Thursday morning and I happened to stumble upon this video for Spelljammer's "Bellwether." I'd not heard of these guys before, however, Riding Easy Records has a pretty gnarly track record when it comes to Doom/Stoner metal. So of course, it comes as no surprise that this track instantly put the band on my radar. From the album Abyssal Trip, available to order HERE.
Watch:
Ted Geoghegan's We Are Still Here is one of my favorite flicks of the 10s. As such, I was pretty excited to see all the news surrounding the release of his new film, Brooklyn 45, June 9th on Shudder. Here's the trailer:
In keeping with my recent philosophy of avoiding trailers, I watched about 30 seconds of this and turned it off. I mean, Larry Fessenden's in it, what more do I need to know?
Nothing. 100% sold on this.
Playlist:
Spotlights - Seance EP
Blut Aus Nord - The Work Which Transforms God
Blut Aus Nord - Thematic Emanations of Archetypal Multiplicity EP
Estrasphere - It's Understood
R.I.P. - Street Reaper
The Sword - Warp Riders
Lustmord - Berlin
Ghost - Phantomime EP (pre-release singles)
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
Still sick and I just do not have the energy for anything, hence why this is posting so late. Anyway, let's see if I have it in me to do a quick breakdown:
• Ace of Swords - Breakthough. I read this as Will honed to the point of perfection, obliterating an obstacle. Not sure what that applies to here, but maybe that will become clear as I go.
• Nine of Swords - Accomplishment
• Judgement - "Aeon" in Crowley and Harris's Thoth, this card indicates a pivotal point in the sequence.
All this seems to add up to say a touch-up on my application of Willpower should provide a breakthrough in a project. I think the Will is going to come into play getting back into writing daily - I haven't been doing much more than working and watching movies while I've been sick.
New music from King Gizzard & The Lizard Wizard, and it rules! I'll admit, I've never really made a serious attempt at getting into these guys. I'm not really sure why. That said, my friend Josh sang their praises in a conversation last week and Josh is one of those people whose opinion on music is very important to me. Coincidence or cosmic alignment, here we are with a new track from a new album, Petrodragonic Apocalypse or Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of the Merciless Damnation, which you can pre-order directly from the band HERE.
This track RULES, so I think this was my fated window into KGLW!!! Thanks, Josh!
NCBD:
A nice and light NCBD this week, and although I will most likely not show up at the shop until later in the week when I feel better, this is what will be in my box:
Looks like I jumped on The Seasons Have Teeth just in time last week, as number two hits the shelves today.
X-Men 23 - I was wondering when we'd get back to Orchis, and look - the gangs all here. Even MODOK stuck around! I find it interesting that coming out of Sins of Sinister, I'd completely forgotten that Orchis's Ally Dr. Stasis is a Sinister - my bet is he's the one that we saw in 616 all through the 80s and the architect of the original Mutant Massacre and original Inferno, who did have quite the flamboyant personality the Krakoa era Sinister does. Also, apparently, writer Gerry Duggan is now helming Iron Man as well, and he's had Feilong take over Stark Industries, so that's an interesting asset for Orchis to have in their arsenal.
Watch:
Still hanging around the house, letting the last of this vile illness loosen its remaining tendrils on me, so I watched some more flicks after a half day of work.
First up, Richard Stanley's Hardware. Instead of reposting the trailer, which I've probably posted on here a handful of times previously, here's a cool little segment I found on the film's composer Simon Boswell's youtube channel where he talks to Stanely about scoring the film:
Next up, I've been diving into that Severin boxset All the Haunts Be Ours that I bought last year. Yesterday's film was Kåre Bergstrøm's Lake of the Dead, which I could not find a trailer for, so here's a poster:
From 1958 Norway, this is a tight little thriller, kind of a Nordic Twilight Zone murder mystery that I really enjoyed. Best of all, I now realize this is currently on Shudder! Not exactly what we think of as Folk Horror today, which is good, because I'm beginning to feel the genre is amassing a checklist. You know, "Add a ram skull, a forest, and a farmer and you have a Folk Horror flick;" not the case exactly, but it tends to happen to recently popularized genres. This is NOT that.
