Tuesday, January 16, 2024

New Dandy Warhols!!!


New Dandy Warhols, from the forthcoming album Rockmaker, out March 15th. Pre-order HERE.




NCBD:

Jesus. My box is going to be full when I return to Clarksville and pick up my books from Rick's Comic City. Here's what is being added to it this week:



Ash! Evil Ash! 1990s and the far-future. This one has it all, true believers!


Still one of my favorite books to read each month. 


The Deviant is such a gnarly book. Really happy this is going longer than what I originally thought was a three-issue series. 

What's the Furthest Place From Here goes on hiatus after the next issue, so I'm a bit bummed. That said, I can't wait to see how the current arc ends and where that puts us in Boss and Rosenberg's world.


The High Evolutionary returns! I'm not sure how exactly this ties in with the "Fall of the House of X;" doesn't matter because, again, the High Evolutionary.


Cobra Commander. 'Nuff said. I find it interesting that the main characters of this short, lead-in series are apparently Destro, Zarana, CC himself and Mercer. Man, Kirkman's Energon Universe is really going out of its way to do something different with this long-running property. 

Man, could we get a High Evolutionary/Cobra Commander crossover at some point in the future? Probably not, but it's nice to dream.

Additionally for today, the final issue of Enfield Gang Massacre will be in my Chicago Pull at Amazing Fantasy, and I'll probably grab these other two from the Comic Bug while I'm in the South Bay next weekend:


I had incorrectly assumed issue five of Chris Condon and Jacob Phillips' The Enfield Gang Massacre was the final chapter. Nice to see I was wrong and we get one more. Can't wait to get this from Amazing Fantasy and finally read the series start to finish.


I'm still not putting ARAH on my pull list, but for the time being, I'm enjoying seeing where this series and these characters have been since I last checked in on them circa 1991.


I thought I'd give this new Hellblazer series a chance. 




Watch:

 

In. Totally in.




Playlist:

T. Rex - The Slider
Fugazi - Red Medicine
Fugazi - 13 Songs
Fever Ray - Radical Romantics
The Knife - Shaking the Habitual
Marilyn Manson - Antichrist Superstar
Danzig With Myself - Rockmaker (pre-release singles)
Mission of Burma - Signals, Calls and Marches




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Three of Swords 
• Four of Swords 
• Four of Pentacles

I continue to be fascinated by the frequency with which I draw Swords in this deck. I feel like these, coupled with the Four of Pentacles may point to my not using my intellect in regards to Earthly matters. Money? Possibly. 

Monday, January 15, 2024

New Music From Idles!!!

 

From the forthcoming record Tangk, out February 10th on Partisan Records. Pre-order HERE.




Watch:

True Detective Night Country episode one aired this past Sunday. I have high hopes for this season; Writer/Director Issa López is helming all six episodes, and I have the utmost faith in her. Tigers Are Not Afraid definitely employs the kind of dark, magical realism that could really help TD hit the high notes Season One and Season Three do. 


That said, I do not have a lot of faith in what I can only imagine is the HBO/True Detective Editorial Bullpen, so to speak. Season Three really floored me until the resolution, which absolutely robs that season's story of its magic. I'm hoping they don't do the same thing with this new season; however, after watching the first episode, I'm also hoping they don't overdo the extra-sensory stuff. We'll see. My Horror Vision cohost, Missi, and I are doing a weekly recap; I'll update this later today when it's posted. 




Playlist:

David Bowie - Low
Various - Lost Highway OST
Frankie and the Witch Fingers - Data Doom
The Damned - Evil Spirits
Nick Cave and the Bad Seeds - Dig, Lazarus, Dig!!!
Arab Strap - The Week Never Starts Around Here (Disk 2)
Arab Strap - The Red Thread
Malcolm Middleton - A Brighter Beat
Gnarls Barkley - St. Elsewhere
Arab Strap - As Days Get Dark
David Bowie - Buddha of Suburbia
Marilyn Manson - We Are Chaos




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Page of Cups
• Six of Cups
• I: The Magician

Emotional Earthly concerns reach a culmination through Will. That's a pretty crappy, surface-level reading, but it's all I have time for this morning. Working on-site is kicking my arse!!!

Sunday, January 14, 2024

David Bowie - Subterraneans

 
I love the way Bowie plays sax on this track. It literally soothes my soul, while also conjuring a mood similar to the one Cowboy Bebop does. 

Thus completeth David Bowie week, an annual event I like to do here to commemorate the life, work and passing of the Alien. He changed our world, I wish I could say we'd learned how to do that from him, but no, I don't think we did.
 


