Showing posts with label Neon. Show all posts
Showing posts with label Neon. Show all posts

Tuesday, February 4, 2025

Revocation w/ Travis Ryan - Confines of Infinity


I saw both of these bands live back in 2014 at the Summer Slaughter Fest at Hollywood's House of Blues. Both made a great impression, but it was Revocation that really hit. Cattle Decapitation was great, but my history with the band starts and stops with that show. Digging this collaboration between Revocation and C.D. singer Travis Ryan.

No word if this heralds a new Revocation album, but they're about due based on their past release schedule. This reminds me a bit of the Mastodon/Lamb of God collaboration a few months ago. 




Watch:

I completely forgot about posting this trailer for Oz Perkins' The Monkey:


I LOVE this trailer! Man, Oz has really had some unbelievably cool marketing for these last two flicks, and I think it has A LOT to do with why these are so successful. So while blumhouse continues to be the trailer bane of the Horror Fan's existence, Neon has really risen to the occasion and will hopefully lead other distributors by example. There's no way The Monkey doesn't smash the box office, and this trailer has a lot to do with the hype.

Also, some pretty great full page inner front cover and back cover ads in the most recent Fango for this, too:


See? These are fantastic!

There's been such a 'vibe' for both The Monkey and LONGLEGS, and that vibe ads to the success. PLEASE let others learn this lesson. Don't make me NOT want to see your movie with the marketing for it (cough*blumhouse*cough).




Playlist:

Foster the People - Torches
Oranssi Pazuzu - Muuntautuja
Swans - To Be Kind
Frank Black - Teenager of the Year
The Soft Moon - Criminal
The Soft Moon - Exister
Final Light - Eponymous
Blood Incantation - Absolute Everywhere
Testament - The Ritual




Thursday, April 27, 2023

New Music from PJ Harvey!!!

 

From the forthcoming album I Inside the Old Year Dying, out July 7th on Partisan Records. Pre-order HERE

It's been a minute since we've had new music from Polly Jean. I listened to this multiple times in a row when it popped up in my feed last night, and each time the song opened a little bit more, like some dark, grueling flower. I love her music so much - no one else does to my brain and nervous system what Ms. Harvey does. There feels like a growing history in her work, as though each new record contains the sum total of everything that's come before, and I'm eager to hear this entire album.




Watch:

Neon dropped the trailer to It Lives Inside yesterday:

 

I only needed to watch the first thirty seconds or so to know I was in. Trailers are beginning to be the bane of my existence. Exaggeration? Yes. Of course, but seriously, I can only imagine how much more I would have enjoyed Lee Cronin's Evil Dead Rise had I not been forced to sit through the trailer before every movie I have seen in the theatre since January. So many moments that might have won me over fell flat, so I'm taking action and abstaining from trailers altogether. I'll still post here, but that's it. 

Caveat: I'll still watch trailers for Marvel stuff because that tends to be all I watch of those anymore. It's with Horror films especially, I'm slamming the door. 

Back to the flick - bringing in Indian folklore is such an awesome thing. I've been thinking a lot about Remi Weekes's 2020 film His House and Pornsak Pichetshote's graphic novel Infidel - both use other cultures as jumping-off points and both rank among the most effective Horror stories I've experienced in years. It Lives Inside looks as though it will further explore bringing Horror from other cultures to viewers, and that's a lot more interesting than, well, just the same old Deadites over and over (sorry Evil Dead Rise - I'm your friend but I'm not sure I'd sleep with you).
 


NCBD Addendum:

Just have to report back that Sins of Sinister: Dominion completely sh*t the bed. Not impressed; possibly the worst X-Event book wrap-up since the late 90s. 


The logistics of 'solving' the set-up of a timeline gone 1000+ years into the future under the widespread genetic influence of a narcissistic madman like Nathaniel Essex was so jumbled and non-specific, it felt rushed and loose in its storytelling and logistics. I would wager that the story ended up becoming so dense that it would have taken another three issues at least to actually write their way out of this; instead, we fall back on that annoying, "Quick, use your power in conjunction with mine and we can stop this." I'm exaggerating, but not entirely. Also, while I dig Mother Righteous and Rasputin IV, this series ends up feeling as though its sole purpose was to move them into the present-day cast, another annoying X-Trope I've personally had enough of for one lifetime. I know, I know - then stop reading! Well, I enjoyed more of this series and the Immortal/Red than I haven't, so this isn't so much a swearing-off as it is a "WHY?"

There were, however, a few genuinely cool set-ups in this issue, the biggest being the question of who is the Dominion if the 1000+ Sinister isn't? My guess is there's a Sinister who already retrieved his Moira engine and reset the timeline, making his (or her) way into the higher dimensional plane. Also, good to get Moira back into the action, though if she'll stay front and center or tuck back into the shadows is anyone's guess. I'm guessing the line, "This is my story" suggests the former.




Playlist:

Dorthia Cottrell - Eponymous
Dorthia Cottrell - Death Folk Country
Deafheaven - Ordinary Corrupt Human Love
Holy Serpent - Endless
Windhand - Split EP
Uncle Acid and the Deadbeats - Wasteland
Spotlights - Love & Decay
Lustmord - Dark Matter
Sleep - Sleep's Holy Mountain
            


Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

 Going to do this a bit differently today:

• King (AKA Prince in Thoth) of Cups - Sephirothic Association is Tipareth, always my shining star on the Tree of Life. This is the Airy aspect of water or where the Sword and Cup meet. Like sex, a joining of two halves to make a whole. Emotional depths must be honed by intellect

• The Emperor - Rules, albeit not malevolent ones, they're also brutal in their pragmatism. Nature. This infers strength, decisiveness to the point of instinct, and high energy.

• Seven of Swords - In Thoth, Futility. Overwhelming decisions that we see the two cards above prompt for a swift resolution. Difficult or not, to carry on we must make decisions quickly and continue our course.

I actually think this is meant as advice for a friend more than for me. Life is difficult, even the smallest decision can overwhelm, let alone the big, life-changing difficult ones. Employ the swift and brutal energy of nature, roll with the punches. You won't come out unscathed, but you will come out, heal, and carry on, that much stronger.