You know, I never really gave Nothing's 2020 album, The Great Dismal, the chance it deserved. I wouldn't say I didn't like it, but before recently, I'd never bonded with this one like I did some of their others. That's changed, and this song resonates as a perfect album closer. Very MBV, but not, if you know what I mean.
Here's Nothing's Bandcamp HERE or their site (which is really well-made) HERE.
Watch:
F*ck. Not sure I'm ready to go back to this world...
Well, we have until April. Gonna have to look at A LOT of cat pictures to prep.
Read:
Now that issue three of Rafael Grampa's Batman: The Gargoyle of Gotham is out, I sat down over the weekend and read all three. Holy smokes. This is seriously one of the best Batman series I've read, and even though I don't read all that many Bat-Books, I've read my share of the classics. I think this will sit amongst them. One of the reasons for that? The villains.
I've talked on Drinking with Comics about how I feel Bruce's standard rogues gallery is one of the major issues keeping from reading Bat-books. I rejoiced at Morrison's run when Prof. Pig and the Black Glove were introduced. Anything to get the same stupid, overdone bad guys out of the spotlight. I mean, yeah, I like a good Joker story here and there, and I loved Max's Penguin, but it's how you approach it. For the purposes of a Batman comic that's going to hold my interest, I need something new. And Mr. Grampa has certainly done that. Cry is fantastic (if that is actually their name), and whoever this is that showed up at the end of issue three blew me away. Let's not forget the weird, hallucinogenic psychic chick. There's just so much NEW going on here, and I absolutely reveled in it while reading. Can't recommend this one enough; I just hope it doesn't take the better part of another year to get issue four. If it does, it's worth it, but man - it would be tough just waiting a month or two.
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Page (Princess) of Swords
• XVI - The Tower
• II - High Priestess
The Earth of Air, the Earthly realms of intellect. In other words, you can be as smart as you like, and it won't mean spit if you're not street smart. The Tower tells me I'm not as smart as I think, and High Priestess suggests nurturing, so I'm reading this as a direct rebuttal to the nearly crippling self-doubt and imposter syndrome that's been hammering on the inside of my skull for the last few days. I'm not as smart as I think - meaning I've misread everything and should chuck all that baggage in the bin.
I have to say, while holding Dreamkid's retro 80s synthwave sound at arm's length for well over a year, I think I've finally succumbed to full-on fan. Yes, there's definitely a chessiness at play here, but it doesn't matter. Dreamkid's music has a very genuine soul, which is weird to say about something with so much facade, but that's part of music, right? A ton of Metal is facade, so why not neon and glitter instead of Satan and blood?
From last year's Daggers album, which I've been listening to in late-night writing sessions for a few days now.
Watch:
In the past seven days, K and I have watched two and a half seasons of Apple TV's Slow Horses. This is a show based on Mick Herron's Slough House novels, none of which I have had the pleasure of reading.
That's the opening of the first episode. Slow Horses follows MI5 agent River Cartwright who is reassigned to Slough House after the debacle depicted in the Sneak Peek above. Slough House is where British Secret Service assigns their fuck-ups, and we meet a lovely cast who all suffer under the profanity-spewing, Curry-farting, Single-Malt-drinking Jackson Lamb, a right old bastard as played by Gary Oldman. Lamb was a legend but made a lot of enemies and got sent to Slough House to 'run out the clock.'
Lamb reminds me of two very different characters I've met before. On the one hand, Oldman invokes Jackie Flannery from State of Grace in all his whiskey-swilling, unwashed glory. The character also conjures more than a little comparison to an aged John Constantine, and I have to wonder if that's canon from the novels or if the show's creative team is showing its influence. Either way, Oldman is a delight every moment he's on screen.
So are all the other characters, too. Even the ones you despise. As the clip shows, this is a fast-moving series and, honestly, the best "spy" story I've come across.
Read:
I guess re-reading Warren Ellis and Declan Shalvey's Injection is, at the very least, an annual appointment for me now. I woke up Saturday and re-read the first volume and experienced nothing short of total comic book ecstasy.