Watch:

I first saw Michael Mann's Heat opening weekend in 1995. I was nineteen and really just getting into film. I thought I knew a lot, and maybe I did for someone my age. I certainly watched and thought and wrote about them enough. This was, of course before the mass proliferation of the internet, so I'm not sure what I read about Heat before seeing it, but I was excited. I'd learned to identify and love Michael Mann's style via Miami Vice, Manhunter, Crime Story and Thief. All the hype that preceded Heat's release focused on Pacino and Deniro being together in a film for the first time since The Godfather flicks. I saw it, and was pretty damn disappointed. I'd never watched the film again until last night, when several of us headed out to Quentin Tarantino's New Beverly Cinema in Los Angeles. 

This outing possessed a two-fold purpose: 1) I'd lived in L.A. for 16 years before moving and never made it to the New Bev. 2) Because of Professor John Trafton and Miles Fortune's This Movie Saved My Life podcast, I found myself wanting to give Heat another chance. I'm happy to report that, while I still very much wish Pacino had dialed it back on a lot of his line delivery, I now agree that Heat is a Neo Noir Masterpiece. 

 
There were two big narrative gaps I credited as my major problem with the film: Waingro's "Serial killer" subplot, which I previously felt went nowhere, and the fate of Pacino's Stepdaughter, played by Natalie Portman. In the latter case, it always irritated me that, as I had previously perceived it, the film did not resolve her fate. Seeing this last night, I now think it is entirely possible that I ran to the bathroom during the scene where the surgeon tells Pacino and his estranged wife Justine (played by Diane Venora) that their daughter is alive and will pull through. I also think I may have just missed it because that scene is really the epitaph to the couple's relationship, and there's a lot of nuance to the scene and performances that I just don't think I would have been experienced enough in life and love to fully grasp at the time. I'd always viewed Portman's suicide attempt as a needless dramatic plot point stuffed in at the eleventh hour for no reason other than to tighten the screws on Al's character. It actually provides an exhale on the subplot of his marriage.

The Waingro issue is a different animal altogether, and last night's viewing led me to the conclusion that Heat is edited unlike any film I had ever seen previously. The film hits the ground RUNNING, and is such a rapid-fire accumulation of edits and characters, that Mann has to establish characters quickly. He does so deftonly, and while I do feel that the serial prostitute killer angle on his character should have had at least one nod past the original - because it's revealed early on that the police are aware they have an active serial killer - but ultimately is serves to establish A LOT about Waingro's character in very little time.




Playlist:

Marilyn Manson - We Are Chaos
Marilyn Manson - God's Gonna Cut You Down (single)
Massive Attack - Protection
PJ Harvey - Rid of Me
Marilyn Manson - AntiChrist Superstar
David Bowie - Hunky Dory
Run the Jewels - RTJ4
Robbie Dupree - Steal Away (single)
Doobie Brothers - What a Fool Believes (single)
The Bee Gees - Love You Inside Out (single)




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Four of Pentacles
• XIV: Temperance
• King of Swords

Logging this here and will try to circle back around for an interpretation at some point later tonight or tomorrow. L.A. is keeping me on my toes.

Thursday, January 11, 2024

David Bowie - Move On

 

"Move On," the second track from 1979's Lodger, the final of the Bowie/Eno Berlin Trilogy. Easily my least favorite of the three records, Lodger has never 100% caught me, but there are moments that really resonate with the rest of the Trilogy, and I'd argue that track two, "Move On" is one of them. 




Watch:

A couple of nights ago, I watched Jennifer Reeder's latest film, Perpetrator. Here's a trailer that I offer with the caveat you only watch the first minute:


Did you see the pull quote that said, "The meeting point between John Hughes and David Lynch?" Not too far off. I don't know that everything about this one 'worked' for me, however, I was distracted during the first forty minutes or so with some emergency yoga, and Perpetrator is SO insanely original, I'm definitely going to watch it again. 

Between this and Night's End - which I also loved - Jennifer Reeder is now a filmmaker on my "watch everything" list. 




Read:

My Horror Vision Co-Host Anthony recently talked me into giving SIKTC's sister book, House of Slaughter, another shot. I read the first two arcs and wasn't super into it, despite really liking the concept. One character introduced that has stayed with me is Jace, and he is the focus of the third arc, Return of Butcher.


So far it's pretty good, but I'm still not sold. This got me thinking about why that is, and I think I've come up with a fairly easy answer. SIKTC is one hundred about the momentum of the story, which is ongoing as it follows Erika Slaughter. House of Slaughter is different; five-issue arcs that jump around to give us windows into the world Tynion has built; ostensibly a welcome idea, it just does not inspire the passion in me that SIKTC does. I've always taken more to books with ongoing continuity - my first comic love was, after all, Larry Hama's G.I.Joe:ARAH and I never really cared much for Special Missions. The exact same paradigms apply here - ongoing vs. individual stories that are a part of the overall tapestry but do not add momentum to it. 

Regardless, House of Slaughter is still a quality book, and in no way am I complaining about reading or purchasing it. I just don't feel the allegiance to this book that I do for its sister. 




