Rina Mushonga - Narcisc0

I'd never heard Rina Mushonga's music before two nights ago when I watched Carter Smith's new film Swallowed. More on that in a minute, first I want to open today with the track used in that film. Taken from the 2019 album In a Galaxy, this entire record is fantastic. My elevator pitch would be Tracy Chapman meets Tune-Yards, but that's just meant to whet the appetite; comparisons really do Rina's music no justice, as it is extremely unique and wonderful.

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NCBD:

Another light NCBD this week, which is fine since Night Fever dropped last week and that was a $25 cost I hadn't figured into my initial budget. Light maybe, be it's quality that counts, right? Yeah, and it's a good week:

Saga #65. Lying Cat on his back begging for belly rubs! Looks great, until you remember this is Saga and that means there's probably more horrible stuff for the people I love who live this book. 

The first issue of the newest series in Jeff Lemire and Andrea Sorrentino's Bone Orchard Mythos, I'm pretty psyched for this one. I loved Ten Thousand Black Feathers but felt it ended just as it began to build into something revelatory. I guess that was intentional, as Lemire has said Tenement is the book where all the disparate pieces begin to connect. There are only three issues solicited so far that I see, but whether it's three or thirty, I'm on board. 

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Read:

I'd had Carter Smith's new film Swallowed on my viewing list since hearing him interviewed on the Colours of the Dark podcast a few months back. MAN did this blow my expectations away, which, incidentally, were fairly high. 

 

Not for everyone, but if you're willing to take the ride promised by the trailer, this is a super solid flick, with great performances from everyone involved. Like, really great performances. Also, great to see Mark Patton kicking ass and taking names in a flick. Very cool. 

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Playlist:

Godflesh - Purge

Fen - Dustwalker

Sinoa Caves - Beyond the Black Rainbow OST

Carpenter Brut - Blood Machines OST

Rina Mushonga - In a Galaxy

Tune-Yards - WHOKILL

Pastor T.L. Barret and the Youth for Christ Choir - Like a Ship Without a Sail

Isaac Hayes - Truck Turner OST

Ghost - Impera     

   

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Theory/Practice:

• Eight of Swords - Interruption

• XV The Devil

• XI Lust

This one's all about distraction. I've found that writing for long stints over successive days equals an eroding lack of attention that actually manifests physically as an almost obsessive/compulsive awareness. This "distraction radar" widens my attention to include anything and everything, which in turn gets me out of my chair and away from my work for things that a moment later, either seem unimportant or I forget completely. This is all compounded by a generally erratic nature when in this state, which is the very definition of counterproductive.

All this just means I'm on the correct path.

I haven't had this in a long time, and it means I'm expanding my writing stamina. At my peak performance, I remember sitting down and writing a script for someone in a little over a day. That happened two times, I think, and in doing it, I remember the process that helped me build the 'muscles' to get there. It wasn't easy, because it was a lot of fighting the exact behavior I mentioned above. Which is actually a lot like Yoga, Meditation, or any aspect of Magick in general.

Years ago, when I went through a period of reading works by Aleister Crowley's works on Magick, I began trying Raja Yoga. I believe Crowley talks about this in The Book of Lies, (or it might be Aha! - been a minute). Crowley introduces the idea of Raja Yoga, then talks about how to start practicing Yoga, one must first learn to sit completely still for long periods of time. The idea is, Stillness is a first strike at the crazed torrent of Horror the modern body feels at being asked to sit still. 

Think about that for a minute.

No matter how old you are, or how educated, or successful, if you have no practice in keeping still, your body will act like a child and find a way to make you move. A tiny itch on your nose, a cramp; in more extreme cases, you'll hear things like a knock on the wall, or the snap of a twig. These aren't necessarily auditory hallucinations - although sometimes they might be. This is what happens to our brains in Stillness: we begin to hone in on our surroundings and seek beyond the filters that usually buffer our consciousness, so we can concentrate on the 'important' stuff. Once we can successfully apply the Will to keep Still for a considerable amount of time, we can then focus on controlling our Body in other ways, ie Raja Yoga. To paraphrase the most important morsel Crowley offers on this, "How can you hope to affect change on the Universe with your Will if you can't use it to keep still for five minutes?"

The joke at the time I implemented this was, I had no experience with any Yoga, so beginning with a considerably more severe form like Raja was doomed to fail. That said, man - I could almost perform and hold the Thunderbolt. That shit ain't easy.

All this Theory/Practice I'm talking about above is what led to me being able to sit at a desk for an entire day and write a script from scratch. One of my favorite writing memories, even if that project went nowhere. This is a great example of why I'm reformatting this section of the page to dip back into these ideas. If I am to look at my Practice as having built the life I have, then it makes sense that some of the systems I've put in place would need a tune-up now and again. Although I have maintained a ritualized practice of writing every day for close to a decade now, the duration of the sessions has dwindled. Time to rebuild this engine. In that, I've also added a Duration section to end the page with. This section (below) will be my personal journal of how long I wrote the day before. No hiding my failures now.

 

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Duration

I have long used an app called ATracker PRO to 'punch in and punch out' for writing sessions. I get sloppy about using it sometimes, and when I'm as distracted as I was yesterday, I have to turn it off and on as I flit away and back again. In that, I have to get better. I want truthful accounts of solid writing time. I have never used the export function, so I'll probably tweak this as I go. Looks like dedicated time yesterday was roughly two hours and twenty-four minutes.

2:24 Hours

I use another app called Focus Keeper concurrently with ATracker for sessions within the overall session. This allows me five-minute breaks - which I often skip if things are rolling - after 25 minutes of dedicated writing. 

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Howling for Babel

I'll get to why I'm leading with this today in a minute. First, let me just give praise to schlampeOFdeath for not only posting the club mix of this track by the band Babel but also for having a bunch of great videos on his channel. Subscribe like I did HERE.

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Watch:

Or perhaps more appropriately, WTF did I just Watch because two nights ago, I woke up in the middle of the night and couldn't get back to sleep, so I fired up Shudder and thought, "You know, I've still never seen any of the The Howling sequels. Why not watch the one they added recently, Howling II. This is how I came to find Howling II apparently has two subtitles: Your Sister is a Werewolf and/or Stirba - Werewolf Bitch.

