Showing posts with label XIV: Temperance. Show all posts
Showing posts with label XIV: Temperance. Show all posts

Tuesday, April 5, 2022

Dreadstar

 

Sweden's Watain has a new album on the horizon and the new single features Farida Lemouchi from The Devil's Blood and Molasses on guest vocals for part of the song. "We Remain" strikes me as the kind of track you need to hear in the context of the entire album that surrounds it in order to fully appreciate it, but it's a spooky track, with elements of The Devil's Blood and even a hint of Type O in the keys near the end.

Always great to hear Farida's vocals. Also, really cool video, directed by Johan Bååth. You can pre-order the new album The Agony and Ecstasy of Watain from Nuclear Blast records HERE.   




Dollar Bin:

After a rough couple days at work last week, I spent about a good half hour flipping through the dollar bins at my home away from home, Manhattan Beach's The Comic Bug. Here's one of the gems I walked away with:


Jim Starlin's Dreadstar, published by Marvel's Epic Comics - sort of their version of Vertigo before there was a Vertigo - was a book I saw on comic shop shelves back in the 80s when I first started going to Heroland Comics in Worth, Illinois (the location attached to the Post Office on the Southwest corner of 11th and Harlem), and All American comics in Orland Park, on the second floor of a long-gone strip mall somewhere around 151st and LaGrange. These were the first two shops I ever frequented, and I'd make my poor Mother wait in the car while I went in and looked around for probably over an hour somedays, soaking in all the books that intrigued me but I couldn't afford to spend my money on. Dreadstar registered as something I might be into but wasn't quite sure; I've always dug SciFi, but when I was younger I was quite discerning when it came to anything I thought might be second-tier compared to my (then) first love, Star Wars*. In the last few years, I've really begun to look at the various waves of SciFi that hit post-Lucas, seeing a lot of it as forming a sort of genre in and of itself. The smelting pool of comics, TSR role-playing games, arcade games and knock-off SciFi movies (Creature, I'm looking at you, albeit with something approximating love) have formed a kind of gestalt in my mind, a nostalgic feeling that there was something very special brewing with the more street-level, hobby/comic shop SciFi than I'd previously given credit. This gestalt has become something of an unachievable haunting; I try to think about it in defining, cohesive terms. I try to channel its atmosphere, tone and texture. I fail to do any of this with any degree of accuracy that allows me to completely possess it. So when I see a book like Dreadstar that I associate with being possibly instrumental to this nearly ineffable sub-genre I loosely refer to as simply Hobby Shop SciFi in my head, I grab it. 

Thus, I picked up issues three and four of Dreadstar and sat just flipping through the pages, enraptured by what I'd found for a mere dollar. These books feel like a piece of history. SciFi history. 80s history. My history. And maybe that's what all this comes down to, a nostalgic tickle I can't scratch; a deeply entrenched tapestry of memories and memory triggers that move further away the more I try to reach them. Because, you know, you can't reach the past, you can only catch occasional glimpses from our limited, human perspective. And isn't that what an awful lot of SciFi tries to undermine and eclipse? 


*Don't even get me started on how much condescension I reserve for pretty much every iteration of Star Trek.




Destroy:

 

I. 
Can't. 
Fucking. 
Wait.
 


Playlist:

M83 - Saturdays=Youth
Quicksand - Slip
sElf - Breakfast with Girls
The Devil's Blood - The Thousandfold Epicentre
Drug Church - Hygiene EP
Jefre Cantu-Ledesma - Love's Refrain (single)
M83 - Hurry Up, We're Dreaming
sElf - Gizmodgery
Prince - Sign O' The Times
David Bowie - Let's Dance
Dance with the Dead - Driven to Madness
Crowded House - Don't Dream it's Over (single)
Suicidal Tendencies - Lights... Camera... Revolution
Ghost - Impera
Revocation - The Outer Ones
Les Discrets - Prédateurs




Card:


Balance is definitely something I struggle with these days. It's not just the ever-present, background hum of anxiety and existential horror the world of 2022 elicits, it's my reliance on caffeine and heavy metal to get me through the day, which works, but is also difficult to come down from even 15 hours after I wake up. Sleep is a luxury that I do not get enough of, and my ongoing deficit has been wreaking havoc with my cognitive skills and motor functions. I spend so much time during the day re-revving my engine that it's hard to 'chill' later on. I would resort to smoking ludicrous amounts of dope, except I'm trying not to smoke based on my lung condition, and the tincture I have has unpredictable onset times and effects. 

