Saturday, December 1, 2018

2018: December 1st



New Astronoid out February 1st on Blood Music. Saw these guys open for Zeal & Ardor a few months ago. Very good. Can't wait for the album! Thanks to Heaven is an Incubator for tipping me off to the imminent release.

Finally got around to the first movie-and-a-half of my 28 Days double header. We watched 28 Days Later last night; K had never seen it before and it's been a few years for me. This flick is still top of the line for me. I love the way it's shot, I love the cast, and I love the way Alex Garland's story progresses in a very Romero-but-not-Romero way. What I mean by that is, there are plenty of cues from the godfather of the undead: the shopping spree, conflict with other humans, soldiers... the scene where the Ragers infiltrate the soldiers' compound during dinner reminds me so much of Day of the Dead when the zombies are in the mines. But nothing in 28 Days Later feels regurgitated or rehashed. Maybe that's because it's from the perspective of a different country. As similar as our culture is to Britain's, there's a lot of differences that make each distinctly unique, if you look below the facade (Maybe you don't even have to look that deep). Also, I think there's a certain panache to the writing and directing - it's not necessarily because the film was 'big budget'; I'm not even sure it was a big budget at the time of its production. And as an aside, it's been sometime since a layman like I could mentally juxtapose the concepts of 'Big Budget' with 'independent' in cinema, probably because today, unless you're making a pre-franchised flick that will play in China, you're basically not big budget. But that also doesn't make you independent; ask a filmmaker like Joe Begos - a true indie - if he considers half of what people call indie actually indie, chances are he'll say 'Nope.'

Anyway, with the first one down I was raring to get into the sequel, which I'd only seen once, but then we both fell asleep during 28 Weeks Later. Not the movie's fault, it was late. From what I did see, I can attest to the fact that 28 Weeks' opening sequence is just as awesome as it was the first time I saw it, with ramifications that echo very nicely through the film. I hate splitting movies into more than one viewing, but this is a loaner from a friend and I've had it forever, so we'll be finishing it from where we left off, later today.

Heads Up: Mandy just hit Shudder. If you have the service, watch it.


Russ Lippitt, author of the graphic novel Showdown, has a kickstarter going for an awesome board game based on the Showdown series, which revolves around hot rod racing in hell. That description doesn't really do it justice, so for more info, check this out:



Playlist from 11/30:

Nick Cave & The Bad Seeds - Your Funeral... My Trial
Gimes - We Appreciate Power (Single)
The Besnard Lakes - A Coliseum Complex
Electric Youth - Innerworld
Boy Harsher - Country Girl EP
Iggy Pop - The Idiot
Sepultura - Chaos A.D.
Sepultura - Arise
Ghost Cop - One Weird Trick
Sepultura - Beneath the Remains
Emma Ruth Rundle -  Marked for Death



This is interesting. I've had a fairly non-productive week, writing-wise. Part of this is work's been a bitch, but... that's not really it at all. Back in early October, I hung out with an old friend for the first time in a while and he told me about Stoneydelivery.com. Yes folks, these are the joys of living in a state that has legalized marijuana. Stoney Delivery is basically the amazon of pot; I ordered some CBD stuff for pain and a vape pen of Sativa while at work one day, around 1:00, and by the time I got home it'd been delivered, free shipping to boot. Now, I'm not a huge pothead. I was when I was younger; most days I skip it simply because I generally don't write while high, and I try to write everyday, so the one cancels out the other, no problem. Also, I detest cannabis culture. No kidding. Hate it. But you can't blame the plant for the cult of garish losers started in its name, so for years my pot consumption has been relegated to two event types: watching movies (especially in the theatre), and listening to music. One of the best musical experiences I've had in recent years was bringing Deftones' Koi No Yokan home the day it came out, smoking, and listening to it laid out on my living room floor, my stereo speakers loud enough to engulf me. Same with QOTSA's ...Like Clockwork.
These days though, even most album releases have become harder to coordinate the time for a stoned first pass through. Apple has changed how I listen to music - not for better or worse mind you, simply altered - and my writing has continued to increase, while my time feels perpetually diminished. So, along comes this delivery service and suddenly I'm smoking pretty much every day. The vape is discreet, consistent, and not overpowering. With the actual pot I have accrued over the years (myriads of different strains left at my place by friends, all kept snug as a bug in a rug inside an Iron Maiden Number of the Beast lunch box; who says irony's dead?), smoking is always a toss up and an inconvenience. First, the building we moved into back in March is a serious 'No Smoking' building, and I'm not the kind of A-hole who will inconvenience others just to make myself happy. What this means is before the vape, I'd have to take a small walk to take a drag or two off my one-hitter. And the effects of the weed itself was always inconsistent because of so many different kinds, so I never really knew if two hits would leave me lackluster and tired or induce a full-on schizophrenic episode. Now though, it's the same every time and once I figured out my preferred dosage, it became easier and easier to partake. Coming off being sick two weeks ago, I'd garnered a fair bit of inertia, the kind that tempted me to return from work and read or sleep or watch a movie - all things I can do while high - instead of walking to my spot to write. Also, I'm nearing the end of the book and there's finish- line anxiety. This week I became lucid and realized I'd found an excuse three out of the five days not to write. And that's bullshit. I call bullshit on myself.