My god is this movie nuts. First, and I'm sorry, but I'm just not a Christopher Lee fan after, let's say, 1960. All goodwill was dashed when I watched Hammer's Scars of Dracula a few years ago. You can throw as many of his roles at me as you want in an attempt to evoke the proper respect - I'm not saying he does a bad job, I'm just saying he does nothing for me. Well, nothing except let me know I will probably not like the movie I'm about to watch if he is in it. 

Howling II puts Lee front and center first thing, having him read biblical hokum against a cosmic backdrop. It's a ridiculous scene that segues into a ridiculous flick. Even the werewolves are weak, as apparently, when production began, the filmmakers realized they had been sent the wrong costumes and were then told to make do. Thus, all the close-up shots of Werewolf teeth instead of actual werewolves, and why any long shots of full werewolves either stick to Bark at the Moon style fur coverings or look like monkey suits. Because they actually were monkey suits.

To quote the Dreadnoks, "Har!"

Don't even get me started about the Wolf orgy.

There's a moment directly after that opening scene where the music plays over an ancient stone statue, and for a moment, it seems like this could have gone the other way; the thing I love most about the original Howling is how it feels more like a Cronenberg Body Horror flick than it does a paint by numbers Horror film (nothing against those). The entire opening of that film defies what you think it's going to be, then uses those broken expectations in the second and third acts to do something really unique. Here, something about the shot of that statue juxtaposed with the New Wave club that follows it made me think I was in for a treat, but alas, this movie is just nuts, not good. Still, there's definitely a place for that, and I happened to line it up perfectly with my mood on this particular occasion, so everybody wins.

Well, except Stirba. What a bitch.

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Playlist:

Naked Raygun - Over the Overlords

Godflesh - Purge

Genghis Tron - Board Up the House

Genghis Tron - Dream Weapon

Jóhann Jóhannsson - Mandy OST

High on Fire - De Vermis Mysteriis

Mad Love - White With Foam

Ghost - Impera

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Theory/Practice:

• Nine of Swords: Cruelty - So as a Nine we read accomplishment or completion, as Swords Pure Intellect. How does that relate? One sec...

• VII The Chariot - Origin of Ideas - A deep well. Also, a possibly pertinent read is "Thinking things through."

• Six of Cups - Pleasure - As a Six we read for Tiphareth, the Yellow House, a place of Balance & Hope, especially when applied to Cups, the Emotional Suit.

In a quick take - Pure means uncut. To experience Pure intellect can mean getting stuck in your own head - it's not 'cut' with reality. The Chariot is there to guide, to remind me to think things through, literally applying the circumstances of the world to your thoughts, so as not to get trapped in them. That will lead to balance.

Now, a considerably longer take:

There's a note in my Grimoire for the Nine of Swords that mentions "Bad Dreams," and since I've been thinking/writing about and having lots of dreams of late, that must play in somewhere. I'm particularly interested in this dream I had at some point last week (I think). Flying solo (K returns today, thankfully) I've been sleeping upstairs in my office/nerd dungeon. The couch folds out and I can lay with my head on a pillow about three feet from a tv, so my nightly viewing has shifted to up there, as has my sleeping. In this way, I fall asleep to a flick every night. One day last week, I fell asleep watching Gary Sherman's Dead and Buried. Something about this flick infiltrated my brain and I dreamt we were in a dark, sparsely populated seaside town. Spent a lot of time in some bar there - I can still see the fucking thing when I think about it now; I mean, it is vivid in my mind. As are some of the denizens, snippets of conversations, a steer-the-claw prize machine. It's a mashup of the textures I remember from restaurants in my early childhood (late 70s/early 80s) and the movie, and I want to inhabit it. I've tried falling asleep to D&B again in an attempt to re-trigger the dream, but of course, no dice. There's obviously a mania to how I'm currently revering this dream, and I think that has something to do with Nine of Swords showing up in today's Pull, although I'm not entirely certain what this all means. 

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Cobwebs & Night Fever

 

Despite loving this song, I had never seen this video before yesterday, when I stumbled on it randomly. There is something so ethereal, so perfect about Greta Link's voice when paired with James Kent's music; she literally puts me in the world he's created just by having such a human, sensual voice. 

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Watch:

I watched the first 28 seconds of this trailer and knew I wouldn't be watching even a second more. Sold! Can't wait to see this, hopefully in the theatre:

If this really does go wide, we're in a pretty damn great for Horror fans in 2023. Flicks like Terrifier 2, Skinamarink and The Outwaters may not be everyone's jam, but they've helped carve a space for low-budget Horror flicks in big box theatres. What's more, The Boogeyman, Evil Dead Rise, Malum and Renfield have helped remind everyone that Horror makes money. As long as I'm within reasonable driving distance of a theatre playing it, I'll be supporting Cobweb in a theatrical setting. 

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Read:

As an admittedly rather late NCBD Addendum, I went into Rick's Comic City over the weekend to pick up my copy of the new Brubaker and Phillips Hard Cover Graphic Novel, Night Fever, which came in a bit late on Wednesday, and while I had 100% forgotten about:

The first non-Reckless book this team has done in two years, I have to say, I think this is my favorite story I've read by them. That might just be post-first read embellishment because - Night Fever is a fantastic read - however, the way Brubaker and the Phillips Boys portray and use the dark streets of Paris, 1978 - a location I know nothing about - really captured me. The story is just strange enough to feel a bit "Weird," while still being recognizably this team's own signature style. No one does this the way they do, and I have grown to love it very much. I can't wait for the next Reckless, however, anytime they want to take time off to release something new, I'll be happy with that, too.

         

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Playlist:

Almost everything I listened to on this list was on vinyl; that's normally hard for me to do. Trapping myself in the house to write has its advantages, for sure.

Turquoise Moon - The Sunset City

Windhand - Grief's Infernal Flower

Final Light - Eponymous

Witchfinder - Forgotten Mansion

Yeruselem - The Sublime

Blut Aus Nord - Disharmonium I: Undreamable Abysses

The Obsessed - Lunar Womb

Godflesh - Purge

Jenny Lewis and the Watson Twins - Rabbit Fur Coat

Jenny Lewis - Acid Tongue

Steve Moore - Christmas, Bloody Christmas OST

Perturbator - The Uncanny Valley

Tangerine Dream - Sorcerer OST
Richard Einhorn - Shockwaves OST

Blut Aus Nord - Memoria Vitusta I: Fathers of the Icy Age

Emma Ruth Rundle & Thou - May Out Chambers Be Full

Joseph Bishara - Malignant OST

       

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Theory/Practice:

Changing the section heading because I'm going to start chronicling different aspects of my Practice, which is nowhere as robust as it used to be, but has been creeping back in around the edges of late. Part of that will be dream journaling because I found writing about the 'blood dream' the other night helped considerably.

