Monday, January 8, 2024

Happy Birthday David Bowie!!!


Earth misses You, Starman.



Watch:

Thanks to some friends, I finally saw David Ayer's 2012 End of Watch.


This one had been on my list for a long time. I remember not really caring about it when it hit theatres, but over the intervening years, several people have told me End of Watch is fantastic. They are correct. I'm still thinking about this flick two days later. Great performances from Peña and Gyllenhaal, and a very realistic portrayal of L.A. 




Play:

I finally beat Torture Star's Night At the Gates of Hell! I'd been stuck on the final series of stages, an awesome jungle last stand totally inspired by Lucio Fulci's Zombie, but haven't had a heck of a lot of time to play. Fixed that on my flight into L.A. on Friday. I actually beat the game as the plane was landing - that was pretty weird. 


The super cool thing about this game was, upon beating it, two more games opened up in the main menu. The first I moved on to is Evil in the House of Dr. Fleshenstein. Thanks to Mild Goth Daddy you can see some of this one here:


Really digging this game to, even if once again, I'm a bit stumped. I love the environments of Puppet Combo/Torture Star games so much, though, that I don't mind just being immersed in the game, even if I am repeating the same levels over a multitude of times. 




Playlist:

Drive Like Yehu - Yank Crime
Twin Tribes - Ceremony
Your Black Star - Sound From the Ground
Chris Brokaw - Puritan
Baroness - Stone
Deftones - Saturday Night Wrist
Burial - Untrue
Boards of Canada - Music Has The Right to Children
Fear - Live For the Record




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


No time to actually interpret this today. I have a feeling it will be like that for a while, but I'm going to try and go back later and look at this. 

Friday, January 5, 2024

Abby Sage - Obstruction

 

Abby Sage dropped a new single earlier in the week, and as usual, it's pure bliss. I really don't know much about Ms. Sage, other than the handful of singles she's released over the last couple years have all been excellent. "Obstruction" is the latest and an advance from her first long player, The Rot, due out March 1 on Nettwork - which looks to be a very different label than it was back when I was familiar with it. Pre-order the digital album HERE. As far as I could find, there is no physical copy pre-order at the moment. Either way, I am very much looking forward to this one.




Watch:

Two nights ago I "rewatched" Christopher Ganz's 2006 cinematic adaptation of Silent Hill. Here's the trailer Scream Factory used when they released their edition:


I say "rewatched" because, although I know I watched this back circa 2017/2018, I found that other than the beginning and end, I remembered very little of this one. I'm wondering if this was one of those times I had a "forty-minute blink." Very possible. I remember liking the film, but not much else, so this was an especially crisp viewing, and I very much dug the experience in a way I know was lost to me on that previous attempt. 

I am unfamiliar with the games, so take that into account as I say that visually, I feel like Silent Hill is the culmination of many of the mid-to-late 90s aesthetics that were introduced into popular culture with the NIN "Happiness in Slavery" video and that accompanying video 'album' it was released on. The twisted, barbed wire, industrial rot of the 90s, the fallout from the posh-n-clean dream of the 80s. All of it really works quite wonderfully in this film, and although some of the CG doesn’t quite hold up, I would argue most of it fairs considerably better than a lot of computer FX we saw in Horror at the time.
 


Read:

New Drinking with Comics went up last night.


I really can't recommend Where the Body Was enough. Another fine fantastic original HC GN from Brubaker & Phillips.




Playlist:

Turnstile - GLOW ON
Black Flag - Everything Went Black
Tamaryn - The Waves
Justin Hamline - A New Age of Ruin
Feuerbahn - The Fire Dance EP
Fvnerals - Let the Earth Be Silent
Sleaford Mods - Nudge It (single)




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Seven of Cups 
• King of Cups 
• Eight of Cups

First, yes, I have shuffled these cards quite a bit. It's weird how this is a new deck to me, and it continues to behave that way. I feel like it's not so much that the cards aren't shuffled, but that it feels like it needs to yell in order to get my attention. Inherent in its DNA, being that it's all about, well, turning the amp up to eleven?