Which leads me, at last, back to the card of the day. As soon as I saw the Six of Cups Pleasure, I wondered if it might actually be a warning against too much pleasure. For clarification I pulled another card and what do you know, my hunch was apparently correct because:


There you go. Lazy is as lazy does.

The good news is, well, look at all this insight. It's good to call yourself out on your own bullshit. Also, I had a pretty good session last night and plan on writing both today and tomorrow (this long-winded reflection is a step in the right direction; notice my blog suffered the last few days as well). But I always dig when the cards are that upfront with me. It keeps me grounded and reinforces there's a reason I do this, you know, because as a method around our conscious mind and all its hang-ups, they work. You just have to listen when they speak.

Friday, November 30, 2018

2018: November 30th - NEW GRIMES!!!



Wow. Just wow. I saw this dropped last night, stopped everything I was doing, put in headphones and closed my eyes, went off to Grimes World. The textures at work in this song feel three-dimensional, no doubt based on her use of the stereo field, as well as a knack for choosing sounds of all kinds - many not traditionally 'musical', and using them to really fill out the sonic space. If this is any indication of the new album, it is going to be a perfect step forward from Art Angels.

Re-watched Hereditary a couple of nights ago. My god, even though Mandy is probably my favorite film of 2018, this is far and away the best film. It lost none of its ability to traumatize me, and really opened up more interpretation-wise with this second viewing. I'd imagine I'll be talking a lot about this come our 'year's best' episode of The Horror Vision. Two observations:

1) Toni Collette had certainly better at least be nominated for best actress.
2) Watching the deleted scenes, you see how good writer/director Ari Aster is at 'killing his darlings.' Not that any of the deleted scenes were darlings necessarily, but watching what he shot and then removed, you see how he was originally trying to flesh out Peter and Steve's characters more, and how he pulled back and gave us only what we needed. The inclusion of any of those deleted scenes would have, in my opinion, hurt the movie's power, so Aster knew exactly where to draw lines and how to intuit when he had enough.

Pretty impressive for a first movie.

There's some criticism out there that Gabriel Byrne's Steve in particular, is a poorly written, two-dimensional character. I for one disagree. He is exactly what the movie needs him to be. I stuggle with this some time in my own work, the idea of adding more to make sure my point gets across, or to ensure a character is 'fully realized.' Then I watch something like this and see that with restraint great things can come. Spaces in the character can evolve, spaces that draw people in the way the people in their life do. We all interact every day with people we only know in one particular role, or way, and it doesn't diminish their role or strength in our lives. Why wouldn't the same be true for characters in a film?

For a counterpoint, watch Rob Zombie's Halloween - RZ spends so much time ensuring that we understand William Forsythe's Ronnie is white trash that it becomes overkill and, frankly, derails the movie.

