2019: June 3rd Chelsea Wolfe Covers Roky Erickson (RIP)

I've been so ensconced in my little final edit bubble, I only left the house this weekend to run errands on Saturday, and I've had the phone on Airplane Mode for the better part of the last three days. This means I did not know Roxy Erickson passed away on May 31st.

I wasn't as exposed to Roky's music as many, but I discovered the 13th Floor Elevators in my Ex's CD collection in the 00s and was immediately drawn to the sound, if only in a small way. The Elevators always seemed like a band I hadn't known I knew about, if that makes any sense. Their music - or what I knew of it through that one "Best of" disc - felt like an archetypal piece of Americana that informed a lot of the other, more top-level stuff I was into. And I believe that's exactly what it was. In 2014 I covered a Post-Elevators Erickson song in a band I was in (I Walked with a Zombie), and during that period, I did some subsequent digging into Erickson's music and found what I believed was one of the quintessential "Nuggets" artists. If you're unfamiliar with Nuggets, there's an entire subset of bands and artists that carved an archetypal niche in 60s Rock music, referred to mostly as Psychedelic. Many of these bands never made it beyond the status of Garage Band. Many of them became better known in the modern era through radio shows like Little Steven's, and subsequently a series of Anthology albums titled Nuggets. In this way, these bands and their aesthetic became an aspect of left-of-center popular cultural, and that's where the Elevators and later Roky's music lived until it began to inspire an entire new generation of artists in the 90s and, more so it seems to me, the 00s, when bands like The Black Angels brought them a little farther into the cultural vernacular of Rock Music.

Anyway, I'm dangerously close to talking about things I'm mostly unfamiliar with. Chelsea Wolfe's cover is gorgeous; a fantastic send-off. Roky Erickson, Rest in Peace.



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Watchlist report: Well, I made it through everything from Friday morning's list I am likely to, plus some. Here's the scorecard:

Godzilla - skipped it. Not a huge fan by any means, and despite the fact that the film looks beautiful and fun-as-hell, after deciding against it Friday night, we just couldn't find the time to go see it amidst my editing schedule.

Swamp Thing - Disliked this very much. The usual DC shenanigans of getting the look down and then putting only the most perfunctory work into building characters and story. Swampy's origin itself has been altered in a way that's so convoluted by the end of the pilot, it doesn't bode well for the future, imo.

Ozark - Season Two Finale - FUCKING BRILLIANT.

The Perfection - I'd purposely avoided reading anything about this film, but had been anticipating it for a few weeks, since I heard about it on the Shockwaves Podcast. Loved the first half, felt the second half became something that betrayed that first part. Not terrible, but uneven and thus, frustrating.

Deadwood - FUCKING BRILLIANT. A fitting, beautiful end to one of my all-time favorite series.

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Playlist from 6/01:

Zeal and Ardor - Stranger Fruit
Zeal and Ardor - Live in London
Zombi - Shape Shift
Zombi - Spirit Animal
Bloody Hammers - Lovely Sort of Death
Bloody Hammers - Under Satan's Sun

Playlist from 6/02:

Sunn O))) - Domkirke
Steve Moore - The Mind's Eye OST
Jóhann Jóhannson - Mandy OST

No card today.

2019: June 1st Bloody Hammers - From Beyond the Grave

Bloody Hammers is a band Jonathan Grimm just turned me onto. Really cool stuff. They've got a new album out June 28th from Napalm Records, you can pre-order it HERE.

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All that debating on what to watch last night, and we ended up getting through one episode of Ozark before K fell asleep; that's about the time I realized we actually went into yesterday with three episodes remaining, not two. Once she was out, I put on Swamp Thing and promptly fell asleep, too. So yeah, epic fail.

**

Playlist from 5/31:

The National - High Violet
Deftones - Koi No Yokan
Faith No More - King For a Day
Type O Negative - Life is Killing Me
Uncle Acid and the Deadbeats - Wasteland
The Cure - Pornography
Trust Obey - Fear and Bullets
My Life With The Thrill Kill Kult - 13 Above the Night

**

Card of the day:

"Unfailing determination toward your goal."

