One For the Ages

 

One of the folks I follow on a certain social media app is Vinylchucks. I love this man's posts because, although our tastes don't completely align, he is very well-spoken and reminds me about a lot of music that I tend to forget. 

Case in point - I was always a HUGE fan of U2's War and, to a steadily decreasing degree their subsequent 80s records, but where 1991's Achtung Baby was the death knell for many old-school fans of the band, I thought it was a masterful cocoon from which an entirely new band emerged. Unfortunately, I don't really care for anything else that 'new' band did (subsequent records have their moments for me, but they are sparse, to say the least), but nothing can ever take away what this record and perhaps most specifically this song did for a fifteen-year-old stoner slowly getting into a much wider musical world.

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Watch:

If you didn't know it, a new Bobby Fingers video went up last week. As usual, it brings me joy on a level nothing else on the internet could ever hope to match.

As a Patron, I was able to view this three days ahead of the wide release, along with a secondary Patron-only video that shows him making the eyes for this absolute monstrosity!  This is the most talented person online right now, folks, and I'm proud to have contributed funds to the making of this.

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Play:

With the very sparse time I have in my life for gaming, I'm still hovering at what I think is the final stage of Torture Star/Puppet Combo's Night At the Gates of Hell. I love this game, and I'm learning that the games Torture Star for the Puppet Combo banner are my favorite. Add to this my immovable position at 80% through the Pilgrimage of the first Blasphemous game, and I don't really have time for anything new on Switch. That's fine because I'd rather wait until the new Horror Metroidvania The Last Faith goes on sale before I buy it anyway. 

But oh yes, I will be buying it.

This definitely looks like they 'skinned' Blasphemous, but I don't care. Talk about some stellar imagery! My cohost on The Horror Vision, Butcher, was one of the original backers of the Kickstarter campaign for this, so he's already playing. Butcher reports the game play is taking some getting used to, as it is closer to Castlevania than Blasphemous, but like me, he's a sucker for this type of game and its nightmarish, Horror imagery.

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Playlist:

Chelsea Wolfe - Hiss Spun

Helmet - Left

Uncle Acid and the Deadbeats - Blood Lust

Turquoise Moon - The Sunset City

The Reverend Horton Heat - Whole New Life

The Smiths - Louder Than Bombs

Deftones - Ohms

Red Lorry Yellow Lorry - Talk About the Weather

Uncle Acid and the Deadbeats - Slaughter On First Avenue

Chelsea Wolfe - Abyss

Allegaeon - Apoptosis

††† - Good Night, God Bless, I Love U, Delete

André 3000 - New Blue Sun

Rodney Crowell - Triage

Aerosmith - Same Old Song and Dance (single)

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• Six of Swords - Balancing Relationships

• Five of Pentacles - Earthly Conflict

• Ten of Pentacles - Ending an Earthly Concern

There are a few interpretations today's cards indicate, but chief among them is an ending to the big issue in my life at the moment - moving my parents from Chicago down to Tennessee by us. I have earnest money to drop off this week on their behalf; however, a last-minute delay in closing their house's sale has everyone in the family on edge. While I remain optimistic, this is really messing with my folks, as the purchase of the house they found down here is contingent on the sale of their house (contingent on a final inspection for radon and termites, as well, but let's cross one bridge at a time, eh?). The spread above makes me think I need to trust in my optimism. 

Chelsea Wolfe

 

I'm a bit late to the game on the second track to be released from Chelsea Wolfe's upcoming album She Reaches Out To She Reaches Out To She, out February 9th (pre-order HERE). I'd listened right after it dropped, but in keeping with my practice, for artists like Ms. Wolfe, I will listen to pre-release tracks, but not overly so. I'm way more interested in preserving the experience of the full album. Anyway, I ended up watching this video twice last night - the photography herein is a complete visual level-up for what she's doing. Written, Directed, Shot and Cut by George Gallardo Kattah, I had to look this guy up; however, there's not a lot out there. Mr. Kattah, to take nothing away from your accomplishments to date (his portfolio can be found HERE), you will do wonderful things, sir. I'm still just absolutely blown away by this video.