All Major Arcana, eh? Universal forces at work:

• 0: The Fool - picking up from his appearance two days ago, this is something beginning...

• XII: The Hanged Man - typically I see this as a very broad-stroke signifier of "Sacrifice," however, it's good to remember that this shows the Pentacle the way I wear mine - one Point over four. From the grimoire: "Dreams are brought Low by Modern Rationality." I no longer remember where I cribbed that from, but I find it interesting that it pops up here after I just mentioned dreams.

• VII: The Chariot - Gathering strength before moving to the next step.

 

My read on this is jumbled and not all that easy to put into a paragraph or two. I think it has a lot to say about what I consider my "Practice" now, which is my life. When I got into The Occult, it was after being wooed by big, bombastic workings by Grant Morrison, tales of Jack Parson's in the desert, and of course, Aleister "I'll fuck anything that moves" Crowley. Back then, my Practice was more hands-on, occurring in self-made liminal spaces. As the fervor for drawing sigils and reading every text available cooled, as I stopped semi-regular iterations of the Lesser Ritual of the Pentagram and the like, I can look at the last ten or so years as my Practice waning, or, perhaps what this Pull reminds me, I can look at it as I simply massaged Magick into my daily life in a way that has seen me succeed in almost everything I've tried, in some way or another. Not always the success I want, but success is tiered in the overly complicated modern world. Certainly getting out of L.A. when I did has shown itself a success, and it's with that mindset that I must carry forth into the next "journey," whatever that may be.
 

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The Big Guns

 

Seeing that I've been listening to Jenny Lewis and the Watson Twins' Rabbit Fur Coat again lately, I figured I'd post my favorite track from the album (maybe from Lewis' career, although that's a tough pull from a looong list). Little did I know I would search for it on youtube and find them performing the song on Lettermen! Combining two of my favorite things, and proving Dave has immaculate taste in music.

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Watch:

K is traveling to see a friend this weekend, so it's me and the cats for a few days. I'm planning on using the time wisely: I've set a deadline of this coming Tuesday for the first draft of the novel I'm writing, so primarily focused on that after I punched out yesterday. When I retired for the evening, I popped open a Three Floyds Zombie Dust (thanks, Alex!) and fired up a flick I hadn't seen in... well, I think I saw Clive Barker's Lord of Illusions back in the day, but now I'm not so sure. Anyway, WOW! Here's the Red Band Theatrical Trailer from the year it released, 1995 (I didn't even remember there was such a thing as Red Band trailers back then):

 

So Hellraiser came out in '87, Nightbreed in '90 and Lord of Illusions in 1995. Then, as the story famously goes (and Barker has no problem talking about), the fickle, backstabbing nature of the studio system filled him with despair and he tapped out. 

What a goddamn shame! I mean, this isn't an observation probably millions of Horror fans haven't said previously, but those are three damn good films!

I've known Hellraiser since I was young. Nightbreed is one I didn't connect with when I saw it in High School, but then kind of rediscovered about ten or so years ago, thanks to friends who couldn't believe I didn't hold it in particularly high regard. But Illisions, as I stated above, if I saw it back in the day, I discarded it in the same way I discarded Lawnmower Man, a flick I was briefly obsessed with around the time it came out on video, and which I haven't seen since (and think it's probably better if I don't revisit that one).

Anyway, I think the casting of Scott Bakula threw my memory off. Nothing against the man; I was never a Quantum Leap fan (although the one episode I remember watching, where the devil shows up in the guise of Dean Stockwell's character was pretty cool, I have to say), but beyond that, there are plenty of instances of big-ticket Horror flicks in the early 90s casting TV actors to the film's detriment. 

1990's It I'm looking at you. 

In Illusions, though, Bakula does a really good job as recurring Barker character Harry D'Amour. His chops are plenty, and his presence doesn't feel like television casting. Plus, the entire film has such strong visual and narrative crossover with Nightbreed that the two films feel as though they could have been made back to back. 

Barker's imagination is so lush and unique; there are no other Horror movies like the three he wrote for screen and directed. Also, the way he incorporates the Occult always endears his work to me, film or prose. In Illusions, I was particularly excited by his use of Tarot; the scene that is set up by Harry turning over the Ten of Swords and how that pays off later at Swann's illusion just blew my mind. It's simple, but you just don't see the Occult used that way in Horror Movies that often. 

In thinking about that Ten of Swords scene before writing this page, I stumbled on this very cool video on the Rue Morgue Youtube Channel:

 

She goes way into it, with the full spread, which I hadn't even considered. This is exactly what I'm talking about - the lengths Barker uses the Occult for narrative purposes are beyond anyone else I can think of save, Kenneth Anger, who doesn't really have the same idea of 'narrative' as Barker.  

Lord of Illusions - happy to have found you. I believe this is the start of a long-lasting relationship. Now I'm tempted to rewatch Nightbreed again, however, I just realized I need to cancel my Showtime sub soon, and Cronenberg's Existenz is on there and it's been quite some time for that one, too. 

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Playlist:

QOTSA - In Times New Roman

King Gizzard & The Lizard Wizard - PetroDragonic Apocalypse

Realize - Machine Violence 

The Obsessed - Lunar Womb

 Secret Chiefs 3 & Traditionalists - Le mani destre recise degli ultimi uomini

Turquoise Moon - The Sunset City

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Card:

• Ace of Wands - Achievement of Earthly designs 

• Princess of Swords - A chaotic battle

• IX: The Hermit - Focus; isolation; determination

Not difficult to read at all. If I want to finish my first draft by Tuesday, I have to battle my distraction (chaos) and isolate myself. In keeping with that, I think I'll stop there, post this, and get to work!!!

 

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Positive Bleeding: RIP Blackie Onassis

 

Deeply moved to hear that Blackie Onassis from Chicago's Urge Overkill passed away yesterday at the age of 57.

Ten years older than me. Damn. 