Playlist:

Marilyn Manson - We Are Chaos
Massive Attack - Protection
Cypress Hill - IV
David Bowie - Lodger
The Stooges - Eponymous
The Stooges - Funhouse
††† - Good Night, God Bless, I Love U, Delete.
Marilyn Manson - Mechanical Animals
The Damned - Machine Gun Etiquette
Killing Joke - Eponymous
Rein - God is a Woman
David Bowie - Black Star
The Cure - Kiss Me Kiss Me Kiss Me




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Eight of Swords
• XIX - The Sun
• Four of Swords

Okay, now I'm really paying attention. I was all set to move on from the Truce/Rest interpretation from yesterday because not only did I go to bed at 8:00 PM Wednesday night, but I stayed in last night as well, taking a nap after work that made me feel the best I have so far this trip. But here it is again.

It dawned on me that the Truce also might apply to a small situation at work, which I came in a skosh concerned about and have definitely applied the Truce aesthetic to. Things feel better there than they have in over a year, so there's that. Aside from those two instances, what do today's other two cards suggest?

Eight of Swords - Eight. Hod - Learning and Ritual in the real of the Intellect.
XIX The Sun - Interestingly, I noticed Grimm posted this card on social media recently, accompanied by the lyrics to Sabbath's "Nativity in Black," and I can't help wondering if there's something there. 

"Some people say my love cannot be true Please believe me my love, and I'll show you I will give you those things you thought unreal The sun, the moon, the stars all bear my seal!"

Maybe not, or, if so, that's a code my conscious mind probably won't crack. So while that simmers on the ol' brain stove, I'm looking toward the "Optimistic" interpretation and stepping back to apply all of this - wait for it - to my worldview. In multiple conversations since I arrived here and have had the chance to reconnect with folks I haven't seen or talked to in months, world events come up and I always begin with the "I'm a pessimist" clause. L.A. just brings it out of me. I walk the streets of West L.A. and just can't believe the filth. Yet, also, this time, I honestly think things may not be as bad as they were in October. Maybe. 

My pessimism probably isn't going to recede permanently, but maybe I can give it a rest at least for a little bit and try and, ahem, Think Positive Thoughts. The Sun, The Moon, The Stars. 

Wednesday, January 10, 2024

David Bowie - Blackout at the Monolith!!!

 

Yeah, I'm a little hung up on Heroes lately. Love this track; there's something about it that nods toward Scary Monsters (and Super Freaks), even with the inherent Enoisms present. What a truly strange record, Heroes. Comprised of a single that can reduce me to tears or move me to shake my fists at the heavens, three increasingly odd instrumentals that feel a bit like Blade Runner-meets-John Zorn on quaaludes, a lushly arranged funk track, and then all kinds of Eno weirdness strained through David's pop sensibilities, it all works amazingly well together for a sound that you can only really compare to, well, the rest of the Berlin Trilogy.




Watch:

I am getting major Warren Ellis/Jason Howard Trees vibes from the thirty seconds of this trailer I watched. 

 

Also, despite my issues with Evil Dead Rise, I'm very much looking forward to seeing more Lilly Sullivan! 

Monolith is Directed by Matt Vesely and Written by Lucy Campbell. In looking through their discographies, I noticed Ms. Campbell is also a Writer and Co-Director of a 2021 Science Fiction miniseries titled The Big Nothing. Here's the summary:
 
"When the captain of an isolated mining station near Saturn is murdered, Detective Lennox is sent to investigate the three remaining crew members. Centered around a series of interrogations and flashback, Lennox discovers that everyone has a motive to kill. With otherworldly threats approaching and the killer amongst them, will everybody make it off the station?"

Intriguing, right? I went looking for this and found you can watch the entire five-episode series on an official YouTube channel HERE.


Very hopeful that Monolith will get a wide enough release to hit Clarksville!!!




Playlist:

The Damned - Evil Spirits
Killing Joke - Eponymous
The Sound - From the Lion's Mouth
Run the Jewels - RTJ4
David Bowie - Earthling
David Bowie - Heroes
Marilyn Manson - We Are Chaos
David Bowie - Low
Negative Blast - Echo Planet
The Afghan Whigs - Do The Beast
Nick Cave and the Bad Seeds - Dig, Lazarus, Dig!!!
The Afghan Whigs - Gentlemen




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Page of Swords
• Ten of Swords
• Four of Swords

Okay, not only all Swords this morning but also, this is the second day in a row the Four of Swords has reared its head. 

Writing this about eight hours after penning the original post. I was too tired to really deep dive into this Pull last night, but after reading a bit about it, I'm reminded of the "Truce" interpretation. A.K.A. rest. I actually drew these cards last night, while on the verge of what felt, rather dramatically, like exhaustion. It's taking me longer than usual to acclimate to walking as much as I am. Shin Splints set in Tuesday, tore me up yesterday. After scheduling this post last night at about 6:30 PM, I ended up writing for an hour and a half, then turning it in, and I think the "rest" recommendations worked. 