I'm reading this in a different chronology today. Starting in the center but moving directly to the right, we have a path through the Sephiroth - Victory to Splendor. This is a viable path for working through the states of the mental architecture inside ourselves. The King of Cups then tells me to come ready to hone emotion with Intellect, that will be the method by which I reach those states.

Is this a nod to heading back to work? A lot of the issues there are resolved, as most of the problems are no longer with the company. There is one conflict I anticipate, however, I don't see it being quite so difficult. Maybe. Or, this is a strategy. I've said I want to be a bit less social with my time there; I want to see my friends, but I don't want to go out every night for the next three weeks. I'd really like to spend some time working on the book, using the change in environment to my advantage. Perhaps if I combat the emotional need to be social with the intellectual need to write - well, saying it like that, it all kind of makes sense, doesn't it?

Thursday, January 4, 2024

Jumping the Turnstile for January Giallo!

 

It's been a couple years since I checked in on Turnstile. About two and a half years, according to a quick metadata search on my posts here. At the time, a friend was photographing their L.A. shows regularly, and I hadn't really ventured past their 2016 album Nonstop Feeling, and I guess I kind of unfairly judged them on that record. Then, a few weeks ago while hanging out with my good friend Jacob, he mentioned their most recent album - from 2021, so just about when I was listening - GLOW ON was a recent favorite of his listening rotation. I made a note and only got around to actually listening a few days ago. All I can say is, I'm floored. Turnstile is so much more than I thought they were. Honestly, I'm not sure why I would have made such a dismissive assumption, but Jacob, thank you for setting me straight. This is one that is sure to be a mainstay while I'm walking the streets of L.A. for the next three weeks. 




NCBD:

My Pull at Rick's Comic City was somewhat light this week. This is good, as I'll be in L.A. for the next three NCBDs. 


The new X books kick off this week with Fall of the House of X. I have the utmost faith in Gerry Duggan as a writer, but I was still not sure how I felt about the X-Books. This was a pretty solid first issue into whatever this "End of the Krakoan Era" will be. 


Issue one of Christopher Yost and Val Rodrigues' Unnatural Order was a book Chris introduced me to on last month's episode of A Most Horrible Library. Totally blew me away, and the second issue only strengthened that response. I am totally on board for wherever this one goes. 
 


Brubaker & Phillips' new graphic novel Where the Body Was hit last week and I picked up my copy yesterday.  As usual, I knew absolutely nothing about this one going in, and it proved to be fantastic.




Watch:

Cinematic Void is doing January Giallo all across the U.S. this year, with screenings in L.A., NY, Chicago, Nashville and Salem, MA! Knowing I would be back in L.A for January, I snagged tickets for some friends and me to see a fantastic Michele Soavi double feature: 1978's Stage Fright and a film I've still not seen, 1994's Cemetery Man.

 

And the Chicago announcement, screenings at the historic Music Box:

 

SO happy that January Giallo is now a "thing" in multiple states. Long live The Void!!!




Playlist:

Fugazi - Red Medicine
Drive Like Jehu - Yank Crime
Fugazi - End Hits
Spore - Eponymous
Turnstile - GLOW ON
Chelsea Wolfe - Hiss Spun
Jozef Van Wissem & Jim Jarmusch - An Attempt to Draw Aside the Veil
Boy Harsher - Careful
Boy Harsher - Country Girl Uncut
U2 - War
The Cure - The Head on the Door
Various - The Crow OST
The Juan Maclean - Happy House Matthew Dear Vs Audion Remix




Tuesday, January 2, 2024

Fugazi - Do You Like Me

 
From Fugazi's 1995 Red Medicine. I'm going through a bit of a Fugazi bender, only I've started at the end of their career. Arguably, this has always felt a bit like two bands to me, with this record being the crux. Fugazi had always harbored an experimental side, but I'll never forget Mr. Brown playing me this record upon its release and thinking, "They sound almost as much like Sonic Youth as they do Fugazi." Not to say anyone in the band's vocal approach ever changed, but the music become considerably more dissonant, distorted and, well, weird (see track 9 Version for the best example of that on this record). Anyway, it's going on 22 years since Fugazi went on hiatus. Wow.
 


