Looks fantastic; I love that Peele's Production is going for a sequel instead of a re-boot.
**
Playlist:
John Carpenter and Alan Howarth - Prince of Darkness OST
The Mars Volta - De-Loused in the Comatorium
The Mars Volta - The Bedlam in Goliath
The Mars Volta - Frances the Mute
Mol - Jord
Zombi - Shape Shift
Steve Moore - Bliss OST
Slayer - Live Undead/Haunting the Chapel
Mazzy Star - So Tonight That I Might See
Bohren and Der Club of Gore - Patchouli Blue
Myrkur - M
The Smiths - Meat is Murder
**
Card:
Zenith of development. I'm very close to having everything in the arc of both Shadow Play Books 2 and 3 come into full alignment.
As a teenager, I must have gotten stoned and tranced on this song hundreds of times. Thank you and godspeed to one of the artists who made it possible.
Last night Bohren and Der Club of Gore released a music video - really a short film - for "Deine Kusine," the fifth track off their new record Patchouli Blue, available HERE. A great album, my favorite of the band's since 2000's Sunset Mission, which I've recently noticed is criminally hard to find.
**
Along with Netflix's Black Spot, which we're almost caught up with and which is becoming increasingly interesting, I've circled back around to two shows I've been meaning to watch for quite some time now. The first, which I binged several episodes of over the weekend, is Love, Death, and Robots, the David Fincher-produced anthology of short, animated films. Those who know me know that, for whatever reason, I really don't get into much animation. Aside from shows with nostalgic value and Cowboy Bebop - truly the work that transcends the genre/medium - animation usually does not connect with me. For this show, I feel like I'm getting more out of it than usual, and the premises so far have been very interesting, so I'm enjoying it. I especially liked Frank Balson's Suits, where the humdrum, simple country life of the farmer has evolved to include piloting mech suits to fight off alien invaders, and Alberto Mielgo's The Witness, which plays like Cold Hell with strippers.
The other show I've gone back to is Warren Ellis' Castlevania. This one, K and I had the missed opportunity of starting multiple times when it first landed, and each and every one of those viewing experiences resulted in our falling asleep. I had long suspected this was not the show's fault, and now that I've settled back into it and completed the first season - at a whopping four episodes - I'm hooked. The first three episodes we'd seen before, in parts multiple times, and they just didn't do it for me. Episode Four? Fantastic. I plan on binging the rest of this over the coming weekend, just in time for Season Three, which Ellis announced in his weekly newsletter recently, and which the trailer for just dropped last week:
**
New Comic Book Day is slight but marvelous:
Previously, whenever I see the new issue of either Black Stars Above listed on Comics List's New Comics This Week list, the solicitation is always at least one week before the book actually ships. I'm hoping that this time, that is not the case. Black Stars Above continues to astound me with it's complex narrative, fluid prose, and beautiful art. I could really go for all of that today.
**
Playlist:
The Mars Volta - De-Loused in the Comatorium
Roxy Music - For Your Pleasure
Roy Orbison - Mystery Girl
Second Still - Equals EP
Odonis Odonis - Post Plague
Odonis Odonis - No Pop
Mazzy Star - So Tonight That I Might See
Various Artists - The History of Northwest Garage Rock, Vol. 2
From Straight Songs of Sorrow, the new Mark Lanegan out May 8th via Heavenly Recordings. Pre-order HERE. Apparently, this record is "closely aligned" with Lanegan's forthcoming memoir Sing Backwards and Weep, out April 28th. Pre-order that HERE or HERE.
I can't wait to read that book!
**
Over the weekend, in the interest of starting something new and mostly unknown, K and I started Netflix's Black Spot, which comes to the US via France.
Although highly derivative of Twin Peaks, Dark, and True Detective Ssn 1, I'm enjoying Black Spot quite a bit; it borrows heavily from all three aforementioned shows, but is definitely its own thing. I'd definitely recommend it for fans of those shows and thrillers in general. I've seen references now to both this and Dark as belonging to a genre being called "Into the Woods," and although genre splitting and tagging can become tiresome, I kinda dig that. Suffice it to say, Black Spot is creepy, extremely well lit and well shot, and the voice they've given to the forest is mysterious and exciting.
**
This happened last night and I am still unable to completely wrap my head around it:
Apparently, in honor of Relapse's 30th Anniversary, they chose people who pre-ordered records in the past few months and randomly awarded them these nifty golden tickets. What's it good for?
Whoah. I don't know that I've won anything since 1991, when I called Chicago's seminal Rock statin The Loop and won 10 free lawn tickets to see Guns n' Roses on their Use Your Illusions tour. Of course, I never got to cash those in, because two nights before that Chicago show, Axl jumped off the stage in Cincinnati, OH and clocked a dude with a camera, subsequently landing in jail.
One reason why I've always disliked Axl.
Anyway, looks like I have a lot of vinyl coming my way this year. Very cool. Thank you Relapse Records and Happy 30th Anniversary - here's to 130 more (at least)!