• Page of Swords - Pay attention (intellect) to your body, dickhead!
• Ten of Swords - Get your kingdom in order (when I travel, I very much set up a "Kingdom."
• Four of Swords - Truce between Intellect and Body - REST!!

Tuesday, January 9, 2024

David Bowie - Where Are We Now?

 
Eight years gone. I picked this song as it was Bowie's first song back after the eight-year hiatus that followed 2005's Reality. I vividly remember seeing the video pop up somewhere online at work that morning, and when I watched it, I felt such an amazing melancholy. It was almost as if Bowie had channeled all the uncertainty that had begun to bubble up in our society, and looking back on it now, I'm fairly certain he already knew he was sick. That makes Where Are We Now? something of a prequel to Black Star's Lazarus, the song I'm pretty sure everyone associates the most with his passing just three short years after this one's release.




NCBD:

I'm not at home to pick up my Pull at Rick's Comic City, however, here's what will be waiting for me:


Issue three of Syzmon Kurdranski's Blood Commandment. More people need to read this one. Beautiful and, although so far fairly straightforward, this book owns its tropes. This one's actually not on my Pull yet (I don't think), so I'll probably grab a copy at the Comic Bug next time I'm in the South Bay.


I loved the first issue of Andrew Krahnke's Bloodrik so very much, and have been dying to get my hands on this second issue. I might actually drop into the Bug and pick up a copy along with Blood Commandment.


Last week's first issue of The Fall of the House of X was pretty good, so here's to hoping its counterpart will also swing big and connect. I like that this is essentially a sequel to Hickman's "Dominion Future" arc from House and Powers and am curious to see how these two books work together to bring us into whatever the "Post Krakoa" era will be, even if I'm not necessarily planning to stick around for it.


Daniel Warren Johnson. 'Nuff said.




Watch:

My good friend and Horror Vision co-conspirator John sent me this trailer last night. 

 

Despite my recently cultivated disgust with trailers, I watched this one. I figured Quentin Depieux's films are so f*#king out there, a teaser probably couldn't give anything away. 

I'm new to Dupieux's films. In fact, I've only seen Deerskin so far. However, I love that film in ways I can barely explain (although John, Missi, Anthony, and I try on THIS episode of The Horror Vision Presents: Elements of Horror) and am looking forward to burning through the rest of his filmography. 




Playlist:

Marilyn Manson - We Are Chaos
NIN - With Teeth
Danzig - 777: I Luciferi
Ganser - Odd Talk
Finom - Ghost (single)
FACS - Still Life in Decay
Colter Wall - Sleeping On Blacktop
The Damage Manual - Eponymous
Turnstile - Glow On
Rein - Reincarnated




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Seven of Swords
• Four of Swords
* XII - Hanged Man


David Bowie/Brian Eno - Neuköln Remastered

 

Being that David Bowie was not only born but also took his exit from our Planet on this week, I'm doing another edition of David Bowie Week! For today's post, I pulled the remastered version of "Neuköln," originally published on 1977's collaboration with Brian Eno, Heroes. I LOVE the arranging on this one, especially Bowie's Sax. Some interesting tonal ideas.

Heroes is a great album, but it could almost be pragmatically divided into two different playlists, one for the 'songs' and the other for the instrumental suites like "Neuköln." Such a haunting atmosphere to these passages, while the songs draw on a lot of the musical ideas/subsequent tropes being formed in the late 70s. Likewise, the Eastern influence of the instrumentals and overall world themes (




Watch:

A few days ago I fired up Shudder.TV to see what was playing and caught Writer/Director Liam Gavin's 2017 film A Dark Song. Here's a trailer:


I caught this once before, maybe three or four years ago. I really dug it at the time, and it totally holds up upon second viewing. Mr. Gavin clearly knows his way around the Occult, or at least he researched the hell out of this film. Also, I may be off base, but feel like I detect some Warren Ellis influence here. Maybe I'm just running an unconscious parallel to Ellis and Mike Wolfer's Gravel series from the 00's - also kind of a Mercenary Magician, although in Gravel's case, Combat Magician would be a better description.

Wow. I just realized how much I miss Gravel.