I've held to the story that my two favorite comics of all time are Preacher and The Walking Dead, and on some level, they are and always will be. That said, I think Injection is up there, neck and neck, as well. This might even be a "win by a nose" situation, and what I mean by that is both Ennis and Kirkman's opuses are just that - epic, long-form series. At three six-issue volumes (that I hope will one day be joined by those final two), Injection is pocket-sized, in a manner of speaking.
Especially when you consider that this is among the best of the 'wide-screen' format series, so it reads quick. Rereading is easy, as opposed to the voluminous experience of rereading the other two. That's not without its merit, of course, but I can find far more time to read Injection, and it affects my brain in a different way.
Playlist:
Aidan Baker & Dead Neanderthals - Cast Down and Hunted
This had me both laughing out loud and thrashing at my desk all afternoon yesterday. Focusing your band around The Simpsons is a quick way to get dismissed as a gimmick, but take a listen and you'll see - Dr. Colossus fucking rules!
Watch:
Rewatched Adam Green's original Hatchet two nights ago and hot damn! I love this flick, but I always forget how much I love it until I actually sit down and rewatch it.
This is an obvious 'skin' of F13; however, I think by moving the 'Cabin in the woods' trope to the Louisiana swamps, effectively making it 'Cabin in the Swamp,' Green really breathes fresh life into the Slasher genre (always loved the tag: Old School American Horror). The cast is great and doesn't die in the order you'd imagine, and as annoying or vapid as some of them are, I actually don't want to see them die. That's usually not the case in modern slashers.
Playlist:
Aidan Baker & Dead Neanderthals - Cast Down and Haunted
Aidan Baker & Tim Hecker - Fantasma Parastasie
Aidan Baker & Gareth Davis - Invisible Cities
Beth Gibbons, The Polish National Radio Symphony Orchestra & Krzysztof Penderecki - Henryk Górecki: Symphony N. 3
Windhand - Split
Dr. Colossus -
I'm a Stupid Moron With an Ugly Face and A Big Butt and My Butt Smells and I Like to Kiss My Own Butt
David Bowie - Hunky Dory
David Bowie - Heathen
Card:
First Tarot Pull of 2025, I have to make it a single card from Missi's Raven Deck:
Always one of my favorite cards in any deck; this reminds me to look at things beyond surface capacity. No surprise I'm turning forty-nine in three months because that's what we do as we get older - we gloss over things. Part of it is, I think, when we're younger we have way more of a perceptual filter. We're only aware of our own world and small increments beyond. Aging opens that up, and by the time you're in your forties, you're aware of so much that you look for shortcuts. When you consider the internet and smartphones and all the stimuli and information that flow through us every day, my theory gets an update - kids are aware of so much more than I was when I was younger. Now, what's that due to adults that have that widened awareness?
In some cases, in a lot of cases I'd say, it shuts it down completely. We look at the world only as we want to see it. And the almighty algorithms just exacerbate that by creating these endless feedback loops that just cycle our own thoughts back through our head. So in 2025, I'm going to try and remember, every day, to look deeper. I've even made a note on my desk to remind myself.
Day late, but it's still poignant. Holy shit - we made it to 2025!!!
Watch:
I saw this pop up on my local Regal's calendar and went from thinking I'd never heard of it to swearing I had posted the trailer on here previously. Not the case, but now that this is on my radar, I'm kind of dying to see it.
I feel like the release timing for this one was perfectly staged - people who saw Nosteratu and want more historical Horror can plop their arse in the theatre again and see what looks like a wicked combination of The Witch and Cold Skin.
NCBD:
Short week. Here we go:
Nice to have a short week at the moment. I've got a lot of other reading to do.
Featured in Jenn Wexler's The Sacrifice Game, now an annual Christmas watch for me. Check out L.A. Witch's Bandcamp HERE. I've just started exploring their stuff and I'm digging everything I hear. A little Mazy Star, a little Classic Rock a la The Door, maybe some Cults, but all distinctly L.A. Witch!
Watch:
A VERY solid film. I really dig Jenn Wexler's The Ranger as well, but this one has such a turn to it, just blows me away every time.
Read:
K gifted me Grady Hendrix's How to Sell a Haunted House for Christmas, and after starting it the other day, I'm already more than halfway through. Fantastic!
