New Music From †††

 

I did not realize we had a new full-length on the way from Chino Moreno and Shaun Lopez's †††, but Goodnight, God Bless, I Love U, Delete. officially drops on October 13th. Pre-order Here.

This one took me a minute to warm up to, and I'm done with it until the full-length arrives, simply because with †††, I really feel the context of an entire recording makes their songs that much stronger.

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The Vinyl High:

A couple new acquisitions showed up on my doorstep last week. First up, Bohren and der Club of Gore's 2000 MASTERPIECE, Sunset Mission:

This is one I've wanted for quite some time. Available HERE on the Pias label's website; I'd seen a few complaints on Discogs about this pressing being noisy, but not my copy. Pristine, Sunset Mission was made to be heard on vinyl. This one is kind of the nexus of everything I love about the music in Twin Peaks and everything I love about the music in Cowboy BeBop, so finally acquiring it on vinyl kind of completes a bit of a trilogy for me, I guess. 

Next up, John Harrison's Soundtrack for George A. Romero's Day of the Dead:

I honestly don't know how I passed this one by for so long. I'd actually forgotten Waxwork Records released this until two Fridays ago when I watched the Joe Bob Brigg's Last Drive-In season finale, where Joe Bob and Darcy not only played and talked about Romero's third entry in his original Zombie trilogy but also had a small cast reunion with Lori Cardille, Terry Alexander and Jarlath Conroy. I'd already been thinking about Boards of Canada a lot recently, in that I started following the BOC fan Instagram page, where one post kind of marveled over all the negative reactions to 2013's Tomorrow's Harvest. Easily my favorite album by BoC - which is really saying something because I have deep connections to most of their records - not only did I never understand how so many people didn't like this, I doubly didn't understand how 80s Horror fans don't like Harvest, because it plays so much like a Carpenter/Romero score. This is especially true of Harrison's work on Day of the Dead, where most of Harvest would seemingly be right at home following the opening track of the movie.

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Playlist:

Sigur Rós - Ágœtis Byrjun

John Harrison - Day of the Dead OST

Jim Williams - Possessor OST

Witchskull - The Serpent Tide

The Cure - Pornography

Fabio Frizi - House By the Cemetery OST

Bohren and der Club of Gore - Sunset Mission

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Card:

• Six of Disks Success

• Princess of Disks

• Three of Cups: Abundance

This feels like a direct response to yesterday's Pull, as a lot of my reservations disappeared as soon as I started really applying my force of Will to make progress and achieve success in a few chapters that seemed hopelessly lost a day or so ago.

 

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RIP William Friedkin

 

New Music from 16 Horsepower's David Eugene Edwards!

Well, I totally fucked up Marty and Drexel's Live Music Week, so here's some new music from former 16 Horsepower's David Eugene Edwards. 

It's hard to imagine a band and album that affected me more in the early 00s than 16 Horsepower's Low Estate. I love everything they did, and everything David Eugene Edwards followed that band in Wovenhand, and now everything he's released under his name (which is still also known as Wovenhand? I'm not really sure). But everything has been chasing that feeling I got the first time I heard "Brimstone Rock" and the thirteen songs that follow it. But that's the thing with an artist like Edwards - he makes such a deep impact upon introduction because his approach, his songwriting, his tone and his lyrics all combine to make such a signature sound, that it's similar to but completely unlike anything you've heard before until you hear him. So too with this new track from the forthcoming album Hyacinth, out September 29th on Sargent House. Pre-order HERE.

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Watch:

I watched a couple flicks over the weekend, but none I enjoyed more than 2018's The Meg:

When I saw this in the theatre upon its original release, I didn't really care for it. Didn't hate it, but nothing about The Meg grabbed me at the time. After hearing Ben Wheatley is directing the sequel, and after seeing a trailer for Meg 2: The Trench a few weeks ago and really digging it (I can't turn the deep sea trench thing down, and there appears to be a lot more of that in this film), K and I decided to rewatch the first movie. You know what? LOTS of fun. I don't know if I was just in a more accepting mood because of my interest in the sequel, but I really had a good time with The Meg this time. 

 

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Read:

Less than one hundred pages from the end, I can tell you that Stephen Graham Jones's Don't Fear the Reaper is one of the best sequels ever! 