How has it already been almost twenty years since this and Doktor Sleepless




Playlist:

Screaming Females - Desire Pathway
Fever Ray - Radical Romantics
David Bowie - Heroes
Marilyn Manson - We Are Chaos
Run the Jewels - RTJ4
Wayfarer - American Gothic
The Afghan Whigs - How Do You Burn?
The Afghan Whigs - In Spades
The Afghan Whigs - Do The Beast
Damone - Out of the Attic
Yawning Balch - Volume I




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• VI - The Lovers - Influence or inspiration
• Ace of Wands - Essence inception
• III - The Empress - Fruitfulness

The big pinion in the interpretation for today is choosing to read The Empress as Fruitfulness, an association I often forget or disregard altogether. It fits in with all the other ideas attached to this card, though, and it shows here that I need a little something new to get back on track writing. Being away from home for so long, it would be damn easy to fall out of the habit of writing. Not gonna happen, however, I think I need to lean into a new idea briefly in order to get my momentum back up. I haven't written since Friday. I brought a nice microphone with me so I could record myself reading the current version of Black Gloves and Broken Hearts, a part of the process that can be cumbersome, but that is also one of the most beneficial elements of my edit strategy. So while I'll be doing that at night, I think I'll take some time this afternoon to start up a new Nosleep story I've had percolating in the back of my brain. My first, fairly successful three-part serial on Nosleep, I Got a Deal On My New House Because Someone Committed Suicide in the Garage really inspired me, as I feel like it's some of the best short-form writing I've done to date, and I've been wanting to kind of re-create that. Sure, the Nosleep Community is fantastic, and provides instant validation to writers if they take to your story, which might sound lame at first, but that validation can be used as fuel for stepping up projects.

Monday, January 8, 2024

Happy Birthday David Bowie!!!


Earth misses You, Starman.



Watch:

Thanks to some friends, I finally saw David Ayer's 2012 End of Watch.


This one had been on my list for a long time. I remember not really caring about it when it hit theatres, but over the intervening years, several people have told me End of Watch is fantastic. They are correct. I'm still thinking about this flick two days later. Great performances from Peña and Gyllenhaal, and a very realistic portrayal of L.A. 




Play:

I finally beat Torture Star's Night At the Gates of Hell! I'd been stuck on the final series of stages, an awesome jungle last stand totally inspired by Lucio Fulci's Zombie, but haven't had a heck of a lot of time to play. Fixed that on my flight into L.A. on Friday. I actually beat the game as the plane was landing - that was pretty weird. 


The super cool thing about this game was, upon beating it, two more games opened up in the main menu. The first I moved on to is Evil in the House of Dr. Fleshenstein. Thanks to Mild Goth Daddy you can see some of this one here:


Really digging this game to, even if once again, I'm a bit stumped. I love the environments of Puppet Combo/Torture Star games so much, though, that I don't mind just being immersed in the game, even if I am repeating the same levels over a multitude of times. 




Playlist:

Drive Like Yehu - Yank Crime
Twin Tribes - Ceremony
Your Black Star - Sound From the Ground
Chris Brokaw - Puritan
Baroness - Stone
Deftones - Saturday Night Wrist
Burial - Untrue
Boards of Canada - Music Has The Right to Children
Fear - Live For the Record




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


No time to actually interpret this today. I have a feeling it will be like that for a while, but I'm going to try and go back later and look at this. 

Friday, January 5, 2024

Abby Sage - Obstruction

 

Abby Sage dropped a new single earlier in the week, and as usual, it's pure bliss. I really don't know much about Ms. Sage, other than the handful of singles she's released over the last couple years have all been excellent. "Obstruction" is the latest and an advance from her first long player, The Rot, due out March 1 on Nettwork - which looks to be a very different label than it was back when I was familiar with it. Pre-order the digital album HERE. As far as I could find, there is no physical copy pre-order at the moment. Either way, I am very much looking forward to this one.




Watch:

Two nights ago I "rewatched" Christopher Ganz's 2006 cinematic adaptation of Silent Hill. Here's the trailer Scream Factory used when they released their edition:


I say "rewatched" because, although I know I watched this back circa 2017/2018, I found that other than the beginning and end, I remembered very little of this one. I'm wondering if this was one of those times I had a "forty-minute blink." Very possible. I remember liking the film, but not much else, so this was an especially crisp viewing, and I very much dug the experience in a way I know was lost to me on that previous attempt. 

I am unfamiliar with the games, so take that into account as I say that visually, I feel like Silent Hill is the culmination of many of the mid-to-late 90s aesthetics that were introduced into popular culture with the NIN "Happiness in Slavery" video and that accompanying video 'album' it was released on. The twisted, barbed wire, industrial rot of the 90s, the fallout from the posh-n-clean dream of the 80s. All of it really works quite wonderfully in this film, and although some of the CG doesn’t quite hold up, I would argue most of it fairs considerably better than a lot of computer FX we saw in Horror at the time.
 


Read:

New Drinking with Comics went up last night.


I really can't recommend Where the Body Was enough. Another fine fantastic original HC GN from Brubaker & Phillips.




Playlist:

Turnstile - GLOW ON
Black Flag - Everything Went Black
Tamaryn - The Waves
Justin Hamline - A New Age of Ruin
Feuerbahn - The Fire Dance EP
Fvnerals - Let the Earth Be Silent
Sleaford Mods - Nudge It (single)




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Seven of Cups 
• King of Cups 
• Eight of Cups

First, yes, I have shuffled these cards quite a bit. It's weird how this is a new deck to me, and it continues to behave that way. I feel like it's not so much that the cards aren't shuffled, but that it feels like it needs to yell in order to get my attention. Inherent in its DNA, being that it's all about, well, turning the amp up to eleven?

