2018: December 4th

Recently, I've had a brutal nostalgia for the late 00s. In some ways I find this odd, because that time period is largely a cold, lonely bubble for me. At the same time, I am a person who often enjoys cold, lonely bubbles, and winter always brings that out in me, so I guess this is all right on schedule.

The other thing about the time period in question is, by and large, the late 2000s didn't seem at the time like a hallmark era for new music. There was a definite feeling of lethargy and fraud as the digital file model began to destroy the industry we had known. Looking back now though, there was a lot of good stuff (not as much as now). Just look at a lot of the what's been creeping into these pages the last few weeks and you'll get a taste of what I was listening to during those years: LCD Soundsystem, Underworld, Burial, Kylie, Friendly Fires, Crystal Castles, Arab Strap. Lots of electronic, pop, and dance. I feel like the first decade of the new century, my second and final, ended when I fell back hard into metal, specifically black metal. The interest had been bubbling up again for a few years - Opeth and High on Fire were really the only 'metal' bands I listened to consistently during this time (Type O doesn't really count as the kind of metal I'm talking about and they're always a constant), and then really only closer to year's end. Somewhere around 2009 I got curious and began skulking through the metal sections of the few remaining record stores in the area. I discovered The Ocean Collective's Fluxion, the reissue, and from there it wasn't long until Blut Aus Nord blew my mind and sent me into a progressive Black Metal spiral. But as I said, most of that era was electronic music-oriented for me, and I'm falling back into those sounds pretty hard right now. Especially Burial's 2007 debut, possibly both the most iconic and enigmatic record of the era. Nosing around online for a track to post here, I found this:



I haven't had a chance to watch this documentary yet, but I can't wait to dig into the story of this album, because as I intimated above, I was still under the impression there was a cloud of secrecy around Burial and his music. I knew at some point an actual picture of him made some rounds online, but other than that I know nothing. Also, this is another little tidbit I found that blew my mind.

**

To wrap around back to a topic from a few days ago, during my recent re-watch of 28 Weeks Later, I found that it contains one of the most horrifying sequences I've seen on film. A lot of the horror is created in the camera work, but let's not gloss over directing a crowd this size; the sequence really gives you the feeling of utter helplessness that can accompany being stuck in a surging crowd. I've been there - not on this level, but in my teens I was at a Pantera show at Chicago's Aragon Ballroom where, after the show as everyone filed out of the concert area and down the double stairs that led to the ground floor exit, some stupid with a taser began to send wicked jolts of electricity running through the nuts-to-buts crowd. This was only a year or so after the AC/DC stampede that killed several people, so probably with that fresh in their minds, the crowd began to panic. Luckily, the situation never escalated beyond mere potential for disaster, and we all made it home safe after all.

Here's a little bit of that scene I'm talking about; it will suffer viewed out of context, so I'm really only leaving this here as a frame of reference for what I'm talking about. If it's been a while since you watched it, or if you haven't seen it, 28 Weeks Later is one of the most worthy sequels to a fantastic original film in recent memory, and very much worth your time. Plus, Robert Carlyle:



Playlist from 11/02:

Frank Sinatra - Ultimate Sinatra
Zombie Zombie - A Land For Renegades
Playlist - NIN between live sets (get HERE)
Opeth - Deliverance
Burial - Untrue
David Bowie - Low
Jóhann Jóhannsson - Mandy OST

11/03:

The Music - Eponymous
Burial - Untrue
Arab Strap - The Red Thread
Brainiac - Hissing Prigs in Static Couture
Polvo - Today's Active Lifestyles
Mastodon - Once More Round the Sun
Uniform/The Body - Mental Wounds Not Healing
Perturbator - B-Sides and Remixes, Vol. 1

Card of the day:

Instability. Situations that can lead to hot-tempers. This is a work-related pull, I think so I guess I should be on the look out for things that piss me off here and try to play it cool when I encounter them.

2018: December 2nd

The B&W photography in this video is breathtaking. Directed by Katherine Dieckmann, who did a lot of the breakthrough REM songs back in the early 90s, with DP duties by Jim Denault, who, among many other things, shot more than a few episodes of seminal HBO series Six Feet Under and Carnivále,  this video blew me away. Sharon Van Etten's new record Remind Me Tomorrow comes out January 18th, 2019 omg Jagjaguwar; you can pre-order the record and stream Jupiter 4 and another track HERE, and keep in mind, that's barely a month away at this point.

Early last year when Oz Perkin's Blackcoat's Daughter hit Prime streaming, I'd been waiting for the film for what felt like forever. When I finally sat down to watch it, the experience was a touch anti-climatic because, well, I fell asleep. Now, this happens sometimes - more and more often actually - and I never blame the film. The fact of the matter is I wake up while it's still dark out and work long hours and I'm just not able to hang sometimes. But during that viewing, I nodded off, woke up, rewound and finished the film despite my grogginess. And as often happens in situations like this, the movie suffered for it. But again, I'm always hesitant to blame the film when this happens. What I usually do is put the flick on the back burner, wait a good long while, and then try again.



So last night I re-watched Blackcoat's Daughter - formerly titled February (which I think is a much better title, despite the fact I'm not sure why the school would be going on break in February instead of December) - and I'm not entirely sure I think my narcolepsy during that first viewing was my fault. The pacing is slow but that's not really a problem, as some of my favorite horror films are 'slow burns'. This though, I don't know. Maybe the thing that makes me less forgiving is the fact that there is one thing about this film that I think completely ruins it. I don't want to go into spoilers, but there's a casting issue that I call complete bullshit on; the kind of subterfuge that doesn't work at all but was done simply to add a red herring element and keep the audience in the dark until the end. Makes the film fall into the High Tension category for me, where no matter how much I did like about it - and there's plenty, including a pretty powerful final twenty minutes - the film will never 'work' for me because of the filmmaker's reliance on a contrivance that is beneath the quality of the rest of the film.