This is THE Chicago band to me, as far as those who flirted with the big time. The Jesus Lizard will always occupy the throne, but while everyone screamed their way through Smashing Pumpkins songs in the mid-to-late 90s (I did until Melancholie) Urge represented the best Chicago's indie rock scene had to offer the mainstream. They didn't compromise, and they were honest-to-goodness Rock n' Roll, two capital R's and an apostrophe. Blackie, thank you for your service.

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Watch:

It's 11:13 on Thursday, June 15. I just finished a nearly two-hour recording session with The Horror Vision for Elements of Horror: Cruising. Prior to doing the episode, I found this on youtube:

There are SO many reasons I love this film and I love William Friedkin as a filmmaker. A LOT of those reasons are discussed herein, but pay special attention to Friedkin's discussion of the impetus for making the film. Also to Randy Jurgensen, the undercover cop who lived a large part of what we see on screen. As usual with Friedkin, I'm stunned not only by his art, but all of the thinking that went into and around its creation.

 

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Read:

Just a quick observation on this week's X-Men: Red #12. Man, when did this book start to resemble Rick Remender and Jerome Opena's fantasy epic Seven to Eternity? In retrospect, even the cover looks a bit like it could be a Seven for Eternity cover:

There's A LOT I'm missing here due to the fact that I've still not read a large swathe of Hickman's run after House/Powers, primarily X of Swords. I have so little background on the Arrako characters, The White Sword, Genesis and Orrako, etc. Going to have to remedy that eventually, but in the meantime, the landscape of this really reminds me of Seven to Eternity, and I wonder if Ewing is a fan of that series.

Pondering this, I stumbled on the following interview Marvel's Ryan Penagos did recently with Hickman and Grant Morrison, discussing how the two men changed so much of the status quo so successfully.

            

Good stuff; I haven't seen an interview with Morrison in a while, good to hear his voice. 

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Playlist:

The Native Howl - Thrash Grass EP       

Mudvayne - Choices (single)

King Gizzard & the Lizard Wizard - Gila Monster/Dragon (pre-release singles)

The Bobby Lees - Bellevue

The Sword - Warp Riders

Spotlights - Seance EP

Locrian - Return to Annihilation

Zombi - Shape Shift     

Urge Overkill - Saturation

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Card:

Keeping on with the Crowly/Harris Thoth for today's Pull:

• 4 of Swords: Truce seems a direct connection to yesterday's 7 of Swords. The Pause becomes a truce. 

• III The Empress - this card has come up a lot in conversation lately. In this instance, quoting from the Grimoire, "can point to dissipation when paired with unfortunate cards; Swords, Princes."

• 5 of Swords - The Truce will dissolve and lead to a new conflict, issue, or the like.

Not terribly encouraging, but also, isn't that life? One thing directly precedes the next. I pulled a final, clarifying card and found exactly that:

No matter what life throws at you, one journey ends, another begins.

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Suitable Psychos Howling in the Wind

 

Mr. Brown clued me into the fact that Jenny Lewis dropped a new record last week. Totally not on my radar at the moment. I've given Joy'All a few spins - if you dig Jenny Lewis in general, this is for you. I have to say, I'm not taking to this one as easily as I have with her older stuff. Last night I revisited her 2006 collaboration with the Watson Twins (who also, it turns out, have a new album dropping next week!) Rabbit Fur Coat and it reminded me just how much I love Lewis's work. Her voice, lyrics, and arranging.  All that's there on the new album, however, those qualities feel somehow muted. It may just need more listens, which I will surely give it over the upcoming summer evenings. That said, starting with 2014's Voyager - which I adore - I feel like Lewis found a 'sound' and has not veered too far outside it. That's cool. But I miss the days when she mixed things up a bit more. Either way, new Jenny Lewis is still an event to be happy about. You can order the record HERE.

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Watch:

Fangoria posted a teaser for Joe Lynch's new film Suitable Flesh; I've been chomping at the bit for this one, so despite my recent tendency to avoid trailers, I watched this. 

 

It's perfect - gives nothing away, floods us with fantastically menacing images, and then disappears. Not unlike a Lovecraft entity, really. That's it for me, though; I won't be watching any subsequent trailers. No word on exact release dates yet, but if this goes wide, I'll be there day one.

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Read:

I received and blew through Laird Barron's new Isaiah Coleridge novel, The Wind Began to Howl. Outstanding, as always. I'm amazed at Barron's ability to crank out insanely readable iterations of this character that are primarily stand-alone, modern detective stories, but also have begun to develop not only a big picture but a bridge into the Barron mythos we know from his short story collections and previous novel/novellas.  In my memory at least, back at the outset of Book One: Blood Standard, there was little to no direct sign of his strange, dark 'Outer'. It's here in spades now, although introduced and perpetuated in a way that doesn't fully immerse Coleridge in that world. Yet.

 

The Wind Began to Howl is published by Bad Hand Books and is available wherever books are sold!

 

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Playlist:

Type O Negative - Life Is Killing Me

Colter Wall - Imaginary Appalachia

Bria - Cuntry Covers Volumes 1 &2

Blut Aus Nord - What Once Was... Liber II EP

Blut Aus Nord - Disharmonium - Undreamable Abysses

Blut Aus Nord - The Endless Multitude (pre-release single)

Godflesh - Purge

Jenny Lewis and the Watson Twins - Rabbit Fur Coat

Roy Orbison - Mystery Girl

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Card:

I'm feeling a pull back to the Thoth Deck in a way I haven't in quite some time. It's good to be back; I love this deck. First one I owned and really, the only one for nearly twenty years. Missi's homemade Raven Deck and Grimm's Bound are the only other Tarot I own. There are thousands of gorgeous or intriguing decks out there, but I collect enough stuff.

Anyway:

• 7 of Swords: Futility - a conflict reaches a natural pause.

• Knight of Swords - Probably from exhaustion at fighting

• 9 of Cups - an understanding, peace or elation is achieved. 

There are a couple open loops in my life at the moment; none directly affect me, but all affect folks I'm close to. Not entirely sure what this Pull is referencing. 

I dabbled in the first act of Blood Magick I've tried in a long time last night. This was to help a friend, and I should say upfront, I use my own blood; I don't hurt other living things. I don't know that this Pull is referencing that. Full disclosure: I never 'ask the cards a question' before I draw. I just draw and read and usually, the result makes its subject known instantly. But this... I'm not sure how to read yet.