Watch:

Watched a couple of flicks over the long weekend. Here's a breakdown:

 

Letterboxd review HERE.


Letterboxd review HERE.


Letterboxd review HERE.

 

Letterboxd review HERE.


Letterbxd review HERE.




Read:

Had a lazy New Year's Day with K. I ended up blowing through the last 150 pages or so of Jeff Vandermeer's Authority and beginning Acceptance, the third and final book in his Southern Reach Trilogy.


If you follow my Letterboxd link above for Alex Garland's adaptation of book one, Annihilation, you'll see that I mention watching the Blu-Ray extras for the film and seeing Garland talk about having to wrap his head around adapting that novel because it is so internal (those aren't Garland's words, I'm paraphrasing for simplicity's sake). Authority is even more an 'interior' novel, introducing the idea that the Psychologist character from the first novel was actually the Director of the Southern Reach Program, and after losing her during the events of Annihilation, Authority introduces and follows her replacement, the appropriately named Control, aka John Rodriguez, who is brought in under false pretenses to shore up the project, only to encounter hostile subordinates and a deepening mystery as to just why the Director went in on what she essentially had to know would be an ill-fated expedition.

Both these first two books in the series have been more intellectual than guttural, which incidentally makes for a great example of how Garland made his film, switching out the deepening paranoia and madness inherently easier to exhibit in a first-person novel than a film to extremely horrific body horror imagery (the 'snakes' in Mayer's stomach). Authority reads to me like a Horror/Espionage mashup; in fact, Authority reminded me a lot of Charles Stross' Laundry Files series.

On to the third and final book in the series now, and I really do not have any idea what to expect. Which is a fantastic way to go into the last volume of a series. One thing I did expect and thus far can confirm, Acceptance fills in some of the gaps left by previous volumes and is every bit as intellectually riveting as its predecessors. 




Playlist:

Fugazi - Red Medicine
Fugazi - The Argument
Fugazi - End Hits
Fugazi - In On the Killtaker
Earthless - Rhythms From A Cosmic Sky
Wayfarer - American Gothic
The Bronx - IV
Julee Cruise - Floating Into the Night
Henry Mancini - Charade OST
U2 - War
Emilie Levienaise-Farrouch - Censor OST




Card:

One card from Missi's Raven Deck to set the tone of the new year:


Knowledge is key for the coming year.

This feels like a huge affirmation to a concern that has been growing in me for some time. I feel as though my learning has stagnated, and might have taken with it some of my general 'knowledge base.' I've been left thinking I'm in too good a position, and perhaps need to find way to challenge myself a bit beyond thinking/writing on film/music/comics and literature. 

Sunday, December 31, 2023

My Favorite Albums of 2023

I feel like I didn't get to spend as much time with my favorite albums in 2023 as I have in years past. Is time speeding up or slowing down? Does it matter? Ultimately, no. We're all locked into this journey for as long or as little as it takes. Or to put it another way by quoting a famous physicist/rockstar/brain surgeon - "No matter where you go, there you are." So here we are, and what follows is the list of my ten favorite albums released in 2023.




Top Ten Albums 2023:


10) Fever Ray - Radical Romantics


Nothing else sounds like this. Fever Ray excels at burying catchy, almost poppish sensibilities inside an absurd musical architecture that transcends most of the musical tropes, instrumentation and methodologies of our lifetime. Also, it impresses the hell out of me that Karin Elisabeth Dreijer is able to use the sound of artificial Jamaican steel drums - a sound that I dislike to the very core of my being  - and evoke a positive response from me.

Buy Here.


9) Baroness - Stone


Stone is the first record Baroness has released that hit me this hard as a whole. I always dig what this band does, however, usually their albums feel somewhat uneven to me. Not Stone. This has a lot to do with Lead Guitarist Gina Gleason's expanding presence on backup vocals, but it also, I think, has to do with this lineup coming into its own after big changes in the middle of the 2010s. Also, John Dyer Baizley continues to experiment with the parameters of his songwriting, and the rewards are plentiful, to say the least (see "Beneath the Rose" and "Choir.")

Buy Here.


