Calling Dr. Fucker

A lot of Cramps creeping into the rotation of late. Here's one from their 2003 Fiends of Dope Island.

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I've definitely figured out the movie theatre situation in Clarksville. Back in LaLaLand, post-COVID, AMC was the only big-box theatre I gave my money to. Not here; the AMC is inside the local mall, and my gut tells me it hasn't been renovated or even really kept up in any acceptable way since the late 90s/early 00s. The Regal, however, is the go-to. It's where I saw Barbarian the other night (this AMC doesn't appear to show anything other than the current big studio blockbusters), and it's where I saw Ti West's Pearl last night.

 

 The sequel to X, Pearl is a completely different movie - of course - but it's also of such craft and substance, I walked out of that theatre bowled over. I had no idea Ti West and Mia Goth were capable of this. Not that I ever sold them short, but Pearl contains an absolutely formidable performance by Goth, who also co-wrote the film with West.

Can't wait for Maxxine.

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Playlist:

Revocation - Netherheaven

Idles - Joy As An Act of Resistance

Idles - Crawler

Pailhead - Trait

My Life with the Thrill Kill Kult - I See Good Spirits, I See Bad Spirits

My Life with the Thrill Kill Kult - Confessions of a Knife

My Life with the Thrill Kill Kult - 13 Above the Night

The Cramps - Fiends of Dope Island

Revolting Cocks - Beers, Steers and Queers

Deth Crux - Mutant Flesh

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Without a sharp eye to incoming changes, fortune can suffer. 

He Will Show You Fear In A Handful of Dust

 

 Like me, you may have been recently introduced to U.S. Girls via Netflix's The Sandman, where episode five featured THIS song. That song is awesome and makes quite the impression, but in checking out the 2015 album it hails from, Half Free, I can tell you that every track is awesome. This one, in particular, made quite an impression on me. Am I hearing traces of Prince-like songwriting and arranging? And Portishead... definitely Portishead. Great vibe and ironic, because I was only just recently waxing philosophical about how I miss the Trip Hop vibes of artists like Portishead and Poe.  

We're six episodes into The Sandman, and it is spectacular. I never thought I'd see a proper, nearly panel-for-panel adaptation of this book that had such a huge impact on me as a teenager, but here we are. The way things are shaking out, it looks as though this first season will contain two of my all-time favorite/most personally influential issues - John Dee's 24 hours in the Diner and the Cereal Convention. Watched the Diner last night, and it delivered, so I'm psyched to get to the Convention. Being that I like this so much, I can't help but be reminded of last year's Cowboy Bebop adaptation on Netflix, and the fact that they unceremoniously canceled it shortly after the first season dropped.

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I believe this is the same trailer that ran post-credits at Ti West's X. I still can't believe how far beyond my expectations Ti West's return to cinema has been:

 

Now that I'm somewhat settled in TN, I'm anxiously awaiting this year's Beyondfest announcement so I can ready myself for the nightmare of trying to buy tickets for their tenth anniversary. I've been attending for all but the first year (didn't know about it then), and I'm certain Pearl will screen, most likely with West and Mia Goth in attendance for some form of Q&A. I'm banking on my boss flying me back to work in L.A. that week, so hopefully, this should all go kind of smoothly and not cost me much.

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Listen:

One of my favorite moments of my cross-country drive last week was while my co-pilot was sleeping in his seat next to me, middle-of-the-night, with the Weird Studies podcast on my earbuds (I use the ambient sound pass-through so I can hear everything going on around me). This episode, in particular:

 

Hearing Phil Ford and J.F. Martel discuss anything is an intellectually stimulating pleasure, but hearing them talk Twin Peaks? Priceless. That said, the conversation begins with Twin Peaks: The Return's infamous episode 8, but uses that as a jumping-off point to expound on the physical and physic changes in our reality that the Trinity Detonation ushered in. Their idea - which I will only very briefly summarize here in an effort to get you to head over to your favorite Podcast Platform and listen to the episode, is that using Lynch's Garmonbozia - pain and suffering - as something of a quantifiable metric, a particular 'flavor' of fear, a discussion can be had about how the world has changed since 5:29 a.m. on July 16, 1945.