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NCBD:

Here's my Pull for this week:

I've still only read the first issue of Jeff Lemire's Fishflies, but I'm definitely in for the entire series, whether that's simply through the fourth and final issue solicited thus far or beyond. A special magick occurs when the writer is also the artist, and Lemire's style is unlike anyone I've ever seen. 

Okay, let's see what this Cult of Mephisto is all about. I've stated here previously that I'm really hoping for something that rivals Mike Baron and Klaus Janson's take on the Jonestown cult waaaay back in original Punisher series numbers four and five. We'll see.

The finale to Louise Simonson's Jean Grey series. A nice, tight, four-issue romp through the character's past and, presumably, future. 

Totally on the fence with this one. I know nothing about it, and although I've become a huge Tynion fan over the previous year, I don't read everything he does. That said, two things will most likely sway me to grab this. 1) the artist on the book is Joshua Hixson, who also did Vault Comics' The Plot a few years ago. That book was good enough to endear the entire creative team to me forever. 2) This is another three-issue series, much like The Closet, which I loved.

One more to go after this. Still standing by my predictions for Captain Krakoa, although I don't think we're getting that answer until issue five.

Love this cover. 

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Watch:

A quick, behind-the-scenes video of David Fincher's The Killer? Yes, please.

I imagine I'll probably be talking about this one for quite some time; I actually re-watched it already last night, and it was even better the second time. I guess one of the major things that I like about The Killer is that, I'd all but given up hope on Fincher making a 'fun' movie ever again. Mank, Gone Girl, Benjamin Button, I suppose they're all fine, well-crafted films even if I can't remember nearly anything about them, but The Killer feels more akin to his early work. Fight Club, The Game, Se7en (wouldn't necessarily call that last one 'fun') - these are all ingrained in my psyche. For the last two decades or so, other than the Netflix stuff he's known to Produce but not direct (Sex, Death and Robots; Mindhunter), David Fincher's work had become the cinematic equivalent of fine china for me. You watch with extreme attention to detail, then carefully place on a shelf and never touch again. Not this one. I could watch The Killer again tonight.

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Playlist:

Tyler Bates & Chelsea Wolfe - X OST

Cartoonist Kayfabe - November 14, 2023

Chelsea Wolfe - Abyss

Gazelle Twin - The Entire City

††† - Good Night, God Bless, I Love U, Delete.

Run the Jewels - RTJ4

Willie Nelson - Pretty Paper

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Card:

From Aleister Crowley and Lady Freida Harris' Thoth Deck:

• Five of Cups - Debauch

• Prince of Wands

• Ten of Cups - Saiety

Drive will disappoint us, but still somehow end up fulfilling us in the end. Not sure what exactly that has to say about my current situation, although, now that I've typed those words, it occurs to me that I've been writing every day and haven't really felt like I'm making progress. Which, of course, is wrong. You're always making progress if you're working on the project. 

Shoplifters of the World!

 

I've been on a bit of a Smiths kick lately, and it was cool to see David Fincher's new film The Killer pretty much use their greatest hits as the soundtrack for the titular character (to say nothing of the brilliant Rezner/Ross score).  Now, let's talk about that movie...

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Watch:

I had somehow missed that a new David Fincher movie was on the horizon until just a week or two ago. I knew nothing about The Killer going in except it was Fincher directing from a graphic novel I am unfamiliar with and that Michael Fassbender would star. 

Everything about this flick worked for me, from how Fassbender's character dressed like Raoul Duke to the pop culture references on his IDs.  The lighting was to die for, and Erik Messerschmidt's cinematography was soft and fluid, even during the brutal scenes (Messerschmidt also shot Mank for Fincher and, more memorable to me, The Empty Man back in 2020). The Killer was a total homerun for me - possibly my favorite non-horror flick of the year. 