That shakes it. The two major adjustments on Shadow Play will be done by the end of the weekend and the book will be submitted for Proofs on Monday.

2019: May 31st Dark Season 2 Trilogy Trailer

Just under a month until the second season of Netflix's Dark drops and they reveal it's going to be a finite story done in three seasons? I really couldn't think of better news for this show. Dark already feels extremely symmetrical, so it's awesome to hear that symmetry goes all the way through into its DNA. And why do I get the feeling that the 'Everything is connected' line is going to be especially true for Dark? Can't wait!

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Tough decision for this evening: Godzilla: King of Monsters, Swamp Thing or the Deadwood movie? All three premiere today; the very definition of First World problems.



Or



Or



Whatever our decision, in preparation, I signed up for my 7-Day Free Trial of the DCU app through Firestick last night. Really had to fight the urge to start Doom Patrol, but that has to wait a little bit; we still have two episodes of Ozark left to watch. The general plan is binge Doom Patrol and keep the subscription for the duration of Swamp Thing. Also, I noticed the 2015 Constantine show is on there; not a perfect adaptation of the character storywise - as I remember the episodes range from fantastic to terrible - but Matt Smith is perfect casting as John Constantine, and from the few episodes I did watch back when it aired, there were some gems. So while we have the DCU, might as well take advantage and re-watch and finally finish that series as well.


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Playlist from 5/30:

How to Destroy Angels - Welcome Oblivion
Marvin Gaye - What's Going On
Bloody Hammers - Lovely Sort of Death
Ritual Howls - Into the Water
Queens of the Stone Age - Rated R
Zeal and Ardor - Stranger Fruit
Jaye Jayle -No Trail and Other Unholy Paths
Deftones - Koi No Yokan
Isaac Hayes - Tough Guys OST
Marilyn Manson - AntiChrist Superstar
Monolord - Rust
The Atlas Moth - Coma Noir
Sigur Rós - Variations on Darkness

**

Card of the day:

Old paradigms dissolve, new ideas shape the future. My Beta Reader is all but finished with Shadow Play. The art's done (I'll reveal it here soon); all I need to do is one last concentrated read through and it's go time!

2019: May 30th - 3 Days Until NOS4A2 Premieres!

I just realized that AMC's adaptation of Joe Hill's NOS4A2 premieres this Sunday. How the hell did I miss this trailer!?! I can't wait for the show, as the book is probably my favorite Joe Hill novel. Well... Heart-Shaped Box might be neck-and-neck with it, but they're both exceptional, outside-the-box horror fiction.

Of course, this comes at a super busy watch-time, as K and I are still working our way through Ozark; on Season 2 now and it's really getting dark. Literally. I noticed last night that, where Season 1 was had a very blue pallet, Season 2 is shot extremely dark; almost darker than anything I've seen in this level of show. Not a complaint though, because it works! It's a tonal accompaniment to the characters' descent into their maelstrom that reminds me of Paul Schrader's Autofocus, which begins very pastel and slowly grows into darker and darker hues as Bob Crane's descent into addiction. Boy does it work. And Friday I'll be signing up for the DCU app for the duration of Swamp Thing. Also on the slate for that subscription window is a binge on Doom Patrol. And now we're adding NOS4A2! This might be the very definition of First World Problems, not having enough time to watch all the things I've been looking forward to, but that's what I come here to talk about; I'll leave politics and the rapid decline of civilization for limited real-world encounters, because I'm pretty fucking sick of seeing it discussed online!

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New episode of The Horror Vision is up! Topics of discussion include but are not limited to Mike Mendez's The Convent, Emma Tammi's The Wind, Pledge, The Nest and Valencourt Books' Paperbacks from Hell subscription service, the newest installment of Mortal Combat, and a whole lot more!

