Friday, May 30, 2025
New Music from Year of No Light
Wednesday, May 28, 2025
All Waves Lead to NCBD
NCBD:
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* Thanks, Tommy!
Tuesday, May 27, 2025
The World Is So Good That Who Made It Doesn't Live Here
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This is a beautiful hardback book that compiles essays from the 'zine I've talked about here before. The authors cite everything from Jacques Derrida's writings on Hauntology to Julian Cope's The Modern Antiquarian as they set about discussing pre-history, deep time and their theory that to save the future, we must look back at the past.
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Friday, May 23, 2025
New Pelican Album out Today!
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Wednesday, May 21, 2025
Stand Back, Derry!
I heard this at some point last weekend, and it struck me that I've never posted it here. I have loved this song as far back as I can remember. A lot of 80s 'hits' became essentially ubiquitous decades ago, however, this one never fails to grab my attention for its duration.
From Stevie Nick's second solo album, The Wild Heart, released in 1983. That would have been when I first heard this, too. I didn't have MTV, but a friend did, and this one was all over 80s radio.
NCB:
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Monday, May 19, 2025
The Weird Tale of Helmet Live on KEXP!!!
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* Motivated by Metallica and Iron Maiden's references to HPL, I found a copy of this in the old Record Swap that used to rule the Southwestern corner of Harlem and 159th in Tinley Park, IL. This was at a time before Borders had moved into Chicago's south suburbs, before the stand-alone mega structure B&N, when mall-based bookshops like Kroch's and Brentano's were really all I knew, and HPL was not carried there or in my local library. The edition, Carroll & Graff's 1988 mass market paperback, features HPL's name in text almost as large as the title, but nowhere on the cover does it mention the actual author, August Derleth, so for years I went on thinking this was Lovecraft's work.
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Friday, May 16, 2025
New Historical Live Butthole Surfers Record!
"Back in the 80s Gibby used to fantasize about a nightclub called the Leather Fly. He wanted it to have a stuffed leather fly hanging in front of it." - That's a Paul Leary quote that's on the youtube page for this song. The album has a fantastic track listing, leaning heavily on pre-Capitol Records Surfers (the best Surfers) but with a peppering of what may have been early versions of tracks that would wind up on that Capitol debut, Independent Worm Saloon. I thought about posting something older than what I went with, but this version of "The Annoying Song" is pretty epic, and it just kind of felt right to put this out in the world today.
NCBD:
Oh my! I heard there was a big surprise in this year's Energon Universe Special, but I wasn't prepared for...
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Monday, May 12, 2025
Ministry w/ Chris Connelly - Do ya Think I'm Sexy (5/9/25 The Riv)
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The Jeff Healey Band - Road House (The Lost Soundtrack)
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Friday, May 9, 2025
New Music From Preoccupations
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Wednesday, May 7, 2025
Set Adrift on NCBD Bliss
NCBD:
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Monday, May 5, 2025
HEALTH x Chelsea Wolfe
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Friday, May 2, 2025
Mammoth - The End
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Thursday, May 1, 2025
The Endlessly Fascinating Riddle of Neptune's Eye
I've made it a mission to fully engage with Blut Aus Nord's Disharmonuium series again. These guys are so out there sometimes - and I mean that in the best way possible - that I still don't feel like I have a grasp on some of their work. And Disharmonium: Undreamable Abysses/Disharmonium: Nahab feature chief among those albums that confound the living hell out of me.
Back in 2018, while reviewing The Dillinger Escape Plan's final album, Disassociation, I mentioned that their music often feels like encountering an extra-dimensional being that I can only grasp in vague cross-sections. That doubles for Blut Aus Nord when they are at their most experimental. The confluence of Industrial and Black Metal on these albums is astoundingly obtuse - this is the kind of music Lovecraft's protagonists occasionally describe hearing in the presence of the Outer Gods. They set a precedent for that with 2011's The Work Which Transforms God - the album that originally drew me to them. The Disharmonium series, however, really pushes that sound into new places. Dark sonic plaguescapes of an almost ungraspable nature. This sounds dramatic, but it's not. Listening to these albums, it's hard to hold onto the music for very long at all; the drums form an omnipresent backdrop upon which the guitars and keyboards (?) bloom and evolve like blood droplets in hot water. Miasma is a word that springs to mind. I'm gearing up for a session where I smoke up and sit in the middle of my floor between my speakers, just concentrate to the best of my ability on the music and where it takes me.
But I haven't found that time yet.