Oh well. It was very cool however to revisit this and realize that the main girl has gone on to become Sabrina! Very cool surprise.

Playlist from 12/01:

The Atlas Moth - Coma Noir
Judas Priest - Fire Power
Impaled Nazarene - Suomi Finland Perkele
Emma Ruth Rundle - Marked for Death

Card for the day:

And just like that, the cards reflect that after calling myself on my own BS yesterday, I had a killer 2+ hour writing session, made serious headway, and intend on doing the same today.

2018: December 1st

New Astronoid out February 1st on Blood Music. Saw these guys open for Zeal & Ardor a few months ago. Very good. Can't wait for the album! Thanks to Heaven is an Incubator for tipping me off to the imminent release.

Finally got around to the first movie-and-a-half of my 28 Days double header. We watched 28 Days Later last night; K had never seen it before and it's been a few years for me. This flick is still top of the line for me. I love the way it's shot, I love the cast, and I love the way Alex Garland's story progresses in a very Romero-but-not-Romero way. What I mean by that is, there are plenty of cues from the godfather of the undead: the shopping spree, conflict with other humans, soldiers... the scene where the Ragers infiltrate the soldiers' compound during dinner reminds me so much of Day of the Dead when the zombies are in the mines. But nothing in 28 Days Later feels regurgitated or rehashed. Maybe that's because it's from the perspective of a different country. As similar as our culture is to Britain's, there's a lot of differences that make each distinctly unique, if you look below the facade (Maybe you don't even have to look that deep). Also, I think there's a certain panache to the writing and directing - it's not necessarily because the film was 'big budget'; I'm not even sure it was a big budget at the time of its production. And as an aside, it's been sometime since a layman like I could mentally juxtapose the concepts of 'Big Budget' with 'independent' in cinema, probably because today, unless you're making a pre-franchised flick that will play in China, you're basically not big budget. But that also doesn't make you independent; ask a filmmaker like Joe Begos - a true indie - if he considers half of what people call indie actually indie, chances are he'll say 'Nope.'

Anyway, with the first one down I was raring to get into the sequel, which I'd only seen once, but then we both fell asleep during 28 Weeks Later. Not the movie's fault, it was late. From what I did see, I can attest to the fact that 28 Weeks' opening sequence is just as awesome as it was the first time I saw it, with ramifications that echo very nicely through the film. I hate splitting movies into more than one viewing, but this is a loaner from a friend and I've had it forever, so we'll be finishing it from where we left off, later today.

Heads Up: Mandy just hit Shudder. If you have the service, watch it.

Russ Lippitt, author of the graphic novel Showdown, has a kickstarter going for an awesome board game based on the Showdown series, which revolves around hot rod racing in hell. That description doesn't really do it justice, so for more info, check this out:



Playlist from 11/30:

Nick Cave & The Bad Seeds - Your Funeral... My Trial
Gimes - We Appreciate Power (Single)
The Besnard Lakes - A Coliseum Complex
Electric Youth - Innerworld
Boy Harsher - Country Girl EP
Iggy Pop - The Idiot
Sepultura - Chaos A.D.
Sepultura - Arise
Ghost Cop - One Weird Trick
Sepultura - Beneath the Remains
Emma Ruth Rundle -  Marked for Death

This is interesting. I've had a fairly non-productive week, writing-wise. Part of this is work's been a bitch, but... that's not really it at all. Back in early October, I hung out with an old friend for the first time in a while and he told me about Stoneydelivery.com. Yes folks, these are the joys of living in a state that has legalized marijuana. Stoney Delivery is basically the amazon of pot; I ordered some CBD stuff for pain and a vape pen of Sativa while at work one day, around 1:00, and by the time I got home it'd been delivered, free shipping to boot. Now, I'm not a huge pothead. I was when I was younger; most days I skip it simply because I generally don't write while high, and I try to write everyday, so the one cancels out the other, no problem. Also, I detest cannabis culture. No kidding. Hate it. But you can't blame the plant for the cult of garish losers started in its name, so for years my pot consumption has been relegated to two event types: watching movies (especially in the theatre), and listening to music. One of the best musical experiences I've had in recent years was bringing Deftones' Koi No Yokan home the day it came out, smoking, and listening to it laid out on my living room floor, my stereo speakers loud enough to engulf me. Same with QOTSA's ...Like Clockwork.
These days though, even most album releases have become harder to coordinate the time for a stoned first pass through. Apple has changed how I listen to music - not for better or worse mind you, simply altered - and my writing has continued to increase, while my time feels perpetually diminished. So, along comes this delivery service and suddenly I'm smoking pretty much every day. The vape is discreet, consistent, and not overpowering. With the actual pot I have accrued over the years (myriads of different strains left at my place by friends, all kept snug as a bug in a rug inside an Iron Maiden Number of the Beast lunch box; who says irony's dead?), smoking is always a toss up and an inconvenience. First, the building we moved into back in March is a serious 'No Smoking' building, and I'm not the kind of A-hole who will inconvenience others just to make myself happy. What this means is before the vape, I'd have to take a small walk to take a drag or two off my one-hitter. And the effects of the weed itself was always inconsistent because of so many different kinds, so I never really knew if two hits would leave me lackluster and tired or induce a full-on schizophrenic episode. Now though, it's the same every time and once I figured out my preferred dosage, it became easier and easier to partake. Coming off being sick two weeks ago, I'd garnered a fair bit of inertia, the kind that tempted me to return from work and read or sleep or watch a movie - all things I can do while high - instead of walking to my spot to write. Also, I'm nearing the end of the book and there's finish- line anxiety. This week I became lucid and realized I'd found an excuse three out of the five days not to write. And that's bullshit. I call bullshit on myself.