Interesting note: Blood begets blood. I had dark, bloody A.F. dreams all night. Two relatively close friends - no one I have ever mentioned in these pages - died of a knife puncture to the throat. This happened in the old practice spot my bands had in the 90s, the studio apartment above my parents' detached garage. The scenario began with one friend, and the dream jumbles events so I'm not sure if it was a suicide or somehow I was the killer. After the agonizing event of the death, we (no idea who the 'we' were, but it was definitely more than just me) placed the body in the bathtub with ice, then fretted over contacting the person's spouse. This was the worst part of the dream, because it seemed even dream me was unsure if I was responsible for the death. Then, in true dream logic, the body became that of someone else entirely.

This did nothing to abate the horror.

The dream flit in and out of several iterations of waking, so that by the time I awoke this morning, I was unsure if the chronology of torment it imposed on my psyche was from last night, or if the dream has been recurring for several nights and I just haven't remembered it until now. As of typing this, I feel relatively certain this only occurred last night. 

Disturbing, yes. However, like bad drug experiences, I dig nightmares. I'm always able to crack a piece of my consciousness off and have it observe from a third-party perspective, even while the rest of me shrieks in horror. 

 

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New Music from Blut Aus Nord!!!

 

Holy F*&k! New Blut Aus Nord and it's a doozy! Was it even a year ago that Disharmonium - Undreamable Abysses came out and blew my mind? How can every record these guys do be so unbelievably different? Listening to this, I feel like Laird Barron's Isaiah Coleridge, finding a secret and otherworldly recording while digging around online for one of his spooky AF cases. Disharmonium - Nahab drops on August 21 via Debemur Morti; you can pre-order it HERE for the EU and HERE for the US.

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Watch:

This past Sunday, with my friend Alex visiting from LaLaLand, K, he and I held a mini Friedkin Fest - we watched William Friedkin's 1977 unsung masterpiece Sorcerer and his equally fantastic and insanely transgressive 1980 giallo Cruising. 

 

I've seen this one several times in the ~ three years since I purchased Sorcerer on Blu-Ray and watched it for the first time. Every time I see this one, it gets better. Case in point - I'd had some ups and downs with the first half of the film on previous viewings, mainly because most of those viewings occurred at night. This time I sat riveted from start to finish and came away thinking the first half is, narratively speaking, as good as the second half. That was a nice feeling, both halves finally making a whole.

 

Cruising is one I just watched for the first time a few weeks ago, and from the moment that viewing ended, I've been chomping at the bit for a rewatch. The twisting and turning narrative, as unreliable as if Bret Easton Ellis penned the screenplay, just blows me away, and despite the fact that this time I took copious notes, I still don't have a solid answer as to who did what. A mystery that, after it's 'solved,' begets another, darker mystery. In other words, the best kind!

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NCBD:

Here are my picks, and I'm excited for all three of them:

Nightmare Country: Glass House has been up and down as a month-by-month reading experience, but I retain faith it will all come together as an eventual whole. 

First post-Armegeddon Game Turtles issue, a very good thing. I didn't read that event, however, from what I glimpsed in the pages of the regular series, I'm curious to see what the new landscape will be. This book often cools a bit for me, then immediately springs back to the top of my pile. We're about due for that. LOVE this cover, but it's a variant, so hopefully I'll manage to snag one.

Despite loathing last week's X-Men: First Strike or whatever the hell it was called (great cover though), my fervor for X-Men: Red, Immortal X-Men, and the monthly X-Men team book remain as high as ever. 

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Playlist:

Godflesh - Purge

Savages - Silence Yourself

Slowspin - Talisman

Deftones - Koi No Yokan

Deftones - Gore

Deftones - White Pony

The Flamingos - Playlist: Best of the Flamingos

Chamber of Screams, Clement Panchout & Mxxn - Murder House (Puppet Combo OST)

Blut Aus Nord - What Once Was

Blut Aus Nord - The Endless Multitude (pre-release single)

 

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Card:

Pulling from Aleister Crowley and Lady Freida Harris' Thoth Deck today:

• Battles over money/earthly concerns - the struggle is within

• XVII The Star - opening up to new influences/ideas/concerns

• 10 fo Cups - The emotional cup runneth over

All this is just to say, "stop spending so much damn money and start saving again!"

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Godflesh - Army of Non

 

The mighty Godflesh has returned at last! I have a friend visiting from LalLaLand and as such, completely forgot that the new album Purge was released this week. Friday night as we left one of the three breweries we take all our visitors to, this popped up in my Apple feed and, after waiting for the conversation at hand to run its course while sitting in the parking lot, I warned everyone they were about to experience the new record at a rather loud volume while driving home. Wonderful; that's the only word here. We made it through about half, and with further conversating and what not once home, I refrained from playing the rest until I could do a nice, immersive listen on headphones, so that will be later today, and the vinyl I pre-ordered months ago doesn't ship until early July, so until all that happens, "Army of Non" is my current favorite track on the record.

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Watch:

Holy F*&K! Ted Geoghegan's new film Brooklyn 45 is fantastic! This one defied all my expectations

            

I don't want to say too much about this one; it's not as though there's a twist or anything, however, Brooklyn 45 really impressed me with the ambitious, and frankly unexpected dramatics that make up the meat of the film. Sure, there's a lot of Horror Fun to be had, but this one is more akin to Guillermo del Toro's film Pan's Labyrinth than it is Evil Dead (although there are moments...). This one dropped on Shudder last week and is WELL worth Your time, especially if you liked Geoghegan's 2015 film We Are Still Here as much as I did. Companion pieces in a way.
           

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Playlist:

Weird Studies - On Clive Barker's "Hellraiser" and "Hellbound Heart"

Colton Wall - Imaginary Appalachia

David Bowie - The Next Day

Ganser - Odd Talk

Iggy Pop - The Idiot

Blackbraid - Blackbraid I

Stormkeep - Tales of Othertime

Calderum - Mystical Fortress of Iberian Lands

CCR - Eponymous

Godflesh - Purge

Angelo Badalamenti - Twin Peaks: Fire Walk With Me OST

Pastor T.L. Barrett & the Youth for Christ Choir - Like a Ship (Without a Sail)

The Flamingos - The Best of the Flamingos

Jenny Lewis - Joy'All

 

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

• Four of Pentacles - completion of a job: I have set a goal for the first draft of the novel I'm currently writing, and it is next Tuesday.

