Another awesome new song from the upcoming sophomore album Mirrorcell, by former Dillinger Escape Plan frontman Greg Puciato.
You can pre-order Mirrorcell from Puciato's Federal Prisoner Records HERE.
NCBD:
This week is another super fun one. Here's why:
I have NO idea where Rick Remender & André Lima Araújo's A Righteous Thirst For Vengeance is going. Hell, I'm not even sure how long this book will run. Is this a Deadly Class/Black Science, 30-50 issues kind of story, or a 10-and-done like Tokyo Ghost? I'm sure that information is available somewhere online, either in an interview with Remender or the book's solicitations, however, I prefer not to know. All I do know is it's swift, often disturbing, and yet still has a positive energy to it.
I surprised myself in the weeks since Ghost Rider #2 - I would say this may be my most anticipated book now, below of course Immortal X-Men. I definitely detected some Clive Barker influence in the second issue of old flame head's new series, and that was enough to make me want more. Think about it - why not apply a Barker-esque Horror vibe to this title/character?
See, you couldn't come up with anything there, could you? So here's to hoping the book delivers (that monster truck cover isn't doing the series any favors, but hopefully that's all it is - a cover).
I was on the fence with Little Monsters simply because I'm trying - totally unsuccessfully, I might add - to limit what I buy until I move. But the first two issues got me to come back for three, and the first page of three dropped my jaw, so I'm in.
After my recent re-read of issues 1-8 of James Tynion IV's The Nice House on the Lake, I've been waiting for issue 9 with a lot more anticipation. Such a great character study of people at the end of the world. If, that's what this actually is, which is in question at the moment.
Maybe it was just momentum from Dr. Strange and the Multiverse of Madness, but I loved issues 1 and 2, and this is a mini-series, so I'm sticking with Strange while Clea is running the show.
I know nothing about this one, but a Horror book called The Closet that shows a little kid playing in front of a closet that no doubt scares him seems like a great set-up. When you add in the fact that James Tynion IV is the author, well, count me in.
Just began re-reading What's the Furthest Place From Here last week, so issue 6's release is well-timed to say the least. I love this one.
Issue one wasn't really my thing, but I enjoyed it enough. I'm mainly buying this one because K is into it.
Playlist:
Ghost - Infestissumam
Alice in Chains - Eponymous
Various Artists - Lost Highway OST
The Mysterines - Reeling
Card:
Hopefully, this card bodes well for renewed creative energy. Because mine needs some renewal.
BIG thanks to Mr. Brown for cluing me in on the fact that there's a new John Doe record out on the always delightful Fat Possum Records. You can order Fables in a Foreign LandHERE.
Watch:
Warning: This trailer may give some plot points away.
Michael Shannon in the die-hard tropey creepy neighbor role? SOLD.
Read:
I gave up on the book I've been slogging through for the last few months, Helltown by Jeremy Bates. It's well written, it just did not connect with me. I've moved on to a novel I've been wanting to read for years, and which only recently came back into print via Drugstore Indian Press.
So far, at only about 200 pages into its 608-page runtime, this is every bit as majestic as I'd expected. Klein needs more credit - he's a master of his craft and appears to be setting up a magnum opus that I'd wager influenced Clive Barker's Great and Secret Show, another of my favorite novels. I'd commented on this edition back when I bought it last year, specifically on my fears for its binding, which for this many pages, seems weak. That said, so far so good.
Also, it's interesting to note that the first and for a long time only story by Klein I had read, Events At Poroth Farm, seems to have been a short born of the author excising and reworking a section of The Ceremonies, probably due to frustration with the novel in its original form, misgivings he has shared publically on more than one occasion.
Also, it should be noted that in checking out DIP's website, I realized they have also reprinted Klein's most heralded volume, the looooooong OOP Dark Gods, which I plan on ordering ASAP.