Playlist:
Ghost - Phantom of the Opera (pre-release single)
Ghost - Jesus He Knows Me (pre-release single)
Ghost - Opus Eponymous
David Lynch & Marek Zebrowski - Polish Night Music
SQÜRL - Silver Haze
Spotlights - Alchemy
The Besnard Lakes - The Besnard Lakes are the Roaring Night
Kermit Ruffins and the Rebirth Brass Band - Throwback
Card:
Still not feeling super up to anything, so I thought I'd just pull one card from my trusty Thoth deck. When that one card is the 7 of Disks Failure, however, it's hard not to want some context:
Just a warning about a planned surprise I have slated for K's birthday tomorrow. Duly noted, Monsieur Universe. Duly Noted.
From the forthcoming Phantomime EP, out this Friday! Pre-order HERE.
Watch:
I've been sick AF since Saturday, so I watched a lot of movies over the last few days. I'm not going to post trailers for everything, but there are a few I'd like to mention. First of those is Gary Busey in a Richard C. Sarafian film, Eye of the Tiger! This was probably my favorite viewing experience. I don't know, seeing Gary Busey kick the hell out of a gang of ruthless bikers. Here's a trailer:
I'd put this flick up against a lot of similar movies from the same year - 1986 - that feature box office candy like Stallone and Armold; Eye of the Tiger is really well-made, and Busey turns in a solid performance.
Also of special note from what I watched over the weekend, 1994's The Guyver.
I have some vague memory of seeing the imagery from this film somewhere about the time it would have received release press. More recently, when Fangoria interviewed Steven Kostanski about his influences on Psycho Goreman (Fangoria Vol. 2 issue 10) he mentioned The Guyver, so it was in my peripheral. Then, I noticed that Darcy had uploaded the full movie in the old Monstervision presentation to the Lost Drive-In Patreon, and I figured, what better way to watch it, right?
Cool flick; not exactly my cuppa, however, as usual watching pretty much anything with Joe Bob amplifies it. I've thought about this a lot, the idea that even a movie you hate can be made enjoyable (to a degree) when you have the proper context for it. That's something Joe Bob excels at providing, and I usually find myself better able to put myself in the movie's headspace. I'm sure there would be conditions under which this theory would break down; I doubt very much that even if Joe Bob hosted The Notebook I would get a kick out of it. Then again, who knows?
Read:
I continued to make my way through Alan Campbell's final book in the Deepgate Codex series this weekend, but I also had the itch to read some old Spider-Man comics, so I dug out Web of Spider-Man 40-42, the "Cult of Love" storyline, only to realize I'm missing the fourth and final part.
Not really a big deal; I located issue 43 on eBay, so I'll get to read that in a few days. More important than the story was the general tone of the story. 80s comics are very much recognizable, especially Spidey. They reflect the New York of the time, but also the world and society of the time. The art and writing are a certain 'way' - again, a lot of that has to do with topics that haunted Western Society at the time. Vietnam was a big one, but in this case, echoes of the Tate/Labianca murders and the fear of 'cults' that crime inspired. I wasn't there to read through metaphors of societal trauma, though. No, I was there because the 80s was when I started reading comics and Spidey, while not a mainstay, every-week purchase, had three ongoing monthly titles that I cherry-picked from quite often, and it's always super cool to go back and re-experience those books.
Easing back into it with a single card Pull from Missi's Raven Deck:
As usual, this deck just knows. I'm abstaining from drinking any beer while I've been sick and thinking of carrying it on until the weekend, just to further give my body a break. My fever's gone, but I was up most of the night last night coughing, so I'm exhausted at the moment. Ginger Ale remains a close friend.
Looks like Mr. Bungle encored with "My Ass is on Fire" two nights ago in Pomona, CA. I don't have tickets for any of these shows (obviously; my best chance of seeing Bungle now is if they add a Chicago date), but I'm psyched to hear they pulled this one out of the toy box. I got to see them play it on the Disco Volante tour at the Chicago Metro back in, gasp, 1995! By the time they came around for the two California tours, they had a new, 'remixed' version I didn't particularly care for. Still, good to see them pulling out something from the first album, and hopefully the new lineup might be working up to a few more surprises down the road.
