From the new Zeal & Ardor album GREIF, out today. Order direct from the band HERE.
Watch:
Ed Brubaker is one of the Executive Producers of Amazon's new Caped Crusader cartoon. I was skeptical about this; Batman is OVERDONE, to say the least, and
I've watched two of these so far, and I really like it. I'm not going to go on my "Fuck commercials on a service I already pay for" rant anymore - the next stage is acceptance, so I'll just pay $2.99 and go commercial-free. The ads are seriously creating way more mental destabilization than you might anticipate. I've boiled that down to them being continuous reminders of the completely corporate world we live in now, but that's a discussion for another time. In the interim, I'm digging this Caped Crusader show a lot, primarily because it's set in the 1940s. That was a stroke of brilliance.
Play:
Whoah. Might be time for me to pick up an Xbox or PS:
I'm not sure if that would be a total waste of time, as the amount of time I allocate to gaming now is minuscule, and I don't really want to raise it by much. But this... breathtaking.
My A Most Horrible Library cohost Chris has been singing me the praises of Twin Tribes for a couple years now, and while I've given a couple of their records a spin, I haven't completely connected with these guys yet. That said, this new track, "Monolith," is pretty rad, and I actually dig the hell out of the video - a rarity indeed. Taken from forthcoming album Pendulum, out January 26th; you can pre-order the record HERE.
NCBD:
Here's what I'm bringing home this week:
I loved the first issue of the new Daniel Warren Johnson Transformers book for Robert Kirkman's Energon Universe. Not as much as I love Void Rivals, but still, DWJ doing Autobots and Decepticons is as close to a dream come true as we've gotten with this juggernaut IP in a while, so I'm excited to jump into issue 2.
I've seen the covers for the next two books, and the "Road to 150" is on the horizon. That means a major shake-up is coming. Starting in the last few issues, we've seen the Turtles' standard "nuclear" family as we know it begins to grow tributaries and move on, so my prediction is someone will leave this book and head away from NY, thus getting their own series. That will both excite and infuriate me, haha. I'm still on board, regardless, as this is still the best reboot ever.
Phantom Road is back and I could not be happier! This book is like high-brow Grindhouse Horror, and I am absolutely picking up what Lemire and Walta are putting down!
After Friday I can finally read this one up to date, as I should have all the issues sitting in my secondary pull at Amazing Fantasy in Frankfort. Can't wait to see what all the hype - niche hype, but hype nonetheless - is all about.
Let's see if issue two continues to deliver on the promise of issue one. There have been mountains of Army of Darkness/Evil Dead comics, and I learned long ago to avoid them. This, however, this is different. Continuing on from both the original and director's cut ending of the film, Army of Darkness Forever posits that Evil Ash ended up back at the S-Mart in 1992. What does that mean for everything we think we know about Ash's life after the films? Will the series take Ash vs. The Evil Dead into account? Like they used to say in those commercials, 'Read the book."
I've been late to the game on David Dastmalchian's Count Crowley, partially because I sat on my AMHL cohost's recommendation when the first series came out, and partially because I was able to find two of the four issues of the previous series. I'll eventually pick all those up, but in the meantime, this guy has earned enough goodwill in the Horror community that I'll be grabbing this one from the beginning.
Playlist:
Sampha - Lahai
Oranssi Pazuzu - Live at Roadburn 2017
Twin Tribes - Monolith (pre-release single)
Twin Tribes - Ceremony
Alien Sex Fiend - Alien Sex Fiend Halloween
Kingsborough - Percy (single)
Oranssi Pazuzu - Kosmonument
Lebanon Hanover - Let Them Be Alien
Anthrax - Among the Living
Telekinetic Yeti - Primordial
The Sister of Mercy - Floodland
††† - Goodnight, God Bless, I Love U, Delete
Crystal Castles - II
Card:
I felt like crossing the streams today. Here's what I came away with:
Due to the different sizes of the three decks, this format is difficult to get a decent picture of at the moment because it's new, so bear with me.
• XVIII: The Moon - influences/ideas/agendas obscured.
