The new album Careful drops February 1st, 2019 on Nude Club Records.
Had a really nice night just reading in bed for an hour or so last night. The next DwC is tomorrow, and I've a gaggle of stuff to catch up on. First and foremost, as I've already talked yesterday about Blackbird, let me tell you the other new book I'm really hot for right now is Dead Rabbit:
Gerry Duggan and John McCrea. A retired criminal/vigilante thief finds he has to reinstate his life of crime to pay his wife's medical bills. Shit goes wrong. It's great.
Playlist from 11/07:
Algiers - The Underside of Power
Metallica - ... And Justice For All
Deafheaven - From the Kettle Onto the Coil
Briqueville - II
Deafheaven - Ordinary Corrupt Human Love
Card of the day:
This card always speaks of things gone out of control to me. It also reminds me a bit of Ash being taken down by the three mini-Ashes in Army of Darkness. And believe it or not, that seems a pretty good place to start, because a lot of times I understand things better if I run them through a familiar lens, and film is a very familiar lens to me. So, in Army of Darkness, Ash fucks up, tries to play it off and ignore his mistake, and it ends up coming back to haunt him as these three mini-doppelgangers that bite and chew at him. Nothing important. But it's his lack of taking these little nuisances seriously that ends up leading to full-on Evil Ash, who is a Huge threat to him. So, what's the card saying? Take care of the little stuff - don't let it build up, or it will come back three times the size and way more serious. I think that's a health cue for me, specifically pointing to the two problems that persist - my sarcoidosis and my still-not-right left hamstring. I've made serious inroads to finally get back to taking care of both of these, but it's going to take a serious chunk of my already limited time. That's okay. This is a reminder that it's worth it.
Exhalants are a band I recently discovered via KXLU. Their 2018 Eponymous album shot to my top ten of the year the first time through, the same way Protomartyr's Under Color of Official Right did four years ago. That's really where comparisons end between those two, although they both hail from a still-vibrant indie scene that hasn't been dashed by The Spectacle's appropriation of the label as a 'genre' that includes bands who dress like they traveled here from 1930s Poland. Exhalants remind me a bit of Shellac, the Jesus Lizard, and an entire smattering of bands from the mid-to-late 90s that comprised the Touch and Go/Drag City/Thrill Jockey scene and made honest, insanely creative music unrestricted by genre trappings or rockstar agendas. Go to their Bandcamp HERE and support this awesome independent band (Hurry - there's only 9 of the random colored 180 gram vinyl editions left of the album because I just bought one).
The Drinking with Comics crew had our pre-show meeting last night. This has become something I always look forward to, as we sit around, drink beer and have dinner and swap books so we can all have read the same stuff for the show. Yesterday Chris brought a new book called Blackbird I had heard of but not read, and I IMMEDIATELY fell in love with it. Look at this art:
I don't buy books just for the art either, which is probably why after looking at #1 upon release last month I passed on it. That said, after reading the first issue last night, I am anxiously awaiting 3PM so I can hit the Comic Bug and pick up my own copy of #1 and #2, which comes out today. Also for NCBD, a continuation of Cullen Bunn's 2014 mini-series The Empty Man. Loved this when it was monthly four years ago, and was always kinda hoping in the back of my mind that it would continue.
Playlist from 11/06:
Ghost Cop - EP
Exhalants - Eponymous
Crystal Castles - Crystal Castles II
Tom Waits - Rain Dogs
Tom Waits - Bone Machine
Tom Waits - Swordfish Trombones
Steve Moore - The Mind's Eye OST
I'd never heard of Ghost Cop until the most recent newsletter from comic's scribe Warren Ellis, which you can subscribe to HERE and which will make your life better. The Eponymous EP is excellent, really atmospheric electronic music that reminds me of a lot of the more electronically inclined groups and artists I submerged myself in during the 00s. Look for some of that stuff to float back up to the surface of my listening habits.
If you visit Ghost Cop's bandcamp, their new album is up for pre-order.
Lots of Deadwood news yesterday, and as it so happens, the moment K and I finished 31 Days of Horror, we jumped directly back into season 2, so this is perfect timing. This is K's first go-through with Swearengen and the crew, my second or third. I figured out I'd previously watched roughly the first season and a quarter multiple times, but I don't think I've ever gone through the entire cycle more than the first time, which was after it aired. This might be my favorite non-Twin Peaks show folks. Swearengen is easily one of my favorite characters, but the idea of revisiting these folks ten years down the line show continuity wise with a movie is bittersweet; still not sure why HBO/Milch didn't just keep going in the first place. It's always difficult to go home again. Twin Peaks did it well, by becoming something the original show was not. In my head, I consider Season Three of that show more a new 18-hour DavidLynch movie than a revival of Twin Peaks, which it certainly is in some respects but... I digress
Looks like almost the entire cast is coming back for this Deadwood movie, and I don't want to sound like I'm not elated to have a chance to see these folks again, it's just timing, you know? Still, excited.
