Isolation: Day 107

Full article on Bloody Disgusting, Legion looks like it will be one hell of a ride. I love the visual allusions to Evil Dead, I love the links to Shamanism and Sorcery, and, well, I guess I love everything about this trailer.

**

Playlist:

C-Building Kids - Shitting in the Urinal
Run the Jewels - RTJ4
Bell Witch and Aerial Ruin - Stygian Bough, Vol. 1
Belong - October Language
Psychetect - Extremism
Andy Fosberry - Death Ship 2047

**

Channeling the Will to forge new goals. As usual, on the nose with my creative endeavors. The novel is finished, I'm palate cleansing with a short story, and then it's back to Shadow Play.


Speaking of writing, here's a situation I find myself in need of help with.

I'm running a poll on the Horror Amino at the moment, but I'll post my quandary here as well. Any readers who are able to post a reply with their opinion on this matter, it would be much appreciated. That said, I generally do not comment on other sites due to an aversion to elongating my online fingerprint, so I will absolutely understand if no one does.

Here's the deal:

The current title for the new novel is The Secret Life of Murder. I'm having doubts about that name, primarily based on friends' who read this back when it was finished in 2008 and didn't take to the title.

Some background:

This is not the second book in the Shadow Play trilogy, which is completely outlined. And when I say outlined, we're talking detailed to the point that the word count of the outline may very well rival or best the eventual word count on the actual novel. That said, I am refraining from actually writing Book Two until Book Three's outline is complete. Three was about 50% outlined as of February, however, two things made me push both of these back so that Book Two will now release in 2021 and Book Three 2022. Those two things were A) Realizing I would not be able to finish outlining Book Three and write Book Two this year, and B) the onset of COVID-19, Shelter-in-Place, and borderline mass hysteria seemed too in-line with The Secret Life of Murder, which follows a small group of characters trapped in Seattle, Washington as a "Murder Virus" the press has nicknamed MV-3 works its way through the population. MV-3 turns everyone infected into rampaging murder drones, and the resulting wave of chaos appears unstoppable. The virus is introduced into the population by way of a book written by a shadowy ex-hippy guru names Abremlin Harvest.

Being that this one was already finished but has sat for over a decade, the work I set out to do was fairly straight forward: I knew there would be a lot of grammatical/syntax issues I needed to edit,  because, simply put, I am a much better writer now than I was thirteen years ago. I also knew the timeline of events that make up the plot would need to be sharpened, and I wanted to work the emotions, situations, and socio-political elements occurring in our own world into the story, making it more parallel to what we've experienced so far in 2020. This was not difficult to do, although I did end up changing an entire layer of the final act to better reflect the character arc of the Earth, which figures in as a sort of character when you take into account that, much like I believe with COVID-19, the planet is employing the virus as a medicinal reaction to the overpopulation currently choking the life from it. Taking all this into account, I still feel as though The Secret Life of Murder is the best title, however, after living with this one for so long, I'm unsure if I feel that way because it is a good title, or if it just feels that way to me because it has stood as the uncontested 'placeholder' for it in my head for thirteen years.

The question then is, without having read this novel, is The Secret Life of Murder a title that you would scroll past on amazon or - if you're lucky enough to have one - the shelf of an actual book store. Is its not-so-subtle play on all those non-fiction books from the 00s (The Secret Life of Bees, The Secret Life of Lobsters, etc) cause for an eye roll? Or is it intriguing enough to make you want to at the very least read the synopsis?

Isolation: Day 93

Calling it now: RTJ4 will be my album of the year. Everything surrounding this one is perfect. The digital form of the album dropped months early on Wednesday, June 3rd. The physical is still slated for September, so you know the boys saw the opportunity to issue their statement when it was most needed, in the midst of the Protests and Riots that surrounded George Floyd's murder at the hands of Minneapolis police officers. This particular song directly references Floyd's death, leading me to believe RTJ was recording lyrics up until only a few days or possibly even hours before they dropped the album. That is legendary in my eyes. 

I've never been a huge fan of the previous three RTJ records. They're good, and I may grow to like them more in the wake of the impact 4 has made on me, but all my qualms are shattered here. The instrumentation and arrangements are amazing; bombastic, interesting, and weird. Catchy to boot. The lyrics, too, are a level up. As are their delivery, there's a new urgency on this album, one that I can only equate to Chuck D of Public Enemy fame, for my money still the best rapper ever.

**

I should offer a small explanation on my continued use of the "Isolation" moniker for these posts. While a large part of the rest of the world have shrugged off Science's warnings about the continued threat of COVID-19, I am not so cavalier. K and I will be continuing to practice isolation for months to come. Especially after the spike we're already seeing in local microcosmic environments, rising numbers it seems most of the population is content to ignore because they have, "had enough."

Whatever. Thin the population - it does nothing but help the planet and those who will remain.

**

New season of Dark arrives in just two short weeks. That means K and I have to re-watch seasons one and two soon. Nothing like the anticipation that comes from being invested in a series that is not only fantastic, but that has been finite and perfectly plotted from the jump.