Which leads me, at last, back to the card of the day. As soon as I saw the Six of Cups Pleasure, I wondered if it might actually be a warning against too much pleasure. For clarification I pulled another card and what do you know, my hunch was apparently correct because:

There you go. Lazy is as lazy does.

The good news is, well, look at all this insight. It's good to call yourself out on your own bullshit. Also, I had a pretty good session last night and plan on writing both today and tomorrow (this long-winded reflection is a step in the right direction; notice my blog suffered the last few days as well). But I always dig when the cards are that upfront with me. It keeps me grounded and reinforces there's a reason I do this, you know, because as a method around our conscious mind and all its hang-ups, they work. You just have to listen when they speak.

2018: November 30th - NEW GRIMES!!!

Wow. Just wow. I saw this dropped last night, stopped everything I was doing, put in headphones and closed my eyes, went off to Grimes World. The textures at work in this song feel three-dimensional, no doubt based on her use of the stereo field, as well as a knack for choosing sounds of all kinds - many not traditionally 'musical', and using them to really fill out the sonic space. If this is any indication of the new album, it is going to be a perfect step forward from Art Angels.

Re-watched Hereditary a couple of nights ago. My god, even though Mandy is probably my favorite film of 2018, this is far and away the best film. It lost none of its ability to traumatize me, and really opened up more interpretation-wise with this second viewing. I'd imagine I'll be talking a lot about this come our 'year's best' episode of The Horror Vision. Two observations:

1) Toni Collette had certainly better at least be nominated for best actress.
2) Watching the deleted scenes, you see how good writer/director Ari Aster is at 'killing his darlings.' Not that any of the deleted scenes were darlings necessarily, but watching what he shot and then removed, you see how he was originally trying to flesh out Peter and Steve's characters more, and how he pulled back and gave us only what we needed. The inclusion of any of those deleted scenes would have, in my opinion, hurt the movie's power, so Aster knew exactly where to draw lines and how to intuit when he had enough.

Pretty impressive for a first movie.

There's some criticism out there that Gabriel Byrne's Steve in particular, is a poorly written, two-dimensional character. I for one disagree. He is exactly what the movie needs him to be. I stuggle with this some time in my own work, the idea of adding more to make sure my point gets across, or to ensure a character is 'fully realized.' Then I watch something like this and see that with restraint great things can come. Spaces in the character can evolve, spaces that draw people in the way the people in their life do. We all interact every day with people we only know in one particular role, or way, and it doesn't diminish their role or strength in our lives. Why wouldn't the same be true for characters in a film?

For a counterpoint, watch Rob Zombie's Halloween - RZ spends so much time ensuring that we understand William Forsythe's Ronnie is white trash that it becomes overkill and, frankly, derails the movie.

Playlist from 11/29:

The Doors - Strange Days
LCD Soundsystem - Sound of Silver
Kylie Minogue - Fever
Cocksure - Be Rich
Emma Ruth Rundle - Marked for Death
Grimes - We Appreciate Power (Single)
The Besnard Lakes - The Besnard Lakes are the Roaring Night

Card of the day:

Another card I see a lot. I'm curious if this convergence of regular cards I've pulled during the year are rallying to clarify a point I've missed?

2018: November 29th

A few weeks ago Chasms released the single "Divine Illusion." To read about the track on their bandcamp, the revelation that the track was a closing chapter to their shoegaze/industrial sound. What could possibly come next? Well, listen. I don't necessarily know what you call this, other than beautiful. Can't wait for the album. Pre-order HERE on Chasms' bandcamp.

Playlist from 11/27:
Ghost - Meliora
Mastodon - Once More Round the Sun
Mastodon - Emperor of Sand
Lebanon Hanover - Let Them Be Alien

Playlist from 11/28:
LCD Soundsystem - Sound of Silver
Deerhunter - Microcastle
The Doors - Strange Days
Mastodon - Once More Round the Sun
Ghost Cop - One Weird Trick
Thought Gang - Eponymous

I pull A LOT of sevens. I don't know if this was always the case, or if now that, for about the past year I have been doing mostly daily pulls, it's just more obvious. Probably the second. Netzach is one of the Sephiroth I feel a natural inclination to, that one step beyond the perfection of Tipareth, which represented a certain time and place in my life that is now past. This is the Post-Self Number for me, in a way, as I count that bygone time/place as the first real iteration of this version of this ego-scaffolding I call 'me'. Now, what's that mean for today? Well, despite it's negative facade, I don't think this is a negative card at all. I think today's pull is just reminding me I'm Post that previous self, and this in turn will prevent me from doing what has been increasingly tempting to me of late, namely making music. I haven't picked up a guitar in close to two years maybe. Well, there's been maybe two dalliances with the acoustic that sits on a stand in my living room, but that's it. Nothing serious and no intentions. A lot of the music I'm listening to now has been inspiring my musical drive, but it's on Shut Down. I've made the deal with myself that when I finish the book, I'll maybe spend a little time on music.

Maybe.

2018: November 27th

New Le Butcherettes! Very 90s sounding, not in a bad way. New album comes out February 1st.

