New Music from The Kills!!!

 

From the 7" New York/LA Hex. Took me a bit to warm up to this track ("New York" has a more classic Kills sound). You can go HERE and get this one from Domino Recordings. I'm hoping this means there's a new full-length from the band on the way.

I love the video for this one; it's funny how, as happy as I am to have left L.A., and experiencing what a mixed bag it is going back for work two weeks at a time periodically, all the imagery here feels so familiar that it kind of acts as a balm for the piece of me I left behind there. Don't mistake that for homesickness; as I've taken to telling anyone who asks, L.A. is officially a post-apocalyptic city, and living there amounts to little more than sheer madness to me now. That said, it's something, to be able to walk the streets of a SciFi Dystopian version of one of the world's most iconic cities and see it with your own eyes. All of those textures are present in this video, so much so, it almost feels like the band are characters in a movie the song is from. 

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NCBD:

My picks for this week's NCBD!!!

I keep saying I'm going to drop this book, but I'm still here. The previous issue scratched enough of an itch that I can't quite bring myself to jump from ol' Flamehead's ship just yet.

Another year, another Hellfire Gala! Can't wait to see what big changes spring from this one.

Chip Zdarsky and Jacob Phillips's Newburn returns after what feels like a year-long hiatus (might have actually been just that). This is a fantastic crime book, and I'm curious to see where the big picture will go.

After an initial setback getting my hands on the first issue of the latest installment in Jeff Lemire and Andrea Sorrentino's Bone Orchard Mythos, I acquired and read Tenement issue one last week. LOVED it, and now I'm fortunate enough to be able to dig into issue two so soon after what proved to be a very provocative set-up.  

The final issue of The Seasons Have Teeth! This series was a surprise hit with me, and I can't wait to see how it ends. The monsterizing of each individual season has been super cool, and from the glimpses shown across the various covers for issue 4, Winter may be the most insane design of all. 

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Watch:

While I ended up coming down on the "Yes, I like this," side of the fence for David Gordon Green's Halloween Requel trilogy, I will say hearing that his next project was basically doing the same thing for The Exorcist excited me. I've never seen Exorcist Two: The Heretic, and despite trying four or so times, I abhor the monstrosity that is William Peter Blatty's Exorcist III. I know at some point in the early 00s, two cuts of a prequel came out, but I've never bothered with those either. So, being that I have always considered William Friedkin's original cut of The Exorcist the scariest film ever made, I would like to see someone who has proven he can learn from others' mistakes and give us new installments in otherwise lifeless, iconic franchises.

Pretty sure this will be fantastic. I wasn't so sure of that at the beginning of the trailer (yes, I watched it, but I won't ever watch it again, and when it comes on the next time I'm at the theatre, I'll be getting up to leave the room).

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Playlist:

Forhist - Eponymous

Witchfinder - Forgotten Mansion

David Lynch & Marek Zebrowski - Polish Night Music

Ruby the Hatchet - Planetary Space Child

Rick Derringer - All American Boy

SQÜRL & Jozef Van Wissem - Only Lovers Left Alive OST

Snoop Dogg - Doggystyle

Sigur Rós - Ágœtis Byrjun

Sigur Rós  - ( )

Deafheaven - 10 Years Gone

The Kills - New York/LA Hex 7"

NIN - With Teeth

Portishead - Third

Metallica - 72 Seasons

Crystal Castles - II

Chelsea Wolfe - Spun

  

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• VII: The Chariot

• Knight of Pentacles

• XV: The Devil

Emerging victorious from a trying time; sheer force of Will pulls me up and out of the darker side of my brain. A perfect encapsulation of this past Sunday/Monday, when I underwent what I can only describe as a complete Bi-Polar, manic episode. Keep in mind, I've never experienced or been diagnosed with Bi-Polar. I've always considered myself lucky that my brain chemistry, for the most part, has been even. Not sure what happened over the course of those two days, but I think it had to do with too much caffeine and too much social media/phone in general. I'm backing off communicating for a while; this won't affect this blog, but if you know me and I don't answer messages online, don't take it personally. I'm trying to put my head back on straight.

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New Music from Colter Wall!

 

Really digging this new album from Colter Wall that dropped yesterday. Major props to Jonathan Grimm for turning me onto this guy. You can order Little Songs directly from Colter's website HERE.

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Watch:

 I have had a rough time trying to get into Junji Ito's work. I tried the 2000 adaptation of Uzumkai titled Spiral and didn't get very far. I recently attempted the new Netflix series adapting several of Ito's stories, and hated what I saw of it. So many people I know and respect love Ito's work though, so I keep periodically trying. What I need to do is pick up one of the collections of his Manga, however, I have such a pre-existing and totally unfair prejudice against Manga from my five years at Borders Books that I can never get myself to actually buy any of them. Now, there's a new Adult Swim adaptation of Uzumaki coming out, here's the trailer:  

Just based on this 'trailer' - which is really just a scene from the series - I think this may be my entry point into Ito's work. There's something so stark about this; a friend has talked to me at length about the mystery of Uzumaki, and it always sounds fascinating and urgent, which is kind of the vibe I get here. No release date information yet, but Uzumaki will air on Adult Swim, which is of course one of the "Hubs" on Max. 

