Jesus Lizard LIVE!!!

Live from Birmingham, Alabama, courtesy of the Live from Birmingham YouTube channel. I have been meaning to head down to Birmingham since moving just over three hours from it. This would have been perfect! Drat! Oh well, 

Seeing a bearded Yow brings a smile to my face. Weird to have that opening drum hit on Seasick hit and not see him throw himself into the crowd. NOT a criticism - I stopped crowdsurfing a long time before he did. 

Live from Birmingham's mission statement (from their YouTube page):

"LIVE FROM BIRMINGHAM is the home of Subcarrier, an Alabama Public Television production filmed and recorded at SATURN in Birmingham, AL, featuring performers from across the musical spectrum. Subcarrier is the continuation of WE HAVE SIGNAL, a project active from 2008 until 2015 when the world-famous venue BottleTree closed."

I've added Saturn to my venues to watch list. 

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Watch:

I've been sick and largely offline, so I completely forgot that GDT's Frankenstein received a trailer the other day. My good friend Chris Saunders messaged me a reminder, though, and after watching it, well, I am speechless:

 

I will be shocked if this doesn't claim my best-of-the-year spot. That said, is this going straight to Netflix? Because that would be a goddamn shame. This needs to be seen in a theatre!

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Read:

I've been sick all weekend, and in that time I blew Preston Fassel's Beasts of 42nd Street.

After my recent re-read of Our Lady of the Inferno and now this, Fassel is easily in my top five favorite authors at the moment. These are so insanely compelling, even if dark A.F. Our Lady is dark, but not in the same way Beasts is. Man, this really took me some place not very nice, but it was a hell of a ride, and I'll definitely make the trip again. Here's the solicitation blurb from publisher Cemetary Dance's website. Important to note that while this is readily available to order from the bezos corp, Cemetary Dance lists it as Out of Print. So grab it now:

"In the kingdom of the damned that is 42nd Street, there’s no lowlier subject than Andy Lew. An unrepentant junkie, voyeur, and degenerate, he’s only tolerated by the more dangerous men around him because he keeps the projectors at the Colossus theater running on time, entertaining them with the most extreme horror cinema money can buy. 

"There’s something unique about Andy, though. He owns a movie. It’s the only one of its kind. No one knows who made it. Only he knows where it came from. The woman it stars is beautiful beyond imagination—and the images it depicts are more nightmarish than the darkest depths of Hell. The beasts of 42nd Street will do anything to possess it, but there’s something they don’t understand. Andy loves the woman in the movie—and he’ll go to any lengths to protect her… A savage love letter to 70s exploitation cinema and a biting satire of toxic fan culture, Beasts of 42nd Street makes horror dangerous again as it ventures into the mind of a psychopath like no other— one that will have readers recoiling even as they keep coming back for more."

I LOVED this novel. It plays with so many ideas from the 42nd street mythos - snuff, projection reel theft, Satanic Panic, Police conspiracy - bundles them all together in a brilliant, engaging story that takes you into the alleyways of late 70s Manhattan and plays with your sense of the world as we know it. Or think we know it. 

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Playlist:

Calderum - Mystical Fortress of Iberian Lands 

White Rune - The Spell of Eternal Fire

Blut Aus Nord - Memoria Vetusta I: Fathers Of The Icy Ages

Federale - Reverb & Seduction

Genghis Tron - Dead Mountain Mouth

Emilie Leviensaise-Farrouch - Censor OST

Blut Aus Nord - Ultima Thulée

Ruin - Plague Transmissions, Vol. 1

Tangerine Dream - In Search of Hades: The Virgin Recordings 1973 - 1979

Pink Floyd - Ummagumma

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Ace of Swords

• IV: The Emperor

• Eight of Pentacles

A breakthrough of Will that successfully affects the "rules" of whatever the objective is will require intense concentration and dedication.

Another reminder for me to get back up on my horse and stop resting on my laurels. 

Techno Westerns - Loverboy

I rewatched In A Violent Nature last night, strictly because Joe Bob and Darcy hosted it on the previous installment of The Last Drive-In. Not a fan of this flick, but I did come away with this song, so that's cool.

The album this track is featured on shares its name, and while I didn't love it, I found a pretty reliable evocation of a certain kind of Electro-Indie-Pop that was ubiquitous in Los Angeles in the late 2000s and early 2010s, and thus, hits a certain nostalgic trigger for me. I'm not talking smack; I would have probably liked this a lot more back then, but my tastes have definitely shifted, and as it stands after a couple of listens, I do dig this, just not enough to really get excited by it. Still, if you dig this track, check out their music for yourself. 

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Watch:

Zach Cregger's follow-up to Barbarian received a trailer last week:

This is another example of a creator who must have a hand in controlling the marketing of his films because, like Barbarian, this gives nothing away. I'm not going to test that theory by watching any subsequent trailers New Line releases after this; Weapons hits theatres on August 8th, and I will be there on opening day. 

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Read:

Over the weekend, I ripped through a re-read of Preston Fassel's brilliant Our Lady of the Inferno. Second time reading this book, and it's an all-time favorite for me. 

The depth of emotion here is incredible. This is a book that can scare you, gross you out, and touch your heart. The imagery is above and beyond as Fassel conjures 42nd Street, New York, in 1983, in a way I cannot even begin to describe. You hear it, you feel it, you smell it. The characters are so well-written and so developed that you feel like you know them - like you have known them your entire life. And the Horror is both breathtaking and heartbreaking in equal measure.

I was lucky enough to grab this one upon original publication by Fangoria, but while that edition is long out of print, there is a new edition available everywhere books are sold. 