New episode of The Horror Vision went up on Sunday. You can find it on Apple, Spotify, and Google Play, as well as at TheHorrorVision.com. This episode is our reaction/interpretation of Luca Guadagnino's Suspiria remake. Other topics include The Chilling Adventures of Sabrina, Shudder's Dead Wax (which I LOVE), and the Indiegogo for The Barn II, which is fully funded as of 11/21 and now Indemand, which apparently means you can still contribute and secure cool rewards. I still haven't seen the first Barn yet - it's been on the list for at least a year if not two now, so what the hell am I waiting for, right?

NCBD this week isn't as light as last week, but it's light. Check out this gorgeous cover for TMNT 88:

Die! Die! Die! has been hit or miss with me so far, but the opening discussion between two high level US government officials in issue #4 may have permanently endeared this book to me. It's kind of a more violent, more philosophical approach to GIJOE and I find myself wondering if that was the goal. The real shocker here is that Stray Bullets Sunshine and Roses is on issue #40. Where the hell does the time go? It wasn't that long ago that David Lapham's brilliant B&W crime comic had been on hiatus for 9 years and we were jumping at joy with the announcement of its return via Image. Now we're 40 issues in on the second or third volume of this new series. And you know, it's still awesome.


Playlist from 11/27:

Monolord - Rust
Mastodon - Once More 'Round the Sun
Mastodon - Emperor of Sand
The Knife - Silent Shout
Mudhoney - Digital Garbage
Gogol Bordello - Gypsy Punks Unite
Ghost - Infestissumam
Godflesh - Post Self

Card of the day:

Gonna be an emotional day? Doesn't feel that way. There's a passivity here when it's water on water, however the passivity acts as a perfect transformer for other energies, maybe some that lack emotion.

2018: November 24th

New Tennis System! This isn't up on their bandcamp yet, so I'm thinking we have a new release on the way!


Spent Thanksgiving morning watching Sophie Huber's Harry Dean Stanton documentary, Partly Fiction. Really cool. There's a great segment with David Lynch, one with Kris Kristopherson, and even Debby Harry. And it's fantastic watching Stanton break into song, especially Everybody's Talkin', by Harry Nilsson




From 11/23
The Fixx - Shuttered Room
Harry Nilsson -
Harry Nilsson -
Opeth - Deliverence
Opeth - Blackwater Park

Card for the 11/23:

And for today:

No time to really dig into an interpretation for this now as I'm off for work. But at a glance, Dominion to Defeat doesn't necessarily constitute a bad thing, just a need to re-direct energies.

2018: November 22nd

One of the best songs of the 90s, hands down. I unexpectedly realized I still had one more 33 1/3 that Brown lent me to finish before my trek home to Chicago in two weeks, so last night I started Gina Arnold's entry into the 33 1/3 series, a kind of contextualization of Liz Phair's seminal indie rock album, Exile in Guyville. More the story of the fictitious Guyville (not so fictitious) and the gender politics of the early 90s indie rock scene than the story of the album, and that's good. So far this is a fascinating read. Also, digging back into the era that surrounds this record made me reconnect with Never Said and Guyville in general, a song I've loved and an album I dig for a long time now, but one that hasn't received any recent rotation space in my audio life.

Joe Bob Briggs returns to Shudder tonight with Dinners of Death! I have to work early tomorrow, so I don't know how much I'll see tonight, but hopefully this will remain on Shudder in perpetuity, much like The Last Drive In has since back in the spring.



Last night I watched three-quarters of the Shudder original Dead Wax. LOVE this. Written and directed by Graham Reznick, whose name anyone familiar with Larry Fessenden's Glass Eye Pix will recognize as most often helming audio departments on films. Great debut that's essentially a movie chopped into 10-18 minute episodes, Dead Wax is about a legendary record that does strange things to reality when played and the people who have sought it through the years. Think John Carpenter's Cigarette Burns, but the world of rare record collecting instead of film collecting and you'll be in the ballpark.




Playlist from 11/21:

David Bowie - Low
Frankie Valli - Can't Take My Eyes Off of You (single)
Deaf Heaven - Ordinary Corrupt Human Love
Bell Witch - Longing
Testament - Demonic
Boy Harsher - Face the Fire (pre-release single)
Boy Harsher - Lesser Man
Chasms - On the Legs of Love Purified

Card of the day:

This is a direct response something outside of writing, so I'll take the advisement in silence.

2018: November 21st

Just realized I never posted the latest Drinking with Comics video last week when it dropped. The goal from here out is to shoot these and get them up on Apple Podcasts, Spotify, Google Play, and the DwC website as audio-only podcasts, then get the video up the following week. The video always takes a lot longer, and the show has more patrons as a pure podcast anyway, so I figured this was the optimum way to do it.

Hoping to do a 28 Days/28 Weeks Later double feature this weekend. I actually work both Friday and Saturday, so that limits what I can watch, and I'm still working through Sabrina (on Episode 5), which I need to get through for a forthcoming episode of The Horror Vision. Also, regarding THV, we're scheduled to do our Suspiria 2018 episode this Saturday, so hopefully I'll have it up later that day or Sunday. A little late to the game, but it's been hard to align schedules; as it is only three of the four of us have seen the film, so we're already down a man for this particular one. But there's A LOT to talk about with this film, on its own and juxtaposed with the original.

Playlist from 11/20:

Tom Waits - Rain Dogs
Iggy Pop - The Idiot
Ghost Cop - One Weird Trick
Tom Waits - Swordfish Trombone
Massive Attack - Mezzanine
Boy Harsher - Face the Fire (single pre-release)
Boy Harsher - Country Girl
The Fixx - Shuttered Room
Bell Witch - Mirror Reaper

No card again today.