Playlist from 11/29:

The Doors - Strange Days
LCD Soundsystem - Sound of Silver
Kylie Minogue - Fever
Cocksure - Be Rich
Emma Ruth Rundle - Marked for Death
Grimes - We Appreciate Power (Single)
The Besnard Lakes - The Besnard Lakes are the Roaring Night

Card of the day:


Another card I see a lot. I'm curious if this convergence of regular cards I've pulled during the year are rallying to clarify a point I've missed?

Thursday, November 29, 2018

2018: November 29th



A few weeks ago Chasms released the single "Divine Illusion." To read about the track on their bandcamp, the revelation that the track was a closing chapter to their shoegaze/industrial sound. What could possibly come next? Well, listen. I don't necessarily know what you call this, other than beautiful. Can't wait for the album. Pre-order HERE on Chasms' bandcamp.

Playlist from 11/27:
Ghost - Meliora
Mastodon - Once More Round the Sun
Mastodon - Emperor of Sand
Lebanon Hanover - Let Them Be Alien

Playlist from 11/28:
LCD Soundsystem - Sound of Silver
Deerhunter - Microcastle
The Doors - Strange Days
Mastodon - Once More Round the Sun
Ghost Cop - One Weird Trick
Thought Gang - Eponymous


I pull A LOT of sevens. I don't know if this was always the case, or if now that, for about the past year I have been doing mostly daily pulls, it's just more obvious. Probably the second. Netzach is one of the Sephiroth I feel a natural inclination to, that one step beyond the perfection of Tipareth, which represented a certain time and place in my life that is now past. This is the Post-Self Number for me, in a way, as I count that bygone time/place as the first real iteration of this version of this ego-scaffolding I call 'me'. Now, what's that mean for today? Well, despite it's negative facade, I don't think this is a negative card at all. I think today's pull is just reminding me I'm Post that previous self, and this in turn will prevent me from doing what has been increasingly tempting to me of late, namely making music. I haven't picked up a guitar in close to two years maybe. Well, there's been maybe two dalliances with the acoustic that sits on a stand in my living room, but that's it. Nothing serious and no intentions. A lot of the music I'm listening to now has been inspiring my musical drive, but it's on Shut Down. I've made the deal with myself that when I finish the book, I'll maybe spend a little time on music.

Maybe.

Tuesday, November 27, 2018

2018: November 27th



New Le Butcherettes! Very 90s sounding, not in a bad way. New album comes out February 1st.

New episode of The Horror Vision went up on Sunday. You can find it on Apple, Spotify, and Google Play, as well as at TheHorrorVision.com. This episode is our reaction/interpretation of Luca Guadagnino's Suspiria remake. Other topics include The Chilling Adventures of Sabrina, Shudder's Dead Wax (which I LOVE), and the Indiegogo for The Barn II, which is fully funded as of 11/21 and now Indemand, which apparently means you can still contribute and secure cool rewards. I still haven't seen the first Barn yet - it's been on the list for at least a year if not two now, so what the hell am I waiting for, right?

NCBD this week isn't as light as last week, but it's light. Check out this gorgeous cover for TMNT 88:





Die! Die! Die! has been hit or miss with me so far, but the opening discussion between two high level US government officials in issue #4 may have permanently endeared this book to me. It's kind of a more violent, more philosophical approach to GIJOE and I find myself wondering if that was the goal. The real shocker here is that Stray Bullets Sunshine and Roses is on issue #40. Where the hell does the time go? It wasn't that long ago that David Lapham's brilliant B&W crime comic had been on hiatus for 9 years and we were jumping at joy with the announcement of its return via Image. Now we're 40 issues in on the second or third volume of this new series. And you know, it's still awesome.


Playlist from 11/27:

Monolord - Rust
Mastodon - Once More 'Round the Sun
Mastodon - Emperor of Sand
The Knife - Silent Shout
Mudhoney - Digital Garbage
Gogol Bordello - Gypsy Punks Unite
Ghost - Infestissumam
Godflesh - Post Self

Card of the day:


Gonna be an emotional day? Doesn't feel that way. There's a passivity here when it's water on water, however the passivity acts as a perfect transformer for other energies, maybe some that lack emotion.