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Read:

After hitting Amazing Fantasy in Frankfort, IL for my secondary pull there (mainly consisting of stuff I had trouble finding here in Clarksville for whatever reason), I was able to catch up on Garth Ennis and Jacen Burrows' The Ribbon Queen.

This book is super gnarly as far as the kills, and that's part of what makes The Ribbon Queen feel right in line with all the books Avatar pu that company published in the mid-to-late 00s. This one's a Horror story on the surface, with underlining themes that touch on a host of modern issues, particularly those surrounding Police. As usual, Garth knows how to cut the shit and exploit the fallacies of both sides of the argument. 

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Playlist:

Blackbraid - Blackbraid II

Frankie and the Witch Fingers - Data Doom

BABADNOTGOOD - IV

Jamiroquai - Return of the Space Cowboy

Jamiroquai - Canned Heat (single)

The Smiths - Louder Than Bombs

Danko Jones - We Sweat Blood

David Bowie - Outside

Type O Negative - Life is Killing Me

Screaming Females - Desire Pathway

Concrete Blonde - Bloodletting

NIN - With Teeth

Goatsnake - Black Age Blues

Seatbelts - Cowboy Bebop OST

Hexis - Aeternum

Code Orange - The Above

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• Six of Swords - Greater objectivity required

• Three of Cups - Family. Together

• Six of Cups - Emotional Balance

I love seeing these spreads that are so exactly the hammer on the head of a pin currently sticking out of my life. Moving my parents almost feels bleak right now; there's a level of having to accept that they won't be out on time (this Friday) and will need to pay the extension to stay. They are inbound to us now, coming down for another round of house hunting. The spread tells me to shove all my defeatist bullshit into the corner, remain objective and balanced, and that will eventually create stability.

It's a Wonderful Knife

Budos Band live on KEXP - talk about a great way to kick off the weekend!!! 

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Watch:

Last night, I headed out to my local Regal to see the new film by Freaky writer Michael Kennedy. Directed by Tyler MacIntrye, It's A Wonderful Knife had been on my radar since I made a last minute decision to miss it at this year's Beyondfest. Here's a trailer:

I LOVED this movie! Ostensibly this one is an intentional hybrid of the Hallmark Holiday movie formula and the Slasher formula, and if that doesn't sound like it would work, it most certainly does! This one gave me all the feels, and looks like it opens wide for the rest of the week (until next Thursday by us), so if you're in the mood for a, uh, feel-good holiday slasher, this is it!

I recently resubscribed to Netflix so I could watch The Fall of the Hosue of Usher. As luck would have it, the timing is advantageous for several reasons, one of the biggest of which is the release of David Fincher's newest film, The Killer today! Here's the trailer (which I won't be watching; I know NOTHING about this film):

I've only been remotely aware of this one in the run-up to its release, and I relish the chance to go in 100% blind on such a big Director. 

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Playlist:

Ghost - Impera

Crystal Castles - II

Rina Mushonga - In A Galaxy

Nabihah Iqbal - Dreamer

Screaming Females - Desire Pathway

Fvnerals - Let the Earth Be Silent

Faetooth - Remnants of the Vessel

David Bowie - Outside

Drug Church - Hygiene

Deftones - Gore

Oranssi Pazuzu - Live at Roadburn 2017

Gazelle Twin - The Entire City

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Card:

Just one quick pre-travel card from my portable Thoth deck:

Perfect. The beginning of a new journey. 

Twin Tribes - Monolith

 

My A Most Horrible Library cohost Chris has been singing me the praises of Twin Tribes for a couple years now, and while I've given a couple of their records a spin, I haven't completely connected with these guys yet. That said, this new track, "Monolith," is pretty rad, and I actually dig the hell out of the video - a rarity indeed. Taken from forthcoming album Pendulum, out January  26th; you can pre-order the record HERE.

