Hangman's Chair Live at Hellfest!!!

 

Another fantastic live performance as posted by the fantastic ARTE Concert YouTube page.

I'm super new to Hangman's Chair - I discovered them by way of singer Cédric Toufouti's work on Perturbator's Lustful Sacraments - so I had no idea they were big enough for a crowd like this. Always nice to see a band you're sweet on getting an ocean of love at a live performance. 

I've posted recently about the band's new album, Saddiction, which you can pick up from Nuclear Blast HERE.
 

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Watch:

I really think I need to spend a little more time talking about Severance than I did the other day. This is, for me, the most important show I know of at the moment.

This show is an allegory for the ramifications of the Corporate paradigm we live in and its effect on human beings, and it's a damn good one, at that. It's really made me reflect on my life and my job, which is becoming so all-consuming that it's affecting my writing, my sanity, and maybe my overall person. I have dreams that express the fear I'm being slowly brainwashed into one of these fucking corporate pod-people, and it's terrifying. 

One of the major plotlines of Severance is how the "Outties" - i.e., the person when not at work- basically sell their "Innies" into slavery. Of course, the Outtie does not go unscathed. I've only seen far enough (season 2, episode 2) into the show to get a feel for one character's home life, but it's clear they are not happy. Because, of course, to draw a really strong comparison from Severance to a film I love:

You cannot treat one aspect of yourself poorly and not expect it to affect the overall organism. 

This is an exaggerated pretense of how I feel about my work-life balance, a term that in and of itself makes me crazy. I spend far too much of my time working, thinking about work, solving my Innie's problems, and in this way, I feel like, just as The Substance is a remarkable allegory for beauty and self-worth, Severance is an allegory for the trade-off we make for money, status and all the other trappings of 'success.' To many people who know me, I might appear successful. In my own mind, however, I realize the damage the trade-off is doing. 

Word.

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Playlist:

Ministry - The Squirrely Years

Tim Hecker - Infinity Pool OST

Flying Lotus - ASH OST

The Veils - Asphodels

Deafheaven - Lonely People With Power

Ozzy Osbourne - No More Tears

Motley Crue - Shout at the Devil

Heilung - Lifa

David Bowie - Outside

Metallica - Kill 'Em All

Slow Crush - Aurora

Low - Trust

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Queen of Cups

• XVI: The Tower

• Seven of Wands

Look to your dreams for what comes after the Fall. Of special note may be causes previously thought irrelevant.

Ministry - The Squirrely Years

 

I had heard Uncle Al was bringing the band out on the road to play the material from the 12" Singles/With Sympathy era, but I didn't realize that meant we were going to get a fully reworked release of the most iconic tracks. That's right - Ministry: The Squirrely Years Revisited is out and it's pretty damn good. 

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I could tell you about the movie with Jenny Ortega and Paul Rudd that I went to see last night, or I can keep it clean and talk about how, despite my lifelong disdain for Ben "The Black Hole of Comedy" Stiller, my sister recently talked me into watching Severence on Apple TV and I absolutely love it.

Now, Stiller didn't create this, but he directed the first three episodes, and they were stellar! I mean, credit where it's due, folks. 

Created by Dan Erickson, IMDB sums the show up thusly:

"Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs."

This show is DARK. The lives of each character are divided as their "Innie" and "Outie." The Innie's lives exist solely at the office, and while most of them cope by convincing themselves they are doing something great, one character is desperate to get out and cannot. She makes several resignation requests to her Outtie, but each falls on deaf ears, leading to an increasingly malevolent response.

Can't recommend this one enough. 

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Late last week, I finished John Dies At the End, and I'm happy to report it was absolutely fantastic. Such a fun read that has a pretty unique tone. Dave, the Narrator, has a particularly snarky approach to the world, and the titular John splits the difference between stupidity and heroism perfectly.

Next up: Adam Cesare's Clown in a Cornfield.

I was on the fence about this one, but my good friend Jesus sent me a copy a year or two ago, and with the movie coming out, I knew we'd cover it on The Horror Vision, so I figured a comparison between the film and source material would be in order. ~80 pages in, and I can say this is a very readable book. Not much has happened yet, but I'm enjoying it for sure. 

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Playlist:

Shellac - Excellent Italian Greyhound

Pink Floyd - Piper At the Gates of Dawn

Tool - Ænima

Ike Reilly - Poison the Hit Parade

Ozzy Osbourne - No More Tears

Skid Row - Eponymous

Skid Row - Slave to the Grind

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• King of Wands

• Two of Swords

• Ace of Swords

Mastering Will to stand or severe unproductive partnerships. Hmmm... I hate when I receive 'work advice' from the cards, but it's on point. 

 

I had kind of tuned Radiohead out by the time In Rainbows landed, but I'm not really sure why. My good friend Chester recently brought up In Rainbows being what he considered the end of the band's Golden Age, so I went back and gave it a couple of pretty deep listens. I definitely agree with Chester; In Rainbows, while nowhere near Kid A, OK Computer, or even Hail to the Thief, definitely feels more in line with those albums. I suppose at some point I need to test my prejudices against Radiohead's later output, which seems like it became interchangeable with York's solo career at some point and started sounding a bit like self-indulgent electronic noodling. 

