Isolation: Day 124 - The Sandman on Audible

Previously, I've had no interest in audible, as I'm not one for audio books. This changes everything. A star-studded audio presentation of Neil Gaiman's Sandman? Count me in.


**

I'd been under the impression the final episode of Borrasca was to drop this past Monday, so imagine my surprise when the episode - at a paltry 33 minutes - cut off in an unceremonious manner. Creator Rebecca Kingel had previously said the podcast would wrap with ep 8, so I figured the finale might have been too long for their standard format, making them split the finale into two. I was all set to wait until next Monday when I received word the second part dropped yesterday.

It is amazing.

Easily the scariest fiction I've encountered in any medium for the past several years, the wrap up is filled with revelations and tragedy, and contained a sequence that held me so strongly under its narrative influence that the world around me kind of disappeared for a while. I'm sold on Cole Sprouse as an actor, and very much hope there will be more of this, or at least, another teaming of Klingel and Sprouse.

I really can't recommend this one enough. Earlier, I realized that, along with all the podcast platforms (Apple, Spotify, Stitcher, etc), all the episodes of Borassca are on youtube as well, so I'm posting the first one here as a way to spread the word. I's that good.



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Playlist:

Walter Rizzati - House By the Cemetery OST
Palesketcher - Jesu: Pale Sketches
Mannequin Pussy - Patience
Exhalants - Band (single)
Le Matos - Summer of '84
Barry Adamson - Stranger on the Sofa
Perturbator - The Uncanny Valley
DAF - Die Kleinen Und Die Bösen

**

No Card Today.

Isolation: Day 123

Last week, Metal Blade Records announced the new album from Germany's reigning Post-Metal champs The Ocean. Phanerozoic II: Mesozoic drops on September 25th. Pre-order HERE.

I've followed The Ocean since I stumbled across 2007's reissue of Fluxion in the metal section of a local record store. The group is hot and cold for me, in that I have and love all their albums in theory, but not all of those records are practical listens for me. 2005's Aeolian and 2007's Precambrian have their 'I have to hear that song right now' tracks, but overall are so academically 'post-metal' that, although I appreciate their sonic integrity, I find listening to them for any extended length of time often cumbersome. That said, Fluxion and 2010's pair of albums Heliocentric and Anthropocentric are year-round go-to's, and 2013's Pelegial also easily fits into regular rotation. I'm not quite sure where last year's Phanerozoic I fits into my listening routine yet, primarily because the record kind of got lost amidst a ton of other albums that held my attention for most of the year.

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A new episode of The Horror Vision Horror Podcast went up yesterday. I've added the handy little widget in the upper right-hand corner of this page where you can listen or follow over to our page on Spotify, since this is the service most of our listens seems to filter through. In this episode, Ray and I go Dynamic Duo and talk about Natalie Erika James' Relic, Jeffrey A. Brown's The Beach House, as well as a bunch of other cool stuff. Also available on Stitcher, Apple Podcasts, and Google Play.


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NCBD - I messed up and posted this week's books here last week, so I'll be picking up those today.


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Currently reading:

Last week I finished Mark Frost's The List of 7 - very good Victorian mystery novel. Thoroughly enjoyed, and although I was tempted to start the sequel, 6 Messiahs, instead I started Matt Ruff's Lovecraft Country in anticipation of the upcoming HBO adaptation. At a third of the way in, the novel is as fantastic as the trailer looks, so I'm doubly excited now:



The book is very much not what I expected, and that's good. Reading it is a cathartic, as being a long-time Lovecraft fan - we're talking since '92 - I had built up a pretty big head of fandom steam before I ever realized HPL was a completely racist xenophobe. Through the mid-to-late 90s, as his personal correspondences were published, I made it a point to avoid them, as that's when the depth of his ignorance really became apparent (it's in the writing, but not exactly overt, especially not when you're younger and not as skilled at reading into things). Still, as more has come out, it remains more difficult to balance being a fan of his fiction with abhorring his personal philosophies. The first book I read that really played with this was Seamus Cooper's The Mall of Cthulhu, where the protagonists are accosted by a skinhead group who have adopted worship of Lovecraft's entities (great book and only $2.99 on Kindle at the moment). That was a comedy though. Lovecraft Country is not. A taut exploration of this country's racists underpinnings (that just won't seem to go the fuck away), the story is less about Shoggoths and more about human monsters.

**

Playlist:

The Birthday Party - Mutiny/The Bad Seed
Mannequin Pussy - Patience
United Future Organization: 3rd Perspective
Henry Mancini - Charade OST
Charles Mingus - Blues and Roots
Cypress Hill - IV
Raury - Indigo Child EP
The Chameleons - Script of the Bridge
Blut Aus Nord - Hallucingen
Palesketcher - Jesu: Pale Sketches

**

Card:

"A temporary culmination of events or labors. A well-deserved breath." I'll take it.