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NCBD:

Here's what I'm bringing home this week:

I loved the first issue of the new Daniel Warren Johnson Transformers book for Robert Kirkman's Energon Universe. Not as much as I love Void Rivals, but still, DWJ doing Autobots and Decepticons is as close to a dream come true as we've gotten with this juggernaut IP in a while, so I'm excited to jump into issue 2.

I've seen the covers for the next two books, and the "Road to 150" is on the horizon. That means a major shake-up is coming. Starting in the last few issues, we've seen the Turtles' standard "nuclear" family as we know it begins to grow tributaries and move on, so my prediction is someone will leave this book and head away from NY, thus getting their own series. That will both excite and infuriate me, haha. I'm still on board, regardless, as this is still the best reboot ever. 

Phantom Road is back and I could not be happier! This book is like high-brow Grindhouse Horror, and I am absolutely picking up what Lemire and Walta are putting down!

After Friday I can finally read this one up to date, as I should have all the issues sitting in my secondary pull at Amazing Fantasy in Frankfort. Can't wait to see what all the hype - niche hype, but hype nonetheless - is all about. 

Let's see if issue two continues to deliver on the promise of issue one. There have been mountains of Army of Darkness/Evil Dead comics, and I learned long ago to avoid them. This, however, this is different. Continuing on from both the original and director's cut ending of the film, Army of Darkness Forever posits that Evil Ash ended up back at the S-Mart in 1992. What does that mean for everything we think we know about Ash's life after the films? Will the series take Ash vs. The Evil Dead into account? Like they used to say in those commercials, 'Read the book."

I've been late to the game on David Dastmalchian's Count Crowley, partially because I sat on my AMHL cohost's recommendation when the first series came out, and partially because I was able to find two of the four issues of the previous series. I'll eventually pick all those up, but in the meantime, this guy has earned enough goodwill in the Horror community that I'll be grabbing this one from the beginning.

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Playlist:

Sampha - Lahai

Oranssi Pazuzu - Live at Roadburn 2017

Twin Tribes - Monolith (pre-release single)

Twin Tribes - Ceremony

Alien Sex Fiend - Alien Sex Fiend Halloween

Kingsborough - Percy (single)

Oranssi Pazuzu - Kosmonument

Lebanon Hanover - Let Them Be Alien

Anthrax - Among the Living

Telekinetic Yeti - Primordial

The Sister of Mercy - Floodland

††† - Goodnight, God Bless, I Love U, Delete

Crystal Castles - II

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Card:

I felt like crossing the streams today. Here's what I came away with:

Due to the different sizes of the three decks, this format is difficult to get a decent picture of at the moment because it's new, so bear with me. 

• XVIII: The Moon - influences/ideas/agendas obscured.

• XII: The Hanged Man - Sacrifice/intuition

• Princess (Page) of Wands - The Early Aspect of Will

It's been a minute since I've done an in-depth Pull, so I feel a touch rusty.  Having the intuition to apply the Will to Earthly matters will prevent missing unseen or forgotten facets of the conversation. This is 100% a reminder to pay attention during open enrollment. Boring, maybe, but I've already had a few insurance SNAFUs with my employer since going remote, so it'd be nice to avoid that in the coming year, and this is the kind of Earth-Bound stuff that I always view from the corner of my eye.

Falling From the House of Usher

 

I'd never heard of British electronic artist Sampha until Mr. Brown messaged me about him a few days ago. Upon checking out his new album Lahai, I'm sold. I'm always looking for the next Burial, and although in no way would I compare this record to Untrue, there's definitely some shared DNA. Spacious, floaty and a beautiful approach to the vocals and backing textures, this record drifts along at a slow speed so you can be sure to catch all the gorgeous sonic scenery that populates each track. Throw in some really tight bass lines and beats to boost the tempo now and again, and this one is a perfect late-night, winding-down record. You can pick this one up at the shop HERE.