Definitely check out From the Basement's YouTube page. A lot of really great performances like this one.

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NCBD:

I am super excited about all three books in this week's Pull:

Really digging Dust to Dust from Giant Generator and Image Comics, a kind of Dustbowl Horror Thriller from JG Jones and Phil Bram. This is apparently the penultimate issue; not sure if this will continue beyond issue #5, but it seems like it's a safe bet.

With the first issue of Into the Unbeing Part Two, this book became even weirder than it already was. That's not nothing. I'm definitely recommending this book to anyone who enjoyed Jeff Vandermeer's Southern Reach series as much as I did. 

I mentioned this a week or two ago, and my excitement has only grown. All hail Giallo-inspired everything!

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Playlist:

The Kills - Live at Third Man Records

Blind Willie McTell - Complete Recorded Works In Chronological Order (Vol. 1)

Windhand - Grief's Infernal Flower

Witchfinder - Forgotten Mansion

X - Los Angeles

Alice Donut - Dry Humping the Cash Cow

Arcade Fire - Everything Now

Double Life - Indifferent Stars

Entropy - Liminal

Deftones - Koi No Yokan

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Hangman's Chair - Kowloon Lights

Really digging this new Hangman's Chair album. Here's one of my favorite tracks so far. You can head over to Nuclear Blast to order Saddiction on vinyl or CD.

 

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Watch:

I ran across the trailer for Joshua Erkman's debut feature film, A Desert on Bloody Disgusting, yesterday and instantly fell in love with the tone of the trailer - which I watched once and doesn't give much away.

Of particular note, The Jesus Lizard's David Yow is in the cast, which is casting I'm always happy to see. I'm completely unfamiliar with everyone else involved except the credited composer is none other than Ty Segall! Also, distributor Dark Sky Films tends to deliver greatness. 

Looking around online, I found one of co-writer/Director Joshua Erkman's previous films available on YouTube:

Looking forward to this one.

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Playlist:

Television - Marquee Moon

QOTSA - Era Vulgaris

Windhand - Eternal Return

Melvins - Hold It In

Hangman's Chair - Saddiction

Kowloon Walled City - Piecework

Conrad Schrenk & Thomas Lang - Yumaflex

Fvnerals - Let the Earth Be Silent

Moderat - II

Witchfinder - Forgotten Mansion

Barry Adamson - Oedipus Schmoedipus

Double Life - Indifferent Stars

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Chapter 49: Ash, Pain and Blood

I turn 49 today. Happy to still be here, slightly confused at how that's possible. Fuck it - let's listen to some Flying Lotus!

Even at a curt 1:24, "Blood and Pain" stands out as one of my favorite tracks on an album full of favorite tracks, Flying Lotus' 2021 Yasuke. I'd kind of lost track of this man's music for a few years when I discovered this record last year, and it brought me flying right back. 

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Watch:

Speaking of Flying Lotus, this past Thursday night, K and I sat at our local big box theatre and watched Flying Lotus' new film, Ash.

I wish I could tell you that I loved this as much as I love the man's music, but that's not the case. Do I regret seeing it in the theatre? Absolutely not, and in fact, I'd encourage others to support it as well. Just know what you're getting into.

Ash is slow and somewhat cumbersome in its dissemination of the story. It's meant to be that way because of where the characters are, but it takes making us feel what they do a bit too literally. Slow is never a problem with me, if the film has strong legs to stand on. But things here wobble; there's some convenience in the writing and some ambiguity that doesn't feel purposeful. Also, Ash substitutes - probably out of budgetary necessities - flashes of FX for anything of real depth, which is fine if it's not the only technique you're using. But here, we're indoctrinated with these kind of "nightmare, body-horror" flashes early on, fragments of main character Riya's damaged memory of events that led to the death or disappearance of her ship's entire crew. Later in the movie, we get some action, a fight for survival, and the FX opens up a bit, but it still feels right in line with what we had earlier. Limited.

Now, to play my own devil's advocate, while everything I mention above feels like a weakness, I can say there's also a strength and a healthy dose of hope here, as well. Everything I'm describing feels like a weakness because this is a movie on a big screen in a theatre. But can we not shift our bias and look at this as, "Holy smokes - this is basically a relatively new filmmaker being given not only a chance to make a pretty large-scale film but have it distributed nationwide? I mean, I saw this at a Regal in Clarksville, for fuck's sake. That's kind of staggering.

Granted, Ash is considerably more advanced than films like Skinamarink or The Outwaters - two films I give props to but fucking hated - but its distribution jackpot owes a lot to them*. So I guess all this is to say it's not really a surprise that Ash found a wide release, but even with its shortcomings, the hope is this will further develop Flying Lotus' career so that maybe next time, he'll have the budget and insight to really blow our minds. 

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* And yes, I'm aware both of those films owe their shot at the big screen to the massive success of Damian Leone's Terrifier 2; however, if you want to take it even further back, I'll bring up my absolute shock at seeing films like Hatching, You Won't Be Alone and Lamb in my local AMC theatre post COVID lockdown. 

