New Deafheaven track - The Gnashing

Not gonna lie, at first listen to this latest track off Deafheaven's forthcoming album Infinite Granite, I was left pretty underwhelmed. It's nothing to do with the clean vocals - I loved Great Mass of Color from the first time I heard it, but this one felt a bit boring. That was in the car last night on the way to a backyard (second) viewing of Cody Calahan's new flick Vicious Fun - which incidentally is even better the second time through. Today, however, I strapped in the headphones and fired The Gnashing up for a second time, and I have to say, I dig the hell out of this track. I think it will play even better in the context of the entire album, but for now, I'm in.

I LOVE that George has embraced clean vocals. I mean, I'm hoping there will still be fierce, growling moments on the album, but in the meantime, it takes some serious stones for these guys to put themselves out there with these two singles, and I applaud their fearlessness, creativity, and choice of producers in Justin Meldal-Johnsen.

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Watch:

To borrow a term from Dr. Rebekah McKendry, Here's a Bold Horror Statement: I think Fear Street: 1978 is in my all-time favorite Summer Camp Slashers, right behind Robert Hiltzik's original Sleepaway Camp and Tony Maylam's inimitable The Burning! Goddamn, are these flicks BRUTAL!

 

1978 starts slow, but man, it takes the body count to places that I don't know if any 80s slasher did. No one is safe, the ax hacks and knife stabbings are prolonged and fully visible on-camera (somehow without feeling icky mean), and the thing in the cave... I mean, that's totally new territory for a slasher, as far as I know. 

Next week will bring the final chapter, and I can't wait. After that, I'm very curious to see what else Director Leigh Janiak has in store for us.

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Playlist:

Etta James - The Second Time Around

Paul Zaza - My Bloody Valentine OST

Frank Black and the Catholics - Dog in the Sand

Deafheaven - The Gnashing

Reverend Horton Heat - Liquor in the Front

Lindsey Buckingham - Gift of Screws

White Zombie - La Sexorcisto

Sunken - Livslede

Numenorean - Adore

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Card:

 

Definitely in need of the illumination this suggests is around the corner.

New Ministry!

I haven't been this excited for a new Ministry album in quite some time. I'm loving this song; the "fuck the police" samples seem a bit overdone, but the old-school flavor of the music grabbed me immediately (Thanks Mr. Brown!)

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READ:

Parts 1 & 2 of my first Reddit Nosleep serialized story is now up. You can read it HERE. It's kind of about a Haunted Garage. Kinda.

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NCBD:

Big Day for comics. Again.

"Get April!"

JUST reading the core title, but so far, for my first modern Star Wars series, I'm digging this one. I mean, the last issue we had 4-Lom and Zuckus. I've been waiting for an expansion on those cats since I was like four years old.

Can't wait to read this AND see the film, which I believe should be available to rent on Prime.

The Silver Coin recently got "renewed" for more issues beyond this initial four-part run, and I am totally stoked for more.

Been a minute, and this awesome BW&B series totally fell off my radar.

More Spidey, 'Nuff said!

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Playlist:

Windhand - Eternal Return

Ministry - Animositisomina

Ministry - Good Trouble (pre-release single)

The Gutter Twins - Saturnalia

King Woman - Celestial Blues (pre-release singles)

Emma Ruth Rundle - Marked for Death

Chelsea Wolfe - Hiss Spun

 

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Card:

Big picture. Now that the Nosleep is going, I'll take this as a nod in the right direction as yesterday I dove back into Shadow Play, Book Two.

Sunken Dead at the Center

I have become quite enamored of late with Denmark's Black Metal auteurs Sunken and their 2020 album Livslede.  The entire album is quite a deep ride; there are so many textures here, beginning with what you might call a more traditional, second-wave Black Metal approach and then slowly mutating into a swirling mass of orchestrated, melodic chaos. This is beautiful brutality, which is serendipitous since my Beautiful Brutality (and Horror Vision) podcast cohost her_black_wings is the one who turned me onto Sunken in the first place.

Here's the group's Bandcamp. Check them out.

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Watch:

I finally sat down and watched Billy Senese's The Dead Center. Wow. I really dug this one quite a bit. Shane Carruth leads a cast that all turn in fantastic performances, and the editing creates a kind of spiraling sense of unease that climaxes with a supremely nihilistic ending. 

This one is included with Prime at the moment, so if you're in the mood for something that is both familiar and unique, give it a whirl. 