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Playlist:

Colter Wall - Little Songs

Cristobal Tapia De Veer - Black Mirror: Black Museum OST

Flying Lotus - Yasuke

Rina Mushonga - In A Galaxy

Future Islands - Singles

Godflesh - Purge

Cristobal Tapia De Veer - Smile OST

Assembly Line People Program - Eponymous EP

Deadguy - Work Ethic EP

Godflesh - A World Lit Only By Fire

Blackbraid - Blackbraid II

Drug Church - Hygiene

Aerosmith - Pump

Black Sabbath - Eponymous

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• Knight of Wands - The 

• Two of Swords

• Four of Pentacles

I don't have the perspicacity to interpret this today, so I'm just leaving it here for future reference.

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Blut Aus Nord - Queen of the Dead Dimension

 

Another new track from the upcoming album Disharmonium - Nahab, out August 25th on Debemur Morti; pre-order HERE.

This track reminds me A LOT of the material released on Blut Aus Nord's iconic The Work Which Transforms God. It's not the easiest to listen to at first, because it follows very little of our pre-conceived notions of what a song or music can be. That's exactly why I love this band. Bring on the full album - I want to melt my mind with its non-Euclidean sonic geometry!!! 

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Read:

Issue twenty of the new Fangoria arrived in the mail yesterday; always a good day when a Fango shows up!

Most of the main articles are about films that haven't come out yet; the cover story is on Michael and Danny Philippou's Talk to Me; I bought tickets to see this next Thursday, 7/27/23 and I'm fairly stoked. The fine folks at Beyondfest recently did some screenings with the Directors and they can't stop raving about it, so I'm fairly certain this one will be wonderful. Also featured is Cobweb, which I'm driving into Nashville to see on Saturday. Written by Chris Thomas Devlin and Directed by Samuel Bodin, I have high hopes for this one as well. So those are among the articles I'm saving. My favorite parts of Fangoria, however, are the columns, and in just the three I've read so far, I'm instantly reminded why I love this iteration of the Horror Mainstay Magazine so much.

Long-time contributor Michael Gingold discusses writing a new novelization for the 1980 Video Nasty Nightmare for Severin Films, who also just released a restoration of the film. The resurgence of movie tie-in novelizations is fascinating to me, and although I don't read a lot of them - I burned through Brad Carter's Night of the Demon last year, also from Severin - Nightmare is one I'm curious about. The film is hit or miss with me, despite its aurora of grindhouse sleaze that drips from every nook and cranny, but as with Night of the Demon, I have a feeling I will really enjoy reading the story more than watching the film. Whatever your preferred medium for Nightmares, you can order the restored film HERE or Mr. Gingold's novelization HERE. 

Next up was Barbara Crampton's editorial on theatrical screenings vs. streaming. She makes some points I'd not considered until now, mainly that we are seeing the streamers' film production slowing as people return to the theatre. I don't think we'll ever tip the scales back in the direction they were twenty years ago, however, while bombastic (and to my mind at this point, mildly annoying) Marvel/Super Hero flicks carry the main audience on the big screen, Horror is the quiet RBI batter, in my opinion. 

Finally, Stephen Graham Jones has a fantastic new entry in his Slasher Nation column that traces the origins of the Final Girl all the way up from the Damsel in Distress of the silent era. Easily my favorite piece in the magazine I've read this morning.

 

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Playlist:

Forhist - Eponymous

Mammon XV - Woe's and Winter's Breath EP

Ruby the Hatchet - Fear Is a Cruel Master

Brainiac - Predator Nominate

Greg Puciato - Mirrorcell

Gism - Detestation

Blut Aus Nord - Queen of the Dead Dimension (pre-release single)

Genghis Tron - Dead Mountain Mouth

Sepultura - Schizophrenia

Metallica - 72 Seasons

Bohren & Der Club of Gore - Pachouli Blue

Pale Dian - Feral Birth

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Card:

• V: The Hierophant 

• XI: The Hermit

• Five of Cups - Disappointment

Exciting news will turn out to be erroneous, or at the very least not what it seems at first glance.

 

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Baroness - Beneath the Rose

More new Baroness. New album Stone is out September 15th, pre-order from the band's website HERE. Really cool video for this track, too. Not something I'm prone to complimenting bands on. 

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Watch:

Tubi's Cabin Girl - written by Leslie Beaumont and Rory James Wood and directed by Jon D. Wagner - is FANTASTIC. I posted the trailer a few days ago, so I won't post it here again now, but needless to say, this is a definite contender for my top ten Horror of the year so far. 

Also, despite being on Tubi, there are zero ads. I have a short, spoiler-free review over on Letterbxd HERE. 

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Playlist:

Jogger - This Great Pressure

Baroness - Stone (pre-release singles)

Baroness - Gold and Grey

Tremors - Dark Glasses (single)

Blut Aus Nord - Hallucinogen

The Soft Moon - Deeper

Zombi - Shape Shift

Brainiac - Predator Nominate

The Doors - L.A. Woman

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• XL The Wheel

• III: The Empress

• Nine of Swords

Struggling against the tides dictated by Gaia will only lead to self-deception and bad dreams. Whoah, Pretty much a direct answer to a direct question about major upheavals in my life at the moment. Moving my parents from the suburbs of Chicago to Clarksville is the way to go despite reservations I've begun to have, because moving them at this point is just working with, not against, the tides of life. The older we get, the more we need the support of loved ones. My folks are in amazing shape for being in their 80s - I know people in their 60s who look and behave older than them, but despite their continued independence, we all know the best course of action is to get them down here, so we have to stop over thinking things.

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New Drab Majesty!!!

Wow. Took me a minute, but this new Drab Majesty track from August 25th's An Object in Motion E.P. rocks. Still bummed it's only an E.P., but I'll take what I can get. Pre-order from the always wonderful Dais Records HERE.