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Playlist:

John Carpenter - Lost Themes

Anthrax - Attack of the Killer B's

Mike Doughty - Live At Ken's House

Alice Donut - Dry Humping the Cash Cow

Genghis Tron - Dream Weapon

Small Black - Cheap Dreams

U.S. Girls - Half Free

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Now that I work from home - a scenario that has been slightly frustrating due to Amazon's delay on nearly everything I've ordered for my home office - the lack of a commute means I can make my daily Tarot pulls considerably more in-depth.

Starting in the Middle, with Past on the Left and Future on the Right, I'm reading this as my tendency to overthink and psychoanalyze everything has bound me. Somewhere inside that circuitous cavern of thought, however, is an epiphany, or at the very least a sublime moment of understanding. Applying a fresh perspective will open that up.

I think this is in relation to my home-from-home situation, which feels completely scattered at the moment. I need to build my space and from there, things will become better defined.

Rammstein - Zeit

 

What a weird coincidence this is. It's not all that often that I listen to Rammstein. They're definitely a band a dig, however, unless it's the two songs on the Lost Highway soundtrack, there's a pretty specific time and place for sure. Late last week I cracked out Rosenrot, and now look - new album Zeit out April 29th! Pre-order the album HERE.

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This past Saturday, before the return of my annual St. Paddy's celebration, I caught a mid-day showing of  Ti West's new film X at the local AMC. I've posted the trailer here before, back when it first dropped, but here it is again:

X is fantastic. Don't read or listen to anything about it, other than me telling you right here to go see this one on the big screen. You won't regret it. In keeping with West's glorious style, this is a very loud quiet film. It's bloody and human and strangely sweet at times. 

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Dollar Bin:

Back for another Tuesday afternoon digging in the ol' dollar bin:

Despite my allegiance to Vertigo at the time of its release, I had never even looked through an issue of House of Secrets until two weeks ago when I found the first story arc from the 1995 reimagining of DC's House of Secrets. And yet, in spite of that, several of the covers in this arc loom in my comic book knowledge as extremely iconic images. Especially issue #2.

There's definitely an element to this series that makes me see Vertigo's mid-90s style storytelling as very brand specific, however, since nothing I know of looks or reads this way anymore, any problems I had with this first arc - this reinvention's arbitrary relocation of the titular House to Seattle, Washington in an obvious attempt to capitalize on the *ahem* grunge movement, the fact that every character in the book is in a band or fucking someone in a band, the then-current newsworthy societal plot points. Unfortunately, STDs and molestation have always been problems in our society, however, the ignorance and fear that limited allowed them to grow to epidemic proportions became a campaign slogan themselves, and a talking point for societal criticism. Not a bad thing, but also, the approach to a lot of the tv and literature that took a swing at incorporating such a hot button issue often feels trite and misguided. There's a bit of that here, or, I'm just out-of-phase with my residual 90s self.

Regardless of little gripes, this first arc was a good read and I was overjoyed to put all six issues into my short boxes for a mere $6.00.

Also, Teddy Kristiansen's art is most definitely iconic and hits the sweet spot created in my soul by similar artists such as Marc Hempel and Peter Gross. There's something so Grimm's Fairytales about this style, and as I intimated above, it's one we don't really see anywhere anymore (if you know of a place to find it, let me know!)

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Playlist:

Chelsea Wolfe - Birth of Violence

The Pogues - If I Should Fall from Grace with God

The Pogues - Rum Sodomy & the Lash

U2 - The Joshua Tree

John Carpenter with Alan Howarth - Big Trouble in Little China OST

Every Day (is Halloween) Newsletter Playlist: You, the Knight and the Music

Mastodon - Once More 'Round the Sun

Judas Priest - You Got Another Thing Comin' (single)

Til Tuesday - Voices Carry (single)

Ghost - Impera

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Card:

Past = XXI: The Universe

Present = I: The Magus

Future =  7 of Wands: Valour

Holding fast to a protocol - the word I'm using here in place of the more loaded 'belief' - I have established in a previous moment will put me in the position to successfully recreate something that has changed with time, never been completed, but remained a part of me. 