Watch:
I have, to date, only seen one film by Yorgos Lanthimos, and that's Killing of a Sacred Deer. That film blew me away, and I really need to get on seeing the others. In the meantime, while I've been sitting on my hands as a potential fan, Mr. Lanthimos has constructed a new film:
Frankenstein? Well, obviously to some degree, but I'd wager there's a lot more going on here. Interesting to see the fantastic imagery here; almost reminds me of an LSD-laced version of Wes Anderson.
Read:
After seeing a friend post about it on social media, I went ahead and grabbed the first issue of Dan Watters and Sebastián Cabrol's The Seasons Have Teeth. Here's the photo my friend posted that convinced me:
Yeah, that's all I needed, too. The logline here is what if the Seasons manifested as beasts. This right here is Spring, and it's where we start our story, through the lens of a news photographer whose grief has him ready to risk his life to get the pictures that will show the world the Seasons' faces.
Dan Watters has really floored me over the last few years. Between Homesick Pilots and The Picture of Everything Else - which finally finishes with the release of issues 4 and 5 nxt month - I've now seen his name on an upcoming Marvel title or two. Let's celebrate his success by hoping he has enough time to continue to make these wonderful Creator-owned books, too.
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
I feel like I see the Seven of Swords a lot lately. Taken here with the Ten of Cups and The Moon, I'd say there's something hidden or obscured that's preventing me from achieving victory in regard to a monetary issue.
From the forthcoming album Times New Roman, out June 16th. You can pre-order HERE.
SUPER cool song - I hear T. Rex a lot in here, always a good thing. I'm also noticing the guitar sound on the verses has that super distorted "junkyard" feeling that I loved so much from Era Vulgaris, pushed back to the front. I've never been sure if that's a soft application of a ring modulator or a pitch shifter or both. Either way, loving it here.
Watch:
From an article on Bloody Disgusting this morning (HERE), I give you the trailer for God is a Bullet:
Satanic Cult? I'm in! Also, Maika Monroe has been in some killer genre flicks over the last few years, and she's been great in all of them.
Is it a bit weird that this film is directed by Nick Cassavetes, director of The Notebook? Not to judge the man - lots of people break in with what they can and then follow their passion (consider the case of Ryan Gosling, star of The Notebook), but there's also a track record of non-Horror folk 'hanging out in Horror' for a paycheck. Hopefully, that's not the case.
This one's getting a wide theatrical release - not sure if it will play by me; at first glance, I thought having the title God is a Bullet would stigmatize it right out of the local theatres here, then I realized having "bullet" in the title might actually push it in any way. After all, if there's one thing people seem to like more than god here, it's bullets.
KEXP dropped a live session with British Sludge Punks Pigs Pigs Pigs Pigs Pigs Pigs Pigs a few days ago, and I'm here to tell you it kicks some serious arse! Check it out and if you dig, head on over to their Bandcamp HERE and grab the new record Land of Sleeper!
Mr. Brown was the one who turned me onto these lads when the album dropped, and I've been spinning both the new one and 2020's Viscerals - both fantastic albums of grimy, heavy slabs of Slunk (see what I did there?)
I hear so many different influences in these guys: The Wipers, Sabbath, Melvins, and Idles all spring immediately to mind. That said, this is a 100% original sound, which is difficult to do in the sludge world.
NCBD:
Once again, here are my picks for #NCBD!
As of issue 13 I realized that my theory that Danny Ketch was now a product of the Weapon Plus Program was off; instead we have some weird corporation developing weapons with aspects of Hell in their DNA? Super weird, and I'm curious to see where this goes.
I confess - I was not blown away by Nightmare Country's return last month with Glass House #1. Also, so the full title now is TheSandman Universe: Nightmare Country: The Glass House? That's a lot of sub-titles. Regardless of naming aesthetics, James Tynion IV has my complete trust. Also, what a cover!!!
I love the simplicity of this story so far. I also love the mechanics of the two worlds in juxtaposition to one another.
Saga!
First X-Men: Red since coming back from Sins of Sinister, and we're looking at a cover of Storm amidst a pile of dead Xaviers. The mind reels at what insane cosmic blasphemies Al Ewing and Jacopo Camagni have in store for us now that Arakko is back
Watch:
A new trailer for Christopher Nolan's Oppenheimer dropped earlier in the week.