I'm reading this in a different chronology today. Starting in the center but moving directly to the right, we have a path through the Sephiroth - Victory to Splendor. This is a viable path for working through the states of the mental architecture inside ourselves. The King of Cups then tells me to come ready to hone emotion with Intellect, that will be the method by which I reach those states.

Is this a nod to heading back to work? A lot of the issues there are resolved, as most of the problems are no longer with the company. There is one conflict I anticipate, however, I don't see it being quite so difficult. Maybe. Or, this is a strategy. I've said I want to be a bit less social with my time there; I want to see my friends, but I don't want to go out every night for the next three weeks. I'd really like to spend some time working on the book, using the change in environment to my advantage. Perhaps if I combat the emotional need to be social with the intellectual need to write - well, saying it like that, it all kind of makes sense, doesn't it?

Thursday, January 4, 2024

Jumping the Turnstile for January Giallo!

 

It's been a couple years since I checked in on Turnstile. About two and a half years, according to a quick metadata search on my posts here. At the time, a friend was photographing their L.A. shows regularly, and I hadn't really ventured past their 2016 album Nonstop Feeling, and I guess I kind of unfairly judged them on that record. Then, a few weeks ago while hanging out with my good friend Jacob, he mentioned their most recent album - from 2021, so just about when I was listening - GLOW ON was a recent favorite of his listening rotation. I made a note and only got around to actually listening a few days ago. All I can say is, I'm floored. Turnstile is so much more than I thought they were. Honestly, I'm not sure why I would have made such a dismissive assumption, but Jacob, thank you for setting me straight. This is one that is sure to be a mainstay while I'm walking the streets of L.A. for the next three weeks. 




NCBD:

My Pull at Rick's Comic City was somewhat light this week. This is good, as I'll be in L.A. for the next three NCBDs. 


The new X books kick off this week with Fall of the House of X. I have the utmost faith in Gerry Duggan as a writer, but I was still not sure how I felt about the X-Books. This was a pretty solid first issue into whatever this "End of the Krakoan Era" will be. 


Issue one of Christopher Yost and Val Rodrigues' Unnatural Order was a book Chris introduced me to on last month's episode of A Most Horrible Library. Totally blew me away, and the second issue only strengthened that response. I am totally on board for wherever this one goes. 
 


Brubaker & Phillips' new graphic novel Where the Body Was hit last week and I picked up my copy yesterday.  As usual, I knew absolutely nothing about this one going in, and it proved to be fantastic.




Watch:

Cinematic Void is doing January Giallo all across the U.S. this year, with screenings in L.A., NY, Chicago, Nashville and Salem, MA! Knowing I would be back in L.A for January, I snagged tickets for some friends and me to see a fantastic Michele Soavi double feature: 1978's Stage Fright and a film I've still not seen, 1994's Cemetery Man.

 

And the Chicago announcement, screenings at the historic Music Box:

 

SO happy that January Giallo is now a "thing" in multiple states. Long live The Void!!!




Playlist:

Fugazi - Red Medicine
Drive Like Jehu - Yank Crime
Fugazi - End Hits
Spore - Eponymous
Turnstile - GLOW ON
Chelsea Wolfe - Hiss Spun
Jozef Van Wissem & Jim Jarmusch - An Attempt to Draw Aside the Veil
Boy Harsher - Careful
Boy Harsher - Country Girl Uncut
U2 - War
The Cure - The Head on the Door
Various - The Crow OST
The Juan Maclean - Happy House Matthew Dear Vs Audion Remix




Tuesday, January 2, 2024

Fugazi - Do You Like Me

 
From Fugazi's 1995 Red Medicine. I'm going through a bit of a Fugazi bender, only I've started at the end of their career. Arguably, this has always felt a bit like two bands to me, with this record being the crux. Fugazi had always harbored an experimental side, but I'll never forget Mr. Brown playing me this record upon its release and thinking, "They sound almost as much like Sonic Youth as they do Fugazi." Not to say anyone in the band's vocal approach ever changed, but the music become considerably more dissonant, distorted and, well, weird (see track 9 Version for the best example of that on this record). Anyway, it's going on 22 years since Fugazi went on hiatus. Wow.
 


Watch:

Watched a couple of flicks over the long weekend. Here's a breakdown:

 

Letterboxd review HERE.


Letterboxd review HERE.


Letterboxd review HERE.

 

Letterboxd review HERE.


Letterbxd review HERE.




Read:

Had a lazy New Year's Day with K. I ended up blowing through the last 150 pages or so of Jeff Vandermeer's Authority and beginning Acceptance, the third and final book in his Southern Reach Trilogy.