8) Bunsenburner - Rituals


This record is a gorgeous combination of everything I love, from Metal to Jazz to Twin Peaks to experimental. Founding member/principle songwriter Ben Krahl surrounds himself with musicians who help bring this ambitious project to life in a way that transcends genre expectations, something I don't stumble upon very often these days. 

Buy Here.


7) Nabihah Iqbal - Dreamer


Just like Iqbal's previous record, 2017's The Weighing of the Heart, Dreamer is beautiful, ethereal and uncompromisingly optimistic. There is so much love and wonder in these songs, they make me feel hope in an age where that has become a nearly herculean effort. Appropriate album title, too, as I believe these ten tracks are indicative of the music one would expect from a gentle soul with the heart of a dreamer. 

Buy Here.


6) Spotlights - Seance E.P.


Ghostly, haunting and at times, crushing, Spotlights followed this with an album that was slightly spoiled for me by the perfection of this E.P. 

Buy Here.


5) ††† - Goodnight, God Bless, I Love U, Delete.


The follow-up to †††'s debut came nearly ten years after its release, and I think we're all the better for it. This album is such a perfect amalgam of the last ten years of music, with elements from every strain of electronic, rock, and even hip-hop spun together to make something new and nostalgic at the same time. What started as an, ahem, Witch House side project for Deftones frontman Chino Moreno has come to deserve a lot more consideration than is often granted to such a large band's 'side projects.' 

Buy Here.


4) Fvnerals - Let the Earth Be Silent


Jet black nightmare fuel that helped me get to a certain mental place and stay there while crafting some fairly dark scenes in my current writing project. I know nothing of Fvunerals, but I'm here for whatever they do from here out. With this one, the cover really says it all.

Buy Here.


3) Yawning Balch - Volumes 1 & 2


Cracking their debut into two separate volumes doesn't change the fact that, when I play all six tracks Yawning Balch released this year in chronological order, I hear one of the most imaginative, expressive instrumental statements I've heard in some time. I hear the desert and the inner SciFi landscape visiting it always excites in me. I hear the cosmic weirdness of pulp writers from one hundred years ago, and that feeling is rigorously supported by John McGill's cover art. I hear the Universe and everything light and dark contained therein. 

Reading into the band a bit, I found there is good reason for this seemingly chaotic list of associations. Yawning Balch is a collaborative project between ex-Fu Manchu guitarist Bob Balch and the desert prog band Yawning Man. I also found that these two volumes are taken from a single five-hour jam. That formula almost never works for me, but in this case, Yawning Balch take me somewhere usually only accessible by reading Clark Ashton Smith or eating mushrooms in Joshua Tree.

Buy Here.


2) Blackbraid - Blackbraid II


An exquisitely crafted Black Metal album that follows its own internal logic as it moves from one track to the next, creating one long moment imbued with Native American ideologies, instrumental flavors and imagery. There is such power in this record, that it tends to pull me in for multiple successive listens at a time. Also, after Fvnerals, this was the album that helped me write the most in 2023.

Buy Here.


1) Screaming Females - Desire Pathway


How perfect that Screaming Female's greatest album should be their last. Not to say I was glad to hear of the breakup, but really, talk about going out on top. Desire Pathway played a big part in my year as one of the albums that anchored me on my trips back to L.A., when I would walk around with this on my headphones. Some songs have super hooks (Ornament, Brass Bell), and some grow on you, but the entire thing combines to make the most perfect start-to-finish record of my 2023.

Buy Here.




Honorable Mention:

Metallica's 72 Seasons. I still can't believe how much I like that record. 

Friday, December 29, 2023

Snake Oil for the Authoritarian Soul

 

From 2023's post-script collection of covers Snake Oil, here's Frank Black and the Catholics doing Bruce Springsteen's "I'm Going Down" and absolutely OWNING the song. Special thanks to Mr. Brown for lending me this in our most recent vinyl swap. Hot damn, I needed a fresh dose of Catholicism!!!




Watch:

A couple nights ago, K and I went to see Sean Durkin's new film, The Iron Claw. This was completely off my radar, and I'm very grateful K suggested it.