• XII: The Hanged Man - Sacrifice/intuition
• Princess (Page) of Wands - The Early Aspect of Will
It's been a minute since I've done an in-depth Pull, so I feel a touch rusty. Having the intuition to apply the Will to Earthly matters will prevent missing unseen or forgotten facets of the conversation. This is 100% a reminder to pay attention during open enrollment. Boring, maybe, but I've already had a few insurance SNAFUs with my employer since going remote, so it'd be nice to avoid that in the coming year, and this is the kind of Earth-Bound stuff that I always view from the corner of my eye.
What a weird coincidence this is. It's not all that often that I listen to Rammstein. They're definitely a band a dig, however, unless it's the two songs on the Lost Highway soundtrack, there's a pretty specific time and place for sure. Late last week I cracked out Rosenrot, and now look - new album Zeit out April 29th! Pre-order the album HERE.
Watch:
This past Saturday, before the return of my annual St. Paddy's celebration, I caught a mid-day showing of Ti West's new film X at the local AMC. I've posted the trailer here before, back when it first dropped, but here it is again:
X is fantastic. Don't read or listen to anything about it, other than me telling you right here to go see this one on the big screen. You won't regret it. In keeping with West's glorious style, this is a very loud quiet film. It's bloody and human and strangely sweet at times.
Dollar Bin:
Back for another Tuesday afternoon digging in the ol' dollar bin:
Despite my allegiance to Vertigo at the time of its release, I had never even looked through an issue of House of Secrets until two weeks ago when I found the first story arc from the 1995 reimagining of DC's House of Secrets. And yet, in spite of that, several of the covers in this arc loom in my comic book knowledge as extremely iconic images. Especially issue #2.
There's definitely an element to this series that makes me see Vertigo's mid-90s style storytelling as very brand specific, however, since nothing I know of looks or reads this way anymore, any problems I had with this first arc - this reinvention's arbitrary relocation of the titular House to Seattle, Washington in an obvious attempt to capitalize on the *ahem* grunge movement, the fact that every character in the book is in a band or fucking someone in a band, the then-current newsworthy societal plot points. Unfortunately, STDs and molestation have always been problems in our society, however, the ignorance and fear that limited allowed them to grow to epidemic proportions became a campaign slogan themselves, and a talking point for societal criticism. Not a bad thing, but also, the approach to a lot of the tv and literature that took a swing at incorporating such a hot button issue often feels trite and misguided. There's a bit of that here, or, I'm just out-of-phase with my residual 90s self.
Regardless of little gripes, this first arc was a good read and I was overjoyed to put all six issues into my short boxes for a mere $6.00.
Also, Teddy Kristiansen's art is most definitely iconic and hits the sweet spot created in my soul by similar artists such as Marc Hempel and Peter Gross. There's something so Grimm's Fairytales about this style, and as I intimated above, it's one we don't really see anywhere anymore (if you know of a place to find it, let me know!)
Playlist:
Chelsea Wolfe - Birth of Violence
The Pogues - If I Should Fall from Grace with God
The Pogues - Rum Sodomy & the Lash
U2 - The Joshua Tree
John Carpenter with Alan Howarth - Big Trouble in Little China OST
Judas Priest - You Got Another Thing Comin' (single)
Til Tuesday - Voices Carry (single)
Ghost - Impera
Card:
Past = XXI: The Universe
Present = I: The Magus
Future = 7 of Wands: Valour
Holding fast to a protocol - the word I'm using here in place of the more loaded 'belief' - I have established in a previous moment will put me in the position to successfully recreate something that has changed with time, never been completed, but remained a part of me.
The first time I heard The Buzzcocks it was their single What Do I Get, circa 1998, and I was floored. After coming up in the early 90s and absolutely HATING the pop punk movement (do I hate green day more than I hate crappy 70s bands like Ace, Styxx, and Kansas? Yes. Yes I do), I was shocked to find there was pop punk that didn't turn everything I loved about the original 'punks' - a social movement more than a sound, per se - into a marketing ploy. Then, to find that as that as they evolved, the Buzzcocks melded more with the Post-Punk movement, I've often felt this band were way more important in the annals of rock history than they are generally given credit for. Even I haven't listened to the Buzzcocks as much as I feel I should, my familiarity starting and stopping with songs on an old mixtape back in the day, and an career-spanning anthology Mr. Brown gave me years ago.