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The same day that we went to Nashville to see The Straight Story at the Belcourt Theatre, we made our first visit to Jack White's Third Man Records.

I'm not a Jack White fan. The White Stripes were a much-needed breath of fresh air at the time Elephant blew up, but White's meteoric rise to stardom afterward kind of baffles me. I think I can trace my cynicism back to the moment I saw the DVD It's Going to Get Loud on a shelf at Borders. This is a video that hoists White up as a peer with The Edge and, even more incredibly, Jimmy Page. I can't say I ever watched this video, but its very existence rankled me, and from there, whatever tidbits of information that have trickled down to me about the man have just reinforced that opinion. Well, except one.

His records stores.

From all accounts I'd read, Third Man Records is a bastion of old-school record store glory in an age devoid of such places. Add to this innovations like converting an ice cream truck into a mobile record shop and I almost want to cry. I mean, what an unbelievably cool idea! Literally bringing the music to the people. 

I knew Third Man was in Nashville, but I hadn't been yet, so when my cousin asked if we could visit while he was in town, I assured my wallet all would be well and set the controls for 623 7th Ave South.

The moment I stepped inside, I fell in love with the place.

Wall-to-wall vinyl, all gorgeously packaged and displayed. So many items unique to this store, and just a general sense of reverence for physical media. Yeah, it didn't exactly alter my opinion of White as an egotist when, for the entire forty-five minutes or so we were inside, all they played on the overhead speakers was White's music. That's fine, though. I mean, flaunt it if ya got it, I guess, right? Especially when you maintain a place like this (named after my favorite black and white movie, no less)

Other than the records I purchased, I also picked up an issue of Maggot Brain, Third Man's quarterly music magazine.

I primarily grabbed the issue because of the TVOTR article, but in slowly working my way through it over the last few days, this is the closest thing to when I used to read The Wire back circa 2008-2011. I LOVE this magazine for the same reason I loved The Wire or Heaven is an Incubator. Simply put, there are more words spent on bands and artists I have never heard of than those I have. That's super important to me because I am always looking for new music.

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Playlist:

Blind Willie McTell - Complete Recorded Works In Chronological Order (Vol. 1)

Sqürl - Third Man Records Session

Spoon - They Want My Soul

QOTSA - In Times New Roman

INXS - Kick

TVOTR - Desperate Youth, Blood Thirsty Babes

Deftones - Ohms

Flying Lotus - Yasuke

Flying Lotus - ASH OST

Windhand - Levitation Sessions (Live)

Heilung - Lifa

Radiohead - Myxomatosis (single)

Radiohead - In Rainbows

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Four of Wands

• Ace of Swords

• VI: The Lovers

Being that it's my day of reiteration today, I'm viewing this spread as an indication of how to proceed for the next 365 days. What does it say? Well, I see a steady foundation and a healthy application of Will - moving forward with these two ideas as a basic tenant for the next year will provide an alchemical reaction. 

Melvins 1983 - King of Rome

 

Holy F**K! I knew songs from this record had already dropped, but I kept missing it. Until now (Thanks, Mr. Brown!). I love this opening track and can only imagine it bodes well for the rest of the album. A little weird missing Dale, but after just (finally) watching the Colossus of Destiny: A Melvins Tale, I'm picking up what Buzz and original drummer Mike Dillard are putting down.

Out April 18th, you can pre-order Thunderball directly from Ipecac Recordings HERE.

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Watch:

A trailer for Michael Shanks' debut feature Together dropped the other day. I have not watched it; I've heard a few small things about this. Only vagueries, really, but enough to make me curious as all hell. And when I'm curious, I try to remember one simple fact: Trailers spoil movies. 

Still, I always post here for posterity's sake. So watch at your own risk.

I'm pretty sure I said it here before, but I love that Body Horror has become viable enough to be getting wide theatrical releases. Let's all go see this and make sure that remains a thing, shall we?

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Playlist:

Angus MacLise - New York Electronic, 1965

Sqürl - Third Man Records Session

Pink Floyd - Ummagumma (thanks, Josh!)

Dinosaur Jr.  - Sweep It Into Space

Melvins - Hold It In

Sunn O))) - Monoliths & Dimensions

Flying Lotus - Yasuke

Melvins - Thunderball (pre-release singles)

Zonal - Eponymous (single)

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• IV: The Emperor

• Eight of Pentacles

• XI: Justice

Concentrate on the rules we've made, which are faltering, and you can move past them into the underlying, seemingly unconnected processes. It is here you will find the architecture that governs this existence.

Not sure what I'm going to do with that, but it just kind of came to me while thinking about each individual card and how they fit together. I really don't "read" tarot that way, but maybe a little woo-woo is needed to even out my constant overthinking and page-turning.

Powermad - Slaughterhouse

 

Over the last two weeks, I had the distinct pleasure of watching several of David Lynch's films I had previously missed on the big screen at Nashville's Belcourt Theatre. The Belcourt's retrospective on Lynch's work was comprehensive; a true celebration of the man's life and art.