Playlist from 10/05:
Tom Waits - Rain Dogs
Preoccupations - Eponymous
Preoccupations - New Material
Massive Attack - Mezzanine
Ghost Cop - Eponymous EP
Tom Waits - Mule Variations
Tom Waits - Swordfish Trombones
Card of the day:
Fire of Fire - Pure, communicative leadership. Ideas. Can represent highest idea - again, exactly what I'm aiming at with Shadow Play, and book one is where it starts. It doesn't matter that this is 8 years since I started it (with a year off in the middle, which made me a much better writer), it has to be perfect so it sets up the bigger picture, which is kind of so big - to me - it feels unwieldy.
It's been quite some time since I went on an honest-to-goodness Tom Waits kick. Probably the last time was about four years ago when Mr. Brown lent me the 33 1/3 book David Smay penned on Swordfish Trombones. Anyway, I feel a full-on Waits jag coming on, so here's first salvo.
Over the weekend K and I watched the newest Jane Mansfield documentary, Mansfield 66/67. Fantastic! Along with the legendary actress, the film also serves as an exploratory dispatch into Anton Lavey and the Church of Satan, so it's fascinating. I've always bristled at Satanism, which of course has nothing to do with the devil and everything to do with worshipping yourself, which I feel leads to rampant Narcissism. That said, I've also always had a soft spot for Lavey as a public figure. The hilarity that the man instills to those that 'get it' is epic. This is especially apparent in the documentary, as the film spends a lot of time talking about and interviewing people from Mansfield's life about the supposed 'curse' Lavey is said to have put on Jane and her husband at the time (both of whom died in that nasty, Chihuahua-killing cash), all the while showing him dressed in his devil suit, little more than stylized PJs. Lavey was laughing at everyone that took the 'evil' aspect of his publicity push seriously, because he's telling you up front it's a joke by dressing like that.
Not a lot of folks got it though.
Playlist from yesterday:
The Veils - Total Depravity
The Ocean - Phanerozoic I: Palaeozoic
Deafheaven - New Bermuda
Deafheaven - Ordinary Corrupt Human Love
Roni Size - New Forms (disc #1)
Darkness Brings the Cold - Devil Swank, Vol. 1
Card of the day:
Threes are solid numbers, and it takes a foundation to acquire abundance. This is the path I've set myself on; there are SO many distractions vying for our money, my job for the next year is to minimize what I allow myself to purchase because I'm starting to think about the need for a foundation in the physical plane, ie a domicile.
Has it really been two weeks since I saw Nick Cave and the Bad Seeds? That show and the Bad Seed's performance of Shoot Me Down inspired me to pull out the B-Sides and Rarities, three volume box set released back in 2005. It'd been a while since I really dug into this one, so I put the three discs in the ride and have been flirting with it on a somewhat regular basis. I forgot how much I love some of the songs on these discs! Come Into My Sleep is one of my favorites; originally released as a B-Side to (Are You) The One I've Been Waiting For?, from 1997's The Boatman's Call. This is classic Bad Seeds suave - the vibes carry the song, nice slinky bass line from Martyn Casey and Cave's trademark literary lyrics. So good.
On the exact other side of the musical spectrum, Mr. Brown sent me a link to a fantastic article on the 30th anniversary (eek!) of ...And Justice For All. Read it HERE. I might detest the band now, but I didn't then; Justice is where I draw the line, although I seem to waiver between thinking it's genius, and rolling my eyes at four white guys playing like they have sticks up their bums. Either way, it's musical history at this point, and the article's well worth a read. Also, the remaster really brings out the vocal effect Hetfield used on his voice in the verses for Eye of the Beholder, which changes the feel of the song a bit from what you probably know.
Just finished the second issue of Sam Keith's Batman/The Maxx crossover. Man, I think this is shaping up to be a proper sequel - or at least continuation - of the original Maxx/Julie storyline that disappeared after issue #20 of the original Maxx comic. If you read that book and can remember back to the mid-90s, issue #21 jumped ten years into the future, jettisoned Julie and Maxx (for the most part), and focused on an older Sarah, a man named Norbert, and Iago, the giant Banana slug. This new series seems to be following Maxx and Julie several years down the road from that twentieth issue, with Maxx reiterating several times that he had long ago lost contact with Julie. Admittedly, it's probably been six years since my last re-read of the original series, so I might be mixing some of this up. I think I'll start another re-read now, to accompany this new series. If you're curious about the timeline, as always Comic Vine is a great resource. HERE's their page for The Maxx.
And look at this cover gallery for #2.