• Ace of Swords - Breakthrough: Not sure if this is confirming success or a nod that setting this goal was the 'breakthrough.'

• Five of Wands - Marshall the forces of Will, 'cuz it's going to be a struggle. A worthy struggle, though.
 

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New Music From PJ Harvey!

 

PJ Harvey released the second advance track from her upcoming record I Inside the Old Year Dying a few days ago, and after listening to that and first single "A Child's Question, August" a few times these last few days, I have gained quite the anticipation to hear the entire record. So far, this one strikes me as having as much not to do with her previous albums as it does incorporate a kind of sum-total of her entire oeuvre. Yeah, that's kind of a c-u-next-tuesday word for a music or film blogger to use; don't care. When you talk about Ms. Harvey, you gotta class the place up a bit. Pre-order the new album directly from the artist HERE.

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Watch:

The full trailer for Yorgos Lanthimos's new film Poor Things dropped earlier today, and despite my swearing off trailers, once I saw the still, I had to watch it (part of this decision was based on the fact that I find it doubtful the trailer for one of Lanthimos's films could ever betray its intentions. Judge for yourself, if you dare!

 

What the hell, right? A cast stacked with impeccable actors for a twisted twist on the Frankenstein story? I'm finding it difficult to formulate any opinion on what we see here, other than it will no doubt be as unique and engrossing as this director's other films. I now know where I will be on September 8th.

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Playlist:

Low - Trust

Slowspin - Talisman

Nabihah Iqbal - Dreamer

Drab Majesty - Modern Mirror

Deafheaven - Ordinary Corrupt Human Love

PJ Harvey - I Inside the Old Year Dying (pre-release singles)

Ike and Tina Turner - Live? The World of Ike & Tina

Colter Wall - Imaginary Appalachia

King Gizzard & the Lizard Wizard - Gila Monster/Dragon (pre-release singles)

Bria - Cuntry Covers Volumes 1 & 2

White Lung - Paradise

Soft Play - Are You Satisfied

Steve Moore - Christmas, Bloody Christmas OST

The Plimsouls - Everywhere At Once

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

My first Pull since returning from my Chicago trip, and it's almost identical to one my good friend Missi asked me to help her read the day before. How's that for awesome?

•  On the Tree of Life, The Empress is the first Trump to connect two pillars, from Chokman to Binah, the act of transforming Knowledge into Understanding. Not always easy. This is a card that, while it does not touch the superstate of Kether - the white hot room, as Grant Morrison would say - does represent a process of making the intangible tangible, collating and processing information to produce a result. 

• Ace of Wands - Willfull Breakthrough

• Seven of Pentacles - Earthly victory; accomplishment. Completion and the exhale that follows.

When I string all this together, I see a message that suggests hard work, but not necessarily of the physical kind. In my own terms, this is telling me I have to do more conceptual work, more mental hammering of narrative logistics. This will produce results. 

 

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New Music from Drab Majesty!

 

From the forthcoming EP An Object in Motion, out August 25th on Dais Records. Pre-order HERE. I'm hoping this EP - DM's first release since 2019's Modern Mirror - herald's a full-length somewhere in the immediate future. For the moment though, I'll take what I can get. 

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NCBD:

Small Pull this week, and I won't be back in Clarksville to hit Rick's Comic City to grab it until the weekend, but I'm pretty psyched to read both these books:

The cover speaks volumes - Peter attacking Kitty? I haven't really followed any books with either of these two in decades, so I'm curious where they're at.

Do I love this cover? HOT DAMN, yes I do. Seeing Tony Stark's iconic armor visage applied to the anti-mutant Sentinels is... breathtaking. 
            

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Watch:

While I have grown to ignore trailers for movies I am anticipating and therefore have some general knowledge about, I'll still watch trailers for upcoming films I haven't heard of before. Thus was the case with Bruce Wemple's new film First Contact. Here's the trailer (which I only watched half of):

            

I posted about Wemple's previous film, Monstrous, here sometime last year. A flick I had a decent amount of expectation for, but which fell a bit short. Definitely cool enough to pique my interest for his next flick, which, after seeing about half this trailer, I have to say looks like it might be influenced by the writings of Laird Barron. This one popped up on VOD yesterday, and it's a $3.99 on Prime, so I'll definitely be giving it a go sometime soon.

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Playlist:

King Gizzard & the Lizard Wizard - Gila Monster/Dragon (pre-release singles)

Bria - Cuntry Covers Vol. 2

Black Sabbath - Eponymous

M83 - Fantasy

Drab Majesty - Vanity (single)

Corrosion of Conformity - Deliverance

Low Cut Connie - Sleeze Me On (single)

Various - Jonathan Grimm's Dark & Weird Bluegrass Playlist

Nirvana - Nevermind

Nothing - Downward Years to Come

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King Gizzard & The Lizard Wizard - Dragon!

 

New King Gizzard and the Lizzard Wizard! Many thanks to my friend Josh who recently reminded me to check these guys out, as they'd been on my radar for quite some time and I still had not heard them. Loving the 2019's Infest the Rats' Nest record, and now both these new songs from the forthcoming album

Petrodragonic Apocalypse or Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of the Merciless Damnation, which you can pre-order directly from the band HERE.

This one starts out with a King Crimson-like intro and then turns into all-out thrash for most of the song, and boy does that combination work! Also, I love that both this and the previously released Gila Monster go right into one another. If the entire album has that 'one long track' feel, I think it will just up the overall power the band has set to capture and display with this record.

Oh, the video begins with a photosensative warning - do not take lightly; you may not want to watch this if you think there's a chance it could induce seizures. It is an unfortunate effect of awesomeness that it sometimes messes with our, ahem, lizard brains.

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Watch:

A new trailer for A24's Talk to Me dropped. As is my current custom, I'm posting it here but not watching it. Have heard some good things about this one, and favorable experiences watching A24's Bodies, Bodies, Bodies and Beau is Afraid have definitely staved off the burgeoning tendency to roll my eyes - temporarily at least - at the "Elevated Horror" assessment that fans have tirelessly attributed to the company (I recently saw someone wearing an A24 t-shirt). 

  

Out July 28th, pretty sure this one is going wide. Can't wait to see it, as early reports suggest directors Danny & Michael Philippou hit this one out of the park!!!

