IsIolaton: Day 48 Cracked Actor

Woke up with this one in my head yesterday morning. Originally appearing on 1973's Aladdin Sane, the version I'm specifically referring to here is the live version from Ziggy Stardust and the Spiders from Mars - The Motion Picture Soundtrack. I picked the double album up in a cool CD package at a Fop store in London, circa 2004. To date, this is my favorite version of this song.

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Blew through Breaking Bad Seasons 1-3 and K asked to take a breather. It definitely has that effect, and while I'm loving revisiting this world, dark as it is, I also like the idea of spacing it out a bit, to further the effect I had watching it as it aired, broadcast gaps and all. We're not going to come anywhere close to building that kind of expectation-tension for K's first viewing, but a week off might help. With that in mind then, over the last few days we watched James Franco/JJ Abrams' 11.22.63. This adaptation of a novel by Stephen King is an 8-part mini-series on HULU, and although I had some small issues, overall it's great. 11.22.63 is also a rare bird, in that many times, I'll be enthralled by a show and then let down by its ending. In this case, my minor issues were along the way, and the finale was outstanding. Very much worth your time if you're in the mood for something finite.



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I finished both William Gibson's The Peripheral and Juan F. Thompson's Stories I Tell Myself. Both incredible books for totally different reasons (obviously). Gibson's terse prose and refusal to set an initial lay-of-the-land are both facets one must acclimate to, however, that happens fairly quickly because he really pulls you in with the story. And Thompson's autobiography on growing up with Hunter S. Thompson as a father can get a bit hard to read at certain points - most definitely not due to his writing, which is simple but profound - due rather to the veil his stories lift on an icon who many of us hold dear. The end of this one brought me to tears, and the involvement of Johnny Depp in memorializing HST should prove once and for all how awesome that man is, even if his filmography has pretty much fallen by the wayside.

As of writing this, I am ~75 page into Preston Fassel's Our Lady of the Inferno, which I have been wanting to read since I first heard of it, circa a year-and-a-half ago. I was hooked as of page one, and now I'm thinking this has the potential to really soar into a ranking in my favorite books of all time list.

If you're unfamiliar with Mr. Fassel, he writes the Corrupt Signals for Fangoria, easily my favorite column in the revamped mag (which is saying something, because each issue is a veritable treasure). So far, his debut novel is no less spectacular.

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Speaking of reading, as a sort of 'Quarantine Special', I've made the Kindle editions of my first two books $0.99 for the foreseeable future. If you've not read them, please consider giving one or both a chance. One is literary horror, the other the first book in a YA Horror/Suburban Fantasy series. I'm quite proud of both - I'm the first to know when something I write is shite. Also, I've been told both are good and, perhaps more importantly, fun:

 Link to buy A Collection of Desires

Link to buy Shadow Play Book One: Kim and Jessie

If you do take this chance to read them, please take a moment to give a star rating or review on Amazon, or really, anywhere books are sold or discussed. Thank you in advance!

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Playlist:

Revocation - Great is Our Sin
Revocation - Teratogenesis EP
Old Tower - The Last Eidolon
Alastor - Black Magic
The National - High Violet
The National - The Boxer
Various - The History of Northwest Rock Vol. 2 (The Garage Years)
Perturbator - Dangerous Days
Allegaeon - Apoptosis
Burzum - Filosofem
Burzum - Thulêan Mysteries
Perturbator - I Am the Night
Pascal Rogé - Satie: 3 Gymnopédies
White Ward - Love Exchange Failure
Perturbator - The Uncanny Valley
Code Orange - Underneath
Perturbator - Excess (Pre-release single)
Balthazar - Fever
Beach House - Thank Your Lucky Stars
My Morning Jacket - Z
Perturbator - Night Driving Avenger EP
Me and That Man - New Man, New Songs, Same Shit, Vol. 1
Alio Die and Lorenzo Montaná - The Threshold of Beauty
Misfits - Collection Two

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Card:

From the Grimoire: The Spark of Essence. I'm aligning this with the mammoth writing session I am about to embark on as soon as I post this. I took the day off to finish the second pass on this year's book, which is currently on track to be released in late Summer/early Autumn.