**

Jesus, talk about watch list overload. Here's a trailer for the new season of Doom Patrol. Luckily, I won't have to waste my time and resubscribe to the DCU app, as I recently signed up for HBOMAX. That said, after subscribing I realized Max does not work on Firestick, so I have to figure something else out. Either way, this is a MUST.

**

I finished reading Laird Barron's Worse Angels (Fantastic) and Cliver Barker's Books of Blood Volume One, and now I'm on to a book my good friend Chris Saunders (DwC, The Horror Vision) gave me recently. Mark Frost's The List of 7. I've known about Frost's Arthur Conan Doyle novels since their publication in the early 90s thanks to Wrapped in Plastic magazine, the David Lynch/Twin Peaks magazine I subscribed to in the wake of discovering Twin Peaks as it aired. I always knew I'd get around to reading this and the sequel, 6 Messiahs - which Chris also gifted me - and now is as good  a time as any. 

Here's an awesome website entry about this book that I found while looking for a picture of the cover. 

Chris's gifts came at a most opportune time, because the Al Jourgensen auto is proving difficult to get through. A lot closer to what I would expect from a Tommy Lee auto, all braggadocio and not a lot of believable substance at this point (granted, I'm still pretty early in the book). Of course, I expect sex and drugs from any rock star auto, but Al spends a lot of time jerking himself off - metaphorically, in the book there's plenty of random folks to do that for him - and I can't help juxtaposing this with Chris Connelly's auto Concrete, Invisible, Bulletproof, and Fried: My Life as a Revolting Cock, which I read well over ten years ago now, and which is both eloquent and humble. None of that in Uncle Al's early days thus far, and I can't help but wonder if his depiction of ages 13-16 is this filled with conquests and little else, what will the Ministry years be like? I'll get back to this eventually, but I'll probably have to ramp up my Ministry rotation in order to inspire myself to do so.

**

Playlist:

Alice Donut - Dry Humping the Cash Cow

David Bowie - Outside

Flying Lotus - Los Angeles

Flying Lotus - You're Dead

Flying Lotus - Flamagra

Jawbox - For Your Own

Old Tower - The Last Eidolon

Black Magic - Alastor

Blut Aus Nord - Hallucinogen

NIN - Ghosts VI: Locusts

Underworld - 1992-2012

Run the Jewels - RTJ4

Run the Jewels - RTJ3

Hi-Lo - Poseidon (single)

Kendrick Lamar - Damn.

Beach House - Thank Your Lucky Stars

DAF - Die Kleinen Und Die Bösen

Amon Düüll II - Vive La Trance

Makaveli - The 7 Day Theory

Black Sabbath - Master of Reality

Black Sabbath - Eponymous

Kendrick Lamar - To Pimp a Butterfly

Zombi - Breakthrough and Conquer (pre-release single)

Zombi - Earthscraper (pre-release single)

Allegaeon - Apoptosis

**

Card:

Explosion of energy/creativity. Fits perfectly, as over the last 48 hours, I have doubled down on finishing the book. By the end of the weekend, I'm hoping to be in a position to begin reading it aloud to K - one of my most important QC steps, as well as pass it off to two friends who I pay as beta readers. SOON.

2019: June 23rd Orville Peck - Hope to Die

Here's a video I've been meaning to post since Mr. Brown alerted me to its release late last week. Orville Peck's album Pony is neck and neck with Spotlights' Love and Decay for my favorite album of the year, and I have a feeling it will be that way all the way up until I post my annual year-end list at the end of December. Two amazing 2019 albums I found on the same day, that I have had to split my obsession with since. SUCH a great problem to have!

**

Speaking of 'year's favorites,' I watched Yann Gonzalez's Knife + Heart on Shudder again Friday night. I'm really at a loss. This film is amazing in so many ways. The final scene, set to Jefre Cantu-Ledesma's Love's Refrain, is possibly the most beautiful juxtaposition of visual and aural imagery I've ever experienced; I've been haunted by it for days. Here's the track, which can be found on Cantu-Ledesma's EP In Summer, available on Apple Music or HERE:



I've slowly begun making my way through more of Cantu-Ledesma's work, and it is incredible, running in a range from eerie field recordings to hazy, ethereal synth drone like Love's Refrain.

**

Playlist from the previous few days:

Motorhead - Eponymous
Motorhead - Ace of Spades
Public Image, Ltd - This is What You Want...
Felicia Atkinson and Jefre Cantu-Ledesma - Limpid As the Solitudes
Alexis Georgopoulos and Jefre Cantu-Ledesma - Fragments of a Season
Jefre Cantu-Ledesma - Alone Together #6: Faceless Kiss/Blut Mood
Jefre Cantu-Ledesma - Love is a Stream
Jefre Cantu-Ledesma - Visiting This World
Jefre Cantu-Ledesma - In Summer EP
M83 - Knife + Heart OST
Spotlights - Love and Decay
Canadian Rifle - Peaceful Death

**

Card of the day:

Always nice to see this multiple times in one week. And it fits: I received the Proofs for Shadow Play Book One yesterday (their gorgeous but need a wee bit of tweaking), and when I sat down to work on Ciazarn yesterday for an admittedly abbreviated session, I absolutely experienced a breakthrough. I expect today will be HUGE for that story.