 

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Playlist:

Bria - Cuntry Covers Vol. 2

The Smiths - God Save the Queen

Phil Collins/Genesis - Collins. Phil Collins Playlist       

Ghost - Impera

Orville Peck - Bronco

Ganser - Odd Talk

Ghost Cop - End Credits

Spotlights - Seance EP

Nabihah Iqbal - Weighing of the Heart

Witchfinder - Forgotten Mansion

Low - Trust

Low - Poor Sucker (single)

M83 - Fantasy

Dorthis Cottrell - Death Folk Country

Les Discrets - Prédateurs

Prey - Iress

Beach House - Thank Your Lucky Stars

 

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X's For Eyes... And That's All

 

I have always carried a torch for a handful of songs from the Phil Collins/80s Genesis catalogue. I know, I know... I don't care. These songs are in my DNA from early life exposure. Also, weirdly enough, a lot of comic book memories are attached to some of them, this one in particular. Not necessarily specific issues, but eras.

The year Tonight, Tonight, Tonight came out - 1986 - was the year I first started reading comics on a regular basis with Larry Hama's G.I.Joe issue #49. The same year, this song appeared in a Michelob television commercial. Something about that commercial primed me to be both a Ministry fan and a Bret Easton Ellis fan, though it's difficult to explain the latter half of that statement. (Ministry's Everyday is Halloween would score a - get this - Old Style Dry commercial, just two years later. My memory so clearly stated it was a Bud Dry commercial that I would have put money on it. Also, who remembered that Old Style had a "Dry" beer? Not me, and probably not Dennis Farina, either. I mean, if he was still alive...)

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Play:

The New Puppet Combo game Stay Out of the House drops June 16th! I've already pre-ordered my copy for Switch. Why? Check out this gnarly trailer:

Oh man, I need to double-down on No One Lives Under the Lighthouse, which I played the hell out of for the first week and a half and then haven't really had time for since.             

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Read:

Blew through Laird Barron's third Isaiah Coleridge novel, Worse Angels and, exactly as instinct suggested, it went from a 4-star to a 5-star rating simply because I did not reread Black Mountain (Bk 2) first. Love this series, and it's put me in mind of tracing some of the recurring characters, so the instant I finished it, I picked up Barron's 2015 novella X's for Eyes.         

I've only read this particular Barron book once before when it first came out, and it's not a Coleridge novel, however, Tom Mandibole makes an appearance, and since he is a major force in Worse Angels, I really wanted to work backward on his character. The first memory I have of him is "More Dark," the closing story in Barron's 2013 The Beautiful Thing That Awaits Us All collection, where - in my mind at least - it's heavily implied he is a riff on author Thomas Ligotti. I read Barron's work as it's released, and in the past, I haven't kept notes, so I'm hazy on where and how often Mandibole has appeared. Hence the 'working backward.' At any rate, Mandibole shows up in the first two pages of X's For Eyes, as does Sword Industries, the Labrador family and who knows what else. So I'm in the right place until The Wind Began to Howl (Coleridge Bk 3.5) arrives.

 

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Playlist:

Lustmord - Berlin

Low - Double Negative

Ganser - Odd Talk

Les Discrets - Prédateurs

Godflesh - Post Self

Danzig - Danzig III: How the Gods Kill

Alice in Chains - Sap EP

Soundgarden - Superunknown

Huey Lewis and the News - Sports

Phil Collins/Genesis - Collins. Phil Collins. Playlist

Pastor T.L. Barrett & the Youth for Christ Choir - Like a Ship (Without a Sail)

Ministry - Moral Hygiene

Yeruselem - The Sublime

Pigface - Pigface Live 2019 vinyl

            

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Card:

Heading to Chicago today, so here's a card from Missi's Raven Deck to see me on my way and plot the course of the trip:

Things change; long-standing certainties switch polarity. Life is change, so embrace change. Kill. Your. Darlings.

 

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The Boogeyman

A few weeks ago, Mr. Brown asked me if I'd ever heard the Chicago band Ganser. I had not. I added a few records in Apple Music but didn't actually hit play on one until last week.

Instant adoration.

The album I'm currently obsessed with is 2018's Odd Talk, and the song on that album that gets the most play is also the first song on this live Audiotree session the band did in 2020, "Satsuma." Watching them play live is literally thrilling, especially guitarist Charlie Landsman. I love everything about this band, but I love Charlie's guitar the most, as it conjures White Lung, US Maple, Assembly Line People Program, and Erase Errata, to name a few bands I've carried on love affairs with in the past. 

Ganser is on the always fantastic Felte Records, and you can check them out on the label's site HERE or the band's Bandcamp HERE.

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Watch:

Last night K and I caught the first screening of Rob Savage's new film The Boogeyman. This is based on an adaptation of Stephen King's short story, "The Boogeyman," from his Night Shift collection. I've read the story, although I had no memory of it at the time of the screening, so I was free to judge the film simply as the film. In that context, and ultimately in any other, The Boogeyman is a damn solid monster movie. Here's the trailer:

          

What goes right with this flick? Pretty much everything. In many respects, this is a by-the-numbers Horror flick, but Savage - whose breakthrough was 2020's Host (the Zoom movie, which I love) - is showing himself to be an auteur at heart, so there are enough personal touches and 'aberrations' from the formula that while The Boogeyman feels familiar, it also feels different enough that you won't be bored. The third act really sealed the deal - it's fantastic.

Also, and this is the smallest of spoilers, if at all, but I found it very cool that actress Seylan Baxter, who played the Medium in Host appears in this film in a youtube video on Seances one of the characters watches. It's little touches like that I always appreciate in a filmmaker's work.

  

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Read:

After seeing the film The Boogeyman, I woke up this morning and re-read the story in Stephen King's Night Shift.

The story strictly follows Billings's visit to Dr. Harper's office, where he avails himself of his guilt. That's it. So the film is an adaptation and expansion of the story, and in that, it's pretty fantastic in what it accomplishes, using King's story as the seed for a larger world that's really only hinted at between the lines of the story.

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Playlist:

Radiohead - The Bends

Ganser - Odd Talk

Lustmord - Berlin

Boy Harsher - Burn it Down (single)

Boy Harsher - Careful

Code Orange - Grooming My Replacement/The Game (single)

Code Orange - Underneath

            

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Card:

From Aleister Crowley and Lady Frieda Harris's Thoth deck:

• Prince of Swords - The "Air" of Air, or doubling down on conflict

• 2 Change - The Ebb and Flow.