Playlist:
Yerusalem - The Sublime
The Bronx - II
Guns N' Roses - Appetite For Destruction
Black Sabbath - Technical Ecstasy
Deftones - White Pony
Deftones - Saturday Night Wrist
Blut Aus Nord - Hallucinogen
Bexley - Lost in the Moment EP
Bexley - Eponymous
John Doe - Fables in a Foreign Land
Cypress Hill - III: Temples of Boom
Emma Ruth Rundle and Thou - May Our Chambers Be Full
Def Leppard - Diamond Star Halos
Def Leppard - High 'N' Dry
Bauhaus - In the Flat Field
Allegaeon - Apoptosis
Revocations - Teratogenesis
Ozzy Osbourne - Diary of a Madman
Card:
I always equate this particular card with emotional strength and support, so I'm reading this as it pertains to giving someone else the support they will soon need.
My friend Eddie over at The Comic Bug attended the Cruel World fest a few weeks ago and it was on a video he shot that I first saw Peter Murphy's new look. Oh my god! These guys were already one of my favorite bands, but seeing Murphy here, I'm blown away. I mean, for a second I was like, "Why is Rob Halford singing for Bauhaus." Then I realized, no, I just hadn't seen a photo of Murphy since... well, probably some time around 2006 when Go Away White was released (an album I still defend vehemently).
Anyway, in looking around on youtube, I found alleyc8Cat's channel with this full set. So cool they posted, and in looking at the other videos on the channel, I subscribed immediately. If you dig, give them a like and a follow HERE.
NCBD:
I'd been wanting to see Jacob Gentry's Broadcast Signal Intrusion for some time now, so when it landed on Shudder recently, I moved it up the queue.
The film takes place in Chicago in 1999, so major props for doing a great job taking me back to that particular time and place. Also, Gentry is very good at lovingly incorporating his cinematic loves in a way that is pleasurable to those who share the same feelings (Videodrome!), and overall, the story and concept are really cool. That said, this film has its share of problems, and despite liking it quite a bit, I have to admit that BSI feels like it ultimately falls flat on knocking down a lot of what it sets up.
I’m not one who needs explanations - if you read these pages, you know that. However, there’s a certain pact a filmmaker enters with their audience when they introduce certain tropes/concepts into their film. By using certain known plot devices as red herrings, this film feels like it cheats a bit. Tone over substance, and while I’ll always err on the side of tone, elements of this film rub me a bit wrong. Ambiguity is fine unless it's substituted for story, and that's definitely the case here when it comes to anything other than the awesome setup:
"In the late 90s, a video archivist unearths a series of sinister pirate broadcasts and becomes obsessed with discovering the dark conspiracy behind them."
I will say, there are three points in this film where it makes like it’s going to do something so tropey it knows the audience will roll their eyes, then it intentionally doesn’t do that. Those three instances helped BSI gain a lot of ground in my good book, but also made me wonder if the film is that self-aware, couldn’t it have been refined a bit more?
NCBD:
Playlist:
Cyndi Lauper - She's So Unusual
Joe Doe - Fables in a Foreign Land
Blut Aus Nord - Disharmonium
Peter Gabriel - Melt
Mastodon - Hushed & Grim
Zombi and Friends - Vol. 1
Zombi -Shape Shift
Ozzy Osbourne - Diary of a Madman
Card:
Too tired to interpret this now, so just recording the Pull for posterity's sake.
I don't think I was even aware this Bowie doc was on the horizon.
Dollar Bin:
One of my prized possessions is a beat-up old copy of Marvel Age Annual #2. This pretty much monetarily worthless periodical celebrates the first 25 years of Marvel Comics, and as such, it looks back on many key moments from Marvel Comics, as well as offering little one and two-page spreads that tease upcoming storylines in Captain America and Uncanny X-Men, among other titles. Because I love this book so much as a document of an era in my life, I recently jumped on another Marvel Age when I found it in a Dollar Bin.
Okay, I didn't exactly find this one in a Dollar Bin, as while I did purchase Marvel Age #44 for $1.00, it was not from a physical shop's bin, but from an eBay seller. Still, cost-wise it counts, and it's timely (see last week's Dollar Bin).