Apple
Spotify
Google Play

Or just catch us on our website, The Horror Vision.com

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Watchlist from the last few days has been Ozark Season 2, David Cronenberg's Rabid, and actually, last weekend I had a viewing of Cronenberg's Videodrome, one of my all-time favorite films.

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Playlist from 5/28:

Earth - Full Upon Her Burning Lips
Earth - Primitive and Deadly
Wasted Theory - Warlords of the New Electric
Wasted Theory - Defenders of the Riff
The Raveonettes - Lust Lust Lust
Primus - Frizzle Fry

Playlist from 5/29:

PJ Harvey - Uh Huh Her
Natural Snow Buildings - Night Coercion into the Company of Witches
Numenorean - Adore
Anthrax - Persistence of Time

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No card today.

2019: May 28th Earth - Datura's Crimson Veils

Full Upon Her Burning Lips, the new album by seminal Doom/Stoner/Grunge band Earth dropped last Friday, and it's fantastic. First track, Datura's Crimson Veil is a one of the best lead-ins of the year. I was late to the party with Earth; 2014's Primitive and Deadly was the first album I got into by the band. That record had a very particular meaning to me at the time of its release, and the sound of Dylan Carlson's guitar on that record is forever ingrained in my psyche in a very positive way. It's no surprise then, as Full Upon... feels like a direct follow-up to Primitive (not necessarily a given with a band that has been around this long and reinvented itself as time has gone by; think Swans), I was immediately taken with the new album's sound. You can order directly from Earth's label Sargent House from anywhere in the world via their shop's web portal HERE.

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I finally dragged myself to the coffeeshop on Sunday and put in a solid couple of hours writing. It wasn't the most productive day, but the first day back after a hiatus never is. That's not what it's about; you have to re-establish the ritual and the inertia. Then yesterday knocked me back a peg. No problem, because as I write this I already feel as though today will be a productive day, I'll simply have to work for it.


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Playlist from 5/26:

Mastodon - Once More Round the Sun
Minsk - The Crash and the Draw
Minsk & Zatokrev - Bigod
The Cure - Disintegration


Playlist from 5/27:

Frank Sinatra - In the Wee Small Hours
The Doors - LA Woman
Drab Majesty - The Demonstration
James Brown - Hell

Card of the day:

With so much time off from writing, I'm frustrated by too many ideas, by being over-worked, and losing sight of my ability to organize. I have to take the first steps to introduce order - in this case the ritual of writing - and just suck it up until I am 100% back on track.

2019: Numenorean - And Nothing Was the Same

My good friend Tori recently turned me onto Canadian band Atmospheric Black Metal band Numenorean. Now, those qualifiers I placed before the band's name - which I culled straight off the tags on their Bandcamp - approach a description of Numenorean, but they certainly do not define the band. The new album Adore, recorded over the span of three years and released recently on Seasons of Mist, is an exploration of the crossroads of so very many different musical styles within the ever-widening sky of 'Metal' and 'Shoegaze'. Numenorean have a very unique sound that encompasses elements of so many ideas. The first two tracks have definite moments that make me flashback to The Cure's Disintegration. I hear Deafheaven, Fenn, old school Iron Maiden, Second Wave Black Metal, etc, etc. The point is, the record is fantastic and if you agree, spread the word!

**

A little over a quarter of the way through Gemma Files' Experimental Film, the book has slipped its spell over me completely. There's nothing genre here; back in my bookstore days, I would imagine this shelved under Fiction/Lit instead of Horror. There's nothing wrong with genre. In fact I love it, read it, and write it. However, there is a different feel to more literary works that utilize Genre ideas. Experimental Film is one of those. Files brings you into her First Person Narrator's world, rife with the onset of Middle Age, an Autistic Son, and a career path that requires a lot of spec work and not much in the way of compensation. This of course complicates the other aspects of her life. The over-arching narrative drive, that there is an isolated house in Northern Canada where a millionaire's wife may have used early, highly volatile Silver Nitrate Film to accomplish Occult Phenomena in the  early Twentieth Century, is seeping in around the edges, and how any of the former relates to the latter, other than it's our Narrator's obsession and attempt at making a mark in the Academic world researching it, is unclear at this point. What is clear, is that the dark things I can feel on the horizon of this novel will occur in the same clearly written and beautifully rendered examination of occurrence as the daily ups and downs of the Narrator's life. Call it a slow burn if you want; Experimental Film reminds me more than a little bit of the work of Bret Easton Ellis, and I am enjoying it very, very much.