I spoke about seeing Eraserhead/The Grandmother in a previous post, but this past weekend my cousin Charles and his wife Lauren came down to visit us, and Sunday afternoon, the four of us caught The Straight Story on 35mm. I'll talk about that below, but suffice it to say, for Monday night's screening of Wild At Heart, Powermad's "Slaughterhouse" rang EPIC on the Belacourt's sound system. I never got into this band back in the day, but I was definitely aware of them, mostly through ads in Thrasher magazine. 

Released in 1989, this would have come at the height of my "Skate or Die" phase; man do I miss that. The last time I rode a board was circa 2011 in San Pedro; the hills almost killed me, and I kind of backed off again after that, only to have a friend accidentally break it a year or two later.

How the hell did I get here from where this began? Oh yeah, Powermad!

The bit with Powermad doing backups for Sailor's Elvis serenade really clues you into Lynch's mindset on this film. There are times when I'd almost liken Wild At Heart to Lynch's version of a Farce. Sailor's singing and mannerisms, Marietta's, well, everything, and Crispin Glover's joyfully insane Del are all so far outside the realm of seriousness for a film that can still take itself very seriously, that they help make this one unique, even among the greater body of Lynch's work. 

The two images that stand out on the big screen are the sequences of roiling fire and Bobby Peru's teeth. Nightmare fuel, that.

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Watch:

David Lynch's The Straight Story is an underseen masterpiece. I say that as a lifelong Lynch fan who, although I own the film on DVD, had only seen it twice before, and never at the Cinema. That changed this past weekend, and I can tell you that this film is a deeply moving character piece that wet my ocular sockets consistently from start to finish.  

Seeing this film on 35 mm was an entirely new experience; Lynch films on the big screen are heightened, almost altered states; few people who have experienced Lost Highway or Mulholland Drive in the cinema would contest that. Those are films that incorporate Neo Noir and Psychological Fugue/Horror elements that lend themselves to inducing altered states. The Straight Story is something else entirely. It is a story about family, love, and redemption. It is firmly rooted in the "real" world, so its altered state is a sharply emotional one. It's a beautiful and slightly disconcerting thing to let David Lynch lead you on a journey like this, but by the end, it makes you feel wonderfully alive.

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NCBD:

Finally, after being pushed back several months, we have the finale of James Tynion and Joshua Hixon's The Deviant!

To say I've been waiting for this is an understatement. Thinking about sitting down this weekend and re-reading the entire series in one sitting. One of my favorite books in forever. 

I keep thinking this cover is an homage to an issue of Larry Hama's original GI JOE comic at Marvel, but that may not be the case. Either way, pretty cool. Maybe I'm starting to warm up to this book a bit more? We'll see.

Now that I know Epitaphs From the Abyss is ending at issue 12, I'm cherishing each one of these even more. And as I say so often with this book, LOVE this cover!

Güs! 'Nuff said!

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Playlist:

Sqürl - Third Man Records Session

Melvins - Hold It In

Hangman's Chair - Saddiction

Vinyl Williams - Lansing (single)

Flogging Molly - Swagger

The Pogues - Hell's Ditch

The Pogues - Red Roses for Me

QOTSA - In Times New Roman

Sinéad O'Connor - The Lion and the Cobra

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE:

Grimm currently has a Kickstarter running for his ... And the Night Stares Back Vol. 2 coloring book, which features some of the art from the Hand of Doom Tarot. I backed this instantly, but there's no way I would ever apply color to Grimm's beautiful B&W art.

• V: The Hierophant

• Knight of Swords

• Five of Wands

Knowledge (or information) wrested from a perceived opponent can require Will to make work. 

This is straight-up on point with my work at the moment, where I actually feel like I have a bit of a "Moriarity" at the moment, and the knowledge they disseminate to me often feels occluded or guarded. Maybe even false.

Happy St. Paddy's - Flogging Molly Float

Happy St. Paddy's Day, everyone!

I celebrated on Saturday with some Guinness, some Jameson, and my annual reverence for Phil Joanou's State of Grace, which I just love more every time I see it. And I've watched it every year for maybe 20 years. 

Also, if you haven't heard, Flogging Molly frontman Dave King has some health issues that forced the band to cancel their most recent tour, so maybe stop by their Bandcamp and plunk down some silver for one of their albums. Mr. Brown recently recommended the live 2006 Alive Behind the Green Door, and I can attest that it's fantastic. 

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Watch:

David Cronenberg's The Shrouds opens in select cities on April 18th and nationwide a week later. Really looking forward to this one.

This trailer doesn't reveal too much, but it also doesn't 100% whet my appetite for the film. That doesn't mean anything, though, as just the fact that Cronenberg has a new film on the immediate horizon has me excited. I really liked Crimes of the Future; actually felt like it was the first truly transgressive film I'd seen in a theatre in a very long time. Not sure if this will be a similar experience, but it doesn't matter. Cronenberg is Cronenberg, end of story.