Saturday, November 24, 2018

2018: November 24th



New Tennis System! This isn't up on their bandcamp yet, so I'm thinking we have a new release on the way!


Spent Thanksgiving morning watching Sophie Huber's Harry Dean Stanton documentary, Partly Fiction. Really cool. There's a great segment with David Lynch, one with Kris Kristopherson, and even Debby Harry. And it's fantastic watching Stanton break into song, especially Everybody's Talkin', by Harry Nilsson




From 11/23
The Fixx - Shuttered Room
Harry Nilsson -
Harry Nilsson -
Opeth - Deliverence
Opeth - Blackwater Park

Card for the 11/23:


And for today:


No time to really dig into an interpretation for this now as I'm off for work. But at a glance, Dominion to Defeat doesn't necessarily constitute a bad thing, just a need to re-direct energies.

Thursday, November 22, 2018

2018: November 22nd



One of the best songs of the 90s, hands down. I unexpectedly realized I still had one more 33 1/3 that Brown lent me to finish before my trek home to Chicago in two weeks, so last night I started Gina Arnold's entry into the 33 1/3 series, a kind of contextualization of Liz Phair's seminal indie rock album, Exile in Guyville. More the story of the fictitious Guyville (not so fictitious) and the gender politics of the early 90s indie rock scene than the story of the album, and that's good. So far this is a fascinating read. Also, digging back into the era that surrounds this record made me reconnect with Never Said and Guyville in general, a song I've loved and an album I dig for a long time now, but one that hasn't received any recent rotation space in my audio life.


Joe Bob Briggs returns to Shudder tonight with Dinners of Death! I have to work early tomorrow, so I don't know how much I'll see tonight, but hopefully this will remain on Shudder in perpetuity, much like The Last Drive In has since back in the spring.



Last night I watched three-quarters of the Shudder original Dead Wax. LOVE this. Written and directed by Graham Reznick, whose name anyone familiar with Larry Fessenden's Glass Eye Pix will recognize as most often helming audio departments on films. Great debut that's essentially a movie chopped into 10-18 minute episodes, Dead Wax is about a legendary record that does strange things to reality when played and the people who have sought it through the years. Think John Carpenter's Cigarette Burns, but the world of rare record collecting instead of film collecting and you'll be in the ballpark.




Playlist from 11/21:

David Bowie - Low
Frankie Valli - Can't Take My Eyes Off of You (single)
Deaf Heaven - Ordinary Corrupt Human Love
Bell Witch - Longing
Testament - Demonic
Boy Harsher - Face the Fire (pre-release single)
Boy Harsher - Lesser Man
Chasms - On the Legs of Love Purified

Card of the day:


This is a direct response something outside of writing, so I'll take the advisement in silence.

Wednesday, November 21, 2018

2018: November 21st



Just realized I never posted the latest Drinking with Comics video last week when it dropped. The goal from here out is to shoot these and get them up on Apple Podcasts, Spotify, Google Play, and the DwC website as audio-only podcasts, then get the video up the following week. The video always takes a lot longer, and the show has more patrons as a pure podcast anyway, so I figured this was the optimum way to do it.

Hoping to do a 28 Days/28 Weeks Later double feature this weekend. I actually work both Friday and Saturday, so that limits what I can watch, and I'm still working through Sabrina (on Episode 5), which I need to get through for a forthcoming episode of The Horror Vision. Also, regarding THV, we're scheduled to do our Suspiria 2018 episode this Saturday, so hopefully I'll have it up later that day or Sunday. A little late to the game, but it's been hard to align schedules; as it is only three of the four of us have seen the film, so we're already down a man for this particular one. But there's A LOT to talk about with this film, on its own and juxtaposed with the original.

Playlist from 11/20:

Tom Waits - Rain Dogs
Iggy Pop - The Idiot
Ghost Cop - One Weird Trick
Tom Waits - Swordfish Trombone
Massive Attack - Mezzanine
Boy Harsher - Face the Fire (single pre-release)
Boy Harsher - Country Girl
The Fixx - Shuttered Room
Bell Witch - Mirror Reaper

No card again today.