If you follow my Letterboxd link above for Alex Garland's adaptation of book one, Annihilation, you'll see that I mention watching the Blu-Ray extras for the film and seeing Garland talk about having to wrap his head around adapting that novel because it is so internal (those aren't Garland's words, I'm paraphrasing for simplicity's sake). Authority is even more an 'interior' novel, introducing the idea that the Psychologist character from the first novel was actually the Director of the Southern Reach Program, and after losing her during the events of Annihilation, Authority introduces and follows her replacement, the appropriately named Control, aka John Rodriguez, who is brought in under false pretenses to shore up the project, only to encounter hostile subordinates and a deepening mystery as to just why the Director went in on what she essentially had to know would be an ill-fated expedition.

Both these first two books in the series have been more intellectual than guttural, which incidentally makes for a great example of how Garland made his film, switching out the deepening paranoia and madness inherently easier to exhibit in a first-person novel than a film to extremely horrific body horror imagery (the 'snakes' in Mayer's stomach). Authority reads to me like a Horror/Espionage mashup; in fact, Authority reminded me a lot of Charles Stross' Laundry Files series.

On to the third and final book in the series now, and I really do not have any idea what to expect. Which is a fantastic way to go into the last volume of a series. One thing I did expect and thus far can confirm, Acceptance fills in some of the gaps left by previous volumes and is every bit as intellectually riveting as its predecessors. 




Playlist:

Fugazi - Red Medicine
Fugazi - The Argument
Fugazi - End Hits
Fugazi - In On the Killtaker
Earthless - Rhythms From A Cosmic Sky
Wayfarer - American Gothic
The Bronx - IV
Julee Cruise - Floating Into the Night
Henry Mancini - Charade OST
U2 - War
Emilie Levienaise-Farrouch - Censor OST




Card:

One card from Missi's Raven Deck to set the tone of the new year:


Knowledge is key for the coming year.

This feels like a huge affirmation to a concern that has been growing in me for some time. I feel as though my learning has stagnated, and might have taken with it some of my general 'knowledge base.' I've been left thinking I'm in too good a position, and perhaps need to find way to challenge myself a bit beyond thinking/writing on film/music/comics and literature. 

Sunday, December 31, 2023

My Favorite Albums of 2023

I feel like I didn't get to spend as much time with my favorite albums in 2023 as I have in years past. Is time speeding up or slowing down? Does it matter? Ultimately, no. We're all locked into this journey for as long or as little as it takes. Or to put it another way by quoting a famous physicist/rockstar/brain surgeon - "No matter where you go, there you are." So here we are, and what follows is the list of my ten favorite albums released in 2023.




Top Ten Albums 2023:


10) Fever Ray - Radical Romantics


Nothing else sounds like this. Fever Ray excels at burying catchy, almost poppish sensibilities inside an absurd musical architecture that transcends most of the musical tropes, instrumentation and methodologies of our lifetime. Also, it impresses the hell out of me that Karin Elisabeth Dreijer is able to use the sound of artificial Jamaican steel drums - a sound that I dislike to the very core of my being  - and evoke a positive response from me.

Buy Here.


9) Baroness - Stone


Stone is the first record Baroness has released that hit me this hard as a whole. I always dig what this band does, however, usually their albums feel somewhat uneven to me. Not Stone. This has a lot to do with Lead Guitarist Gina Gleason's expanding presence on backup vocals, but it also, I think, has to do with this lineup coming into its own after big changes in the middle of the 2010s. Also, John Dyer Baizley continues to experiment with the parameters of his songwriting, and the rewards are plentiful, to say the least (see "Beneath the Rose" and "Choir.")

Buy Here.


8) Bunsenburner - Rituals


This record is a gorgeous combination of everything I love, from Metal to Jazz to Twin Peaks to experimental. Founding member/principle songwriter Ben Krahl surrounds himself with musicians who help bring this ambitious project to life in a way that transcends genre expectations, something I don't stumble upon very often these days. 

Buy Here.


7) Nabihah Iqbal - Dreamer


Just like Iqbal's previous record, 2017's The Weighing of the Heart, Dreamer is beautiful, ethereal and uncompromisingly optimistic. There is so much love and wonder in these songs, they make me feel hope in an age where that has become a nearly herculean effort. Appropriate album title, too, as I believe these ten tracks are indicative of the music one would expect from a gentle soul with the heart of a dreamer. 

Buy Here.


6) Spotlights - Seance E.P.


Ghostly, haunting and at times, crushing, Spotlights followed this with an album that was slightly spoiled for me by the perfection of this E.P. 

Buy Here.


5) ††† - Goodnight, God Bless, I Love U, Delete.


The follow-up to †††'s debut came nearly ten years after its release, and I think we're all the better for it. This album is such a perfect amalgam of the last ten years of music, with elements from every strain of electronic, rock, and even hip-hop spun together to make something new and nostalgic at the same time. What started as an, ahem, Witch House side project for Deftones frontman Chino Moreno has come to deserve a lot more consideration than is often granted to such a large band's 'side projects.' 