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Watch:

I watched the first two episodes of Mike Flanagan's The Fall of the House of Usher on Friday and quickly dismissed the show as "not for me." I have issues with the last few Flanagan Netflix projects and am actually looking forward to him shaking up his paradigm with his new deal at Amazon. 

Yet, I kept thinking about it all day Saturday. So I went back and watched two more. I was destined to finish this anyway, as we're recording an episode on it for The Horror Vision this coming Thursday night. Regardless of that, episodes three and four smoothed over some of the rough edges. Then, yesterday K started the show from episode one, and I sat through 1-4 for a second time. Not sure what my problem was on Friday, but I was 100% wrong. This one is fantastic!

One of my initial problems was that the creators seemed hellbent on critiquing the "Hedonism of the Rich," which, to me, is a moot point. We're well over a decade into kardashians and their public sex tapes/church scams/meltdowns. It's old news. The first two episodes of Usher really spend a lot of time making this point, and it feels goofy. Also, since Midnight Mass, Flanagan's characters spend a lot of time making grand soliloquies, and for me, they don't always work. 

These are minor grievances, though. 

One of the things I'd forgotten about Flanagan's style is he plays a long game, dropping bits that seem inconsequential or startling for the sake of being startling at the time and really don't come together until the end. This has been in his work almost from the beginning; I first discovered him by randomly watching Absentia circa 2012. That one put his name at the top of my "Directors to watch" list so that, in 2013, when Oculus hit theatres, I sat alone in a theatre on opening day. Oculus was definitely one I had to adjust to; my first viewing was, a lot like watching these first two Usher episodes, an exercise in frustration for me because I was rushing the story. When I eventually rewatched Oculus on video, I realized it was fantastic and essentially the template for everything the Director would do going forward. 

Also, it seems this "watch the first half and then watch it a second time before you continue" is a sound strategy for Flanagan's work, as in looking back through old posts here, I found THIS about The Haunting of Hill House:

"K and I plowed through the first five episodes of the Netflix/Mike Flanagan epic The Haunting of Hill House. I was a bit uncertain at first, but quickly came around. It has Flanagan's time weaving technique, the one that makes Occulus so unique. I dig it, probably not as much as I'd hoped I would, but for watching five episodes in a binge -something I haven't had the time to do in forever - it was good. We wanted to make it through the first five because an article popped up last week HERE on Bloody Disgusting where Flanagan suggests people watch the first five, then go back and watch them again before continuing on to episodes 6-10. This is based on a revelation in ep. 5 that changes the way you will see things in the first half if you watch them again with that in mind."

The point of all this, then, is to tell you that if you haven't watched this one yet, and if you can find the time, watch episodes 1-4 of Usher once, then restart them and continue through to the end. I'm about halfway through six and extremely invested; none of my previous complaints have even occurred to me since that first failed viewing on Friday.

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Read:

In order to fully appreciate Flanagan's adaptation of Poe's work, I also picked up a $1.99 Kindle "Complete Works" for Poe, as my hardcover copy has long ago been lost to the aether, and all I still have is the paperback copy of the 1980 Signet Classic edition I've had since High school:

There are quite a few cheap Kindle editions of the complete works, and all of them will contain the main stories adapted here. So far, I've re-read Usher and The Masque of the Red Death, and it's been quite interesting to see what Flanagan and his writers pulled from each for the show. I'm looking forward to diving into Murders in the Rue Morgue next. 

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Playlist:

The Misfits - Collection I

The Cramps - RockinnReelininAucklandNewZealandXXX (Live)

Cocksure - TVMALSV

Anthrax - Among the Living

The Cramps - Smell of Female (Live)

Deafheaven - New Bermuda

The Heartwoods Institue - Unburied Bane (thanks, Tommy!)