I know I say this a lot, and I always mean it when I say it, but I cannot recommend this book enough. While I would definitely classify Our Lady of the Inferno as a "Horror" novel, it is also a literary Horror novel and one that is far too human to be limited by any genre tropes.  

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Playlist:

Black Sabbath - Sabotage

Moon Wizard - Sirens

Sumerlands - Dreamkiller

The Raveonettes - PE'AHI II

Matt Cameron - Gory Scorch Cretins

Zeal & Ardor - GREIF

Fever Ray - Radical Romantics

Turnstile - GLOW ON

Primus - Pork Soda

The Atlas Moth - Coma Noir

Ghost - Skeletá 

Perturbator - Dangerous Days

Final Light - Eponymous

Techno Westerns - Lover Boy

Joseph Bishara - Malignant OST

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Ace of Cups

• Four of Wands

• Seven of Pentacles

Emotional breakthrough leads to a stable foundation from which to move forward to victory.

Black Gloves & Broken Hearts is finished and is in the hands of my trusted Beta Reader, so I'm really just waiting on the cover art and any cleanup based on early readers' reactions. After that, we'll be looking at setting a release date. Conversely, I've added a chapter to my latest ongoing Nosleep Serial and moved back to Shadow Play Book Two with the intention of stripping it, streamlining it, and finishing it. I toyed with the idea of turning this proposed trilogy into a duology. However, I think I will simply make books two and three shorter than originally expected. There's just too much sprawl, and I think it's that admitting and acknowledging that right there that is the "Emotional Breakthrough" mentioned in the reading. Roping this in can only lead to a stronger foundation and, thus, completion (Victory).

IsIolaton: Day 48 Cracked Actor

Woke up with this one in my head yesterday morning. Originally appearing on 1973's Aladdin Sane, the version I'm specifically referring to here is the live version from Ziggy Stardust and the Spiders from Mars - The Motion Picture Soundtrack. I picked the double album up in a cool CD package at a Fop store in London, circa 2004. To date, this is my favorite version of this song.

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Blew through Breaking Bad Seasons 1-3 and K asked to take a breather. It definitely has that effect, and while I'm loving revisiting this world, dark as it is, I also like the idea of spacing it out a bit, to further the effect I had watching it as it aired, broadcast gaps and all. We're not going to come anywhere close to building that kind of expectation-tension for K's first viewing, but a week off might help. With that in mind then, over the last few days we watched James Franco/JJ Abrams' 11.22.63. This adaptation of a novel by Stephen King is an 8-part mini-series on HULU, and although I had some small issues, overall it's great. 11.22.63 is also a rare bird, in that many times, I'll be enthralled by a show and then let down by its ending. In this case, my minor issues were along the way, and the finale was outstanding. Very much worth your time if you're in the mood for something finite.



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I finished both William Gibson's The Peripheral and Juan F. Thompson's Stories I Tell Myself. Both incredible books for totally different reasons (obviously). Gibson's terse prose and refusal to set an initial lay-of-the-land are both facets one must acclimate to, however, that happens fairly quickly because he really pulls you in with the story. And Thompson's autobiography on growing up with Hunter S. Thompson as a father can get a bit hard to read at certain points - most definitely not due to his writing, which is simple but profound - due rather to the veil his stories lift on an icon who many of us hold dear. The end of this one brought me to tears, and the involvement of Johnny Depp in memorializing HST should prove once and for all how awesome that man is, even if his filmography has pretty much fallen by the wayside.

As of writing this, I am ~75 page into Preston Fassel's Our Lady of the Inferno, which I have been wanting to read since I first heard of it, circa a year-and-a-half ago. I was hooked as of page one, and now I'm thinking this has the potential to really soar into a ranking in my favorite books of all time list.

If you're unfamiliar with Mr. Fassel, he writes the Corrupt Signals for Fangoria, easily my favorite column in the revamped mag (which is saying something, because each issue is a veritable treasure). So far, his debut novel is no less spectacular.

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Speaking of reading, as a sort of 'Quarantine Special', I've made the Kindle editions of my first two books $0.99 for the foreseeable future. If you've not read them, please consider giving one or both a chance. One is literary horror, the other the first book in a YA Horror/Suburban Fantasy series. I'm quite proud of both - I'm the first to know when something I write is shite. Also, I've been told both are good and, perhaps more importantly, fun:

 Link to buy A Collection of Desires

Link to buy Shadow Play Book One: Kim and Jessie

If you do take this chance to read them, please take a moment to give a star rating or review on Amazon, or really, anywhere books are sold or discussed. Thank you in advance!

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Playlist:

Revocation - Great is Our Sin
Revocation - Teratogenesis EP
Old Tower - The Last Eidolon
Alastor - Black Magic
The National - High Violet
The National - The Boxer
Various - The History of Northwest Rock Vol. 2 (The Garage Years)
Perturbator - Dangerous Days
Allegaeon - Apoptosis
Burzum - Filosofem
Burzum - Thulêan Mysteries
Perturbator - I Am the Night
Pascal Rogé - Satie: 3 Gymnopédies
White Ward - Love Exchange Failure
Perturbator - The Uncanny Valley
Code Orange - Underneath
Perturbator - Excess (Pre-release single)
Balthazar - Fever
Beach House - Thank Your Lucky Stars
My Morning Jacket - Z
Perturbator - Night Driving Avenger EP
Me and That Man - New Man, New Songs, Same Shit, Vol. 1
Alio Die and Lorenzo Montaná - The Threshold of Beauty
Misfits - Collection Two

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Card:

From the Grimoire: The Spark of Essence. I'm aligning this with the mammoth writing session I am about to embark on as soon as I post this. I took the day off to finish the second pass on this year's book, which is currently on track to be released in late Summer/early Autumn.