Durkin's 2011 debut film, Mary Marcy May Marlene left an impression on me that has lasted long since my only viewing, shortly after it hit physical media. I've watched his name pop up here and there but hadn't actually seen anything else by him until now. Imagine my absolute joy to find out his work has paid off with a widely released film (thank you once again, A24!!!) that features some fairly notable actors. Zac Efron impressed the hell out of me with his physical dedication to taking on this role, as did The Bear's Jeremy Allen White, both of whom gave enormous performances. This one is a story for the heart, and I find it infinitely gratifying that the cultural detritus of previous eras are being reevaluated and recirculated in new contexts, helping unify the various cultural 'eras' of our time on this planet into something that helps us understand one another better. 




Read:

Two nights ago I began reading Jeff Vandermeer's Authority, the sequel to Annihilation. Seventy or so pages in, this one hasn't inspired quite the same level of rabidity that book one did, however, there's a brilliant bridge built into the story from the first book and this one; something that promises things are going to get pretty insane pretty soon. 


Based on my difficulty finding images for this one's cover, I'm going to guess that this series didn't really receive the attention it deserves. This is super high concept Science Fiction/Horror that pushes into the spaces between the world as we understand it and really tries to pick apart the atomic structure of what humanity has built for itself. Not always the easiest read, as evidenced by the somewhat scuttling pace of the opening chapters of this book, there's a "clinicism" here that pushes how we take in and assimilate concepts through language. Reminds me a bit of China Meivile, specifically Embassytown and City and the City.




Playlist:

Portishead - Third
Baroness - Stone
Frank Black and the Catholics - Snake Oil
Frank Black and the Catholics - Eponymous 
Blackbraid - Blackbraid II
Frank Black and the Catholics - If It Takes All Night (single)
The Bronx - IV
Exhalants - Atonement




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• King of Swords
• Ten of Wands
• Nine of Wands

Lots of phallic imagery today! The Airy aspect of Air indicates to me at this moment that I'm not smart enough for what is required of me in some situation at play that, in fact, may have already resolved itself.  Recognize the accomplishment and don't dwell on the afterbirth.

Thursday, December 28, 2023

My Favorite Comics of 2023

The end of the year is always a time for me to make lists of my favorite stuff, and one of the lists I enjoy as much as dread making every year is my "Favorite Comics" list. Why? Well, not sure you noticed, but I read a lot of comics. 

Same thing as last year. Some REALLY great books in 2023, so as usual, this was not an easy list to assemble.




2023: Caveat

Maybe this is just my way to get an extra entry onto this list - it has been a wonderous year for comics - but due to my difficulties procuring copies of Chris Condon and Jacob Phillips' That Texas Blood spin-off/prequel series The Enfield Gang Massacre, I still have not read the entire series and thus, cannot in good faith add it to this list. There's nary a doubt that it belongs here with the best of the best, though. 


The climactic Issue Five came out two weeks ago, and with me now spending most of January in L.A., I probably won't have it in my hands until February or March, whenever I return to Chicago. This means I won't be able to actually read this series in its entirety until then. Condon and Phillips show no signs of relenting in their ability to turn out one of the most interesting mixtures of Weird Fiction/Crime/Noir around, now adding Westerns to the list of genres they can effortlessly tackle.




Favorite Comics of 2023:


10) The Ribbon Queen


It is so good to have Garth Ennis working in Horror again, especially when teamed with Jacen Burrows. The Ribbon Queen does what Ennis does so well - takes topical stress points from the headlines and juxtaposes them with ancient, otherworldly forces that ultimately just want to do horrible things to human flesh. In the case of this book, that methodology feels especially fresh and, dare I say satisfying. Nothing like seeing terrible humans suffer a brutal punishment. What makes this a cut above, though, is the added moral quandary of whether or not revenge is the answer, even if it feels like it is.