Isolation: Day 12 - Anthrax Lone Justice

I'm not quite through posting about this one yet. Anthrax's 1985 Sophomore album Spreading the Disease has locked into my heart of late, and I'm finding it hard to get my fill of it. Every song is great, and what's really cool is this is Anthrax not fully formed as they will be by 1987's Among the Living. That's the album where I think pretty much everyone agrees the band solidified their sound for the next few albums (only to overthrow that again a few albums later by replacing Joey Belladonna with Stan Bush for the release of 1993's Sound of White Noise). But on Spreading the Disease we still have some of the young band's influences showing through, and both today's track 'Lone Justice' and yesterday's 'The Enemy' really show the Iron Maiden influence on these guys. I mean, listen to either of these songs and imagine Bruce "History Major" Dickinson singing over the top and you'll hear it right away. So cool, to see the primordial ingredients of one of the most iconic bands in Thrash history.

Speaking of history, I'm hearing Mr. Bungle's Raging Wraith of the Easter Bunny album should be out in fall, if, you know, the current crisis ends by then and the world that's left even slightly resembles what we have now. Which, hopefully, it will. More on those efforts in Mindful Habitation, below.

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Mindful Habitation:

Today is my 44th birthday. Holy shit, man! Forty-four. There were times I didn't think I'd get this far; I've always had sort of a prescient block on how to imagine aging (hence my Bowie article HERE), and in light of current events, well, you never know. Could be my last. Not that I'm walking around worried about that. I think we're all probably prone to a certain amount of on-again-off-again existential crisis at the moment, but generally I'm thinking I'll make it through to the other side of whatever this is shaping up to be. And so will all my loved ones, K and our family in both states I divide my consciousness between, but also, all the friends who probably don't know it, but who I carry with me day-to-day as a sort of live-in consensus. This is my world, and as long as they remain consistent, I can adapt. I'm not special; I'm sure most people have these lists and they're tossing dice against the Universe that when the dealer folds, they're holding the better cards. All we can do is sit at the table, employ the our best poker face, and try and beat this. It is going to take a bite out of our population, because it has to. The Planet's needs come first, y'all. However, play it smart and let those too stupid to pay attention or take this seriously be the ones weeded out. And that's the Mindful Habitation for today: I never thought I'd age into the kind of person who thinks the military needs to control things with a police state, but Jesus-Fucking-Christ, all these people still gathering in groups, still playing basketball at the park in large numbers, still not taking this seriously? STOP IT. If you don't? Well, then if Mother Nature has to thin the heard, I'm all for her starting there. The only problem is how many non-morons they might likewise infect. So - and this goes back to a life rule for me - minimize the number of morons in your life.

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I don't normally make much of a to-do out of my bday anyway, so this year won't be that different. I love to throw parties and celebrate my friends' reiteration renewal, but I prefer to let mine squeak by quietly. That said, I have today and tomorrow off, I ordered a growler of my favorite local beer (King Harbor Brewings' Swirly!), and K and I kicked off two days of marathoning stuff that I love last night with The Big Lebowski and Fear and Loathing in Las Vegas. Been at least ten years since I'd seen either, and both hold up. Lebowski remains one of the funniest movies I've ever seen, and Vegas, although darker with each subsequent viewing, always hits my heart with the weight of Thompson's profound insight into the Death of the American Dream. Today? Not entirely sure yet, but I may be starting a marathon re-watch of Twin Peaks: The Return in a little while. I might work up to that with a first viewing of The Conjuring 2, though, simply because I've still never seen it.





UPDATE: We watched the Conjuring 2. It's very well made shit. I didn't hate it, but total disappointment, because I maintain the original is fantastic, even if it does lose a bit of steam once they show us the ghost on top of the armoire. Still Number Two felt like a massive step backwards, despite some very fancy and expensive camera work.

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Playlist:

Anthrax - Spreading the Disease
Deafheaven - New Bermuda
Deafheaven - Ordinary Corrupt Human Love
The Rolling Stones - Sticky Fingers
Steve Moore - Frame Dragging EP

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Card:

A reminder, I think, not to let the day go by without some creative time. Think I'll dig back into my current project for a little bit, come up for air in an hour or so. Just to keep the juices flowing.

Superblood Wolfmoon and The Invisible Man!

There are two singles out right now from Pearl Jam's forthcoming album Gigaton, which you can pre-order HERE. Both songs are fantastic, but I feel like "Dance of the Clairvoyants" is the one everyone's talking about because of the Talking Heads-vibe that song has. I wanted to post "Superblood Wolfmoon" because it's also fantastic!