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Playlist:

Marilyn Manson - One Assassination Under God Chapter 1

Marilyn Manson - Lest We Forget 

Marilyn Manson -We Are Chaos

T. Rex - The Slider

'Til Tuesday - Voices Carry

New York Dolls - Dancing Backward in High Heels

Buster Pointdexter - Eponymous

The Pogues - Rum Sodomy and the Lash

The Who - Live at Leeds

Blind Willie McTell - Complete Recorded Works In Chronological Order (Vol. 1)

Sqürl - Third Man Records

Flogging Molly - Alive Behind the Green Door

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Voice Carry (Voices Carry)

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'Til Tuesday's "Voices Carry" is, in my opinion, one of the strongest singles of its era. Released in 1985, for a song every source I consult says was an MTV staple, I swear I cannot remember hearing this until circa 2006 when I moved to L.A., where they played it on the radio on a daily basis. I don't remember ever hearing this on the radio in 1985 or at any other time during the 30 years I lived in Chicago. 

Part of the reason for this may be that we didn't have MTV at our house growing up, a point of infinite frustration for a kid in the 80s (and one I am thankful for now). A friend down the street had it, though, and "Music Television" was on a lot at his house. I can remember some rather oddball songs ("Shoot that Poison Arrow" for one), but not this one. 

I also listened to A LOT of radio from a young age. Some of the songs that populated my sonic landscape from as far back as 1982 were "Rock the Casbah" (an instant lifelong favorite), as well as everything Huey Lewis and the News, Prince and Duran Duran. Whatever station I heard all that on had to be playing "Voices Carry." I just missed it.

Or maybe I didn't miss it. My reaction to hearing this song the first time was immediate infatuation, as if, even though I had no memory of it on the surface, my subconscious had long ago embraced it. I was listening to a lot of modern pop in 2006 (Justin Timberlake's first record, Kyle Minogue, etc), making mix CDs I dubbed "Satan's Discoteque" and arranging playlists that included everything from George Benson to Throbbing Gristle. The point is, "Voices Carry" would have fit right into my scatterbrained sonic ethos at the time, especially because its production is a great example of that lush, 80s vibe that M83 would recontextualize a few years later and make me hungry for again.

Listening to the entire Voices Carry album while I write this, I'm blown away. The whole eleven-song cycle is fantastic, and really, for a band dubbed "New Wave" in their day, there are moments that dovetail with what was going on with 80s Rock at the time. The guitars on "Don't Watch Me Bleed," for instance, have a healthy but tasteful application of both Chorus and Reverb that make each note shimmer in the way bands like Kix and Warrant would live and breathe by a year or two later. This is a great revelation since I enjoy that production technique but not bands like Kix or Warrant. 

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Watch:

Interesting little teaser that popped up on Bloody Disgusting recently. Saw this earlier and it made me fire up the song, hence today's post. 

There's not really enough here to make a very good assessment, but Voices Carry is the debut feature from Writers/Directors Abby Brenker & Ellyn Vander Wyden, and I'm always interested in supporting new voices. 

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Read:

My good friend and Horror Vision cohost Butcher pointed me to the upcoming Giallo-inspired comic mini-series You'll Do Bad Things. This was 100% off my radar, but damn if I didn't have my shop add this the moment I saw this cover:

Here's Image Comic's solicitation blurb, plucked from the irreplaceable League of Comic Geeks: 

"It's been ten years since the release of He Came in With a Smile, the true crime smash hit that chronicled the brutal murders committed by the Nursery Rhyme Killer. But in the decade since its release, its author Seth Holms hasn't produced another title. He wants to write a story with a happy ending, but every time his fingers clack across the keyboard, it always ends in his character's death. Worse yet? These tales of blood and barbarity that flow so freely from Seth's mind are starting to happen in real life."

Nothing we haven't seen before, but that can be said of a lot. It's not the idea but what you do with it, right? Written by Tyler Boss - whose 2021 series Dead Dog's Bite was a favorite of that year - with art by Adriano Turtulici, I am very much looking forward to this one. 

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Playlist:

Melvins - Houdini Live 2005 (thanks, Mr. Brown!)

Melvins - (A) Senile Animal

The Bronx - The Bronx (IV)

James Brown Presents: Funky People

The Pogues - Rum Sodomy & the Lash

Iggy and the Stooges - Raw Power (1973 David Bowie Mix)

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Live Deftones 2025

 

Courtesy of the Watch Your Head YouTube Channel, which I just subscribed to. Packed with Los Angeles fair, the channel describes itself as "South Central L.A. Locals Mainly concert videos, estate/garage sale treasure hunting, and raw and unfiltered daily street life videos."

Some really cool stuff, especially when I'm feeling homesick for my second home!

There's titterings of a new Deftones record on the way, and I'm hoping it soon. I haven't watched this full video yet, so not sure if there's any new material in here. We'll see. Just from the opening two songs, though, this must be career-spanning. 