Saturday, October 23, 2021

Alice Cooper's Poison

 

You know what I remembered earlier today? I unabashedly love this song. Sure, there's severe nostalgia - my second concert was Operation: Rock n Roll and featured a duel headlining bill of Cooper and Painkiller-era Judas Priest, along with openers Metal Church, Dangerous Toys and Motörhead. Trash was the album Cooper was supporting at the time, and although I'm not super partial to the rest of the album, this song has got to be one of the greatest 80s rock anthems ever. It's just so good, from the guitar to the vocal melodies on the chorus.




31 Days of Halloween:

1) VHS 94 (don't waste your time)
2) The Mutilator
3) Demons 
4) Vortex
5) Possession
6) The Black Phone
7) Slumber Party Massacre
8) Antlers
9) No One Gets Out Alive
10) A Nightmare on Elm Street '84
11) A Nightmare on Elm Street 2010
12) A Nightmare on Elm Street 3: Dream Warriors
13) Satan Hates You
14) Night of the Demons
15) Lamb
16) The Company of Wolves
17) There's Someone in the House
18) A Nightmare on Elm Street 4: The Dream Master
19) Titane
20) A Nightmare on Elm Street 5: The Dream Child (9, 10, Never watch again)
21) Freddy's Dead: The Final Nightmare (same. Awful)
22) The Innkeepers




Playlist:

Ozzy Osbourne - Ordinary Man
Ozzy Osbourne - The Ultimate Sin
Alice Cooper - Trash
Deafheaven - New Bermuda
Dr. John - Gris-Gris
Windhand - Grief's Infernal Flower
Belong - October Language
Beth Gibbons, The Polish National Radio Symphony Orchestra & Krzysztof Penderecki - Henryk Górecki: Symphony N. 3




Card:


This is definitely a reminder that I will no doubt need to tap my reserves of patience tomorrow when we journey back to San Pedro to being going through K's Mother's storage space. 

Monday, May 10, 2021

Consider Your Health Before You Rust

 

Collaboration between NIN and Health. 




Watch:

A new show by the creators of Dark? I'd heard about this last year, but completely forgot about it. 

 




READ:

You may know C. Robert Cargill's name best as the co-writer of 2012's brilliant Horror movie Sinister. He's also a novelist, and although I'm unfamiliar with most of his work, I began his new novel Sea of Rust recently and can tell you it is fantastic.


The novel takes place in a world devoid of humanity. It's our world after the AI war that wipes us out, after AI factions off into super mainframe intelligence - there are two and the denizens of the novel refer to them as OWIs, or One World Intelligences - and rogue robots who fight for the freedom not to succumb to the edict of trading their selfhood for the ease of becoming part of the hivemind. There are so many analogs to our world here that it's crazy; from the Corporatization of everything to individuality in the age of our own accelerated (social media), that the book has an uncanny ability to feel in harmony with our lives even during the, frankly, pretty damn well-written action sequences. I'm really digging this one, and am moving Mr. Cargill to my 'pay attention to everything he does' list.




Playlist:

Turquoise Moon - The Sunset City
Myrkur - Folkesange
DJ Muggs the Black Goat - Dies Occidendum
Ennio Morricone - The Thing OST
Judas Priest - Painkiller 
Kate Bush - The Dreaming
Zeal and Ardor - Devil is Fine
Waxwork Records - House of Waxwork Issue #1 OST
Led Zeppelin - Eponymous




Card:

 

Ah, restraint. Thank you for the reminder. Here's the mantra for when I'm scouring ebay for things I do not need: I WANT A HOUSE. 