I blew through almost two hundred pages yesterday, which wasn't easy to do as we had guests visiting from out of town. This is one of those carry-it-everywhere-and-read-it-any-chance-you-get novels, and I am 100% riveted. If you've still not read My Heart is a Chainsaw and you love literature, Horror novels, Slasher flicks or just a damn good yard, grab that and this in one swoop and dig in. 
        

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Playlist:

Calderum - Mystical Fortress of Iberian Lands

Led Zeppelin - Eponymous

Led Zeppelin - IV

The Door - L.A. Woman

Dean Hurley - Anthology Resource Vol. 2: Philosophy of Beyond

Bohren and der Club of Gore - Sunset Mission

Sandrider - Godhead

Perturbator - The Uncanny Valley

John Harrison - Day of the Dead OST

Blackbraid - Blackbraid II

Blanck Mass - Animated Violence Mild

The Dillinger Escape Plan - One of Us is the Killer

The Besnard Lakes - The Besnard Lakes are the Roaring Night

Johnny Cash - Live at San Quentin

Various - The Daptone Super Soul Revue LIVE at the Apollo

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Card:

• Three of Disks: Works

• Five of Cups: Disappointment

• Ten of Cups: Sobriety

I'm having self-doubt that I can pull off this new novel the way I want to. That's a bit vague, but the cards definitely seem to be referencing this fear. There is a height I feel as though this story can attain, I'm just not sure I'm completely on the path to achieving that. Which would be a shame, because if I finish it and it's not what I want, I'll have to take a break for a while and come back to it. The Three of Disks indicate success through effort but juxtaposed with disappointing results. The Ten of Cups indicates perfect alignment, which leaves me needing a clarifying card:

• XVII: The Star indicates a turning point for the positive. Also, from the grimoire:

"Fulfillment - when this comes up, go for your dreams - better than average chance something will pan."

 

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Sinéad O'Connor - Mother by Pink Floyd Live

I believe Marty and Drexel promised live music week, so here's me making good with Sinéad O'Connor singing Pink Floyd's "Mother," in 1990.

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New Aphex Twin!!!

I saw this new Aphex Twin single dropped a few days ago, but it actually took me a minute to build up the desire to hit play. I haven't loved much of what Richard James has done over the last two decades, so I was tentative to re-engage with new Aphex Twin music. Turns out, all my fears were for naught, as I love this track; it reminds me - in spirit - of I Care Because You Do, which I used to lay alone, high, listening to in my room in my early 20s, a rich but isolatory experience to say the least.

 

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Watch:

A trailer for Satanic Hispanics dropped yesterday - I've been waiting for this one since I missed out on scoring tickets for the screening at last year's Beyondfest:

Ever since I first saw The Convent in 2003, I've been a pretty huge Mike Mendez fan, and while I don't love everything he does as much as I love The Convent, I count him as a favorite Director. Also, thanks once again to Beyondfest, around 2013 I was introduced to GiGi Saul Guerrero's short film El Gigante. I've mentioned this one here before, and even though it's no longer currently streaming on Shudder, it's 100% worth looking up. Think OG Texas Chainsaw Massacre meets Luchador wrestling and that will put you in the ballpark. It's awesome, and ever since seeing that, Guerrero is another Director I follow. Her and Mendez's involvement in this Anthology puts it at the top of my "I want this right bloody now" list, so waiting nearly a year has been difficult. 

                       

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Playlist:

Blut Aus Nord - Memoria Vetusta III (Saturnian Poetry)

Blut Aus Nord/P.H.O.B.O.S - Triunity

Jim Williams - Possessor OST

Aphex Twin - Blackbox Life Recorder 2f (single)

Cristobal Tapia De Veer - Smile OST

Aphex Twin - I Care Because You Do

Metallica - 72 Seasons

Battle Tapes - Sweatshop Boys EP

Baroness - Last Word (pre-release single)

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The Kills Live From The Basement!!!

 

"Mutha fucka must'a thought it was live music week. It ain't live music week, is it Marty?" 

"Yeah, man. It's live music week." 

Well, Marty and Drexel have spoken. It's live music week. Here's a nice, tight live set from The Kills, originally published on the From The Basement youtube channel, which you should definitely check out and subscribe to HERE.

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NCBD:

My picks for this week's NCBD:

After last week's Hellfire Gala, well, shit. I can't wait to see this. I'll admit, I did not expect the landscape of X to be so completely changed in just one issue. Looking at a lot of the books launching after this, I'm not super interested in how the X Bullpen is choosing to explore this new playing field, however, I maintain my hopes that the core books will continue to turn out awesome entries into this aptly named Fall of X saga on a monthly basis.