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Watch:

I love Flying Lotus' music, but thus far, I haven't cared for his theatrical outings. Kuso just felt gross for the sake of being gross, and his entry in the VHS series, "Ozzy's Dungeon" from VHS '99 was... I guess I enjoyed it? I don't know. It's not that I think the cinematic work FlyLo has done is bad, it's that I expect so much more. And when I saw the trailer for his new film Ash in the theatre recently, I got the feeling I'll finally be getting it!

Really just speechless that I get to see this in the theatre. So cool! Opens March 21st - can't wait!!!

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Read:

I wanted to take a moment to say, A) I think my reading of yesterday's Tarot pull was right on, as when I arrived at the shop, there was exactly one copy left of both Batman: Dark Patterns and Mine is a Long Lonesome Grave, which I took to be a kind of 'reward' for my introspection. Not to rest on my laurels, I immediately put down to be subbed to both of those and The Hive - which interestingly enough had a stack of copies for issue #2 remaining, so either it's selling exceptionally well, and they ordered a lot, or the first issue did great and the second is dead in the water. Either way, I'll have my copies going forward.

Re-reading Lonesome Grave issue #1 and following it directly with #2, my initial excitement for this book is confirmed. This is a fantastic Revenge Story with what appear to be Black Magick or Voodoo flourishes. Southern Gothic A.F. Reminds me more than a little of Southern Bastards, a book I loved so much and which just disappeared. I haven't been this excited about a book in a while now. Looks like it's only four issues, but who knows. Maybe this will be like Into the Unbeing and have several iterations.

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Playlist:

The Bronx - The Bronx (I)

The Bronx - The Bronx (II)

The Bronx - The Bronx (III)

The Bronx - The Bronx (IV)

D'Nell - 1st Magic

Razor - Armed and Dangerous

Foster the People - Torches

IDLES - Joy As An Act of Rebellion

Steely Dan - Aja

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Queen of Cups

• Page of Wands

• Two of Wands

Probing emotional depths can take an unprecedented amount of Will. To actually go deep and get to the issues that might be causing balance to waiver. 

A reminder of something I learned last week in an unlikely place: Interrogate Reality to the fullest extent of your being, and sometimes, that Reality is not the one around you, but inside you.

Live Drug Church for NCBD!

Live Drug Church from Glasgow, courtesy of David Tan Films. Do yourself a favor and check out their YouTube channel. I just found these folks, and they are packed with awesome multi-camera live show recordings!

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NCBD:

Pretty decent pull this week:

I love Dan Watters' Batman: Dark Patterns series. The first storyline wrapped up last issue, so this is the start of the second, which will run to issue six and round out the series. 

One of those my DwC cohost Mike Shin holds for me at the shop in Chicago, so I'll have a bunch of Z News waiting for me when next I travel North. So much fun.

Have we ever gotten Void Rivals and Transformers in the same week before? We must have, but seeing this today feels exhilarating. Maybe it's just because...

... Bruticus is on the cover! I've professed my love of all Combaticons here previously I'm sure; in fact, I just pre-ordered the new Vortex figure from HasbroPulse last week. Can't wait until I have them all and can combine them into Bruticus, maybe chase my cats around with him.

I loved the first issue of Justin Jordan's Mine is a Long, Lonesome Grave and I'm coming back for more! Like I mentioned below, though, I neglected to add this one to my Pull (I think), so I may have to have the shop order me one. Either way, going forward, this is on the list!

Take what I said about ...Lonesome Grave above and apply it to the second issue of A.J. Lieberman and Mike Henderson's The Hive. A street-level crime story with some odd flourishes; I'm very intrigued to see where this one is going. Add it to the list!

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Watch:

One of the trailers I've seen in the theatre of late that really catches my eye is Ryan Coogler's Sinners. Not the best title, but damn if this doesn't look fantastic.

The mythology behind Robert Johnson and the "Crossroads" has long fascinated me, and it seems like Coogler is doubling down on that here. There's just something about this era of American history when it mixes with the Supernatural. It really works for me. Can't wait to see this on the big screen!

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Playlist:

Erik Truffaz - The Walk of the Giant Turtle

Oranssi Pazuzu - Muuntautuja

The Body - No One Deserves Happiness

New York Dolls - Dancing Backward in High Heels

Windhand - Grief's Infernal Flower

Mastodon - Once More 'Round the Sun

Antibalas - Where the Gods Are In Peace

Metallica - Garage Days Re-revisited

Primus - Sailing the Seas of Cheese

Buster Pointdexter - Eponymous

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Ace of Swords

• 0: The Fool

• XVIII: The Moon

I think this Pull actually explains something that just happened while writing this entry, or at least helps me understand why it happened.

I had this entire post penned and saved, I opened a new window to download the picture of today's Tarot Pull and when I came back, large chunks of what I'd written were gone. Only, this wasn't a case of  "I forgot to save." I titled this entry last, but that is still here. Missing are my comments under the trailer for Sinners, the entire NCBD section, and all the tags I'd added. 