2018: November 20th

From Iggy's debut record The Idiot. Reading that Hugo Wilkcen 33 1/3 on Low really opened my eyes to a lot about this album as well (Station to Station also). Wilcken really goes in depth on these two records because they give a lot of context to what Bowie was into doing with music at the time. I'd never realized that the musicians involved in both Low and Station to Station often recorded not knowing which album the tracks would wind up on. Considered in that context, it really changes the way I hear both.

Having finished Low, I started reading the copy of Neil Gaiman's The Graveyard Book that my Horror Vision/DwC co-host Chris gifted me a couple of months ago. So far, pure Gaiman and arriving just at the right time, when night falls early.

Playlist from 11/19:

Opeth - Ghost Reveries
David Bowie - Low
Gavin Bryars Ensemble - Bryars: The Sinking of the Titanic
Iggy Pop - The Idiot
David Bowie - Station to Station
The Fixx - Shuttered Room
Opeth - Deliverence

No card today.

2018: November 19th

Ended up falling into a Bowie spiral Saturday when I finished Cold Cuts and immediately picked up the copy of Hugo Wilcken's book on Low, published as part of the wonderful 33 1/3 series, that Brown lent me some time ago. Can't put it down, and in turn it's given me a new perspective on Iggy Pop's The Idiot, one of the few Iggy solo albums I'm extremely familiar with. The book also sent me in all sorts of new musical directions, cueing up albums by Neu!, Can (whose discography I worked through a few years back but didn't completely integrate into my musical vocabulary), Elton John, Gavin Bryars, and Sad Barrett's solo stuff, which despite having been an enormous Pink Floyd fan in high school, I've never really gotten around to.

Also, for an idea of Bowie's state of mind while in the Station to Station/Low period, go HERE and read this short except from Angela Bowie's autobiographical book Backstage Passes: Life on the Wild Side with Bowie. Suggestion: skip the religious espousal at the top and go straight to the quotation marks. This is fascinating stuff.

K and I began The Chilling Adventures of Sabrina on Netflix yesterday. While I can't say the high school stuff is overly interesting to me, I love the set design and ALL of the Satanic imagery! The Dark Lord is just awesome and the fact that we're living in a world where this is a 14+ series makes me happier than I can explain. Just thinking of all the repressively religious types twisting with rage that a show where characters commonly exclaim, "Praise Satan" as a colloquialism of happiness or relief is currently a major part of pop culture puts a damn large smile on my face!

Playlist from Saturday, 11/17:

Ghost - Meliora
Merciful Fate - Don't Break the Oath
Dean Hurley - Anthology Resources Vol. 1
Opeth - Ghost Reveries
Burial - Kindred EP
Thought Gang - Eponymous
David Bowie - Station to Station
David Bowie - Low

Playlist from Sunday, 11/18:

David Bowie - Low
Elton John - Honky Chateau
Iggy Pop - The Idiot
Neu! - Neu! 2
Ghost - Meliora
Metallica - ... And Justice For All
Kraftwerk - Autobahn
Claudio Simonetti & Goblin - Phenomena OST
Vangelis - Heaven & Hell
Friendly Fires - Paris (Airplane Remix)
Opeth - Deliverance

Card of the day:

I believe this draw to be completely non-writing related and primarily based around one aspect of my social life at the moment. I'm not going to discuss that here, however I can also say that despite the hanging on of this drab illness, I managed to push myself out and to my writing place yesterday in preparation for returning to work today, and I had a killer writing session for about two and a half hours where I cinched up the transition into the third act. I'm relying heavily on the Aeon Timeline program at the moment, and it would be A LOT more cumbersome to integrate something so heavily plotted as this without the help of this program. Here's a screen cap:

2018: November 17th

The video for Ghost's Dance Macabre dropped almost a month ago and, for the first time, I didn't immediately post it here. Truth is, I didn't even watch Dance Macabre until this morning. Why?

Prequelle was released on June first, and at the time I spent maybe two weeks rotating it through my playlist before I abandoned it. So this is also the first time a Ghost record dropped and didn't take up months of my sonic real estate. I like Prequelle, I think it's a great pop rock album, but for my own personal tastes, it's a bit of a step in a direction I'm less interested in actually listening to than observing.

What the hell does that mean?

Ever since I heard Ghost's cover of Imperiet's Bible, the closing track on 2016's EP Popestar, my theory has been Ghost is moving toward becoming mass appeal entertainment, rather than simply being 'a rock band'. My money is on the band - or rather Papa/Cardinal's - next phase being a high-level musical. And I've felt since the first go-through on Prequelle that as an album, it is a step in that exact direction. And that's awesome. To reach that level and still be singing about Satan makes me very happy. That said, musically there are a lot of other groups that do for me what Ghost used to. Prequelle doesn't have a Year Zero or Circe, i.e. a track that hits me hard, and instead eschews that for an infinitely more pop/polished sound. Which is also fine, for the most part. But Dance Macabre? For my money, the worst lyrics I've heard in a while. Definitely the worst on a Ghost album.

Ghost's first record, Opus Eponymous, is, lyrically speaking, full of metal tropes, so that record is also not my favorite. But Infestissumam and Meliora have extremely strong lyrics, and those are the records that made me a rabid fan of the band. So to go from Year Zero's, "Crestfallen kings and queens cavorting in their faith," to, Dance Macabre's "I just want to bewitch you in the moon light/Want to bewitch you all night," hurts my heart a little. That one element of that one song seriously affected my entire relationship with Prequelle, and sadly I haven't listened to the record since the month it came out.

Then...