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NCBD:

Here's what I'm bringing home for NCBD today:

LOVE this cover. I'm very curious to see where things are headed with this book now that my fears that Kieron Gillen is confirmed for what looks like more than a year's worth of issues (article linked through THIS X-Post)

I thought I'd given up on this Night of the Living Dead series from relatively new (I think) publisher American Mythology, but when I saw it was only going four issues, I figured what the hell. First two issues were by no means bad, just kind of always looking for someone to take a crack at continuing Romero's original Night/Dawn/Day timeline instead of just adapting it, but there's been enough little flourishes here to make it a fun read.

Love this cover! Also, I really enjoy the fact that every time Kang/Leatherhead show up, this book evokes Slasher film techniques!

Holy cow! Michael "Silver Coin" Walsh writing and doing cover duties for this year's TMNT annual? Count me in!

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Watch:

Screambox has really been on fire putting out new content. Unfortunately, despite subscribing for the year back in December, I haven't really watched much on the channel because it is still incompatible with Firestick, my primary interface (for better or worse). I can watch on my computer, however, that doesn't really do any film justice, so I'm biding my time, making a list of all the original content hitting the service that I want to watch. Here's the newest entry on that list:

We Might Hurt Each Other, originally titled Rupintojelis (Pensive), looks like a pretty solid Foreign Slasher that writer Jonas Trukanas and writer/director Titas Laucius apparently based on local Lithuanian legends. I've been in a Slasher kinda mood of late, so this one's calling to me.

We Might Hurt Each Other dropped yesterday on Screambox. Stream (scream) HERE.

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Playlist:

Blut Aus Nord - Memoria Vetusta II: Dialogue with the Stars

Blut Aus Nord - Memoria Vetusta III: Saturnian Poetry

King Gizzard & the Lizard Wizard - PetroDragonic Apocalypse

Witchskull - The Serpent Tide

Blackbraid - Blackbraid II

Cocksure - K.K.E.P. EP

Cold Cave - Cherish the Light Years

Misfits - Static Age

Misfits - Collection II

Drab Majesty - Modern Mirror

        

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Card:

• Three of Disks: Works

• Six of Swords: Science

• Five of Disks: Worry

I could tell the moment I saw the doubled Disks that this is 100% a warning/reminder that the upcoming process of moving my parents to Clarksville is going to be trying. Not that my parents themselves will be, but the process of moving is never easy. Especially not when you're moving people from a house they have been in since 1985.

 

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Blackbraid II is Out!

 

From Blackbraid II, out today. You can order your copy from Blackbraid's Bandcamp HERE. I woke up this morning and I'm already on my second run-through on the album. Absolutely fantastic. 

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Watch:

I'm not really a huge Blumhouse Horror guy. I mean, some of their stuff lands pretty well, but even those that do often feel at least partially flat. So, I've never watched The Nun, despite some interest generated when I heard the Colors of the Dark podcast say, "There's kind of a little Fulci movie buried in The Nun." Whether the overall film fails, hearing something like that makes it seem like watching the film would have to be worthwhile. Yet, it's been almost five years since its release, and I continue to abstain. Now there's a sequel, and I wonder if maybe that will finally prompt me to check that first one out.

 

I'm not trying to sound too cool for school here; there's nothing 'wrong' with Bllumhouse Horror. In fact, hell, they're pretty much singlehandedly responsible for keeping the genre afloat in big-box theatres in the early 10s. The first Insidious was a HUGE buoy for the post-torture porn theatrical Horror release, and through subsequent flicks like The Conjuring, Sinister, et al, Blumhouse has proven Horror to be a viable genre for theatres to continue to invest in, which is a good thing no matter how you cut it. Sometimes I feel like we're thIS close to Marvel being the only game in town - now that scares me. Anyway, as usual, I'm really overthinking whether or not I should watch The Nun, which is currently streaming on Max.

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Sky:

It's been difficult for me to keep up with a lot of stuff I want to watch, and I've barely logged more than a couple hours on Puppet Combo's Stay Out of the House, because all I really want to do right now is sit in my backyard at night, drink beer and stare at the sky. So, I thought I'd try and share some of that here. 

This shot comes courtesy of K, who is even more enraptured by the phenomenon of having personalized access to such grandeur. As a native and life-long Angeleno until last August, it's easy to see how this would blow her away; in LaLaLand, there is no 'big sky;' your view is polluted by nothing but buildings, lights, billboards, etc. I don't want to take that away from L.A. - it is a city, and you go there for city things. Given the choice of staring at the Egyptian Theatre or the sky it occupies, I'll take the theatre. L.A.'s problem, like all problems, is that the ratio is out of whack.

But staring at the sky here at night, it's amazing to see the wonder that shines in K's eyes while we lay on our recently acquired gravity chairs (best investment!), sip our nightly poisons and just drink it all in with our eyes. This has given me a completely new perspective on a lot of things, and it's definitely helped mellow me a bit more of late. Hard to be high-strung when you're staring at the night sky.

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Playlist:

Forhist - Eponymous

Testament - The New Order

Reel Vile Podcast - Queer Horror Week 3: Knight + Heart

Chamber of Screams, Clement Panchout & Mxxn - Murder House (Original Puppet Combo Soundtrack)

Drug Church - Hygiene

Mammon XV - Bleeding in Excess (single)

Pharmakon - Bestial Burden

Code Orange - Underneath

The Raveonettes - Raven in the Grave

Cash Money - Who Killed the Blues (single)

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Card:

• Ten of Swords: Ruin

• XIII: Death

• XX: The Aeon

Lots of big ideas today, and they're breaking down the rational in the face of actually implementing them. 