Here's where I offer my take on Pearl Jam. I've always respected them. I've always thought they make the music they want to make, and that's amazing in the era they started in and transitioned through. However, previously, my love of their music went like this: All of their debut, Ten. Both songs on the Singles soundtrack. About half of the follow-up Vs. About a third of Vitalogy, and then I tuned out. After Ten their ballads - the stuff that, through no fault of their own, ruled the FM airwaves while I was in high school - all just sounded like audio burlap to me. Drab, scratchy, and uncomfortable. Yet I applauded them for years when friends who were into them would play me their records. I just never really heard any of that stuff, some weird bug in my ear always turned the noise of my brain up and drowned out what was coming in through my ear. I've always wanted something to come along and push me into taking a walk through that now back catalogue, and these two songs may have done just that.

Thanks to Mr. Brown for always forwarding me the newest stuff when he hears it, and for Keller for curating youtube sessions that made me realize just what an unbelievably good person Eddie Vedder is; if I dive back into Pearl Jam's music now, it's largely because of knowing that.

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K and I ventured out to the local theatre last night and saw Leigh Whannell's The Invisible Man. Loved it! Awesome use and sustaining of tension; great atmosphere of fear and helplessness, made especially palpable by Elizabeth Moss' teeth-grinding performance. Really hits the notes on that sweet spot that exists between horror and psychological thrillers - think Pacific Heights and Jacob's Ladder as an example. Oh, and Whannell was not lying; to those who said the trailer gives away the entire movie, that is most definitely not the case.



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Playlist:

Spotlights - Love and Decay
Alice in Chains - Eponymous
The Jesus Lizard - Head
Pearl Jame - Gigaton (pre-release singles)
Pearl Jam - Vs

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Card:

I've been out of touch with my Craft for the last three days. Time to get back on that horse and ride.

Sunn O))) Pyroclasts

The description of this album is one of the more intriguing musical ideas I've seen expressed by any band in recent memory. This is kind of what I wish Tool had to say about Fear Inoculum; a band's Intent with a given piece of music can completely alter the way I look it/listen to it. I used to think Tool thought this deeply about their music. I am no longer sure of that, in regard to Maynard and the boys. Sunn O))), however, continue to express the hell out of me.

Also, recorded by Steve Albini. Always a damn good thing.

You can pre-order Pyroclasts at Southern Lord Records HERE.

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31 Days of Horror:

10/01: House of 1000 Corpses/31

10/02: Lords of Chaos

10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1

10/04: IT Chapter 2, AHS 1984 Ep. 3

10/05: Bliss/VFW

10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog

10/07: Halloween 2018

10/08: Hell House, LLC

10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)

10/10: Creepshow Episode 3

10/11: Jenifer (Dario Argento; Masters of Horror Ssn 1 Ep 4)

10/12: Poltergeist/Phenomena

10/13: AHS 1984 Ep 4/In the Tall Grass
10/14: Invasion of the Body Snatchers ('78)
10/15: Rabid (2019)
10/16: Wounds
10/17: Behind the Mask: The Rise of Leslie Vernon
10/18: Creepshow Episode 4
10/19: Ed Wood/AHS 1984 Ep. 5
10/20: Sinister/Sinister 2
10/21: Uncanny Annie
10/22: Scream
10/23: Simpsons 666: Treehouse of Horror
10/24: Jennifer's Body
10/25: Belzebuth/The Lighthouse/Halloween
10/26: Murder Party
10/27: AHS 1984 Ep. 6/Arsenic and Old Lace/(The Fair Haired Child Masters of Horror Ssn 1 Ep 9)

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Playlist from 10/27:

Alice in Chains - The Devil Put Dinosaurs Here
Fields of the Nephilim - The Nephilim
Billy Idol - Greatest Hits
Blut Aus Nord - Hallucinogen
Trust Obey - Fear and Bullets

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Card of the day:

I needed this, which seems to be a running theme with my Pulls of late. A direct reference to a short I've been picking at for almost a year; I finished it, realized the story had gotten away from what I intended (in a bad way), and have periodically gone back and re-worked it over and over. I nearly finished it last night, and when later mentioned the new direction to K, who expressed bewilderment that I had removed some of her favorite elements. In thinking about it, I realize the story was all but finished last year, my real problem was with the ending, which I should be able to synthesize if I go back and master all of the ingredients along the way.