Last night, thanks to my friend and fellow Horror Vision co-host Anthony, I had the pleasure of seeing Ghost live again. As I suspected, seeing a lot of this new material, even Dance Macabre, endeared it to me a little more. This morning then, I finally surrendered to a new-found curiosity and fired up the video. And what do you know? I found the video to be an awesome visual accompaniment - nay enhancement - for the song, and beyond that, a fantastic entry to the band's mythos. Because that's what Ghost is building - and by that I mean the man behind it, who I still would rather remain nameless even if his identity has been revealed at this point - a mythos. And that's what I think the imminent musical will be about: their Heaven and Hell, Black Magick mythos.

Enough Ghost, let's talk comics.

Still feeling poorly. This isn't flu, but it does seem to have the tenacity of a flu bug. Attending an arena concert last night probably wasn't a great idea, but those tickets were purchased months ago and the sickness came on fast, so I didn't want to leave my friend high and dry. Also, it was good to get out of the house for a few hours. Today will consist of more convalescing, so that means I'll be finishing Robert Payne Cabeen's Cold Cuts (so good), and then delving into a few comics. I mean to keep on with a few issues for my Chris Claremont's Uncanny X-Men re-read, and then pick up with issue #2 of Menton3's insanity conundrum, Monocyte.

I've had this one since it came out, four issues from IDW back in 2012, I've never been able to successfully read this series. Monocyte requires so much set-up and backstory that the actual story kind of gets lost. I tried with an issue or two back as they were being released and then bagged-and-boarded it, waiting for a day when I might feel up to the task of trying again.

That day has apparently come. I read issue #1 a week or so ago and, although I still feel the book is a bit too stout for its own good, I enjoyed it. The art is ridiculous, as all Menton3's stuff is.

Playlist from 11/16:

Chelsea Wolf - Hiss Spun
Chasm - Divine Illusion
Various Artists - The Fantastic Mr. Fox
Tom Waits - Rain Dogs

Card of the day:
'

There's an obvious pattern of late with all these orange cards, so let's talk about what this color might have to tell me about these recent draws.

Orange is an amalgam of yellow and red, yellow representing Air and red Fire. So that's intellect and anger, or strength/drive if we're inclined to interpret it in a non-hostile way, which I am. Add to this the Three, which corresponds to Binah, or the Great Mother and Understanding. I'm tempted then, to interpret these deluge of Orange in my pulls this week as a cue to use my brain to better understand where I'm going with this novel, and have the strength to re-wire the things I already know still need re-wiring. Which isn't much, but it's a touch daunting.

2018: November 16th

Goddamn this woman is amazing. I've really enjoyed the evolution of Chelsea Wolfe's sound, and can  only hope we get another album or at least an EP soon.

Plus, not to be overly male, but can this woman become any hotter? Doubtful.

I'm knee-deep in dead Arctic terrorists and mutant penguins and I LOVE IT! Robert Payne Cabeen's Cold Cuts might just go down as my favorite read in 2018.

I expected to dig it because Arctic horror was sewn into my blood long ago by a little movie called The Thing. However, the way in which Mr. Cabeen moves from horror to humor to heartbreaking empathy and genuine touching moments of real human emotion is at times jaw-dropping and has made this a marvelous read. And the best part? This book takes heavy influence from George A. Romero's original formula, in that the killer mutant penguins only show up to remind us - and the protagonists, two scientific researchers stuck in the remains of an arctic research station destroyed by terrorists - that they're there. The meat of the book is about two guys stuck in comfortable-enough living quarters, counting the days, watching their food deplete and their minds unravel. SO GOOD. Strongly recommended. Here's a nifty little video I found of the author reading a passage:




Playlist from 11/15:

Nick Cave & The Bad Seeds - B-Sides & Rarities Vol. III
Ghost Cop - One Weird Trick
Thought Gang - Eponymous
David Lynch & Dean Hurley - The Air is On Fire

Card of the day:

Sevens are always a mixed bag. You get the strength of Netzach (Victory), but the uneven energy of coming off the perfection of Six, Tiphareth. Futility fits the moment. Trapped in my home, still under the weather, I've been unable to make much progress writing because I always have trouble writing among all the distractions I've accumulated in my life. There's too many novels and comics and a wonderful cat who seems to know just when to vie for my attention. It's all my own personal bullshit - I'm distracted because some part of me recoils at the amount of work left even as close as I am to finishing this, but the usual way around that is the coffeeshop (so fuck all them squares that say those of us who write in coffeeshops do so for attention - believe me, the last thing I want in my coffeeshop is interaction with anyone else there, no offense to the staff, who totally get it, btw). But yeah, unable to do that, futility is exactly what I feel. Will today be better? Hopefully, now that I've aired all that "out loud."

2018: November 15th

My copy of Thought Gang's long-lost album arrived a day early, so I've already spent a fair amount of time with it (though not nearly enough). So far, this is my favorite track on the album. My mid-90s self would have been all about this one.

Another day home feeling like shite. Trying to use the time wisely, though I've yet to do any writing, which I have planned in a bit. Spent the morning reading old issue of Classic X-Men, as I've been wanting to re-read a large chunk of Chris Claremont's Uncanny X-Men for quite some time now but never manage to find the time. I started off with the Dark Phoenix Saga and will move on from there. There are a few holes in the collection, but for the most part I have it all from Dark Phoenix on. A few of my favorite issues that I am looking forward to re-reading:

Fede Alvarez just proved what I've been saying for going on six years now. Thank you, Mr. Alvarez. Now, how about that sequel???

My friend Daniel just published a beautiful, heartfelt goodbye to Stan Lee. Read it HERE.
Playlist from 11/14:

Ghost Cop - One Weird Trick
Nick Cave & The Bad Seeds - B-Sides & Rarities Vol. III
Thought Gang - Eponymous

Card of the day:

I continue to encounter larger, archetypal guidance. I'm reading this as a suggestion to keep up a new yogic routine, which I began with two days last week and subsequently slacked off on.