I'm sure this is just a weird glitch, but these are things we should pay attention to from time to time. In this case, I think I'm taking away that I've been continuing on my comic book life as before, and that's a mistake. With Diamond going or gone, the landscape is changing. I typically forget to put myself down for books to be added to my Pull, and thus, I miss stuff. Specifically, 

 

I'm sure I've spoken about Portishead's third album, Third, here at some point, and I know I've posted my favorite song from my favorite album of theirs. Third has a quality not many albums have. It sounds to my ears like a mapping of my own personal mental interiority. I'm not sure I can adequately explain that without filling up a few pages; suffice it to say, this album lived in my blood from the moment I first heard it upon release in April of 2008. 

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Watch:

I drove up to the Belcourt Theatre in Nashville last night to see David Lynch's Eraserhead on the big screen for the first time. Needless to say, it did not disappoint.

Poster by the inimitable Marko Manev.

The sound design in this film is amazing, and to finally behold it on the big screen... man! I've seen many of Lynch's films at the theatre - everything from Lost Highway after (except The Straight Story) as they came out, as well as Blue Velvet and the original Twin Peaks Pilot, but never Eraserhead. This was everything I thought it would be. Also, the audience had a special treat, as The Belcourt is pairing many of their David Lynch Retrospective across the month of March with some of his short films, so I also had the distinct pleasure of seeing The Grandmother.

I'd seen this before, but not in years and not on a big screen. The Grandmother may be even more unnerving than Eraserhead; I'm not the first one to say it, but many of these early-period Lynch films have an unmistakable "Industrial Nightmare" feeling to them. I had indulged in a deep drag from my vape pen before the screening, only to realize by the time The Grandmother began that it hit me SUPER hard. So I went into both films completely ripped and had a full-on hallucinatory experience, which was a bit difficult to manage at the time, but eventually worked out to be an extremely memorable experience.

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Playlist:

Ghost - Satanized (single)

TVOTR - Young Liars E.P.

TVOTR - Final Fantasy (single; 2004 Recording)

TVOTR - Desperate Youth, Blood Thirsty Babes

Talking Heads - Speaking in Tongues

Zeal & Ardor - GREIF

Black Sabbath - Eponymous

The Bronx - IV

Ghost - Infestissumam

D'Nell - 1st Magic

Roy Ayers - Ubiquity

Isaac Hayes - Three Tough Guys OST

Isaac Hayes - Truck Turner OST

Led Zeppelin - Presence

Sunn O))) - Monoliths & Dimensions

Slayer - Show No Mercy

Drug Church - Prude

Fugazi - 13 Songs

PJ Harevey - Rid of Me

The Police - Outlandos d'Amour

Portishead - Third

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From the notes on this video: 

"This new song, along with "Cost of Living" and "Westside", will make up the Record Store Day 2025 Exclusive FLUX EP, out April 12th in independent record stores. This will be the only physical release of these three songs, on Black Vinyl with an etched b-side."

It's been so good to have these guys back again, for however long this lasts.

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Watch:

An Irish Horror film that takes place during the Great Famine of the 1800s and is entirely in the Irish language? Directed by Irish Filmmaker John Farrelly, this one looks incredible!

SO hoping this rides the Folk Horror wave into theatres. Looks stunning; creepy, dark and remote. Read more HERE on Bloody Disgusting. There doesn't appear to be a release date yet for An Taibhse - which translates to The Ghost - but I'll keep my eyes peeled.

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Playlist:

Ghost - Infestissumam

D'Nell - First Magic

Secret Chiefs 2 Traditionalists - La Mani Destre Recise Degli Ultimi Uomimi

Slayer - Decade of Aggression

Ghost - Opus Eponymous

Miranda Sex Garden - Velventine (Single)

Caffeine Mit Cocaine - Supra Summus (Feat. Diamanda Galás)

Vitalic - V Live

Laura Cannell - A Compendium of Beasts Volume 1

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NEW GHOST ALBUM!!!

 

Holy smokes - the New Ghost album Skeletá is out on April 25th! Pre-order HERE!!!

I definitely haven't loved everything this band has done, but I root for them. Impera was easily my favorite since Infestissumam, and although I'm not crazy about this new song right off the bat, I can say that about two of the 'singles' on Impera. Regardless of my off-the-cuff opinion, the songwriting is here. STRONG melody on the chorus and a pretty ripping guitar solo. I don't love the video, but then, videos I do love are rare. I will say since Tobias Forge's sense of humor has infiltrated the band and all its ventures - it's on full display with this video - I long for the days when they felt a bit more ominous. But then, that was bound not to last. He's funny and always well-spoken, but I guess I prefer a little more solemnity to my Satanic Metal. 

Either way, SUPER psyched and I love that Ghost has taken to announcing their albums like two months out. It's literally right around the corner.

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NCBD:

Small pull this week. STILL waiting on a bunch of books Diamond never shipped to filter in, so maybe some of those will arrive. Otherwise, this is it for NCBD:

I love this continuation of The Nice House on the Lake; however, just as with that first book, I'm behind on my reading. This happens to Tynion's books. They're better read in trade format, but for some of these, I just can't help but buy the monthlies. I guess it's because, at this point, there are so few monthlies I buy and I want to keep the habit alive. 

Solid Batman werewolf series that reminds me of something we might have found in an arc of the late 80s/early 90s Legends of the Dark Knight series.