Wednesday, April 7, 2021

Killing Machine Brings a Reckoning

I follow a man who goes by the handle Jomparantala on IG who has totally made me reassess a lot of the music I grew up with in the 80s but later dismissed. I won't say I ever totally gave up on Judas Priest - Living After Midnight remains a song I never stopped turning up to eleven whenever it comes on, although it's been so long since I listened to any radio station that would play it, so while it lingers on an old playlist, it's been a minute. Seeing Jom post about Priest yesterday, I definitely see myself firing up some today.




Watch:

Somehow I totally missed the fact that Neil Marshall's The Reckoning hit VOD two months ago! What the hell?!? I feel like I waited for this forever, then I let it fall off my radar. Well, that will (hopefully) be remedied this weekend. Here's the trailer. Love those plague masks, right?






Playlist:

The Replacements - Tim
Ted Leo and the Pharmacists - Shake the Sheets
ACDC - Highway to Hell
Alabama Shakes - Sound and Color
sElf - What a Fool Believes (single)
Santigold - Eponymous
The Clash - Train in Vain (single)
Talking Heads - Sand in the Vaseline
Protomartyr - Under Color of Official Right
Protomartyr - The Agent Intellect
Moonlover - Ghost Bath
Deafheaven - Sunbather (single)
Judas Priest - Killing Machine (single)
Zombi - 2020
Goblin - Dawn of the Dead OST 




Card:

 

Everything lately has pointed to self-control, something I've been in short supply of lately (he types as he opens another beer at 11:04 PM moments after setting alarms that being at 4:05 AM)

Wednesday, February 17, 2021

Genghis Tron - Ritual Circle

 

More new Genghis Tron. Very much looking forward to this record when it drops! Pre-order Dream Weapon - out March 26th - from Relapse Records HERE.


READ:

I wanted to plant this HERE. really for myself, so I can find it again easily later. In going through old Orbital Operations emails for inspiration, I found this link to Sean Bonner's website. I am wholly unfamiliar with Mr. Bonner, or at least I was before reading this - but it's interesting that I read this now. There would appear to be a lot of synchronicities with me reading this post at the moment, not the least of which is that I'm about to turn 45. Anyway, since Orbital Operations went on hiatus last year, I've sorely lacked intermittent missives that at least in some regard pertain to the process of writing or creating or just structuring time (hence re-read old OOs), and Mr. Bonner's newsletter looks as though it may help fill that void.
 


NCBD:


This is obviously a big one. I'm curious if, after the reveal at the end of issue #1, The Last Ronin will remain so highly sought after. My guess is no, but who knows? Also, who cares - the book is bad ass and I'm super excited for the next chapter.


One of my favorite series in years, issue #4 of We Live kind of set the whole series on its ear, and if I'm not mistaken, this is the final issue of the series. 


Another final issue. Hopefully, both We Live and Miskatonic will be back with second seasons. If not, it's been a hell of a ride for both in a very short time.




Playlist:

Nothing - The Great Dismal
Dance with the Dead - B-Sides, Vol. 1
Teenage Wrist - Earth is a Black Hole
Ozzy Osbourne - The Ultimate Sin
Ozzy Osbourne - No More Tears
Mr. Bungle - Raging Wrath of the Easter Bunny
Primitive Man - Immersion
Ceremony - In the Spirit World Now (Synthetic Remixes)




Card:

 

Balance and synthesis, two things I'm a skosh hung up on at the moment. I received the proofs of Murder Virus and am a bit underwhelmed at how the art looks in person. Also, I found a fucking typo on the first page! WTF!!! I've gone over this so much, I'm no longer seeing what's in front of my face. Ultimately, all this is easy to fix before the on-sale date of 3/23/21, but it's the point.