**

Watchlist from 5/25 was the remainder of Season One of Ozark, on into the first two episodes of Season Two. Jesus, this show is strong; it remains to be seen if Season Two will weave so many dramatic plot points together as Season One, but it's certainly off to a good start.

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Playlist from 5/25:

Sunn O))) - Life Metal
The Veils - Total Depravity
The Yellow House - Refurbished
The Pogues - Red Roses For Me
The Police - Outlandos D'Amour
Isis - Celestial
Ghost - Prequelle

**

Card of the day:

From the Grimoire: "The Lunar Pull on seemingly unconnected processes." Well, we're currently in Waning Gibbous, the first phase after a full moon. So we're slowly moving beyond revelation. Also, this card has several 'face value' applications, the most obvious of which in terms of Magical Significance, is the Scarlet Lady riding the Seven-Headed Beast of Revelations. This is the destruction of what came before, and the approach to a new paradigm. There is also a transition from Severity (Geburah) to Mercy (Chesed). But really, all this is just me playing an endless guitar solo; showing off, because I don't have any idea how this card applies to me at the moment.

Or maybe I do...

2019: May 25th

Deep, murky dreams last night, the kind that follow you right up to the door that leads back across the wall of sleep. I woke up before my 6:00 AM alarm feeling the need to begin the day with Sunn O)))'s new album Life Metal, which I'd yet to spin since its release (was holding out for the vinyl). So far, these tracks actually scare me a little bit, which is awesome. There's something to the sound this time, something Steve Albini no doubt helped add to the thick, rolling fog metal of this behemoth. Sunn O))) actually sound more massive, if that is possible. Life Metal would make a perfect soundtrack to a re-read I'm planning for John Langan's The Fisherman, a book I had some issues with as far as execution, but which still stands as probably the scariest novel I've ever read, and has stayed with me on an almost daily basis for two years now.

Speaking of great Weird/Horror fiction, I was unbelievably happy to see Nathan Ballingrud announce on Twitter yesterday that his first collection of short stories, North American Lake Monsters, was just picked up by Hulu as an anthology series. Mr. Ballingrud's continued success is well-earned, and it's nice to see that happen.

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The Watchlist from 5/24 was the final episode of Joe Bob Briggs' The Last Drive-In on Shudder. Joe Bob played Blood Harvest and Hello Mary Lou: Prom Night II, and while Hello Mary Lou is definitely better than the first Prom Night (its affiliation with the franchise apparently decided after the fact), I didn't much care for either film. However, that is totally not the point here. I watched these movies for Joe Bob's interruptions, and as always, he delivered. The Last Drive-In prom at the end of the episode was especially sweet and funny; can't wait for season 2, and I definitely find myself hoping there's a holiday marathon in the interim.

**

Playlist from 5/24:

Muggs - Dust

Pelican - Cold Hope (Pre-release single)

Pelican - Midnight and Mescaline (Pre-release single)

Faith No More - Angel Dust

The Raveonettes - Raven in the Grave

Melvins - Houdini

The Veils - Total Depravity

Card of the day:

Probably my favorite card in the Sword suite, this tells me I need to be very methodical today. I work, need very desperately to write again (still sick, still exhausted), and have plans to tape a new episode of The Horror Vision tonight. That's a lot to fit in feeling like I do. I'll need to be resourceful and above all focused.