Regarding Ten of Swords, I wanted to throw in something from Crowley's Book of Thoth: "The number Ten, Malkuth, as always, represents the culmination of the unmitigated energy of the idea. It shows reason run mad, ramshackle riot of soulless mechanism; it represents the logic of lunatics and (for the most part) of philosophers. It is reason divorced from reality."

I see bad information and dreams of grandeur that tempt away from the one path forward. This is all writing stuff, and I'm really picking up what the Cards are putting down today, as I draw in closer to writing the finale to the new novel. 

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Fear Factory - God Eater

 

From the new album Re-Industrialized. My good friend and cohost on The Horror Vision Butcher mentioned the new Fear Factory was getting pretty favorable reviews. 

Honestly, I've never had a huge attachment to this band, however, two things about them stand out to me: back in 1993, Mr. Brown and I went to Chicago's Riviera Theatre to see Sepultura on the Chaos A.D. tour. Openers were Fudge Tunnel - who we were familiar with through their debut Hate Songs in E Minor - and two bands we'd never heard of, Clutch and Fear Factory. Fear Factory would have been touring for their first major label album, Soul of a New Machine. I remember seeing their name and laughing. We joked a lot that night in the lead-up to the show: "Ooh, Fear Factory. Is that where they make the fear?" 

After Fear Factory took the stage, we stopped making fun. 

These guys blew the fucking doors off the Riv. Demanufacture came out two years later, and at first listen, you could tell it was a seminal album. It sounded so unique, the industrial beats, the chanting vocals laid atop BCB's vitriolic snarl. The overly compressed and gated guitar sound (fresh at the time, but would quickly overstay its welcome once it became a standard across the genre and birthed the metal hybrid that distinguished itself with an umlaut. 

Butcher's fervor for the new record intrigued me. What would this sound like to someone with no real connection outside of one album, tenuous at best over time?

Listening again the other night at two-something in the morning, I remembered Demanufacture for what it is - a game changer in metal production, one that inspired some great new bands and a lot of shitty ones. The same can be said for Faith No More, Helmet, and probably a few other bands I love. I wouldn't say I love FF, but I dig them enough to give the new album a chance. \

First impression was good, but weird hearing a different voice - Milo Silvestro apparently replaced Burton C. Bell after 2021's Aggression Continuum. This is a milieu and the associated drama that never found my ears. But segueing into Re-Industrialized, some tracks definitely caught my fancy. Two days later, the same tracks persist, but more of the album has opened up to me as well. The one above, but also of note is a really kick-ass track that shares a name with William Gibson's Difference Engine novel and the atmospheric dithering of "Human Augmentation," my favorite track so far simply because it's less a song and more the sonic habitation of a melting Cyber Punk city somewhere in the distant future, or forgotten past.

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Watch:

Since we had a stamped concrete patio put in as an extension of our back porch, it's become difficult for me to want to do anything with my nights other than sit outside with K and the cats and just enjoy the summer. Last night we were treated to a lightning storm that was out of this world. Saturday, we just sat outside, listened to music and soaked up the night. That went late, and when we finally came in, I was pretty tired. I fired up Shudder on habit, always curious as to what's playing on Shudder TV, and when I saw Cold Hell was only two minutes and some change in, I cracked another Sierra Nevada Summer Fest and settled in for what has become my second favorite Neo Giallo after Knife + Heart. I know I've talked about Cold Hell here before, like I know I've posted the trailer, but here we go again:

 

Directed by Stefan Ruzowitzky, with fantastic performances by everyone involved, Cold Hell is a relentless game of Cat-and-Mouse that always keeps my pulse jacked and my brain totally engaged, even though I've seen it enough in the last five years to know it by heart. Violetta Schurawlow's Özge is the most badass female protagonist I know, easily sailing over Sharni Vinson's Erin from You're Next - who is by no means not awesome, she just doesn't have the kickboxing prowess and surging fury that Schurawlow brings to the table while she fights for her life against a killer she accidentally witnessed murder her neighbor. The "Car Scene" in this flick is a straight redline of adrenaline, and it fires me up every time.

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Playlist:

Forhist - Eponymous

Fear Factory - Demanufacture

Witchskull - The Serpent Tide

Perturbator - The Uncanny Valley

Ministry - The Land of Rape and Honey

Baroness - Last Word (pre-release single)

QOTSA - In Times New Roman

Fear Factory - Re-Industrialized

Jenny Lewis & the Watson Twins - Rabbit Fur Coat

Led Zeppelin - In Through the Out Door

Ween - The Mollusk

Drug Church - Hygiene

The Watson Twins - Holler

Alice in Chains - Sap EP

Tom Waits - Raindogs

Angelo Badalamenti - Twin Peaks: Fire Walk With Me OST

Soul Coughing - Ruby Vroom

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Card:

• VI - The Lovers

• Prince of Wands - Here, I'm reading this very pointedly as applying Intellect to the Creative Process

• Princess of Wands - Likewise, applying Earthly Understanding to the Creative Process

Normally I might be tempted to read that Princess in a very different way, however, I spent a large chunk of my writing time yesterday working up a timeline and a family history for some of the major characters in the new novel - which I missed completing the first draft by last Tuesday, however, which I entered the final "act" on yesterday. Add in The Lovers, and we get this in the Grimoire:

"Finally - Man!!! As Amoeba he splits his opposite and humanity is born!"