**
Playlist:
The Mars Volta - De-Loused in the Comatorium
Type O Negative - Bloody Kisses (Digipak)
Mol - Jord
Various Artists - The Void (OSM)
Frederic Kooshmanian - Black Spot (OSM)
Me and That Man - Songs of Love and Death
Burzum - Filosofem
Grimes - Miss Anthropocene
Greg Dulli - Random Desire
Various Artists - Garage Rock (Compilation used in Black Spot)
Slayer - Show No Mercy
Nothing - Guilty of Everything
The Gutter Twins - Adorata
Chris Isaak - Heart Shaped World
Uncle Acid and the Deadbeats - Wasteland
Uncle Acid and the Deadbeats - The Night Creeper
**
Card:
I've done a few pulls over the last few days that haven't been logged here, almost all of which have been Swords. The Nine of Swords - Cruelty has followed me a bit. Swords is the Suit I know the least in the Tarot, and this card in particular is, at a glance, always tempting to fear based on face value. However, from the Grimoire:
"The airy nature of Intellect, it is difficult for Swords to rest. Rabid analyzation and thinking in general can produce a loop that one becomes trapped in, the ultimate revelation that Nothing really leads Anywhere and in the end, there is Nothing."
Now, juxtapose this with a clarification card I drew and an interpretation begins to take shape.
Reality is breaking a bit, as Chuck Wendig's Wanderers escalates into a pandemic that cuts a massive swathe through the human population. Oh, and the disease's origin? Bats.
Can you see how that would start to saturate my reality? Also, it was the day after I started reading this book that the first really scary images from China began to appear back in January, and since, well, the arc of the book has been so parallel to the arc of real life (except, thus far, we're on a MUCH smaller scale) that I've had a lot of time to reflect on everything. Interestingly enough, long periods of time reflecting on everything, on all of our existence, leads to the ultimate understanding that Nothing is at the heart of it. Humanity holds itself up by the bootstraps, and although there are more good than bad humans - I think - if things go ugly, it doesn't really matter for the overall organism of the Planet Earth. In fact, it might be better for Her if we were to largely die off. I hope not, because there's a lot of humans I really like - including myself. But then, it's one thing to have an objective view of an extinction event, it's quite another to be able to conduct yourself that way.
Greg Dulli's new solo album Random Desire is out today, and as I sit here this morning listening to it, it's fantastic and will no doubt jump start a binge on his various projects. This is the first of Dulli's solo albums I've listened to, and I'm remedying that as well. 2005's Amber Headlights is cued up and ready to roll in just a little bit.
**
Last night while reading Chuck Wendig's Wanderers, the book jumped from a solid three to an all-out five. Page 392, just over the half-way point. Game-changing development I did not see coming. At all. This book is about so many things, such an intricately crafted puzzle that also, reads in an eerie harmonic with events unfolding in China. This real-life effect is a first for me with a novel, and it's adding a layer that is as disconcerting as it is riveting.
I am so utterly infatuated with this novel now and fully intend on reading more of Mr. Wendig's work.
**
Playlist:
Antemasque - Eponymous
The Mars Volta - De-loused in the Comatorium
Drab Majesty - Modern Mirror
Drab Majesty - Careless
Myrkur - M
**
Card:
Appropriate, yet a bit harrowing based on all the "Age of Horus" that comes up in a lot of the research I've been doing for Shadow Play Books 2 and 3, particularly ideas I'm playing with from Donald Tyson's essay, Enochian Apocalypse, which I first encountered in Disinformation's Modern Occult Tome Book of Lies, but which is readily available online HERE. I fully realize Tyson's work here is complicated in its presentation - read some valid critiques of it HERE - but the idea of Crowley cracking open the Watch Towers and poisoning humanity's collective unconscious just before the start of WWI is as chilling as it is fascinating.
My cousin Charles turned me on to Porridge Radio while I was in Chicago, and they made a huge impression pretty much from the moment he hit play on "Sweet." I immediately felt an Eagulls vibe from their music, and being that lately, I've had frequent lapses into "Where are they now?" reveries concerning that band, this comes at just the right moment.
**
The good folks at Omnium Gatherum - publishers of Robert Payne Cabeen's brilliant novel Cold Cuts, just put up a cool title sequence and I had to post it. Love this.
**
It's time once again for...
Season Four, Episode Six, "Sanguinarium" guest stars Richard Beymer and puts him at the heart of a Medical Coven of Black Magick Practitioners. That sounds a bit mixed up, but keep in mind, this is back in the days when television writing didn't have to do super accurate research on things like Black Magick, witches, etc., in order to incorporate them into a major network show. Thus, a lot of lore gets its wires crossed. That's fine for the era, but would no doubt be chased out of town today (ever read an article by one of the Occult practitioners who rally against Hereditary for the allowances the film makes with Paimon?). "Sanguinarium" is a pretty cool episode that takes Mulder and Scully through a world that is equal parts plastic surgery and black magick, and its bloody, a bit more gorey than I would have expected, and fun. Plus, Ben Horne. Always a win.
**
Playlist:
Antemasque - Eponymous
Talking Heads - Remain in Light
Lloyd Cole and the Commotions - Mainstream
Porridge Radio - Every Bad (pre-release singles)
Porridge Radio - Rice, Pasta, and Other Fillers
20 Watt Tombstone - Wisco Disco
Algiers - There is No Year
The Great Old Ones - Cosmscism
Barry Adamson - As Above So Below
Uncle Acid and the Deadbeats - Wasteland
Ulver - Nattens Madrigal
Ulver - Teachings in Silence