Playlist from yesterday:
Nick Cave & The Bad Seeds - B-Sides & Rarities, Disc 3
Matthew Dear - Playlist (culled mostly from Black City)
Kate Bush - The Dreaming
Intronaut - Habitual Levitations (Instilling Words with Tones)
Metallica - ...And Justice For All
Weeknight - Post-Everything
Nine Inch Nails - Bad Witch
Health - Death Magic
Card of the day:
If The Fool is the beginning of the journey, The Magus is the moment the novice becomes acclimated to the idea that the journey is no longer a transitory one, but transformative. This is life, and life is what the cards attempt to guide us through, revealing secrets that are, generally, right in front of our face the entire time. Magick isn't special; for most of us most of the time, it appears magical, like fireworks in the sky, but if you can tap in and pay attention, all the answers are with you, you've just been conditioned to ignore or chosen not to see them. Maybe you've never learned that the answers are even there. The Magus can help.
As usual, I apply my interpretation toward my writing and take this as a signifier that my work on the book goes well; the answers to ALL the continuity problems have always been close at hand, it's just not until I slow down and actually methodically think about the situations and characters that the answers come clear. And for the most part now, they have. With minor re-writing (further proven they were nearby the entire time) I've managed to scrape off the 'passable' patina and find the golden road through the heart of my little story about shadows and reflections wanting to switch places with us.
One of my favorite live shows I saw in 2017 was Ritual Howls at the Echoplex. The show was fantastic, not just because the Howls absolutely killed it live, but because opening band Chasms - who I'd not heard at the time - held me mesmerized for the entirety of their set. The ethereal quality of Sky Madden and Jess Labrador's music stops time, transfixing moments into a fluidic-like substance that bubbles up around you in colors as you stand and stare at a stage that ceases to be a stage and instead becomes a portal.
Highly recommended live.
According to Chasms Bandcamp, this is the final track of their current shoegaze/industrial sound and a closing chapter on their time in the Bay Area. The band has relocated to Los Angeles (yah!), and 2019 will see the release of a new record on Felte. I can't wait.
Thanks to Kristen Renee Gorlitz - whose Kickstarter for her Zombie Romance comic The Empties, and who will be the guest on next Friday's Drinking with Comics, which streams live on the DwC facebook page - I've found an awesome new project on Kickstarter I just backed. The Murder Balloon! Check this out:
Four days left, so if like me, you love the idea of a vengeful clown inventing a Murder Balloon, click HERE and drop some $$$ - the rewards are worth it!
Playlist for 11/02:
Tones on Tail - Everything
The Ocean - Phanerozoic I: Palaeozoic
Uncle Acid & the Deadbeats - Wasteland
The Chameleons UK - Strange Times
Queens of the Stone Age - Villains
Alice in Chains - Rainier Fog
Blut Aus Nord - Memorial Vetusta III (Saturnian Poetry)
Chasms - Divine Illusion (Single)
Chasms - On The Legs of Love Purified
Card of the day:
My favorite card, the number 17, a beautiful portrait of the cosmos and the idea of ebb and flow, balance and harmony, and a guiding light. Reminds me that although last night I had appeared to write myself into a nasty little corner, this morning in the shower I thought my way out of it rather easily. Looks like she's bathing, right? I've come to suspect this card surfaces when I do my best problem solving, which is almost always in the morning, in the shower.
Apparently this new Windhand video dropped on Halloween but I missed it. Here now, I present Red Cloud for your viewing pleasure. Great that they basically made a Hammer Horror short for it.
With all the spins I'm clocking on Eternal Return since it's release last month, I came to an interesting revelation. While definitely having their own sound, Windhand's sound could be elevator pitched as Carly Simon singing over early 90s Melvins. Not accurate, but I think it gets you there. As an interesting side note, I never really cared for Carly Simon before, but now I think I dig her.
If you live in Los Angeles, David Lucarelli's brilliant Dr. Zomba's Ghost Show, an old-time theatre experience is back for its final show this Saturday. I caught this a few months back during Fringe Fest - very much worth seeing. You can get tickets HERE and check out the trailer below:
And here's a clip of David talking about the origins and ideas behind Dr. Zomba's on Drinking with Comics:
Playlist from 11/01:
Weeknight - Post Everything
The Misfits - Static Age
The Final Cut - Consumed
Ennio Morricone - Black Belly of the Tarantula OST
Card of the day:
Well well well. Two days in a row, eh? I don't have time to dig deeper at the moment, however I pulled a clarification card and received this:
Swift action toward goal. This feels ambiguous at the moment, or maybe I'm just having trouble betting up my brain on the cusp of a three-day work weekend that starts eight days in a row. For now, I'll take it as a prompt to accelerate my work on making the book materialize, and leave it at that.