I'm assuming I culled that from either Crowley or Moore, but I compiled the bulk of this tome a long time ago, so I'm not really sure. I know some came from contemplation of the cards, the above-mentioned sources - as well as others - and more than a few Mugwort or Mushroom experiences, so who knows?

The point, of course, is that while that sentence is not the only thing on the page for Trump VI, it is what spoke to me in this moment, because through all of the Intellect and Earthly application to Will, I feel as though I have further honed and developed the characters - who happen to be familial and are, in fact, quite purposely opposites of one another.

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New Music from Baroness!!!

 

The first single from Baroness's upcoming album Stone, out September 15th. Pre-order HERE. Love this track - listen to Gina SHRED - you can hear the Randy Rhoads influence for sure!

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Watch:

I interviewed writer/artist/filmmaker Pat O'Malley yesterday about his comic Popscars, his short films, future projects and our shared love of cinema. Going into it, I hadn't realized Pat made short films, so I checked out his youtube channel HERE. I dug everything on there, but Pool Shark was, by far, my favorite. Check it out:

I was kinda blown away by the camera work on this. The first few times we see the Shark, they filmed it in a way that, at first, I thought it must be stock footage of a real shark. Talk about movie magic. My discussion with Pat should go up this weekend; Popscars issue #4 comes out this coming Wednesday, and if you're lucky, there might be copies of 1-3 still lurking on your shop's shelves. Published by the new Sumerian Comics - a rebranding of the company formerly known as Behemoth - this one is wide and, only the first chapter in a bigger story.

 

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Read:

I was so blown away by Laird Barron's The Wind Began to Howl that I'm still unpacking/reveling in it. Because of that, I've found it difficult to start my planned reread of Stephen Graham Jones's My Heart is a Chainsaw. This will be a quick brush-up before diving into the recently published sequel Don't Fear the Reaper. Meanwhile, over on his Twitter, SGJ revealed the cover to the third and final installment in the trilogy, The Angel of Indian Lake. 

Jones also linked the website Crimereads.com, who broke the cover image and have an excerpt from the novel up. Obviously, I'm not reading that until I get current, but it's cool that this is out there in the world. Talk about inspiration! You can read the excerpt at the Crimereads link above. 

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Playlist:

Witchskull - The Serpent Tide

Blut Aus Nord - What Once Was... Liber III EP

Spelljammer - Abyssal Trip

Jeff Buckley - Grace

Rina Mushonga - In a Galaxy

Godflesh - Purge

Mars Red Sky - Eponymous

Baroness - Last Word (pre-release single)

Bria - Cuntry Covers Vol. 1

Jawbox - For Your Own Special Sweetheart

Forhist - Eponynous

Blut Aus Nord - Memoria Vetusta II: Dialogue with the Stars

Chamber of Secrets, Clement Panchout & Mxxn - Murder House (Puppet Combo OST)

Pegboy - Strong Reaction

King Gizzard & the Lizard Wizard - PetroDragonic Apocalypse

            

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Card:

Two days of Pulls to put up here, as I was too busy with work yesterday to do a post:

• Nine of Swords again? My dreams have actually been fairly unremarkable or unrememberable the last few days.

• Ten of Disks - Wealth - The highest manifestation of the Earthly realms, which juxtaposed with Nine of Swords may explain why my dreams dried up all of a sudden. Earthly, material issues/items dampen the inner realms

• Prince of Wands - Airy aspect of Fire, or the intellectual thrust applied to conflict. In other words, Strategy.

Okay, so let's use today's Pull to try and make sense of that:

Today:

• Prince of Wands, sir, you have my attention. Something is amiss in my head, and I may find the answer if I can figure out (the aforementioned Strategy) how to 'unblock' my dream channel.

• Nine of Disks - Gain - Let's look past other interpretations of this card and go straight to its correlations to the Sephiroth. 

Yesod - Imagination and reflection, the first stop when one leaves the bottom, earthly manifestation of the tenth plane (Sephiroth) and into the higher planes. 

• VII: The Chariot - Control and Balance, but also the origin of ideas.

My overall read here is there's an idea locked inside me that I will need to access to finish something (my current project?), and I'm going to have to figure out how to get it. That probably doesn't mean I have to figure out how to get it out of my head, but how to recognize it when I 'see' it.

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Duration:

The irony is it's taking time away from writing to do these recent posts, so I'll probably reconfigure the duration portion to once a week. It'll show a better snapshot to. I'm definitely doing better, though, and the transparency posting here helps immensely. 

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New Music from Blut Aus Nord!!!

 

Holy F*&k! New Blut Aus Nord and it's a doozy! Was it even a year ago that Disharmonium - Undreamable Abysses came out and blew my mind? How can every record these guys do be so unbelievably different? Listening to this, I feel like Laird Barron's Isaiah Coleridge, finding a secret and otherworldly recording while digging around online for one of his spooky AF cases. Disharmonium - Nahab drops on August 21 via Debemur Morti; you can pre-order it HERE for the EU and HERE for the US.

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Watch:

This past Sunday, with my friend Alex visiting from LaLaLand, K, he and I held a mini Friedkin Fest - we watched William Friedkin's 1977 unsung masterpiece Sorcerer and his equally fantastic and insanely transgressive 1980 giallo Cruising. 

 

I've seen this one several times in the ~ three years since I purchased Sorcerer on Blu-Ray and watched it for the first time. Every time I see this one, it gets better. Case in point - I'd had some ups and downs with the first half of the film on previous viewings, mainly because most of those viewings occurred at night. This time I sat riveted from start to finish and came away thinking the first half is, narratively speaking, as good as the second half. That was a nice feeling, both halves finally making a whole.