Sunday Bandcamp: Mannequin Pussy

While snooping around online for a copy of Pygmy Shrews' The Egyptian on vinyl, I stumbled across a cross reference to the band Mannequin Pussy.

Awesome band name made even better by the fact that the band is pretty awesome, too!

Isolation: Day 120

Some time back in late 2018, my good friend Jesus gifted me a Blu Ray copy of the film Summer of 84. At the time when I first watched it, the film seemed a little too derivative of Stranger Things. Kids on Bikes felt like it was becoming the new Steampunk, i.e. ubiquitous to the point of losing me. Still, I ended up digging the movie that first time.

Yesterday, I came home from work and, as has become my custom, cuddled up with my cat on the couch to take a nap. I generally put Shudder TV on, find something mildly interesting, and nod in and out while I watch. This has been a great way for me to see a lot of films I can't commit to in the course of my regular, evening viewing. Anyway, 84 came on and I fell into it. I felt pretty much the same for most of the movie, and then the last ten minutes or so happened and I finally 'got' what the filmmakers were trying to do. Much like Twin Peaks purposely took on the language of the night time soap opera in order to completely subvert it, Summer of 84 puts on a Stranger Things costume just to turn it on its head at the end. Chilling is the only word I have for it, especially after seeing on Reddit where in a post-screening interview, the directors - François Simard, Anouk Whissell, and Yoann-Karl Whissell -  stated they would never make a sequel because - and this is me quoting someone paraphrasing - "The terror was from the ending as it was, and to make a sequel would take away some of the effect."

That's fucking hardcore.

**

The new issue of Fangoria arrived this past Thursday. Look at that cover! The cover story is based on a comic strip Patton Oswalt sent in to Fango in 1984, and the print the entire thing. It's fantastic.

With information about Fangoria's parent company Cinestate coming out on how they ignored one of their producers who sexually harassed women on set coming on top of former Fango head of acquisitions being accused of harassment, it seems that everyone is jumping ship from the magazine.

Not me.

I don't really understand cancel culture in general, but this is insane. The moment the Cinestate story broke, Fangoria Editor in Chief Phil Noble, Jr. posted that Fangoria was looking for new owners, and the head of acquisitions in film had been on board for probably a year since coming over from the same position at Dread Central's film division. He stepped down from Fango immediately, and from what I've seen, there's no suggestion that anyone at Fangoria even knew about his actions. So why then did Shockwaves, Mick Garris, and a host of others dump their association with the beloved Horror mag? Why did one of my favorite new authors not only pull his upcoming book from Fangoria's publishing imprint, but also post a letter to his social media saying that although he has never sexually abused or harassed anyone, he realizes this may have hurt people and he apologizes (I think that's what it says. It's really confusing)?

This apologizing for for nothing is a panicked overreaction in the age of the SJW and cancel culture, and I think it sucks. People are pulling their association with the magazine as a preemptive strike, which is seems more than a little like being guilty until proven innocent. Until someone shows me Fangoria itself actively ignored or fostered this stuff, I'm sticking in as a fan.

The re-launch has been such an amazing vessel for critical and thought-provoking Horror discussion. Much more than the later days of the original magazine's iteration. I never consistently read any of the horror mags when I was younger, but I'd pick them up on occasion and, through the 00s when I worked at Borders, read them on break. By that time, Fangoria paled in comparison to Rue Morgue, in my opinion. No longer the case. Rue Morgue and Horror Hound are still great, but the new volume of Fangoria is fantastic from an academic perspective, and I think everyone who is afraid of the SWJs swooping down on them are going to regret their actions, especially if it tanks the magazine. If you didn't do anything wrong, you didn't do anything wrong. Period. I reject absolutely the idea that everyone on Earth with a penis is a rapist by default, and although I absolutely believe predators of any kind need to be stopped, outed, and punished, guilt by association is not a good thing. One of my closest friends in high school turned out to be a murderer and rapist, and at the time that came out, a lot of people cast suspicions and, on a few occasions, borderline accusations at those of us who hung around him. Although he was my friend, I didn't know what he was capable of, and I certainly did not condone or take part in it. That's the example I use as my guide.

**

Playlist:

Brainiac - Bonsai Superstar
The Chameleons UK - Strange Times
The Chameleons - Script of the Bridge
Le Matos - Summer of '84 OST
Zombi - Shape Shift

**

Short story almost finished, time for something new.

Isolation: Day 119 - Soul in Isolation

Over the last week or so, I've fallen back into The Chameleons UK pretty hard, and now Strange Times is a daily double listen (at least). I can't explain how much this album affects me; when I first found it in 2015 I was at a precipice, an unknown crossroads before me. It empowered the part of me that knew how everything would turn out, even if another, bigger part refused to go along with it.

I'd be remiss if I didn't add the caveat that, in my opinion, to really get the maximum effect of this song, it must be listened to in the context of the entire album, or at the very least, immediately followed by the next successive track on the record, Swamp Thing. Talk about an extremely powerful double-hitter.