Deth Crux - Bloody Christmas (single)

Bryce Miller - City Depths

Seashore Darkcave - Synthtales

Ulver - Teachings In Silence

Ulver - Bergtatt

Silent - Modern Hate

Greg Puciato - Mirrorcell

Loathe - I Let it in and It Took Everything 

Gazelle Twin - Black Dog

Umberto - Prophecy of the Black Widow

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Your Black Star

 

I haven't listened to Your Black Star in a pretty damn long time, and although I have absolutely no idea what put them back on my radar, yesterday, I'm glad it happened. I love this band's 2006 record Sound from the Ground; this came out the same year I moved from Chicago to L.A. My ex-wife was a music journalist, and back in those days, we'd have CDs arriving in the mail all the time. A lot of stuff from small, completely independent labels. Not all of it was good, but boy did I find some gems that way. Young Widows, These Arms Are Snakes, and Your Black Star were top of the list. 

Listening again, I realized that while I'd always recognized The Cure's influence on these guys, it wasn't until diving back in that I realized how much this opening track is influenced by the title track to Pornography, arguably my favorite Cure record. Listen to those pounding drums, the way the bass comes in and the 'static' guitar. Gorgeous.

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31 Days of Halloween:

I didn't get a chance to post the last two days, so here's the end tally for 2023's 31 Days of Halloween:

1) When Evil Lurks/VHS 85/Adam Chaplin

2) Tales From the Crypt Ssn 1, Ep 6 "Collection Complete"

3) VHS

4) All You Need is Death

5) Slashers (2001)

6) The Beyond/Phenomena

7) The Convent

8) Evil Dead 2

9) The Autopsy of Jane Doe

10) Totally Killer

11) Ritual (Joko Anwar)/The Final Terror/Grave Robbers

12) Halloween 4: The Return of Michael Myers (w/Joe Bob)

13) Never Hike Alone/Never Hike in the Snow/Never Hike Alone 2

14) Puppetman

15) Creepshow Season 4 Episode 1

16) Return of the Living Dead

17) Don't Look Now

18) When Evil Lurks

19) Barbarian

20) Demons 2/All Hallows Eve

21) May

22) Let's Scare Jessica To Death

23) The Birds/30 Coins Ssn 1 Ep 1

24) 30 Coins Ssn 1 Ep 2/The Church

25) Elvira Mistress of the Dark

26) To Kako (Evil)/To Kako: Stin epohi ton iroon

27) Tourist Trap (w/ Joe Bob)/Totally Killer

28) Amusement

29) The Rocky Horror Picture Show/There's Nothing Out There

30) Planet Terror/Arsenic and Old Lace/George A. Romero's Bruiser/976-Evil

31) Halloween 78 (w/ Joe Bob)/Flatliners 91/Night of the Living Dead

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Watch:

How has it been twelve years since I watched Robert Rodriguez's Machete? This might be one of the best action movies ever.

This flick is such a rip-roaring good time, and watching it again last night made me realize I'ver never seen the sequel, Machete Kills. Time to remedy that.

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Playlist:

The Misfits - Static Age

Halloween Spotify Playlist

Wytch Finger - The Dance EP

Skinny Puppy - Remission

Ministry - The Mind is a Terrible Thing to Taste

Umberto - Prophecy of the Black Widow

The Misfits - Collection I

The Sisters of Mercy - Floodland

Boy Harsher - Careful

Trust Obey - Fear and Bullets (98 Edition)

Ghost Cop - One Weird Trick

Your Black Star - Sound from the Ground

Deftones - Gore

Red Lorry Yellow Lorry - Talk About the Weather

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Card:

Just one card from my Thoth deck for today. 

Yeah, that's an understatement. The endeavor to move my folks from South Suburban Chicago to Clarksville was almost complete, and then... thwarted at the last minute by an inspection. That's not the change denoted here; this generalized pull is really just reminding me that although my preoccupation with the move has me blinded to it at the moment, there's a lot of change on the horizon. That's a pretty surface-level reading, especially when using the Thoth deck, but that's all I've got. I fried.