RIP Ronnie Spector

 

Seriously one of the most iconic voices of all time. So iconic, she makes me love an Eddie Money song.

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The sting of the anniversary of David Bowie's death and now Ronnie Spector's passing was traversed by some really good news (thankfully, that's too many bummers to deal with in one week) - Ti West is returning with a new movie!!!

 

I am SO happy about this. West has directed a number of TV episodes (his two on Amazon's Them were incredible), but hasn't done a film since 2016's In A Valley of Violence (which is on Netflix and SO worth your time). West is easily one of the best directors working today, in my opinion, and I'm hoping having A24 distribute this new flick will A) put it in theatres for longer than a weekend, and B) herald his return to filmmaking.

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NCBD:

Not New Comic Book Day, exactly, but here's what I've picked up over the last few weeks via eBay and back issue bins:

I'd read the first issue of Hunger back when it first came out, then never continued. I've always wanted to go back and read the entire thing, though, because I'm something of a Galactus fan, even though I haven't really read many stories with him. Maybe that's the Unicron fanboy in me, I don't know. There's a lot about the Fantastic Four's history and rogues gallery that I retain something of an armchair interest in, but never really do anything about. I'm glad I bought this, even if just for the image of Galactus tearing through a hole in the fabric of the 616 Universe and entering the Ultimate Universe

Next up, I started reading The Low Low Woods when it first dropped back in early 2020, but never acquired all the issues. I finally solved that. Here's the bad ass cover I just scored for the fifth issue:

I'd put a poster of that on my wall. It's gorgeous. The book itself has an amazing premise - girls go missing in a small rural town where coal fires have burned for decades, then return missing time. The execution leaves a little bit to be desired, but overall I dig it. And for whatever reason, I wanted the issues of this one instead of the collected edition.

And I finally replaced the original Dark Horse Aliens Vs Predator that went missing at some point over the last few years. No idea where these went, and even though my Horror Vision cohost gifted me a beautiful hardback collection of this one, I had to put my hands back on the original floppies I bought as they came out monthly (or maybe bi-monthly) back in 1990.

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Playlist:

John Coltrane - Blue Train

The Outfield - Play Deep

Alio Die and Lorenzo Montaná - The Threshold of Beauty

Felicia Atkinson and Jefre Cantu-Ledesma - Un Hiver En Plein Été

Jefre Cantu-Ledesma - In Summer EP

Crumb - Ice Melt

Zombi - Liquid Crystal

The Jon Spencer Blues Explosion - Now I Got Worry

Genghis Tron - Dream Weapon

The Ronettes - Presenting the Fabulous Ronettes

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Card:

Definite stagnation in creative areas at the moment, but there is a light at the end of the tunnel...

Isolation: Day 167

I have been in such an X mood for the last few weeks! Here's a favorite from their 1980 debut Los Angeles, surely the greatest album to reference my adopted hometown, out of probably a thousand songs that reference it. I need to dig back into Alphabetland soon, this year's all-original line-up X record, their first in some time.