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Playlist:

Agnes Obel - Aventine

16 Horsepower - Hoarse

King Woman - Celestial Blues (pre-release singles)

White Zombie - La Sexorcisto

Sunken - Livslede

Diatribe - Odite Sermonis EP

Young Widows - Old Wounds

Givin' You the Ghost, Spider-man

It had been a minute since I'd pulled out Polica's 2012 debut Give You the Ghost. I don't really know all that much about this group/performer, and I'd forgotten how much I like this album. Above is the stand-out track, but really, the entire record plays like a cohesive whole. In the interim since I've checked in with Polica - yeah, it's been a minute - they've released quite a few records. I'm just starting to go through them now.  

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NCBD:

Another big pull list this week. Jesus Marvel, take my money:

As I suspected, we're closing in on the end of Nick Spencer's run on AMS, and looks like a lot of great stuff is happening. While I've been reading this, I've also been re-reading my old school, 80s Spidey comics, and I can kind of see how the current, post Brand New Day continuity is winding its way back to the one I grew up with. I don't love all of it - I especially don't like the retconning of Ned Leeds and AMS #289 which is HOLY in my opinion - but I can live with all of it just out of curiosity as to how this will land and, subsequently, how the new iteration of the title that kicks of at the end of the summer will play out.

I bought the first issue more out of resale ideology, but I'm curious enough that I might pick this up.

Another one that I'm not certain I'll actually be buying, but I'm curious enough to consider it, simply because I still love Flash Thompson in a Symbiote suite, and if I can't have him in Venom, I might just follow him here. Honestly though,  at a glance, all these other Symobiotic characters feel superfluous at best.

Loving this book and this issue probably wins for the best cover this week.

The finale to what has been an eloquent and downright beautiful exploration of how human beings relate to their own mortality.

Yet another that I'm not entirely sure I'm interested in buying. I'm looking forward to the upcoming Netflix series - I'd be looking forward to it more if there was Hordak or a Slime Pit involved - but the prospect of a comic based on what has historically been a completely under-represented and almost ignored property from my childhood looks pretty good on 'paper' at the moment.

The first issue didn't blow me away, but I'm interested enough to try number two. 

Still digging this weird SciFi/Horror/Action mash-up.

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Playlist:

Polica - Give You the Ghost 

Polica - Shulamith

Bells Into Machines - Eponymous

Perturbator - Nocture City EP

Zen Guerilla - Positronic Raygun

Genghis Tron - Dream Weapon

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Card:

 

Remembering to think of the bigger picture.

Holy Wars

 

This cover RIPS! Hot damn, it's nice to hear such a spot-on cover of a song I love by a band I despise, especially since I don't have to have Dave Mustaine sing it, replaced instead by the inimitable Troy Sanders.

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Watch:

A friend at work recommended this new HULU flick directed by John Lee.

HULU is a platform I generally don't use all that much; incorrectly or not, I associate them with being a bit more 'family friendly' than aligns with my tastes, despite the fact that they have long been a sponsor of Beyondfest and pull out a lot of stops for Horror come every autumn with their HULUween. Still, with the new seasons of American Horror Story and its brand new spin-off American Horror Stories both moving to the 'FX on HULU' status, as well as their ongoing relationship with Blumhouse - mostly to middling results from what I've seen - they're definitely trying to keep abreast of the genre. And now, holy cow: False Positive is A24! 

(Have I mentioned that I'm starting to fear Horror is becoming too mainstream? No? Well, that's a discussion for another time, then).

So yeah, False Positive stars Ilana Glazer, Justin Theroux, and Pierce Brosnan, and it is creepy A.F. I will say, this isn't the A24 I'm accustomed to, exactly. There's a reductionist quality insofar as it feels more like a Blumhouse "Into the Dark" - which I think of as the calibre for the new "TV movie" format for the streaming age - than it does the A24 we see get theatrical treatment. Still, this is high-quality stuff, and it's definitely up there with the better flicks I've seen so far this year.

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Playlist:

The Kills - Midnight Boom

Chairlift - Something

Ministry - The Mind is a Terrible Thing to Taste

Tape Waves - Bright

Anthrax - Spreading The Disease

King Woman - Celestial Blues (pre-release singles) 

King Woman - Doubt EP

Sunken - Livslede

Spotlights - Love and Decay

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Perturbator - I Am the Night

Perturbator - Dangerous Days

King Woman - Created in the Image of Suffering

Silent - Modern Hate

Various - Twin Peaks (Music from the Limited Event Series)

David Bowie - Hunky Dory

Me and That Man - New Man, New Songs, Same Shit, Vol. 1

 

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Card:

 Bull in a china shop, that's how I always read this card at first. I'm regrouping my strategy on this Nosleep serial I'll be posting soon (but not today). Don't want to come out of the gates strong and crawl to the finish line. 