2018: November 14th

This is pretty awesome if you're a David Lynch fan. Sacred Bones, who just put out the long-thought-lost Thought Gang record (mine should arrive tomorrow!!!), dropped this video a few hours ago. It's a video piece Mr. Lynch did for this year's Festival of Disruption. The music used here is from the Thought Gang record - overall a match made in Heaven, where of course, everything is fine. Oh, and that Thought Gang record is still available HERE.

I'm home from work sick today and spending the morning reading the Bernie Wrightson/Steve Niles/Kelley Jones Frankenstein Alive, Alive! Frank, a childhood monster I was obsessed with, has come back around again in my thoughts of late. First, it was K sitting me down to watch the original Universal Frankenstein last year that started it. After that, I narrowly avoided ordering but spent quite a bit of time lusting over this:

Now, a new acquaintance through the HWA, Robert Payne Cabeen, has just had a series of illustrations published as the visual component of new tome Birthing Monsters: Frankenstein's Cabinet of Curiosities and Cruelties, and viewing his work takes me right back to when I would sit and stare at my Remco Frankenstein for hours. What is it about this creature that captivates so many of us? Is it the idea of human ingenuity and intelligence conquering the mystery of death? Or the posit that man could steal his creator's fire by creating life on his own, in a laboratory instead of with the organs of regeneration said creator gifted us? Of course, there's also the joyous gothic attributes Universal bestowed upon the saga of Victor Frankenstein and his creature, laying a cinematic cowl over Mary Shelley's original work of horrific literature. That same gothic version is joyously recreated in the figure/environment above, and is just as joyously disavowed in both Bernie Wrightson's version and several of Mr. Cabeen's illustrations. Perhaps that is the force that binds us to this legend; in Shelley's original novel the creature is a composite, so there has always been room for so many variations that the imagination can continually find new avenues to explore using the creature as an avatar or guide. Either way, my morning belongs to the monster.

After Monsters, I'll hopefully finish up editing the video version of last Friday's Drinking with Comics, with Special Guest Kristen Renee Gorlitz, whose Kickstarter is still going strong and which I implore you to investigate and, if so inclined, support. The Empties really has impressed the hell out of me, and as you know, I always pass along what I find that I like.

November 9th Dwc is currently available as audio-only podcast on Apple Podcasts, Spotify, and Google Play.

As this ailment came on suddenly yesterday while at work, I left early yesterday and watched two great horror flicks on Shudder. First:



Terrified is a ripping little ghost story from Argentina. It's creepy as hell, and although conceptually it's a bit unclear, I actually really liked that about it. I'm one who is perfectly okay with tales of the supernatural NOT following concrete rules since, you know, it's supernatural and thus, largely unexplained phenomena.

Second flick I watched was an older one, something I'd heard about in the 00s and had been meaning to find and get to eventually:



This obviously isn't the Creep that stars Mark Duplass, which I also liked, obviously for completely different reasons. This one plays to my obsession with stories that take place underground. Its use of tunnels, Earthen passages, and secret rooms underground made me unbelievably happy. Well-made British horror that feels of its time in the early 2000s but still works well today.

Playlist from 11/13:

Curtis Harding - Where We Are (single)
The Knife - Shaking the Habitual
Ghost Cop - One Weird Trick
Flying Lotus - Los Angeles
Nick Cave & The Bad Seeds - B-Sides & Rarities, Vol III

Card of the day:

Again? Well, let's dig deeper and see what old boy is trying to tell me. From the Grimoire, "Action, decisiveness, and high energy. Engage obstacles/enemies. Strength. The structure of civilization, social world - law and order; the establishment."

Two things - Civilization, well western civilization, requires linear thinking and rationality. These can also be a prison. I tend to adhere to a guise of linear, rational thinking when writing, but know it can foist frustration and dead ends upon me. Find a way to work in some non-rational writing time.

2018: November 13th - New Curtis Harding

This new Curtis Harding single and it's awesome! Total 70s Isaac Hayes/Black Cesar vibes, with the cinematic string arrangements and lush reverbs that defined 70s soul. Very cool.

Also in the music department, that new Ghost Cop came out. I haven't had a chance to give it a good listen yet, however if you want a very cool limited edition physical copy, one that is filled with art and even some fiction, go HERE.

NCBD this week and I'm excited for a new Gideon Falls! Also, Cemetery Beach:

Playlist from yesterday:

Various Artists - Twin Peaks The Return OST
Interstellar Funk - Caves of Steel EP
Burial - Kindred EP
Remco Beekwilder - 10th Planet EP
The Ocean - Anthropocentric
Ghost Cop - One Weird Trick
Massive Attack - Mezzanine

Card of the day:

Two cards today. Not on purpose. There were actually three, as I had a kind of discombobulated draw as I rushed to leave late for work. Can't remember what the third card was now. But look at the color scheme here; Enlightenment is imminent.

2018: November 12th

With headphones this absolutely kicks. As the weather in LaLaLand turns cold - yes, feel free to laugh at me, anyone reading back home) I can feel my musical mood shifting to incorporate a lot more electronic styles. It's funny, seven or eight years ago I listened to way more electronic music than metal. For some reason though, metal became a driving force in my writing and because of that I'd never be able to go long without it.

Last Friday's Drinking with Comics is up on iTunes, video to follow later in the week. Our guest Kristen Renee Gorlitz was a pleasure to interview. We talked about the current Kickstarter for her independent horror comic The Empties - which I love - as well as how comics can help a filmmaker make better films. Also on tap was our reviews/reactions to Lucifer #1, the return of The Maxx in Sam Keith's Batman/The Maxx limited series Arkham Dreams, new Image titles Blackbird and Dead Rabbit, and a whole lot more.