The final issue of TMNT's The Last Ronin: Lost Years. In comics, possible future spin-offs are pretty common, and in general, I'd say I'm a fan. That said, there's so much of this kind of story out there, it feels a little overdone these days, and I tend to stay away from them. In TMNT's case, I really feel like they did it right. I don't know if I need a constant line of these Last Ronin stories, but I'd definitely be up to revisit the world again at a future date.

A Thessaly one-shot written by James Tynion? Yeah, sure. I want that. Thessaly's always been a Sandman Universe character that fascinates me. She's brutal and sexy and seemingly has no fear, which always makes her showing up a bit fretful for the characters already in play in any given story. Since this ties into the current Nightmare Country storyline, I'm curious to see whose blood Thessaly spills. Also, curious to see her and The Corinthian interact, as I can't remember off the top of my head if that's ever happened before.

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Read:

I finished my re-read of Stephan Graham Jones's My Heart is a Chainsaw yesterday and immediately jumped into this year's sequel, Don't Fear the Reaper. It's funny - last year when Chainsaw came out, I was sick, home from work for a week, and read it in three days. This year, I'm not only working, but hammering out a novel, so I had to read it more piecemeal. Didn't affect the sheer joy the novel inspires in me, but I also wanted to state it out loud, so no one out there reading this thinks Chainsaw is anything but one of the greatest Horror novels since Pet Semetery. 

Only a couple chapters in so far, and I already can feel I am standing at the precipice of a masterpiece. I don't know how I can love the sequel more - and I don't want to jinx it - but the broadening scope Jones starts laying out in Chapter Two: Dark South Mill has me positively giddy with excitement at where the novel will go.

 

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Playlist:

Underworld - Beaucoup Fish

The Kills - Live From the Basement

Arctic Monkeys - The Car (thanks Josh!)

Goblin - 2013 Tour E.P.

Zombi - Shape Shift

Mammon XV - Woes and Winter's Breath

Silent - Modern Hate

Meg Myers - Sorry

Steely Dan - Aja

Calexico - The Black Light

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• IV: The Emperor

• V: The Hierophant

• Page of Cups

Decisiveness in the face of dogma and institutions we adhere to in our daily lives. In other words, decide against the grain of the life I've set up

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Duration:

I've kind of messed up the days I'm doing this report, and this is a week old now, so I'll post the current report tomorrow.

Better. Not great, but better than last week, and I'm making leaps and bounds in the actual mechanics of the ending, which again is known, but not yet written. I've gone back through the entire novel, shoring things up, installing alignments that will hopefully carry me into a successful first draft of that ending.

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Alice Donut - Mother of Christ Live

From Alice Donut's 1994 Live at CBGB's album Dry Humping the Cash Cow. Fantastic double-disc capture of Donut in their prime. Mr. Brown gifted me this on vinyl and a few years ago and from first listen, the recording and performance blew me away. I wish I would have seen Alice Donut live, but alas, that never happened. I don't know their discography nearly as well as I should, with a large part of my time with the band having been eaten up by a preoccupation that bordered on obsession for a while in the late 90s with their 1992 masterpiece The Untidy Suicides of Your Degenerate Children, which is start to finish, one of the best and most underrated albums of the 90s.

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Watch:

I've been waiting for Stewart Thorndike's Bad Things to hit Shudder since reading an article in the most recent issue of Fangoria. I wasn't the biggest fan of Thorndike's 2014 film Lyle, but I definitely liked it and felt as though, my opinion aside, this was a director to watch.

 

This flick looks unnerving as hell, and all the references I keep seeing to Gayle Rankin's performance evoking Jack Torrance, well, sign me up.            

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Playlist:

Sigur Rós - Ágœtis Byrjun

Dungen - Ta Det Lugnt

Boards of Canada - Tomorrow's Harvest

Alice Donut - Dry Humping the Cash Cow

The Bret Easton Ellis Podcast - S7E21: The Top of the Heap

Metallica - 72 Seasons

Odonis Odonis - Post Plague

Deftones - Koi No Yokan

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Card:

• III: The Empress

• 0: The Fool

• XIII: Death

Lots of BIG influences are afoot today. Keeping my eyes open for signs to the contrary, but this seems to suggest a fork in the path; institution vs. change.

 

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