9) The Bone Orchard Mythos: Tenement
 

You might recall that I added a caveat to last year's list that stated I would hold off adding Jeff Lemire and Andrea Sorrentino's Bone Orchard Mythos until this year. Some might say that required a lot of faith, however, I did this primarily because, although we had received several entries into this mythos by the end of 2022 (The Passageway, Ten Thousand Black Feathers and the NCBD single) word was Tenement would really kick the doors open on what Lemire and Sorrentino are building. Happily, this book has more than lived up to any expectations set by those previous entries. What's more, as a standalone Horror story, Tenement excels. As with the duo's previous book, Gideon Falls, the frayed realism and vibrant humanity they bring to Horror, and the veil they reveal beneath the modern cityscape create such an otherworldly yet still relatable feeling that you're never quite certain what you're looking at, of, more importantly, if it will hurt someone you've grown to care for. 

8) Popscars 

Thanks to a chance meeting in the spring of 2022, I watched Pat O'Malley's Hollywood Revenge series Popscars go from a successful Kickstarter campaign to worldwide distribution via Behemoth (now Sumerian) Comics in 2023. This book is gritty and pretty at the same time - which is exactly how Pat and artist Santi Guillen planned it. A macro view of the illusory facade of Hollywood undercut by the stark, cold reality that lies in wait beneath it. Also, just about the coolest, most iconic character I've seen in a long time.


7) The Seasons Have Teeth


Gentle, brutal, horrific, serene, but overall sublime, The Seasons Have Teeth's high concept and eye-catching art grabbed me from the first issue and pulled me into a story that moved me to tears by the end. Dan Watters, Sebasián Cabrol and Dan Jackson's harrowing tale of Earth's mightiest retort to humanity's apathy is unlike anything else I've read and probably an annual read from here out. Now, what season should I associate with it?


6) Phantom Road


Leff Lemire and Gabriel H. Walta's Phantom Road is a book that brings me nothing short of pure joy. The story of two regular folks traversing a "between place," slipping in and out of the world they know and braving an unknown liminal space is so right up my alley that it kind of feels like it was commissioned by an alternate timeline version of myself. These are ideas I hold near and dear to my heart, and while I've certainly seen the themes of "Thin Spaces" and what lies in wait within them explored before, no one except Stephen King has ever come so close to capturing it the way I 'see' the idea. 



5) X-Men: Red


X-Men: Red is a BEAST. I've made the statement multiple times now that this book feels so much like Rick Remender and Jerome Opena's fantasy epic Seven to Eternity that I have to keep reminding myself it's an X-Book. This is where the Krakoa era - if it is truly on its way out - took some of its biggest swings and made the most impact. The ideas and concepts, characters and evolution have been nothing short of staggering, and I for one will be devastated to see this go. 


4) Void Rivals


The only thing that could have made this book better is if I'd followed a fleeting impulse and picked it up before I knew it would tie into Robert Kirkman's Energon Universe. This book sets an EPIC stage, and I have no doubt that Kirkman will deliver. After all, this is the man who kept The Walking Dead series my "MUST READ RIGHT F*&KING NOW" book every month for nearly sixteen years. I have no doubt he can do it again while mixing new characters and concepts with ones I've loved almost as long as I've been alive. 

3) Haunthology

Jeremy Haun put all of his hopes, fears and nightmares during the COVID lockdown into this collection of stories, so it resonates on its own level. There is an elegant simplicity to the storytelling here that absolutely blows me away, and I don't believe a single story herein ever pull their punches or take the easy way out. There's so much relatable pain in here, it's still a touch difficult to read, however, if you love Horror to pull your strings the way I do, there's no better tome in recent memory to go to than this one.


2) Something is Killing the Children

This is really the first year I've been a SIKTC fan, and I went all in. This book is so worth every bit of hype it receives, and the rabidity of the fanbase is earned. Hard Earned. The arcs fly by, no one is safe, and all manner of hell breaks loose over and over again. The fact that the first three trades or fifteen issues are all one location, one event essentially, is amazing when you stop to think about how much suspense and horror just explode from every single issue. And it's never slowed down since. 

1) Night Fever 


I have thought about Brubaker & Phillips' Night Fever every day since I read it back in May. 

Every. Day.

I love this book more than I can even begin to explain. Part Noir, definite 70s influence from the likes of Friedkin and Costa-Gavras, not to mention the cinematic flourishes and predilections of Kubrick and Mann, this one is, to me, the pinnacle of what Brubaker and Phillips have done to date.