Also on the podcast front, there's a new, short reaction piece my Horror Vision co-host Anthony Guerra and I posted after going to see Overlord in the theatre on Saturday. Did I like it? The short answer is yes. Go see it in a theatre with great sound.




And both of these podcasts are now available not only on Apple Music, Spotify and, any day now, Google Play.

The Horror Vision:
Spotify
Apple Podcasts

Drinking with Comics:
Spotify
Apple Podcasts


Playlist from 10/11:

Etta James - Eponymous
Various Artists - Twin Peaks The Return OST

Card of the day:

Steady and unwavering. Yep.

2018: November 10th

When a Tom Waits jag comes on me like it has of late, usually a Pixies bender isn't far behind. Other than the obvious connections (moments of obvious musical influence, covers, etc), for me this is due to the fact that I discovered and was really into both discographies around the same time. Weird thing though is both are normally summer music to me. That said, it was 88° in LaLaLand yesterday, so summer is never really far behind here during the day.

Although my familiarity with Surfer Rosa has long ago smoothed away many of its deliciously uneven edges, sometimes when I listen to it - like right now as I write this - I really hear it again for the first time and realize what an unbelievably odd record it is. All the Pixies stuff is left-of-center as far as rock music goes, but this one is really, really out there at times. And I love it.

Besides spending the morning listening to The Pixies, I'm re-reading Sam Keith's seminal comic book series The Maxx. God, I love this comic. I was introduced to The Maxx via MTV's mid-90s animation show Oddities, the second season of which was an animated adaptation of the first dozen or so issues. Reading this now, I'm kind of tripping off the fact that every time I go back to the book and read the issues that were adapted, in my head, clear as day, I hear all the actors' voices as I read the lines. It's very cool, and makes these occasional revisits even more spectacular.

We had an excellent episode of Drinking with Comics last night, and I'm hoping to get the episode up on Apple Podcasts this weekend.

Playlist from Friday, 11/09:

Ethyl Meatplow - Happy Days, Sweetheart
Deerhunter - Microcastle
The Chameleons UK - Strange Times

Card of the day:

The aforementioned 88° isn't helping the fires burning in Malibu and spreading to the surrounding areas. If you look to the sky outside our apartment, you can see a hazy orange glow irradiating what is probably most of the greater Los Angeles area by now. Creepy then, that the Ten of Wands comes up. Taken from a website I sometimes turn to for interpretation purposes, "Oppression and restriction, showing the fire on the grounds of the Earth, where they cause an uncontrolled, destructive burning."

2018: November 9th

I'm in an Ethyl Meatplow mood this morning, so I started the day off with their Barry Adamson-produced, 1993 record Happy Days, Sweetheart before I move into Daniel's Pick for the Joup Friday Album. Now, I've had Happy Days for a long time, considered myself a fan of both Meatplow and Carla Bozulich's Geraldine Fibbers, but I guess I've never really dug around on youtube for more stuff by either because I'd never seen this live footage before. This is one for the annals of history folks, 90s underground awesomeness, short-lived but amazing nonetheless. And really, could Carla Bozulich be any hotter than she is in this video?


Playlist from 11/08:

Various Artists - Twin Peaks Limited Event Series Soundtrack
The Chameleons UK - Strange Times
Tom Waits - Bone Machine
Nick Cave & The Bad Seeds - B-Sides & Rarities Vol. III
Boy Harsher - Country Girl EP
The Body - I Have Fought Against It, But I Can't Any Longer
Jóhann Jóhannson - Mandy OST


Card of the day:

Breakthrough. I've got a meeting this morning that could use one, and a lot of writing to do this weekend that could benefit from my plotting breakthrough from earlier in the week carrying through to a few more smaller epiphanies.

2018: November 8th - New Boy Harsher!

The new album Careful drops February 1st, 2019 on Nude Club Records. 

Had a really nice night just reading in bed for an hour or so last night. The next DwC is tomorrow, and I've a gaggle of stuff to catch up on. First and foremost, as I've already talked yesterday about Blackbird, let me tell you the other new book I'm really hot for right now is Dead Rabbit:

Gerry Duggan and John McCrea. A retired criminal/vigilante thief finds he has to reinstate his life of crime to pay his wife's medical bills. Shit goes wrong. It's great.

Playlist from 11/07:

Algiers - The Underside of Power

Metallica - ... And Justice For All

Deafheaven - From the Kettle Onto the Coil

Briqueville - II
Deafheaven - Ordinary Corrupt Human Love



Card of the day:

This card always speaks of things gone out of control to me. It also reminds me a bit of Ash being taken down by the three mini-Ashes in Army of Darkness. And believe it or not, that seems a pretty good place to start, because a lot of times I understand things better if I run them through a familiar lens, and film is a very familiar lens to me. So, in Army of Darkness, Ash fucks up, tries to play it off and ignore his mistake, and it ends up coming back to haunt him as these three mini-doppelgangers that bite and chew at him. Nothing important. But it's his lack of taking these little nuisances seriously that ends up leading to full-on Evil Ash, who is a Huge threat to him. So, what's the card saying? Take care of the little stuff - don't let it build up, or it will come back three times the size and way more serious. I think that's a health cue for me, specifically pointing to the two problems that persist - my sarcoidosis and my still-not-right left hamstring. I've made serious inroads to finally get back to taking care of both of these, but it's going to take a serious chunk of my already limited time. That's okay. This is a reminder that it's worth it.