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I'm working the weekend this week, so today is my day off! Other than writing, I'm hoping to squeeze in Frank Sabatella's The Shed, which just hit Shudder yesterday. I've heard good things about this one, and I feel like Shudder has been on a bit of a roll with new movies, so my hopes are high. Also, it's an RJLE release, and I don't think I've seen them release a bad flick yet. Here's the trailer:

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Playlist:

Alice in Chains - Facelift

Low Cut Connie - Hi Honey

Santogold - Eponymous

Cults - Host (pre-release singles)

Jello Biafra and the Guantanamo School of Medicine - We Created Putin (pre-release single)

Godflesh - Streetcleaner

Boy Harsher - Careful

Boy Harsher - Country Girl Uncut

Revolting Cocks - Beers, Steers and Queers

Windhand - Grief's Infernal Flower

Public Image Limited - This is What You Want... This is What You Get

Oh Baby - The Art of Sleeping

The Clash - London Calling

The Clash - Combat Rock

Windhand - Eternal Return

Jaye Jayle - Prisyn

X - Los Angeles

Black Breath - Heavy Breathing

Blut Aus Nord - Hallucinogen

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Card:

The Tens are always rooted in the most physical senses. Malkuth, the world. For the Ten of Swords in particular, where the hilts of the Swords are arranged to represent the Qabalahistic Sephiroth and the blades converge on and shatter the Six - Tipareth or the Sun - the idea is if you fight long enough, the only outcome is destruction. This is an important reminder for me at the moment; my Beta Reader has Murder Virus, and I've encountered a situation where I need to do some more work on it to smooth out a considerable bump in the road. There's two paths I can take - one where I do a lot of work, and write and re-write several chapters, and one where simply re-ordering certain parts might do the trick. According to the Ten of Swords, the latter may be the better way.

Isolation: Day 57 - Alphabetland!

Last Friday, seminal LA punk rock group X released their first album with the all-original line-up in, well, I don't really know how long, but a pretty damn long time! Especially good news is the fact that founding guitarist Billy Zoom has conquered his health problems and returned to the fold. I saw X live (with Dwight Yokam!) five or six years ago and Billy was not present. They were great, but it's just not the same without that man.

You can pick this one up on X's Bandcamp HERE.

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A couple of days ago I finally watched V/H/S/2 and V/H/S: Viral. Part 2 is more or less fantastic, the Indonesian segment being one of the scariest things I've seen in a while. Viral is, as several friends warned me, not all that great. The one segment I absolutely loved though was "Bonestorm," and turned out to have been done by Benson and Moorhead, the guys responsible for Resolution and The Endless, which I talked about recently in these pages.

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Heaven is an Incubator posted this a few days ago. Awesome. Find it on Bandcamp HERE.

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I finished Preston Fassel's fantastic novel Our Lady of the Inferno and have moved on to Clive Barker's Damnation Game and Al Jourgensen's autobiography Ministry: The Lost Gospels According to Al Jourgensen, the latter of which Mr. Brown lent me months ago and I've been chomping at the bit to read since.. I'm not huge on reading multiple books at a time, but I'm stumbling through the last three chapters of the novel I'm editing/re-tooling, and when I write, I tend to need to be reading fiction at the same time. I actually consider this part of the writing process. I don't punch-in and out for it, like I do with actual writing writing (I use two apps, ATracker PRO and Focus Keeper), but I recognize that it's most definitely an integral part of my process. That said, Jourgensen's biography is conversational, not prosaic like Juan F. Thompson's Stories I Tell Myself, thus it's not fitting the bill. So I'm splitting my time, treating Uncle Al's book like having a beer, and Barker's like sharpening my craft.

The Damnation Game is actually one I read long ago, back when I first discovered Barker's work in the early 90s. I believe I was a Sophomore or Junior in High School when I checked The Great and Secret Show out of the library. That one blew my mind - still meaning to re-read it and hit the sequel Eversville - and I went straight into The Books of Blood and subsequently The Damnation Game afterward. Funny thing, although I remember quite a bit of Great and Secret and Books of Blood, but I remember next to nothing about Damnation. Which is cool, because already, only a handful of pages in, and Barker's sumptuous prose has already had a massive effect on me.


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Cocksure - Operation C.O.C.K.S.U.R.E.
X - Alphabetland
X - Under the Big Black Sun
The Neighbourhood - I Love You.
The Neighbourhood - Wiped Out
Blut Aus Nord - The Mystical Beast of Rebellion
Void King - There Is Nothing

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No card.