I began working on my Top Ten Favorite Albums of 2018 list the other day. Did Beak>'s L.A. Playback make the cut? Honestly, I'm not even sure yet. It's always a favorite year-end activity of mine, to comb back through all the music that came out over the past year and boil down my ten favorites, but it's never easy. There's A LOT of good music out there. I also always look forward to reading other people's lists, chief among them the ones published by Heaven Is An Incubator and Joup's Daniel Fiorio. I'll definitely be posting links to those here when they drop.
In the meantime, here's some Live Beak> I found on youtube. Love KEXP! So many awesome bands - reminds me of the old Peel Sessions, or in a more contemporary, LA way, Part Time Punks.
Playlist from my travel day yesterday was primarily six sustained hours of Burial's Untrue, with a few other things thrown into the mix. That's how I travel: I put on an album, almost always electronic in nature, and drill it on repeat. This helps me reach a strange, liminal state, a kind of hypnogogic trance, and that helps me ride the day out in a strange but beautifully peaceful fugue, where none of the inconveniences or discomforts of traveling bother me, and I end up with a creative re-charge. Previous albums I've done this with are Boards of Canada's Geogaddi, Music Has the Right to Children, and Tomorrow's Harvest, and Moderat's II and III.
12/06:
Burial - Untrue
Burial - Kindred EP
Bohren & der Club of Gore - Gore Motel
Card of the day is super special today, because my good friend Missi surprised me with a present last night - a Mini Thoth deck. No disrespect to that Hansen Roberts deck I've been using as a back-up over the last year, but I have absolutely NO connection with it. Actually, while I can admire the beauty of many decks out there (chief among them that mind blowing Vertigo Comics deck), Lady Frieda Harris/Aleister Crowley's Thoth deck is the only Tarot deck I have a working connection with, so it's the only one I use. Maybe someday that will change, but I kind of doubt it.
I broke the deck in reading for Missi last night, and as usual, her understanding and interpretation of Tarot always inspires me, so the cards are charged and ready to go, and to celebrate I'm doing a spread today instead of just one card:
Full disclosure: I never factor in reversals. That said, while making this giff, I wanted to portray the cards exactly as they were drawn, so I kept that intact. Also, the fact that all three cards are reversed either totally negates the idea that a reversal in this case would matter, or testifies to it. Either way, I read them as the card, not their positioning.
This is interesting because it slightly mirrors the drawing I did for Missi last night, with two Cups divided by a Sword card. My overall reading is simple - I'm having trouble with the setting for the final scene in the book, because it's not enough of a 'set piece.' to change it, I must be cruel or kill one of my darlings - something about the scene that I've been adamant not to change. This will lead to a breakthrough.
Started the day with some quiet drive time wherein I may have worked out a problem prohibiting another writing project I'm partially engaged with at the moment. Had that by the halfway point so I decided to reward myself with a little TV On the Radio:
In the interests of refining this journal as I go, I'm going to add and subtract things as I see fit. First thing I'm adding?
Tarot of the day.
The theme for this year is shaping up to be a daily one: daily words, daily playlists, and now daily card. Today's card is the Emperor. Note: I only use one deck and it's Crowley and Lady Freida Harris's Thoth.
Here's what I have in my homemade Tarot Grimoire - which is not nearly complete or even extensive at this point, more on that in a minute:
The Rules that Govern All Life.
- Action, Decisiveness and High Energy.
- Engage obstacles/enemies
- Strength
Honestly that already feels like today, at least the action and high energy part.