 

Cruising is one I just watched for the first time a few weeks ago, and from the moment that viewing ended, I've been chomping at the bit for a rewatch. The twisting and turning narrative, as unreliable as if Bret Easton Ellis penned the screenplay, just blows me away, and despite the fact that this time I took copious notes, I still don't have a solid answer as to who did what. A mystery that, after it's 'solved,' begets another, darker mystery. In other words, the best kind!

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NCBD:

Here are my picks, and I'm excited for all three of them:

Nightmare Country: Glass House has been up and down as a month-by-month reading experience, but I retain faith it will all come together as an eventual whole. 

First post-Armegeddon Game Turtles issue, a very good thing. I didn't read that event, however, from what I glimpsed in the pages of the regular series, I'm curious to see what the new landscape will be. This book often cools a bit for me, then immediately springs back to the top of my pile. We're about due for that. LOVE this cover, but it's a variant, so hopefully I'll manage to snag one.

Despite loathing last week's X-Men: First Strike or whatever the hell it was called (great cover though), my fervor for X-Men: Red, Immortal X-Men, and the monthly X-Men team book remain as high as ever. 

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Playlist:

Godflesh - Purge

Savages - Silence Yourself

Slowspin - Talisman

Deftones - Koi No Yokan

Deftones - Gore

Deftones - White Pony

The Flamingos - Playlist: Best of the Flamingos

Chamber of Screams, Clement Panchout & Mxxn - Murder House (Puppet Combo OST)

Blut Aus Nord - What Once Was

Blut Aus Nord - The Endless Multitude (pre-release single)

 

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Card:

Pulling from Aleister Crowley and Lady Freida Harris' Thoth Deck today:

• Battles over money/earthly concerns - the struggle is within

• XVII The Star - opening up to new influences/ideas/concerns

• 10 fo Cups - The emotional cup runneth over

All this is just to say, "stop spending so much damn money and start saving again!"

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Godflesh - Army of Non

 

The mighty Godflesh has returned at last! I have a friend visiting from LalLaLand and as such, completely forgot that the new album Purge was released this week. Friday night as we left one of the three breweries we take all our visitors to, this popped up in my Apple feed and, after waiting for the conversation at hand to run its course while sitting in the parking lot, I warned everyone they were about to experience the new record at a rather loud volume while driving home. Wonderful; that's the only word here. We made it through about half, and with further conversating and what not once home, I refrained from playing the rest until I could do a nice, immersive listen on headphones, so that will be later today, and the vinyl I pre-ordered months ago doesn't ship until early July, so until all that happens, "Army of Non" is my current favorite track on the record.

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Watch:

Holy F*&K! Ted Geoghegan's new film Brooklyn 45 is fantastic! This one defied all my expectations

            

I don't want to say too much about this one; it's not as though there's a twist or anything, however, Brooklyn 45 really impressed me with the ambitious, and frankly unexpected dramatics that make up the meat of the film. Sure, there's a lot of Horror Fun to be had, but this one is more akin to Guillermo del Toro's film Pan's Labyrinth than it is Evil Dead (although there are moments...). This one dropped on Shudder last week and is WELL worth Your time, especially if you liked Geoghegan's 2015 film We Are Still Here as much as I did. Companion pieces in a way.
           

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Playlist:

Weird Studies - On Clive Barker's "Hellraiser" and "Hellbound Heart"

Colton Wall - Imaginary Appalachia

David Bowie - The Next Day

Ganser - Odd Talk

Iggy Pop - The Idiot

Blackbraid - Blackbraid I

Stormkeep - Tales of Othertime

Calderum - Mystical Fortress of Iberian Lands

CCR - Eponymous

Godflesh - Purge

Angelo Badalamenti - Twin Peaks: Fire Walk With Me OST

Pastor T.L. Barrett & the Youth for Christ Choir - Like a Ship (Without a Sail)

The Flamingos - The Best of the Flamingos

Jenny Lewis - Joy'All

 

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

• Four of Pentacles - completion of a job: I have set a goal for the first draft of the novel I'm currently writing, and it is next Tuesday.

• Ace of Swords - Breakthrough: Not sure if this is confirming success or a nod that setting this goal was the 'breakthrough.'

• Five of Wands - Marshall the forces of Will, 'cuz it's going to be a struggle. A worthy struggle, though.
 

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New Music From PJ Harvey!

 

PJ Harvey released the second advance track from her upcoming record I Inside the Old Year Dying a few days ago, and after listening to that and first single "A Child's Question, August" a few times these last few days, I have gained quite the anticipation to hear the entire record. So far, this one strikes me as having as much not to do with her previous albums as it does incorporate a kind of sum-total of her entire oeuvre. Yeah, that's kind of a c-u-next-tuesday word for a music or film blogger to use; don't care. When you talk about Ms. Harvey, you gotta class the place up a bit. Pre-order the new album directly from the artist HERE.

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Watch:

The full trailer for Yorgos Lanthimos's new film Poor Things dropped earlier today, and despite my swearing off trailers, once I saw the still, I had to watch it (part of this decision was based on the fact that I find it doubtful the trailer for one of Lanthimos's films could ever betray its intentions. Judge for yourself, if you dare!

 

What the hell, right? A cast stacked with impeccable actors for a twisted twist on the Frankenstein story? I'm finding it difficult to formulate any opinion on what we see here, other than it will no doubt be as unique and engrossing as this director's other films. I now know where I will be on September 8th.