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Read:

So, I started reading Grant Morrison's Multiversity again. Back when this hit the monthly comic shelves in 2015, I tried for about four issues and gave up. I didn't really admit that I didn't like it, but my life was undergoing escalating turmoil and I was cutting down on my monthly spending in favor of saving my arse, so Multiversity got cut and I never really looked back.

A few months back, my Drinking with Comics cohost Mike Shinabargar gave me a copy of the collected trade paperback with the request we cover it on the show. We recorded yesterday - editing is still in progress - but I have to say, after re-reading the same four issues I read in 2015, I do not love this book at all. What's more, it's making me think I should just up and sell my Final Crisis HC and my Seven Soldiers of Victory complete set of monthlies on eBay because I am no longer the person who I was when I could muster fervor for GM delving into every single nook and cranny of the DCU - a comic book universe I have always held little to no interest in. 

But then I think, is this just me at this moment? You know the feeling; you tire of something, let's say an album or movie or comic book. Not just tire of it but grow disgruntled toward it. This isn't that weird inevitability that some things you love when you're a younger person you will grow to hate for idealistic issues. No, this is the fan inertia I had for GM wearing off a bit and me realizing the stuff I love from him - other than his masterpiece, seven-year Batman run - is his non-IP stuff. Especially non-DC IP, because the DCU is a deep well of superhero stuff that makes me cringe more than it makes me excited. 

I've committed to finishing this book, but man, at this stage, I think it's going to be very tough. Part of my issue is also very much what makes Multiversity a masterpiece accomplishment: when I was younger, the appeal to the Big 2's continuity (well, for me, the Big 1's) was the endless continuity to investigate. I mean, if felt like you could never get there. And with Batman, Morrison read every bit of continuity for one character and synthesized it into one spectacular narrative that incorporated all of it. That's what he's done on a larger scale with the entirety of the DCU, starting with his JLA run, into Earth 2, Seven Soldiers, Final Crisis, and finally Multiverity. As my cohost Mike brings up several times in the episode, this was the final word by the man who was on staff at DC for several years as their "Universe Consultant." That means it's amazing; it's a Mozart concerto of comics, but one I have very little time or bandwidth for in my life at the moment. Maybe never again.

Part of that, then, forces me to reflect that some of my inability to joyously engage with this book is I've gotten fucking lazy. It's not a good thing to reflect on, but I try to be self-aware of the zero-point fluctuation level. So there's really no failing with the artist, just the reader. Damn, when I started this, I didn't expect it to come out like this. 

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Playlist:

Morphine - Yes

Prince and the Revolution - Purple Rain

The Raveonettes - Lust Lust Lust

Nothing - Guilty of Everything

Metallica - Master of Puppets

Led Zeppelin - Presence

TVOTR - Young Liars E.P.

The Raveonettes - Blackest (pre-release single)

Ghost - Satanized (pre-release single)

Drab Majesty - An Object in Motion

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Queen of Pentacles

• Ten of Pentacles

• II: High Priestess

Low bandwidth. Lots of Feminine energy, which is almost always a good thing. Earthly matters. Fertile interests.

RIP David Johansen

Originally debuted on the New York Dolls' 2009 album Dancing Backward in High Heels, this live version is taken from the 2011 album Live From the Bowery. HUGE loss. David Johansen became a pop culture icon in the late 80s/early 90s, appearing in movies, paling around with Bill Murray, and just generally being a 'personality.' Normally, those are folks that don't have a lot to offer. Not the case here. 

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Watch:

They had me at "Tom Hardy."

Drops 4/26.

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Playlist:

Dead Kennedys - Fresh Fruit For Rotting Vegetables

Firewater - The Ponzi Scheme

Mark Lanegan - Bubblegum

Ween - Paintin' the Town Brown: Ween Live 1990 - 1998

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Me and That Man - Burning Churches

 

This song makes me unbelievably happy. Not condoning arson, mind you. 

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Watch:

I have not been excited about anything Marvel has done in a long time. Feels really good.

I never did get around to watching Season Three. Back when it aired, the cancellation had already been announced, so I figured, why bother? Now, I'd like to go back and do all three seasons in a tight burst. 

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Read:

I am completely unfamiliar with Author Cory O'Brien's work online, but this forthcoming debut novel Two Truths and a Lie, sounds particularly inviting:

"... a debut novel that introduces an unforgettable investigator to the drowned streets of LA in a hugely imaginative and heartfelt blend of Noir and Cyberpunk."

This one drops tomorrow, March 4th! Already added it to my list.

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Playlist:

Firewater - The Ponzi Scheme

The Delta 72 - Ooo

The Jesus Lizard - Down

Drug Church - Prude

Me and That Man - New Man, New Songs, Same Shit, Vol. 1

Nick Cave & the Bad Seeds - Tender Prey

Cop Shoot Cop - Release

The Raveonettes - Blackest (pre-release single)

The Raveonettes - In and Out of Control

Turnsile - GLOW ON

Eels - Beautiful Freak

New York Dolls - Dancing Backward in High Heels

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