It's been almost 3 years since I engaged with my deck, which I've had for close to 15. I wax and wane with activity in Tarot and Magick in general (although there is a part of me that chooses to see the way in have made writing an institution in my life as my own personal vow of Ipsissimis) and in that time I've probably done 2 pulls; this is all due to the fallout in 2015 of extended Magickal Practice surrounding Grant Morrison and Chris Burnham's Nameless comic, the annotations/research for which I did is still live on Joup. I don't think I ever put don't the experience I had in words, but maybe I'll do that soon. Needless to say it was a harbinger for the 'dark night of the soul' that 2015 was for me.
Playlist yesterday was non-existent; I started the day with that Eno and from there the only music I listened to was some Emily Kinney stuff K played in her car as we ran errands. Other than that the day disappeared in quiet chunks scored only by the sound of my Love's voice and the snarky complaints from our cat. We did watch Adaptation and it was just as good as I remembered it.
Beneath the Panels #3 is up on Joup. It continues my attempt to interpret and catalogue the Occult underpinnings of Grant Morrison and Chris Burnham's new comic Nameless. For this third installment dealing with issue #1 we get into some serious Qabalah, Tarot and media-tampering. This one's a doozy and it prompted a bit of an 'episode' last night after I ate a quarter slice of a pizza made with THC oil, tripped pretty hard and met what my brain at the time chose to dress in an Enochian persona but was apparently a fairly dark aspect of my own psyche. Whewwww... glad that's over, and here's another reminder to myself NOT to eat pot.
...appears in five volumes at $14.99 a piece. You didn't know Moore had a course on Magick? Yep, it's a series of graphic novels entitled Promethea and it is wonderful.
Basically Moore disguises his teachings/theories as a slightly futurist superhero comic following protagonist Sophie Bangs as she comes to grips with being chosen to be the new incarnation of ancient god/force Promethea, essentially The Scarlet Women. The entire series is packed with Magick, however the real gem is from issue 12 to about 20 where Moore walks Sophie through the Kabbalistic Tree of Life, the ancient map of the Universe that the Tarot of the Egyptians is based on. It is brilliantly rendered in word and in art, J.H. Williams III and Mick Gray really pulling out all the stops and bringing each Sephira to life with the different colors, images and other associations.
In keeping with this, more for my own benefit really, because writing stuff like this helps me consolidate and streamline my own understanding, I'm going to write out the Major Arcana and brief definitions according to Moore.
............................
0 The Fool - Nothing. The Void. Ain Soph. 1 The Magus - The Father, the initial spark of creation. 2 The High Priestess - The womb in which that spark gestates. 3 The Empress - The Motherly crafting/nurturing of life. 4 The Emperor - The governing body of rules for that life = DNA. 5 The Hierophant - Something... more that guides that life. Birth of the idea of God or Higher Consciousness. 6 The Lovers - Life splits, Adam and Eve, the Protozic Amoebas. The Brothers, Cane and Abel. This Life thing gets complicated as life proliferates and takes on many new forms. Survival becomes you either kill or get killed. 7 The Chariot - The Holy Graal the dawn of man's exploration of imagination and enlightenment 8 Adjustment (formerly Justice) - Ying and Yang; Laws, compromise & cooperation. The first faint lines of civilization 9 The Hermit - A dark period of withdrawal and gestation. Re-grouping. 10 Fortune (formerly The Wheel) - Civilization: Empires come and go. 11 Lust - an undying drive that propels life further in spite of itself 12 The Hanged Man - Four points over one*: the triumph of reason and matter over the Spiritual 13 Death - A change of states. 14 Art (formerly Temperance) - The flip of card 6; alchemical mixing of Will and Imagination (Silver and Gold). 15 The Devil - Materialization over Spirit 16 The Tower - What goes up must come down (the Industrial Revolution). 17 The Star - The Path to enlightenment. The dawn of Spiritualism in the late 19th century. 18 The Moon - Hidden meanings. The Unconscious Mind. 19 The Sun - True Enlightenment.; revelation. 20 The Aeon - N.O.W. - Information age; Aeons turnover quicker and quicker. Eschaton. 21 The Universe - The Dance of Life. The mirror of card 0 - Everything.