially a bit during the 50s before counterculture became driven by capitalism. 

Can't recommend this one enough, and it's currently included with prime. Would make a fabulous double feature with either Paris, Texas or, as I chose to do Friday night, Lynch's Wild At Heart. 

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Read:

I finally got around to reading Dan Watters and Lamar Mathurin's four-issue Cowboy Bebop series, which Titan Books published a few years ago. 

Really fun stuff. I'm sure I've talked about this here before, but even though I don't go in for very much animation, the original Cowboy Bebop cartoon is one of my favorite things of all time. Also - and this was a total surprise at the time - I really liked the live-action Netflix show this series is based on. Watters really captures the spirit of both shows, and Mathurin just nails the perfect blend of how the characters look in the cartoon and how they look played by actors. The story revolves around - what else - a heist and a bounty, but snakes into some serious Grant Morrison territory just enough to have made this feel unique but still very much in the spirit of the show that does indeed transcend the genre.

You can order a trade of this direct from Titan Books HERE.

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Playlist:

Tim Hecker - Infinity Pool OST

Mars Red Sky - Eponymous

Brainiac - Predator Nominate

Genghis Tron - Dream Weapon

Blut Aus Nord - The Mystical Beast of Rebellion

The Atlas Moth - Coma Noir

Eagulls - Eponymous

Megadeth - So Far, So Good... So What?

Jawbox - For Your Own Special Sweetheart

Justin Hamline - The House With Dead Leaves

Zeal & Ardor - Wake of a Nation E.P.

Death Valley Girls - Under the Spell of Joy

Forhist - Eponymous

Fen - Dustwalker

Donny McCaslin - Beyond Now

Suicidal Tendencies - Controlled By Hatred/Feel Like Shit... Déjá-vu

Deafheaven - Sunbather

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• XVII: The Star

• Eight of Pentacles

• IX: The Hermit

XVII is a much needed reminder - "Create unto and within yourself a Universe, shaped of your strengths and built on your accomplishments as foundation."

Eight of Pentacles - Earthly transformation, and IX is the concentration needed to achieve it. In other words, finish the book!!!

Cruising Near Dark

From the 1987 OST for Kathryn Bigelow's inimitable debut film, Near Dark, one of about three vampire movies I can't live without. 

Tangerine Dream was such a solid choice for scoring this film, and I'd say it just accentuates William Friedkin's obvious influence on Bigelow film. The early scene in the film this song scores is one of the most era-defining moments of 80s Horror for me. I didn't see Near Dark until well after its release, but the sights and sounds of this sequence somehow sum up a large part of the texture I remember from the mid-to-late 80s. 

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Watch:

Saturday night, K and I finally sat down and watched William Friedkin's 1980 thriller Cruising.

 

I remember some time back when Netflix was still by mail, I watched Friedkin's French Connection and To Live and Die in L.A. and realized, "Oh shit, this is the same guy who did The Exorcist. Wow."

I've never been one to get into an artist and just consume everything they've done immediately. There's still one Bret Baston Ellis book I haven't read; there are several Irvine Welsh novels I'm keeping on the back burner, and I've not heard more PJ Harvey than I've heard. This isn't to say there's any reason I'm avoiding these entries in the respective artist's canon except that I want to make sure there's something on deck. With Friedkin, I'm sure I looked up his filmography and made some long-forgotten notes, but I didn't exactly jump on anything else right away.

Sometime around 2013, titterings began for the restoration, release and revival house screenings of two "lost masterpieces" - 1977 Sorceror and Cruising. I remember mid-week screenings popping up at the New Beverly Cinema or the Silent Movie Theatre. I remember not having the money to go, or to buy the newly released DVD because my live was getting ready to explode. Ten years later, I finally sat down and watched Cruising and it absolutely blew me away, although not in the manner I expected. 

Friedkin is the best kind of sneaky when it comes to what he shows his audience. He manipulates his story via the medium of film by how he edits, what he puts in and what he leaves out of his script and its dialogue. Also, there's a level of casting manipulation here that I didn't understand at first, but after I read THIS ARTICLE. There is such mastery of film as a medium here, but not in the usual ways. Yes, the craft - the cinematography, writing, acting, all of it is superb, but the mastery I'm referencing here is the way Friedkin compresses his narrative into the actual physical act of showing it to us on screen. This isn't anything 'new,' however, I don't know anyone who has done it quite like this before. 

 

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Playlist:

Black Sabbath - Master of Reality

Black Sabbath - Technical Ecstasy

Bongripper - Satan Worshipping Doom

Atrium Carceri - Kapnobatai

High on Fire - Death is this Communion

High on Fire - Surrounded By Thieves

Sleep - The Sciences

SQÜRL - Silver Haze

Gaupa - Myriad

Mars Red Sky - Eponymous

Steve Earle - J.T.

Trombone Shorty - Too True

The Devil's Blood - The Thousandfold Epicenter

Black Sabbath - Sabbath Bloody Sabbath

David Bowie - Diamond Dogs

        

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Card:

A single Thoth card for my Pull today:

When one path closes, the trick is sidestep the disappointment and watch for the next opening sure to arise in the wake. 

 

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