**

I was SUPER excited to come home from work yesterday, smoke out, and watch Jeffrey A. Brown's debut feature The Beach House on Shudder. I knew nothing about this one going in except a blurb I saw that called it "Cosmic Body Horror."

I was not disappointed.

The Beach House takes an everyday situation, makes it awkward, so that a lot of the expectation is based on social mores. The film then balances on a precipice of possibilities, slowly turning up the tension, never quite doing what I expected it to. Which is almost always a great thing.

This one would make a great double-feature with Richard Stanley's The Color Out of Space, as the two films have similar themes and color palettes. Strong tone, great visuals and camera work - some nice juxtapositions of macro and micro with the lens - and eventually, squirm-inducing effects. Highly recommended, but wait for when you're open to a slow unraveling.



The Beach House was the first in a two-day, self-styled event viewing program that culminates tonight with the VOD premiere of Natalie Erika James' Relic. Without theatrical premieres and fests to look forward to, this is the way I stay sane and psyched for Horror Cinema!


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Playlist:

Various Artists - Twin Peaks (Music from the Limited Series Event)
Ozzy Osbourne - The Ultimate Sin
The Chameleons UK - Strange Times
Lissie - My Wild West
Emma Ruth Rundle - On Dark Horses
Flying Lotus - You're Dead!
Exhalants - Bang (single)
The Obsessed - Lunar Womb
The Jesus Lizard - Head
Jenny Hval - Blood Bitch
Mannequin Pussy - Patience
Pygmy Shrews - The Egyptian
Perturbator - The Uncanny Valley (Expansion)
EPMD - Unfinished Business
Brainiac - Hissing Prigs in Static Couture
Holy Porter - Kistvaen

**

Card:

Personal or global? I think we know the answer to that one, although I don't really have any conflicts (that I know of) at the moment.

Isolation: Day 117 New Exhalants!

New song from Austin's Exhalants. For my money, these guys are the closest band I know of to that old school Jesus Lizard vibe I love so much. I ordered their self-titled debut last year from bandcamp and love it, now it would seem we have a new record coming soon. Can't wait.

**

NCBD:

Didn't 22 just hit the stands last week? Looks like there was one in the queue when the Diamond hiatus happened, so we're getting an extra treat here on the backend. Very nice.

I KNEW IT! I knew that zero issue for Transformers '84 that Simon Furman and Guido Guidi did last year would lead to a series. SO excited. I don't read any other title associated with this beloved childhood franchise, but if Furman writes it, I am there! And look at that cover - does anyone ever get sick of watching Starscream and Megatron try and kill one another? I know I don't.

Love this cover too! This series continues to blow me away with its new direction, so I'm psyched to have 106 come in so close to 105.

**

Playlist:

Andrea Moscianese and Francesco Zampaglione - Tulpa OST
Iggy Pop - Lust For Life
Exhalants - Band (single)
Exhalants - Eponymous
Brainiac - Bonsai Superstar
Brainiac - Hissing Prigs in Static Couture
Perturbator - Dangerous Days
Perturbator - The Uncanny Valley
War on Women - Capture the Flag

Card:

A solid foundation of work yields results.

Isolation: Day 116 - Transmissions After Zero

Over the weekend, I finally got a chance to check out the Brainiac Doc that's now streaming on Prime. Transmissions After Zero is a fantastic slice of Midwest, indie rock history. I'll never forget the day Mr. Brown first played me Brainiac's Bonsai Superstar. The vocals reminded me of a cross between Marilyn Manson and Adam Sandler's Excited Southerner character (NOTE: This was before Sandler had become an affront to good taste). The music too, especially the guitars, hit the sweet spot between melodic and completely angular and dissonant.



I love all Brainiac's records, and the death of Mr. Taylor was one of the most tragic moments of 90s music history. This doc 100% does both Taylor and the band's legacy justice.

**

Another flick I watched over this past weekend is Jason Lei Howden's Guns Akimbo. Howden has already earned a place in heaven for his 2015 Heavy Metal possession flick Deathgasm, and now this? Akimbo is freakin' nuts; the absolute heir to the Crank series' throne for meth-level madness. Samara Weaving can do no wrong in my eyes at the moment, and Radcliffe gives a great performance as Miles whose punishment for being a worthless internet troll is to have two guns bolted through his palms and made to play in an underground death match internet series. Sound insane? It is:



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Playlist:

Lustmord - Hobart
Battle Tapes - Sweatshop Boys EP
Soundgarden - Superunknown
Zombi - Shape Shift
Brainiac - Smack Bunny Baby
Van Halen - Eponymous
Brainiac - Bonsai Superstar
Brainiac - Hissing Prigs in Static Courture

**

Card:

Everything needs time and consideration. This dovetails nicely with my early morning realization that the short story I've been wrestling with off and on for over a year now, isn't working out the way I want it to because I've been trying to shoehorn a 10K words at least into under 6K. Accepting this and re-approaching it from that perspective, things may turn out better.