The New King Woman is Vicious Fun!

 

Holy cow! A new King Woman track dropped two days ago and it's a doozy! Bloody Disgustingt mentioned an Elizabeth Bathory vibe, and while I definitely see that, even more I see the influence of Joe Begos's Bliss. Either way, Celestial Blues is out July 30th on Relapse Records, and you can pre-order it HERE.

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Watch:

After watching Cody Calahan's Vicious Fun last night, I'm thinking this may end up as my favorite movie of the year. If not numero uno, it's up there. What is for sure, at least thus far, is Ari Millen - who some will know as Mark/Ira/Rudy/a bunch of other clones on Orphan Black - seems cinched as my favorite performance of the year

 

This one's a BLAST, and I can't recommend it enough.

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Playlist:

The Kills - Midnight Boom

The Kills - No Wow

Entropy - Liminal

The Casket Lottery -  Survival is for Cowards

King Woman - Celestial Blues (pre-release singles)

King Woman - Created in the Image of Suffering

Emma Ruth Rundle - Marked for Death

Mrs. Piss - Self-Surgery

King Woman - Doubt EP

Megadeth - Rust in Peace

Led Zeppelin - I

Led Zeppelin - IV

King Woman - I Wanna Be Adored (single)

Cloud Nothings - Attack on Memory

Chairlift - Something

Polica - Give You the Ghost

Turquoise Moon - Sunset City

 

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Card:

 

Crash Course? Brain Surgery? Either way, I will try to keep my wits about me today.

Computer Blue

 

From possibly the greatest album of the 1980s. This will probably be taken down by the estate, even though I'm not trying to do anything here other than spread love for one absolutely amazing song. Listen to the keys below the surface. Also, just listen to the way this song does a complete transformation halfway through. I would be hard-pressed to think of a song that sounds more progressively 80s, and by that I mean it doesn't sound dated. Or nostalgic, exactly, but still futuristic, in the way that 80s Psyber Punk still feels futuristic, even though we've moved beyond or outright incorporated so much of its textures into the fabric of our everyday world.  

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NCBD:

HOLY SHIT! How are these covers just getting better and better? I believe this is the penultimate issue of the series, and I will most definitely be sad to see it go. I'll now follow Daniel Warren Johnson anywhere he chooses to go.

Issue #1 of Red Room has been banging around in my head for the last month, and I'm psyched to jump back into it with the second issue!

I didn't realize That Texas Blood was returning so quickly! Very cool; I loved the first arc and can't wait to jump into the second. A suitable replacement for Southern Bastards (for the moment).

The finale! I'll probably be re-reading this series start to finish now that it's done.

If that cover doesn't evoke Clive Barker, I don't know what does.

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Playlist:

Atrium Carceri - Kapnobatai

White Zombie - Astro-Creep 2000 

White Zombie - La Sexorcisto 

Not a lot of music today, as I was fully enraptured with the 22nd installment of Bret Easton Ellis's The Shards. This is not only the best thing he's written - hard for me to say that considering how much I love Lunar Park - but his readings have become wickedly engaging. The interplay between Abby Malory and young Bret blew me away.

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Card:

So, I canceled the meet-up with my old friend and postponed the posting of my nosleep serial. Lots of reasons to go ahead with both, and as this card suggests maybe I should have. The meet-up was a little outside my control, the nosleep postponement was all me second-guessing myself. Bad idea? Maybe, but I genuinely think there is something bigger the post can be than what it is. Better. I'll give it a week. Then it's on.

 

Babe, I'm Just a Spiraling Fool

 

This song will never get old. One of the first Zeppelin songs I heard, back in high school when I discovered them, and still a favorite.

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Watch:

I finally saw Kurtis David Harder's 2019 film Spiral yesterday on Shudder:

 

Really dug this one. Great flow; this film really makes you feel a mounting expectation for evil, and then delivers with a totally nihilistic ending.

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Playlist:

Pixies - Trompe le Monde

The Kills - Midnight Boom

The Black Keys - Magic Potion

Prince and the Revolution - Purple Rain

The Fixx - Reach the Beach 

Led Zeppelin - Led Zeppelin I 

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Card:

Continuing a return to my original Thoth Deck: 

With my Reddit Nosleep series starting today and a meet-up with an old friend wherein I may pitch a collaborative project just because I love working with the person and haven't in a looong time, I'm definitely starting some journeys.