At some point, despite loving every one of Nolan's films up to and including (especially!) The Dark Knight Rises. For my money, Nolan's Batman is the only cinematic Batman. That said, I always loved his non-IP films better, with The Prestige ranking as one of my favorites of that decade. Yet, I missed Interstellar in the theatres then sat on my hands when it lived on Prime for the better part of 2016, skipped Dunkirk entirely, and even mismanaged my fervor for Tenant due to not being able to see it in a theatre during its COVID-era release. After seeing this trailer for Oppenheimer, I'm not letting this one get away.
Playlist:
Chamber of Screams, Clement Panchout & Mxxn - Murder House Original Puppet Combo Soundtrack
Perturbator - Dangerous Days
Soundgarden - Super Unknown
Tamaryn - The Waves
DIR EN GREY - The Marrow of a Bone
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
Doubling up on Swords suggestions Conflict, however, cut with the Page (Princess in Thoth) of Cups, I'd say this refers to news of the quiet dissolution of multiple social and business problems this morning.
Mr. Brown and I have been doing vinyl swaps now that I live within a day's drive. This most recent one goes back to, I think, February. We pick out six albums we want to expose the other to, then hand them over until the next time we see one another. The albums in my most recent bag from Brown included Steve Earle's 2021 J.T. and it is exceptional.
Other than a few failed attempts at getting into Copperhead Road back around 2008, the only thing I really know about Steve Earle is he did a stint on HBO's brilliant Treme, where unlike most of the other Louisana musicians who appeared on the show as themselves, Earle played fictional local musician Harley Watt.
The linear notes for J. T. tell the story of Justin Townes Earle, the first son and, by his own right, accomplished musician/songwriter who recorded and toured for nine studio albums before he passed away at the age of 38 in 2020. J.T. then, is Steve Earle and his band The Dukes recording a selection of his son's songs (one original closes out the album).
Pretty powerful stuff. I'm not familiar with Justin Townes Earle's stuff outside of spinning this record half a dozen times now, but I can see why the term "genre agnosticism" keeps coming up when I read about him. The track I selected today has a very early 90s jangle pop sound hidden amidst its straight country leanings.
Watch:
Sunday night K and I sat down to watch Sidney Lumet's 1975 film Network.
I'd seen half this movie back in the USPS Netflix days, when whatever DVD release they stocked needlessly split the 2-hour and 1-minute film onto two discs, apparently unknown to the service, who only sent me one disc. After that, well, Network faded to the back of my mind until I noticed it on HOBOMAX recently.
The prescience of this film - released in 1975 - is staggering today. This predicts EVERYTHING about our media-defined reality in 2023: The "Howard Beale Show" almost seems a template for every influencer, toktik "star" and social media celeb. The lengths the network will go, the manner in which everyone who doesn't agree falls quickly in line when they see the reactions of the masses (republican party 2015 anyone?) and the general disconnect Diana Christensen has from the world and the people around her - for anything other than the television - is so spot on with our world it's frightening. I really want to try and hit Cronenberg's Videodrome in the next day or two now, as I think these would be a perfect double feature.
Playlist:
Alice in Chains - Jar of Flies
Fen - Epoch
A Perfect Circle - Mer De Noms
Sleep - The Sciences
The Sword - Warp Riders
Slayer - Decade of Aggression
Card:
I felt compelled to stay with the Thoth Deck for this morning's Pull, so here we go:
• 4 of Cups Luxury - 4's traditionally denote stability, and when Crowley named his version of the 4 of Cups "Luxury" he did so as an intimation that, removed from the Earthen themes of Disks (pentacles), the luxury here is a stable, healthy emotional mind frame. This is the opposite of manic, which incidentally, is how I've felt the last two days.
• Prince of Swords - the Intellect when applied to the interconnectivity of relationships, whether they be personal or Earthly (ie legal and the like) - this is the road out of manic ville - thinking with purpose.
• 8 of Swords Interference - Pretty self-explanatory; it pains me to say that, when my mental gears are not processing something I've just read, watched or listened to, my thinking tends to be rather passive. I get carried away on flights of fancy very easily, resurface and often have nothing to show for it. THIS is what eats my productivity as a writer, but it also leaves my mind lazy. This then, is what I have to watch out for, as it produces a lethargy that then manifests (eventually) as a manic state.
I definitely could see how Network ties into this; television in general.