2018: November 4th

Has it really been two weeks since I saw Nick Cave and the Bad Seeds? That show and the Bad Seed's performance of Shoot Me Down inspired me to pull out the B-Sides and Rarities, three volume box set released back in 2005. It'd been a while since I really dug into this one, so I put the three discs in the ride and have been flirting with it on a somewhat regular basis. I forgot how much I love some of the songs on these discs! Come Into My Sleep is one of my favorites; originally released as a B-Side to (Are You) The One I've Been Waiting For?, from 1997's The Boatman's Call. This is classic Bad Seeds suave - the vibes carry the song, nice slinky bass line from Martyn Casey and Cave's trademark literary lyrics. So good.

On the exact other side of the musical spectrum, Mr. Brown sent me a link to a fantastic article on the 30th anniversary (eek!) of ...And Justice For All. Read it HERE. I might detest the band now, but I didn't then; Justice is where I draw the line, although I seem to waiver between thinking it's genius, and rolling my eyes at four white guys playing like they have sticks up their bums. Either way, it's musical history at this point, and the article's well worth a read. Also, the remaster really brings out the vocal effect Hetfield used on his voice in the verses for Eye of the Beholder, which changes the feel of the song a bit from what you probably know.

Just finished the second issue of Sam Keith's Batman/The Maxx crossover. Man, I think this is shaping up to be a proper sequel - or at least continuation - of the original Maxx/Julie storyline that disappeared after issue #20 of the original Maxx comic. If you read that book and can remember back to the mid-90s, issue #21 jumped ten years into the future, jettisoned Julie and Maxx (for the most part), and focused on an older Sarah, a man named Norbert, and Iago, the giant Banana slug. This new series seems to be following Maxx and Julie several years down the road from that twentieth issue, with Maxx reiterating several times that he had long ago lost contact with Julie. Admittedly, it's probably been six years since my last re-read of the original series, so I might be mixing some of this up. I think I'll start another re-read now, to accompany this new series. If you're curious about the timeline, as always Comic Vine is a great resource. HERE's their page for The Maxx.

And look at this cover gallery for #2.

Playlist from yesterday:

Nick Cave & The Bad Seeds - B-Sides & Rarities, Disc 3
Matthew Dear - Playlist (culled mostly from Black City)
Kate Bush - The Dreaming
Intronaut - Habitual Levitations (Instilling Words with Tones)
Metallica - ...And Justice For All
Weeknight - Post-Everything
Nine Inch Nails - Bad Witch
Health - Death Magic

Card of the day:

If The Fool is the beginning of the journey, The Magus is the moment the novice becomes acclimated to the idea that the journey is no longer a transitory one, but transformative. This is life, and life is what the cards attempt to guide us through, revealing secrets that are, generally, right in front of our face the entire time. Magick isn't special; for most of us most of the time, it appears magical, like fireworks in the sky, but if you can tap in and pay attention, all the answers are with you, you've just been conditioned to ignore or chosen not to see them. Maybe you've never learned that the answers are even there. The Magus can help.

As usual, I apply my interpretation toward my writing and take this as a signifier that my work on the book goes well; the answers to ALL the continuity problems have always been close at hand, it's just not until I slow down and actually methodically think about the situations and characters that the answers come clear. And for the most part now, they have. With minor re-writing (further proven they were nearby the entire time) I've managed to scrape off the 'passable' patina and find the golden road through the heart of my little story about shadows and reflections wanting to switch places with us.

2018: August 8th - American Horror Story 8 Teaser

You put a chick in a gas mask and lingerie and I'm THERE! Seriously, I'm sure none of this imagery will actually tie into the story of American Horror Story season 8: Apocalypse, but it's cool as all hell. I've always been pretty hot and cold with the show: still haven't seen Freakshow or Coven, had pretty much given up until Hotel and Roanoke, both of which I loved, so I'll definitely be watching the new one.

NCBD. Cautiously excited for this:

Playlists from the last two days:

8/06:
Shockwaves Podcast #
Windhand - Grey Garden (Pre-release single)
Tubular Bells (part 1)
Windhand - Grief's Infernal Flower
Wrekmeister Harmonies - Light Falls

8/07:
Cypress Hill - Eponymous
Cold Cave - Cherish the Light Years
Mastodon - Emperor of Sand
True Widow - AVVOLGERE
Steven Moore - The Mind's Eye OST

Cards from the last three days:

Knight of Swords was today's pull, and interestingly enough, I'd been anticipating each of the previous two days. Hence, I thought I'd read them all together as a spread.

Endeavors large and exploratory end in abrupt disappointment, only to have a contrary result arrive swiftly on that disappointment's heels. So one step back, two steps forward, so to speak.