Halloween The Kills Vs. Candyman and the Midnight Boom

How about some music from The Kills to kick off our week? Kinda fits with one of the trailers below, so why not. Also, I was inspired to dig out Midnight Boom for the first time in quite a while yesterday and it's probably not going away any time soon. The Kills been absent from my listening habits of late, time to change that. I love this album.

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Watch:

I was finally able to sit down and watch Damian McCarthy's feature film debut Caveat the other day on Shudder. WOW. If Censor is almost guaranteed to end up in my top ten of 2021, I'd say the same for this one. I absolutely loved the suspense Caveat creates and sustains with limited location and budget. I can't wait to see what McCarthy does next, especially since this will no doubt net him a bigger budget:

Also, a couple of HUGE Horror Movie trailers dropped since my last post. First up, Halloween Kills, which, as I've stated here previously, I have some reservations about, but will definitely be plopping my arse into a theatre seat opening weekend, regardless:  

 

Next, a movie I have no idea what to expect from but am pretty excited for nonetheless.

 

Finally, this isn't a movie, but I've been waiting for it for a while now:

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Playlist:

Perturbator - Lustful Sacraments

Pixies - Trompe le Monde

Pixies - Doolittle

Valkyrie - Fear

Pixies - Beneath the Eyrie

The Kills - Midnight Boom 

Low Cut Connie - Hi Honey

Zen Guerilla - Positronic Raygun

The Darts - I Like You But Not Like That

Deafheaven - 10 Years Gone

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Card:

 When things are too good to be true, we second guess them? This is (maybe) a direct commentary on my hemming and hawing about putting my first story on Nosleep. I know the story is good, however, I keep second-guessing how it will fit in with their guidelines. I'm posting the first installment Tuesday no matter what, so I guess we'll see. And with so definitive a statement, why worry?

Censor

 

Oh, 1990s music videos - so very easy to spot even if you don't know the song. I've had this one in my head for about a week, and it's nice to be kind of obsessed with the Pixies again! I read something recently that posited that, with Kim Deal's reduced input on Trompe le Monde, it's essentially pretty close to a solo Frank Black album, and thinking about that while spinning through it multiple times over the last few days, yeah. I can totally see that. Really matches up to that first Frank Black solo era (in my thinking, that's Frank Black - Eponymous up to and including Cult of Ray).

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Watch:

 

Censor dropped recently and I finally had a chance to watch it last night. Wow. I am so impressed with this flick, the feature-length debut by Writer/Director Prano Baily-Bond. Visually, this one has such a distinctive look, largely because of the lighting. Censor takes place in the 80s - during the Video Nasties era to be specific - but the film doesn't play up the 80s-ness that a lot of other films would. Instead, it lives and breathes in the textures of analog, and nowhere is that more apparent than in the set design and approach to the lighting. There are also ongoing tweaks to the aspect ratio, which sneaks up on you at strange moments and really adds to the otherworldly feel Baily-Bond executes in every single shot. At no time does this film rest on the laurels it establishes simply via subject matter. And Raised By Wolves's Niamh Algar kills it in the lead.

Also, goddamn Michael Smiley is fantastic in EVERYTHING.

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Playlist:

Steve Moore - VSW OST

Vaguess - Bodhi Collection

Pixies - Beneath the Eyrie

Pixies - Trompe le Monde

Various - Playlist to Joe Begos's Bliss

Art Blakey and the Jazz Messengers - Moanin' 

Charles Mingus - Blues & Roots (Mono)

Diatribe - Odite sermonis EP

Sunken - Livslede

Bells Into Machine - Eponymous

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Card:

Well, The Moon card literally lept out of the deck at me when I went to do my pull, so I guess I'm misunderstanding or missing something. I have to say, I feel perpetually overwhelmed by Tarot lately. 

Ordinary Fascist

 

A little Bells Into Machines to start our Wednesday. If you're unfamiliar or haven't heard their 2018 Eponymous full-length, I cannot recommend it enough. I kind of forgot about this one after hearing it initially around the time of its release, almost like it made a lackluster impression on me. After digging it back out earlier in the week, I can't stop listening to it. 

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NCBD:

Seriously, I don't know how this many issues of ASM in such a short succession isn't getting on my nerves, but there's such a big picture going on at the moment, I just want to read a new one every damn week, and Marvel is pretty much accommodating me.