• Princess of Wands - Physical act or manifestation of Will

Cut and dry, once again. Of course, that's because it's all in the interpretation, and the interpretation is steeped in what's on your mind. I know exactly what's on my mind, and it's writing. Hence, why all of this week's Pulls have concerned my Art. 

I've had two decent days getting back in the saddle; nothing stellar, but that's the ebb and flow mentioned above - I have to take the good with the bad, especially when overcoming the inertia of having not written in a bit. It's easy to get discouraged, but you just have to apply your Will and fight that part of yourself that wants to be lazy, or is looking to be discouraged. Frustrations be damned, a breakthrough will come!!!

 

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New Music From The Mysterines!

 

 

The Mysterines dropped a new single yesterday, and I'm hoping it's the herald for a new album! 2022's Reeling easily made it into my ten favorite albums of that year, and as that was my jumping on point with the band, I'm anxious for more. In the meantime, hit their Bandcamp HERE.

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Watch:

Last night K and I had the extreme pleasure of watching Jon Wright's latest film, Unwelcome. Here's the trailer:

I'd only seen the director's 2012 film Grabbers, which is a riot, so I had no idea what to expect with Unwelcome. Well, this one shot to the top tier of my favorite flicks released so far in 2023. The characters are instantly likable and relatable - very important. Also, the effects are fantastic and the storyline really draws you in. Reminded me a bit of The Hallow, what with the rural Irish setting and use of Celtic Folklore. Unwelcome is a $3.99 rental on Amazon at the moment, and absolutely worth spending the dough on - highly recommended.

 

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Playlist:

Queens of the Stone Age - In Times New Roman (pre-release singles) 

King Gizzard & the Lizard Wizard - Infest the Rats' Nest 

King Gizzard & the Lizard Wizard - Gila Monster (single) 

Ganser - Odd Talk 

High on Fire - Snakes for the Divine 

High on Fire - Death Is This Communion 

Spotlights - Seance EP 

Spotlights - Love & Decay

Joan Jett - Album

Kaiser Chiefs - I Predict A Riot

 

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

•Ten of Swords - Completion of challenge

• Ace of Pentacles - Breakthrough in Earthly matters

• Ace of Wands - Breakthrough of Will or through Will, which is the case here, I think.

More cosmic writing advice, which is paying off. I went to my coffee shop to ice out the world and focus. I've begun writing at home quite a bit, but being I was stagnant for several days (almost a week), I needed to jump-start the old attention span. It worked, but only too well. 4.25 hours of sleep last night; I'd gotten used to close to 8 for the last few weeks. Thus, Breakthrough of Will.

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New Queens of the Stone Age - Carnavoyeur

 

More new music from next month's new Queens of the Stone Age record, Times New Roman, available for pre-order HERE.

My friend Josh alerted me to this one, and I have to say, his "I hear Bowie" observation is spot-on. Not necessarily in how the song sounds (although there's that), but more in the type of experimentation the band's doing. Really cool stuff.

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NCBD:

Nothing in my pull this week, however, issue #3 of Pat O'Malley's Popscars drops, and I'll definitely be picking that up and adding the book to my Pull.

Now published by Sumerian Comics - formerly Behemoth Comics, the fine folks who published Andy Leavy and Hugo Araujo's Osaka Mime, not to mention the Turbo Kid and Spare Parts tie-in books. I met Pat back in 2022 at The Comic Bug when he was in signing issues 1 and 2 of Popscars, then completely independently published. I bought those issues, LOVED them and was supposed to have him on A Most Horrible Library, but then, well, I don't think we've done an episode since. He reached out recently and I need to get back to him and extend an invite to come on my functioning show, The Horror Vision, so he can talk about the book.

Here's the solicitation description:

"Popscars is a gritty Hollywood revenge story about a vigilante badass in a pink ski mask and the famous Hollywood movie producer she is out to kill, who also happens to be her estranged father. In Hollywood revenge is best served in front of an audience. As our pink ski masked killer pushes her way through a Hollywood crowd, prepared to take her shot at her movie producer father, she's quickly swept into a brand new revenge plot orchestrated by her own unsuspecting target."

 

I love the imagery in the book, and the seedy nature of, well, all of it. An exploitation book about exploitation flicks is, by its very nature, a fantastic story.

 

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Read:

I surprised myself by putting off my re-read of Stephen Graham Jones's My Heart is a Chainsaw after I noticed that my copy of Laird Barron's The Wind Began to Howl is due to land any day, and that technically, this book is labeled as "Isaiah Coleridge Novel #3.5." 

Interesting... and also probably a shorter read than clocking through Chainsaw and its follow-up, Don't Fear the Reaper, both of which I'm dying to read. But I've also been chomping at the bit for more Coleridge, and more Laird Barron in general, so I started re-reading Isaiah #3, 2020's Worse Angels.

I've read Coleridge books 1 and 2 twice each, or actually three times on book one, Blood Standard, but Worse Angels just the once, so this is a welcome return to a book that kinda blew me away (like they all do). Also, I'm eager to read it without reading book 2 Black Mountain, in close proximity. I love the entire series, however, Black Mountain was just something else, and because of this, I feel like it warped my only experience with Angels so far. Not this time...

 

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Playlist:

QOTSA - Era Vulgaris

High On Fire - Snakes for the Divine

Decima Victima - Los Que Faltan

The Mysterines - Begin Again (single)

Killing Joke - Fire Dances

Tangerine Dream - Sorceror OST

            

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Card:

Had an inkling to pick the Raven Tarot Deck back up and pull a single card. Here we go:

Temperance, or "Art" in Crowley and Harris's Thoth deck. Another small goad to get my ass back in gear, as my lethargy has crept through the weekend and into the middle of the damn week now. We've had a steady stream of vendors out to the house for various reasons over the last few days, and that continues today. Also, I am once again completely enraptured by Laird Barron's Worse Angels. That said, I need to develop a curriculum. One thing I was pretty taken by in Ivy Tholen's Tastes Like Candy - I mean, besides the awesome Slasher story - was main character Violet's practice routine with her violin. It reminded me of the benefit of commitment to the craft. I've been wanting to work up a schedule that includes not only writing - and of course reading has to be in there - but also guitar, as I've felt a pull back to that after nearly a decade ignoring what used to be my muse. 

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