Inside there is pre-release news on the then-upcoming, original eight New Universe titles, as well as articles hyping the Mutant Massacre, G.I.Joe vs. Transformers, and a Spider-Man vs. Wolverine 64-page one-shot special. Pretty cool to go back and read this stuff. Also, the layout and design of all the 1986 Marvel Comics, with their key-character border around the cover image, has always been something I love very much, probably as they lined the shelves at the time I really fell in love with reading comics.
Playlist:
Alustrium - A Monument to Silence
Yard Act - The Overload
Carpenter Brut - Leather Terror
Tones on Tail - Everything
Mastodon - Hushed and Grim
Card:
The personification of a lot of issues I've had on my mind after a week-end of consciousness-raising viewing.
And for day 7 of our 7 Days of Ozzy, I had to go with something a little bit different. Love the first Infectious Grooves album, and especially this track, which benefits enormously from Ozzy's vocals. I'd say this is similar to Sting's contribution to Dire Straits' "Money for Nothing" - you just can't imagine the chorus being sung by anyone else.
Watch:
Saturday night Beyondfest & the American Cinematheque held a free advance screening of Chloe Okuno's new film Watcher at the Aero Theatre. Holy smokes - a fantastic psychological thriller with a gut-punch ending. LOVED it!
The cinematography and direction in this one are fantastic, as are all the performances. The film really gives you a feel for the slow-motion paranoia that upturns Maika Monroe's Julia's life after she moves with her husband to Bucharest - a city she's never been to where most people speak Romanian - a language she doesn't speak. This isolation feeds directly into her paranoia, so you really don't have a sense of what's real and what's imagined in Julia's escalating panic, stoked by the fact that a serial killer stalks the city in the background of their lives.
Afterward, Maika Monroe and Karl Glusman did a Q&A moderated by Heidi Honeycutt. The two stars discussed filming in Romania during the Pandemic, the endless beauty of Bucharest, and how they prepared for the isolation and paranoia of the film.
I can't recommend this one enough.
Distributed by IFC Midnight, Watcher opens wide June 3rd on 500 screens - the company's largest theatrical opening to date.
Then, in keeping with the themes Watcher introduced, K and I took in a matinee of Alex Garland's new film Men.
Bold Horror Statement*: If The Witch and Midsommar kicked off the current zeitgeist resurgance of Folk Horror, Men is it's apex. Not to say it's better than them, but it seems to coelsce so many of the themes and images into an entirely new thing.
Because I had to pull something off the Live Randy Rhoads Tribute Album. Classic.
I remember the first time I heard this - or one of the first times it made an impression beyond, "oh, Ozzy. Cool" - some friends and I were outside at my neighbor's house. This kid was two years younger, rich AF and a total latchkey whose parents' bought him all kinds of shit to make up for the fact that they were never home. They were the first people I knew who had an inground pool, and this thing was huge, with large gazebos on either side of it and a massive wooden deck that ran all the way around the pool and then snaked around the back of the house. This would have been circa Freshman or early Sophomore year. We were smoking cigarettes and drinking Keystone in those gross-ass tall cans it came in. I was buzzed and sitting in a gazebo, staring at the flames on the tiki torches that were staged around the pool at regular intervals. My Tribute dub was playing from a boom box further down the porch but we had it loud, and I remember thinking that I felt like I was there, at the show.
Good memory.
Watch:
This show is nuts, and I'm happy to see it coming back for a third season.
All things considered, I'd rather David Fincher return to Mindhunter, but we all know that might not happen. In the words of William DeVaughn, be thankful for what you got.
Playlist:
The Mysterines - Reeling
La Hell Gang - Thru Me Again
Anthrax - Attach of the Killer B's
Anthrax - Spreading The Disease
The Jesus Lizard - Goat
Kate Bush - Hounds of Love
Ozzy Osbourne - Tribute (Live)
David Byrne and Brian Eno - Everything That Happens Will Happen Today
Windhand - Eternal Return
Dean Hurley - Analog Resource Vol. 1
Joseph Bishara - Malignant OST
Card:
Lots of feminine energy, which is good. Ruthless determination can be a bad thing; sometimes passion needs to be tempered and Will focused. And sometimes you need to ask for help.