Finally! Home Sick Pilots returns with a new arc. Love this book; its weird mash-up of Horror tropes and Mech fiction is so unique and darn right amazing to take in at the eyes.

The climax of what is undoubtedly the best mini-series of 2021, and I absolutely MUST have this cover!

Not 100% certain I'm going to dig this book, but I'll give it a shot. We must be in the golden age of Comic Book Cover art, 'cause here's another great one.

I feel like TMNT must be bi-weekly at this point, because I just read 117 like a week ago.

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Playlist:

Bells Into Machines - Eponymous

Anthrax - I'm The Man EP

Perturbator - Lustful Sacraments

Vreid -  Wild North West

Tennis System - Technicolor Blind

Steve Moore - VFW OST

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Card:

 

Two separate but easily juxtaposed events that directly preceded my pull last night caused me to have a breakthrough. I now believe I know what the Devil/Wheel cycle I've been caught in for the last week or so was trying to tell me, and I drew IV: The Emperor with that query in mind - am I correct in this revelation?

I'd say this means yes. 

These Arms Are Snakes

 

In honor of the fact that These Arms Are Snakes has once again reunited for a show (Seatle, WA). Hopefully, there's new music coming, miss these guys.

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Watch:

Evil came back in a BIG way this past Sunday. I'll spare you my annoyance at having to sub to yet another streamer, this time Paramount +, because as it happened, I got two months for .99. Plus, honestly, this show is so freaking great, I would totally pay whatever the usual price is. Here's the trailer for season two:

While we were on Paramount, I remembered another show I'd been curious about, Strange Angel lived there. This one came out a few years ago, did two seasons and I'm not sure if it wrapped up or was canceled. I also wasn't sure I'd dig it, but Strange Angel is about Rocket Propulsion Engineer Jack Parsons, one of the men who designed the propulsion that put us on the moon. Parsons was also hand-picked by Aleister Crowley to run the California chapter of his occult organization.

 

From what I've seen so far I'm intrigued, even if the show appears to be "Hollywooding" up Crowley's organization as animal/virgin sacrifices, which of course they were not. The show is based on the book of the same name by George Pendle, which I didn't read, although starting around 2002 I read probably just about everything else I could find about Parsons, whose mix of military and the Occult absolutely fascinated me for a time. Still does, really, which is why I'm going to - for now at least - continue with the show.

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Playlist:

Entropy - Liminal

Deftones - Gore

Celtric Frost - To Mega Therion

Chris Isaak - Heart Shaped World

Numenorean - Adore

Lustmord - Heresy

These Arms Are Snakes - Easter 

Tape Waves - Bright

Cathedral Bells - Ether

Bells Into Machines - Eponymous

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Card:

 

Missi is going to laugh at me, but I still can't figure out what I'm not letting go of! I shuffled the HELL out of the deck for this draw, and as the saying, such is Ka.

Up All Night (Reading Comics)

 

I broke out El-P's 2007 I'll Sleep When You're Dead recently and found myself unable to get this particular song out of my head. I love where this man has gone with his craft, both as an artist and producer, since I found this album in a thrift store circa 2010 and was immediately hooked by the Twin Peaks: Fire Walk With Me sample that opens it.

 

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READ:

I've read quite a few comics recently that surprised the hell out of me. Here's a rundown:

I mentioned wanting to read this after hearing writer Al Ewing interviewed on Marvel's Pull List Podcast, so I found it on Kindle and dug in. What a pleasant surprise! This almost feels like Neil Gaiman's Sandman at times, the way the story weaves through different iterations and incarnations of classic Folklore characters and situations. There's a charming complexity in Loki: AOA, which is part heist film, part fantasy, and part straight-up classic Marvel Super-Hero. Also, I'm really loving the art by Lee Garbett, who if this is any indication, is a criminally underrated illustrator.

If you want to know more, there's a great review of the Last Days chapter of the Loki saga over on Slings and Arrows HERE.

Next up, Venom 200 did some things I never would have seen coming from a mile away:

I won't spoil anything here, I'd rather just post more of this awesome cover art, however, let me just say that I've always had a bit of an issue with Brock as a 'good guy' character based on his early, heinous crimes after acquiring the symbiote. In fact, after buying and getting rid of the first issue of the original Venom series (Lethal Protector? How lame) (but if I'd held onto it despite my ire, I could sell that issue for a pretty f*&king penny today) in short order, I did not read another Venom book until a friend turned me onto Rick Remender's run, which eschewed Brock for Flash Thompson. I still feel that was the pinnacle for the character as a hero, instead of a villain.

