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Well, The Moon card literally lept out of the deck at me when I went to do my pull, so I guess I'm misunderstanding or missing something. I have to say, I feel perpetually overwhelmed by Tarot lately.
Two separate but easily juxtaposed events that directly preceded my pull last night caused me to have a breakthrough. I now believe I know what the Devil/Wheel cycle I've been caught in for the last week or so was trying to tell me, and I drew IV: The Emperor with that query in mind - am I correct in this revelation?
I'd say this means yes.
What am I missing? Apparently I'm clinging to something, but I'm not really sure what the hell that is.
A track I heard last week at my Horror Vision cohost Ray L's first Cineray of the pre-COVID era. This is a very '2000s' track for me, however, it's been cool to reintegrate some of that vibe over the last few years, kicking off with my rewatch of Veronica Mars, a show I first watched and fell in love with back during my first year or two after moving to California, when the 2000-ness of everything was at full height.
There is a common goal I share right now with my better half. It's a huge idea that will ultimately change our lives forever. More later.
This hit yesterday, but I've been writing and scheduling these posts at least a day ahead to try and regain some sense of consistency. Wednesday was already a pretty good morning when Mr. Brown text me that Deafheaven dropped a new track and announced an album. As you can imagine, I FLEW to pre-order Infinite Granite HERE, then spent a good amount of time listening to "Great Mass of Color "over and over. So good. I guess all the black metal blow-hards can shut the fuck up, since the band has obviously now embraced integrating so many other elements. That's what the best of any genre does - refuses to be limited by the tropes of their chosen peers.
Infinite Granite lands August 20 on Sargent House.
Heaps of praise to Mr. Brown for introducing me to Lindsey Buckingham's 2008 solo album Gift of Screws, an album I am fairly certain would never have wound up on my radar without the guidance from my friend. This is one for the ages - as Brown stated in a text recently, the whole thing really highlights his guitar playing, an aspect that often gets pushed to the background in Fleetwood Mac. Opener Great Day has some truly fantastic finger-picking, and most of the tracks - especially "Did You Miss Me" above - would have made stand out singles for the radio, if there was an outlet in the major markets for guys like Buckingham, who are more often than not relegated to the 'was in a classic rock band' category. Reminds me a bit of the first time I heard John Paul Jones' record Zooma.
FUCK YES! I'm a little late with this one, as I've been so preoccupied with the new Perturbator that I forgot Z&A dropped a new track and announced an album coming out sometime in early 2022. I think; I swear I saw a February date when I first went to this song, but I can't find that any longer, so maybe I'm wrong and we'll get the album sooner. That would be fantastic!
I still just absolutely adore everything about this song.
Violet Cold's album Empire of Love is a bit uneven to me, but that's because it swings BIG, and that's not a bad thing. This track was the first I'd ever heard of them - really a one-man project - when it came up in Apple Music's algorithm. I wasn't sure how I felt about it at first, but it quickly gained favor. Then, yesterday morning, I realized I had this song irrevocably in my head, and as soon as I fired it up on my headphones, it felt like an ice-cold mouthful of water on a hot day.
Check out Violet Cold's Bandcamp HERE.