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Playlist:

Low - Trust

Slowspin - Talisman

Nabihah Iqbal - Dreamer

Drab Majesty - Modern Mirror

Deafheaven - Ordinary Corrupt Human Love

PJ Harvey - I Inside the Old Year Dying (pre-release singles)

Ike and Tina Turner - Live? The World of Ike & Tina

Colter Wall - Imaginary Appalachia

King Gizzard & the Lizard Wizard - Gila Monster/Dragon (pre-release singles)

Bria - Cuntry Covers Volumes 1 & 2

White Lung - Paradise

Soft Play - Are You Satisfied

Steve Moore - Christmas, Bloody Christmas OST

The Plimsouls - Everywhere At Once

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

My first Pull since returning from my Chicago trip, and it's almost identical to one my good friend Missi asked me to help her read the day before. How's that for awesome?

•  On the Tree of Life, The Empress is the first Trump to connect two pillars, from Chokman to Binah, the act of transforming Knowledge into Understanding. Not always easy. This is a card that, while it does not touch the superstate of Kether - the white hot room, as Grant Morrison would say - does represent a process of making the intangible tangible, collating and processing information to produce a result. 

• Ace of Wands - Willfull Breakthrough

• Seven of Pentacles - Earthly victory; accomplishment. Completion and the exhale that follows.

When I string all this together, I see a message that suggests hard work, but not necessarily of the physical kind. In my own terms, this is telling me I have to do more conceptual work, more mental hammering of narrative logistics. This will produce results. 

 

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New Music from Drab Majesty!

 

From the forthcoming EP An Object in Motion, out August 25th on Dais Records. Pre-order HERE. I'm hoping this EP - DM's first release since 2019's Modern Mirror - herald's a full-length somewhere in the immediate future. For the moment though, I'll take what I can get. 

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NCBD:

Small Pull this week, and I won't be back in Clarksville to hit Rick's Comic City to grab it until the weekend, but I'm pretty psyched to read both these books:

The cover speaks volumes - Peter attacking Kitty? I haven't really followed any books with either of these two in decades, so I'm curious where they're at.

Do I love this cover? HOT DAMN, yes I do. Seeing Tony Stark's iconic armor visage applied to the anti-mutant Sentinels is... breathtaking. 
            

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Watch:

While I have grown to ignore trailers for movies I am anticipating and therefore have some general knowledge about, I'll still watch trailers for upcoming films I haven't heard of before. Thus was the case with Bruce Wemple's new film First Contact. Here's the trailer (which I only watched half of):

            

I posted about Wemple's previous film, Monstrous, here sometime last year. A flick I had a decent amount of expectation for, but which fell a bit short. Definitely cool enough to pique my interest for his next flick, which, after seeing about half this trailer, I have to say looks like it might be influenced by the writings of Laird Barron. This one popped up on VOD yesterday, and it's a $3.99 on Prime, so I'll definitely be giving it a go sometime soon.

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Playlist:

King Gizzard & the Lizard Wizard - Gila Monster/Dragon (pre-release singles)

Bria - Cuntry Covers Vol. 2

Black Sabbath - Eponymous

M83 - Fantasy

Drab Majesty - Vanity (single)

Corrosion of Conformity - Deliverance

Low Cut Connie - Sleeze Me On (single)

Various - Jonathan Grimm's Dark & Weird Bluegrass Playlist

Nirvana - Nevermind

Nothing - Downward Years to Come

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King Gizzard & The Lizard Wizard - Dragon!

 

New King Gizzard and the Lizzard Wizard! Many thanks to my friend Josh who recently reminded me to check these guys out, as they'd been on my radar for quite some time and I still had not heard them. Loving the 2019's Infest the Rats' Nest record, and now both these new songs from the forthcoming album

Petrodragonic Apocalypse or Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of the Merciless Damnation, which you can pre-order directly from the band HERE.

This one starts out with a King Crimson-like intro and then turns into all-out thrash for most of the song, and boy does that combination work! Also, I love that both this and the previously released Gila Monster go right into one another. If the entire album has that 'one long track' feel, I think it will just up the overall power the band has set to capture and display with this record.

Oh, the video begins with a photosensative warning - do not take lightly; you may not want to watch this if you think there's a chance it could induce seizures. It is an unfortunate effect of awesomeness that it sometimes messes with our, ahem, lizard brains.

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Watch:

A new trailer for A24's Talk to Me dropped. As is my current custom, I'm posting it here but not watching it. Have heard some good things about this one, and favorable experiences watching A24's Bodies, Bodies, Bodies and Beau is Afraid have definitely staved off the burgeoning tendency to roll my eyes - temporarily at least - at the "Elevated Horror" assessment that fans have tirelessly attributed to the company (I recently saw someone wearing an A24 t-shirt). 

  

Out July 28th, pretty sure this one is going wide. Can't wait to see it, as early reports suggest directors Danny & Michael Philippou hit this one out of the park!!!

 

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Playlist:

Bria - Cuntry Covers Vol. 2

The Smiths - God Save the Queen

Phil Collins/Genesis - Collins. Phil Collins Playlist       

Ghost - Impera

Orville Peck - Bronco

Ganser - Odd Talk

Ghost Cop - End Credits

Spotlights - Seance EP

Nabihah Iqbal - Weighing of the Heart

Witchfinder - Forgotten Mansion

Low - Trust

Low - Poor Sucker (single)

M83 - Fantasy

Dorthis Cottrell - Death Folk Country

Les Discrets - Prédateurs

Prey - Iress

Beach House - Thank Your Lucky Stars

 

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New Music From The Mysterines!