Buy Here.


4) Fvnerals - Let the Earth Be Silent


Jet black nightmare fuel that helped me get to a certain mental place and stay there while crafting some fairly dark scenes in my current writing project. I know nothing of Fvunerals, but I'm here for whatever they do from here out. With this one, the cover really says it all.

Buy Here.


3) Yawning Balch - Volumes 1 & 2


Cracking their debut into two separate volumes doesn't change the fact that, when I play all six tracks Yawning Balch released this year in chronological order, I hear one of the most imaginative, expressive instrumental statements I've heard in some time. I hear the desert and the inner SciFi landscape visiting it always excites in me. I hear the cosmic weirdness of pulp writers from one hundred years ago, and that feeling is rigorously supported by John McGill's cover art. I hear the Universe and everything light and dark contained therein. 

Reading into the band a bit, I found there is good reason for this seemingly chaotic list of associations. Yawning Balch is a collaborative project between ex-Fu Manchu guitarist Bob Balch and the desert prog band Yawning Man. I also found that these two volumes are taken from a single five-hour jam. That formula almost never works for me, but in this case, Yawning Balch take me somewhere usually only accessible by reading Clark Ashton Smith or eating mushrooms in Joshua Tree.

Buy Here.


2) Blackbraid - Blackbraid II


An exquisitely crafted Black Metal album that follows its own internal logic as it moves from one track to the next, creating one long moment imbued with Native American ideologies, instrumental flavors and imagery. There is such power in this record, that it tends to pull me in for multiple successive listens at a time. Also, after Fvnerals, this was the album that helped me write the most in 2023.

Buy Here.


1) Screaming Females - Desire Pathway


How perfect that Screaming Female's greatest album should be their last. Not to say I was glad to hear of the breakup, but really, talk about going out on top. Desire Pathway played a big part in my year as one of the albums that anchored me on my trips back to L.A., when I would walk around with this on my headphones. Some songs have super hooks (Ornament, Brass Bell), and some grow on you, but the entire thing combines to make the most perfect start-to-finish record of my 2023.

Buy Here.




Honorable Mention:

Metallica's 72 Seasons. I still can't believe how much I like that record. 

Friday, December 29, 2023

Snake Oil for the Authoritarian Soul

 

From 2023's post-script collection of covers Snake Oil, here's Frank Black and the Catholics doing Bruce Springsteen's "I'm Going Down" and absolutely OWNING the song. Special thanks to Mr. Brown for lending me this in our most recent vinyl swap. Hot damn, I needed a fresh dose of Catholicism!!!




Watch:

A couple nights ago, K and I went to see Sean Durkin's new film, The Iron Claw. This was completely off my radar, and I'm very grateful K suggested it.


Durkin's 2011 debut film, Mary Marcy May Marlene left an impression on me that has lasted long since my only viewing, shortly after it hit physical media. I've watched his name pop up here and there but hadn't actually seen anything else by him until now. Imagine my absolute joy to find out his work has paid off with a widely released film (thank you once again, A24!!!) that features some fairly notable actors. Zac Efron impressed the hell out of me with his physical dedication to taking on this role, as did The Bear's Jeremy Allen White, both of whom gave enormous performances. This one is a story for the heart, and I find it infinitely gratifying that the cultural detritus of previous eras are being reevaluated and recirculated in new contexts, helping unify the various cultural 'eras' of our time on this planet into something that helps us understand one another better. 




Read:

Two nights ago I began reading Jeff Vandermeer's Authority, the sequel to Annihilation. Seventy or so pages in, this one hasn't inspired quite the same level of rabidity that book one did, however, there's a brilliant bridge built into the story from the first book and this one; something that promises things are going to get pretty insane pretty soon. 


Based on my difficulty finding images for this one's cover, I'm going to guess that this series didn't really receive the attention it deserves. This is super high concept Science Fiction/Horror that pushes into the spaces between the world as we understand it and really tries to pick apart the atomic structure of what humanity has built for itself. Not always the easiest read, as evidenced by the somewhat scuttling pace of the opening chapters of this book, there's a "clinicism" here that pushes how we take in and assimilate concepts through language. Reminds me a bit of China Meivile, specifically Embassytown and City and the City.




Playlist:

Portishead - Third
Baroness - Stone
Frank Black and the Catholics - Snake Oil
Frank Black and the Catholics - Eponymous 
Blackbraid - Blackbraid II
Frank Black and the Catholics - If It Takes All Night (single)
The Bronx - IV
Exhalants - Atonement




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• King of Swords
• Ten of Wands
• Nine of Wands

Lots of phallic imagery today! The Airy aspect of Air indicates to me at this moment that I'm not smart enough for what is required of me in some situation at play that, in fact, may have already resolved itself.  Recognize the accomplishment and don't dwell on the afterbirth.