That said, Venom 200 alleviated most of my "Brock issues," and ultimately changed the course of the character (hopefully) for all time. Because of this, and because the aforementioned Mr. Ewing is taking over the book from departing rock star Donny Cates, I'll probably stick around for a while. 

Finally, I picked up Planet-Size X-Men purely as an investment. I have NO intention of reading any X-books despite this purchase, but I did read and kind of marvel at the direction the franchise has taken. But I am SO tired of these characters, regardless of this drastic new direction, so while I enjoyed reading this simply for big picture reasons, this is where I leave you, oh brotherhood of dreary mutants. 

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Playlist:

Slope - Street Heat

Turnstile - Nonstop Feeling

Nick Mason and Rick Fenn - White of the Eye OST

The Jon Spender Blues Explosion - Now I Got Worry

Lustmord - Heresy

Various - Twin Peaks (Music From the Limited Event Series)

John Carpenter - Lost Themes III: Alive After Death 

Pixies - Trump le Monde

 

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Card:

 Okay, I really have no idea what the hell I'm NOT seeing here, but the cycle remains. 

Slope

 

This is a 'Thank the Universe for my friends" post, because both of the two things I'm posting here, I NEVER would have found and/or given the time of day to without my friends. First up, Jacob, who sent me Slope's new album on Apple Music yesterday and totally picked up the later part of my day. This album rules! It starts almost like NIN's Broken, with a slowly building noise, then leaps into something that initially sounded a lot like nu-metal to me. I was just about to click off when the first change in the song hit, and I was roped back in - and from there, I could no stop. This record is fantastic - reminds me SO MUCH of Infectious Grooves' debut album, which I desperately wish I still had, 'cuz it's streaming on nothing. In the interim, Slope will help (or push me to buy the CD on ebay for $20 - I had the cassette).

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Watch:

MODOK - First: Patton Oswalt can do no wrong.

MODOK has long been a joke between myself and my good friend Joe.Baxter, the other half of on-again-off-again musical project Christian Fisting. In fact, if you could go to the Christian Fisting website (which is down) , you would see that MODOK even figured into our fake 'origin story' that we wrote for ourselves back in, oh, 2011 or so. Anyway, apparently Joe and I weren't the only people who found MODOK comical, and I glad of that after seeing this INSANE Marvel/HULU collaboration. Part Robot Chicken, part... I don't even know, I'm laughing my ass off as I watch this. And that's not very easy to do. 

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Playlist:

Lindsey Buckingham - Gift of Screws

Black Sabbath - Eponymous

Black Sabbath - Master of Reality

Jackie Wilson - Higher and Higher

Tom Waits - Rain Dogs 

Alabama Shakes - Sound and Color

Blur - Parklife

Windhand - Eternal Return

Slope - Street Heat

K's 70s Playlist 

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Card:

 

Clearly, I'm on repeat, going around and around, because I keep getting The Devil card from this deck. Until today. Unless this is just another way the deck is telling me what I'm apparently not hearing.

Tape Waves - Sundowning

 

Wow. I LOVE this band. I listened to Tape Waves' new record Bright about three times in a row last Friday night after Joe Bob's Last Drive-in, and I just can't get it out of my head since. Which is good, because I don't want it out of my head!

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NCBD:

What a short but totally SWEET week for NCBD:

Hell is primed to break loose in this issue. Heads is gunna roll...

Love this book. Many thanks to my Drinking with Comics cohost Mike Wellman for making sure I read this book!

This Horror Anthology series is one of the best things to come down the pipes in years, and it has really given me an appreciation for Michael Walsh. 

Finally! I don't love this series, but I like it a lot, and a big part of that is Ryan Stegman's art. There have been several iterations of Venom's spooky-ass visage, and this is my favorite. By far. I actually ordered a couple of variants for this one, too:

I will actually probably sell both of these on eBay, however, this Stephanie Hans one is pretty damn awesome. Those colors!

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Playlist:

Prince - Sign O' the Times

David Bowie - Reality

The Gutter Twins - Saturnalia 

Zeal and Ardor - Devil is Fine

Judas Priest - Hell Bent for Leather

Perturbator - Lustful Sacraments

Deafheaven - Infinite Granite

Empire of Love - Violet Cold

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Card:

 

What am I missing? Apparently I'm clinging to something, but I'm not really sure what the hell that is.