 

 

The Mysterines dropped a new single yesterday, and I'm hoping it's the herald for a new album! 2022's Reeling easily made it into my ten favorite albums of that year, and as that was my jumping on point with the band, I'm anxious for more. In the meantime, hit their Bandcamp HERE.

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Watch:

Last night K and I had the extreme pleasure of watching Jon Wright's latest film, Unwelcome. Here's the trailer:

I'd only seen the director's 2012 film Grabbers, which is a riot, so I had no idea what to expect with Unwelcome. Well, this one shot to the top tier of my favorite flicks released so far in 2023. The characters are instantly likable and relatable - very important. Also, the effects are fantastic and the storyline really draws you in. Reminded me a bit of The Hallow, what with the rural Irish setting and use of Celtic Folklore. Unwelcome is a $3.99 rental on Amazon at the moment, and absolutely worth spending the dough on - highly recommended.

 

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Playlist:

Queens of the Stone Age - In Times New Roman (pre-release singles) 

King Gizzard & the Lizard Wizard - Infest the Rats' Nest 

King Gizzard & the Lizard Wizard - Gila Monster (single) 

Ganser - Odd Talk 

High on Fire - Snakes for the Divine 

High on Fire - Death Is This Communion 

Spotlights - Seance EP 

Spotlights - Love & Decay

Joan Jett - Album

Kaiser Chiefs - I Predict A Riot

 

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

•Ten of Swords - Completion of challenge

• Ace of Pentacles - Breakthrough in Earthly matters

• Ace of Wands - Breakthrough of Will or through Will, which is the case here, I think.

More cosmic writing advice, which is paying off. I went to my coffee shop to ice out the world and focus. I've begun writing at home quite a bit, but being I was stagnant for several days (almost a week), I needed to jump-start the old attention span. It worked, but only too well. 4.25 hours of sleep last night; I'd gotten used to close to 8 for the last few weeks. Thus, Breakthrough of Will.

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New Queens of the Stone Age - Carnavoyeur

 

More new music from next month's new Queens of the Stone Age record, Times New Roman, available for pre-order HERE.

My friend Josh alerted me to this one, and I have to say, his "I hear Bowie" observation is spot-on. Not necessarily in how the song sounds (although there's that), but more in the type of experimentation the band's doing. Really cool stuff.

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NCBD:

Nothing in my pull this week, however, issue #3 of Pat O'Malley's Popscars drops, and I'll definitely be picking that up and adding the book to my Pull.

Now published by Sumerian Comics - formerly Behemoth Comics, the fine folks who published Andy Leavy and Hugo Araujo's Osaka Mime, not to mention the Turbo Kid and Spare Parts tie-in books. I met Pat back in 2022 at The Comic Bug when he was in signing issues 1 and 2 of Popscars, then completely independently published. I bought those issues, LOVED them and was supposed to have him on A Most Horrible Library, but then, well, I don't think we've done an episode since. He reached out recently and I need to get back to him and extend an invite to come on my functioning show, The Horror Vision, so he can talk about the book.

Here's the solicitation description:

"Popscars is a gritty Hollywood revenge story about a vigilante badass in a pink ski mask and the famous Hollywood movie producer she is out to kill, who also happens to be her estranged father. In Hollywood revenge is best served in front of an audience. As our pink ski masked killer pushes her way through a Hollywood crowd, prepared to take her shot at her movie producer father, she's quickly swept into a brand new revenge plot orchestrated by her own unsuspecting target."

 

I love the imagery in the book, and the seedy nature of, well, all of it. An exploitation book about exploitation flicks is, by its very nature, a fantastic story.

 

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Read:

I surprised myself by putting off my re-read of Stephen Graham Jones's My Heart is a Chainsaw after I noticed that my copy of Laird Barron's The Wind Began to Howl is due to land any day, and that technically, this book is labeled as "Isaiah Coleridge Novel #3.5." 

Interesting... and also probably a shorter read than clocking through Chainsaw and its follow-up, Don't Fear the Reaper, both of which I'm dying to read. But I've also been chomping at the bit for more Coleridge, and more Laird Barron in general, so I started re-reading Isaiah #3, 2020's Worse Angels.

I've read Coleridge books 1 and 2 twice each, or actually three times on book one, Blood Standard, but Worse Angels just the once, so this is a welcome return to a book that kinda blew me away (like they all do). Also, I'm eager to read it without reading book 2 Black Mountain, in close proximity. I love the entire series, however, Black Mountain was just something else, and because of this, I feel like it warped my only experience with Angels so far. Not this time...

 

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Playlist:

QOTSA - Era Vulgaris

High On Fire - Snakes for the Divine

Decima Victima - Los Que Faltan

The Mysterines - Begin Again (single)

Killing Joke - Fire Dances

Tangerine Dream - Sorceror OST

            

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Card:

Had an inkling to pick the Raven Tarot Deck back up and pull a single card. Here we go:

Temperance, or "Art" in Crowley and Harris's Thoth deck. Another small goad to get my ass back in gear, as my lethargy has crept through the weekend and into the middle of the damn week now. We've had a steady stream of vendors out to the house for various reasons over the last few days, and that continues today. Also, I am once again completely enraptured by Laird Barron's Worse Angels. That said, I need to develop a curriculum. One thing I was pretty taken by in Ivy Tholen's Tastes Like Candy - I mean, besides the awesome Slasher story - was main character Violet's practice routine with her violin. It reminded me of the benefit of commitment to the craft. I've been wanting to work up a schedule that includes not only writing - and of course reading has to be in there - but also guitar, as I've felt a pull back to that after nearly a decade ignoring what used to be my muse. 

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