I don't want to say too much, just that if you've read and dug any of Grady Hendrix's other novels, you'll definitely dig this. If you're unfamiliar, I'd still say start with My Best Friend's Exorcism - which remains one of my all-time favorite novels - but this is also very good.
This particular track is old now - dropped way earlier in the year. That said, I think it's the most recent release from James Kent under his Perturbator moniker. Recently, I went through a big jab on Kent's music and got to thinking that, damn, it's been a minute. Lustful Sacraments dropped in 2021 and Final Light in 2022, so we're due. Then I saw this:
I immediately checked the Blood Music website and found it is down for updates, so that tells me the new record is coming SOON! Perturbator is by far their biggest name - not to take anything away from the other wonderful artists on Blood Music - and it makes sense they would reconfigure the site to accommodate a drop this big. So I'm checking daily and wanted to pass the tip along.
NCBD:
This week's pull is on Thursday, and it's the biggest one in a while:
New book. Not sure I'm picking this up until I hold it in my hands, but I dig the concept and the art. Here's the solicitation blurb from League of Comic Geeks:
"A tormented Oklahoma sheriff and a scrappy photojournalist hunt a serial killer at the height of the dust-choked Great Depression.
In the darkest days of the Great Depression, death stalks the Dust Bowl. As towering dust storms blast the parched Oklahoma panhandle, farmers try to flee the failing town of New Hope, but no one gets far. Battling his own demons, Sheriff Meadows teams up with Sarah, a traveling photojournalist, in a desperate fight to stop a serial killer on the loose — the Death that rides the Dusters."
I'm not going to lie; part of my interest in this one stems from its similarities to a project I previously worked on with Jonathan Grimm. Our never really caught hold of our creative energies, but I'm curious as hell to see someone else work with the Dust Bowl during the Great Depression. Scott Snyder and Attila Futaki kind of took this road with Severed - which is excellent - but the setting in that one wasn't quite the character it sounds like here.
Being that DC books come out on Tuesday, I actually messaged Rick's to see if this came out and it did! Great excuse to re-read the first two and hopefully prep for the fourth and final book, which, as of now, has no solicitation date.
Things are heating up in the Battle for Springfield. We have mutated Cobra Vipers of all varieties, ninjas, robots - after avoiding the absurd for so long, Larry Hama has embraced the SciFi potential of this property with open arms without sacrificing his real-world military background, and it works!
Issue one was pretty cool, so I'm in on this Norwegian Black Metal Horror/Thriller. We've got a dad female fan/photographer, a nefarious band, and a whole lot of Vengeance coming down through the woods.
I think I said the same thing last month, but what the hell - HOT ROD! I felt a little guilty not putting Void Rivals in my Top Ten Comics of 2024 list, but Transformers and Cobra Commander won out on what is at least a partial nostalgic advantage. Still, this book is probably my favorite of the Energon Universe, and it just keeps getting better as those properties we love are enmeshed in Kirkman's new addition.
Watch:
Tonight! All my dodging and weaving to avoid Robert Egger's Nosferatu trailer pays off when I plop my arse in the theatre and watch it for the first time (pretty sure there will be a return engagement):
My excitement for this one is not super high, not because I think it will be anything short of extraordinary, I'm still just a little baffled Eggers chose to follow The Northman with a remake. That said, my guess is Eggers's version will be less a remake and more his own thing.
Playlist:
Steve Moore - Christmas Bloody Christmas OST
Windhand - Eternal Return
Windhand - Eponymous
Windhand - Grief's Infernal Flower
Mr. Bungle - Raging Wraith of the Easter Bunny
Perturbator - The Uncanny Valley
Dreamkid - Daggers
Perturbator - Bloodlust (single)
Health - DISCO4 :: Part 1
Perturbator - Lustful Sacraments
Cult of Luna - Vertikal I & II
Final Light - Eponymous
Rodney Crowell - Christmas Everywhere
Calexico - Seasonal Shift
Steve Moore - Mind's Eye OST
Steve Moore - VFW OST
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
Love the way this deck looks under different lighting.
This spread is basically a cautionary tale - watch out for dogmatic principles and false prophets who appeal to emotion.