Monday, December 17, 2018
2018: Monday, December 17th
Saturday night my cousin Charles introduced me to Kevin Morby. It was late, there were a handful of people, all of us speaking passionately about this and that, so I couldn't really hear the music as it dwindled out of my small blu tooth speaker placed behind my parents' basement bar, but Charles' recommendations are always fantastic, even if I'm not always in the right headspace to completely sync with them.
No problem in the 'sync' department this time.
Sunday at Midway Airport I put on Morby's 2016 album Singing Saw and it became my travel album for the day, the 5 1/2 hour musical loop that got me through take off, flight, and departure in a beautifully fleeting hypnogogic trance. Needless to say the album is not only fantastic, but endeared to me now for all time.
Re-acclimating to LaLaLand and what we refer to as 'normal life' because here I don't eat terribly, drink full throttle every night, or dabble in anything beyond the occasional vape. Part of that re-acclimation process was as simple as putting some vinyl the turntable and just chilling the f*&k out. I led the way with a wonderful gift I received from Mr. Brown while I was in:
That's right! The 20th anniversary vinyl edition of Calexico's seminal The Black Light album. I'll be honest - back in the day Mr. Brown was always more into these guys than I was; Even Sure Things Fall Through was the album that hit me the most, with the very Badalamenti opener Sonic Wind virtually assuring my allegiance, and Feast of Wire played a pretty big role in my initial soundtrack upon moving to Los Angeles, but I've often had a hard time finding the right headspace to fit Calexico in on a semi-regular basis. And something about that seems to have changed, as my moods and headspace grow and expand. For almost ten years now I've experienced an increasingly strong connection to Metal in most of its forms (especially the newer, stranger mutations like Blut Aus Nord and The Body) because it's music that helps me write. Often even if I'm in the mood for slower, quieter tunes to listen to while writing it I have to jack the headphone volume because I primarily do the big work in a public place that pipes in music. Also, if I'm lagging, metal kicks my ass in gear. That said, my walk to said writing place is mellow and peaceful, and sometimes of late my morning music leans away from metal, as does my evening, at-home-on-the-record-player listening, so this is perfect. And, The Black Light is a beautiful record, as are the re-issue's linear notes, which are partially (or maybe entirely - they're long and I haven't had a chance to finish them yet) written by Calexico co-founder Joey Burns, so it's a wonderful window into the band and the situations/thoughts/experiences that led to the record's creation.
Playlist from Sunday, 12/16:
Kevin Morby - Singing Saw
Daughters - You Won't Get What You Want
Calexico - The Black Light
Card of the day:
The journey home is over, the journey back to a productive reality begins today.