Isolation: Day 144 - New Mastodon

Well, maybe not exactly new Mastodon, as the forthcoming Medium Rarities, out September 11th, is, as the title suggests, a rarities collection, and not a full-blown new album. Either way, I'm excited. It's been three years since Emperor of Sand, and I am fully ready for new music from these guys.

**

Last night, it was with great fervor that I rented Amy Seimetz's new film She Dies Tomorrow. Wow. This is one I'll be mulling over for months to come. It's not that there's necessarily something deeper than what's on the screen, but the film is an interesting idea - and extrapolation of linguistic, sociological, and psychological idea already out there - executed by Semitz's unique and confident voice. It's a voice that is wholly her own, although you'll be able to make some comparisons when it comes to tempo and restraint. It's the confidence I'm smitten with here; this is not going to be a popular film, but the writer/director doesn't care. And she shouldn't. That's the point.

**

Playlist:

Poe - Hello

Exhalants - Bang (pre-release single)

Moaning - Uneasy Laughter

Contours - 20th Century Masters

Mastodon - Emperor of Sand

Mastodon - Fallen Torches (pre-release single)

Johnny Thunders and the Heartbreakers - L.A.M.F.

**

Card:

 I did a spread today, to see if A) the recently omnipotent Hierophant would rear his head and, B) if so, might I find a little clarity. No V, but I think I may have found some clarification. 

I've recently finished The Secret Life of Murder, which I'm alternately thinking of as A Beast of its Own Momentum, although that title will most likely go to something else. Once finished, though, I decided instead of simply publishing the novel through my The Horror Vision Press, I would try to shop it. That meant buying a Writer's Market - thank god for Kindle, so no phone book sized tome laying around, waiting to be discarded in a few months. It also meant figuring out a way to make the book slightly different. The version I'm shopping has a different title - a far simpler title, and not necessarily one that I approve of. The idea here is to try and use this to my advantage, to usher in a larger audience and paycheck. Selling out? Who cares - that's an argument for a younger man. As the world unwinds, I find that all I really want to do is be able to buy a piece of land somewhere in Washington state - somewhere away from major cities - and have my little enclave. This is the first step on that experiment.My plan also means sending query letters, something I used to find distasteful, but which I now recognize that I am 100% terrified of. I find this near-paralyzing fear confounding, but its there alright. So for the better part of a week I sat twiddling my thumbs, making excuses of why I wasn't ready to do that yet. Until the first of the three draws of V The Hierophant recently, which basically says this is the dogma you left behind, but for the moment, face it head-on. This new spread then, tells me I have to put in the work doing this, and it will pay off and change my world.

David Lynch Theater: The Mystery of the Seeing Hand

 Extra posts may be a common thing for a while, as I'm attempting to work around the frustrations I have with the new blogger format. Also, I haven't posted enough from David Lynch Theater of late. Here's a recent favorite.

Isolation: Day 143

The Two Minutes to Late Night covers EP is up until Midnight tonight and it is packed with goodness! Here's my favorite track. Download HERE. Remember, proceeds go to The Cancer Research Inst. and the artists who contributed!

**

I just went back and looked at yesterday's post - the HTML embed codes I used didn't translate! This is because Blogger is changing its interface, and I have to say, the new one SUCKS. It's taking me forever to write these now, so after more years than I can remember off the top of my head, this site may end up closing up shop. We'll see.

**

Last week Eibon Press released the fourth and final issue of their adaptation/expansion of Lucio Fulci's The Beyond. I ordered issue one a few weeks back, loved it, and went back and ordered the rest yesterday.

There are several editions of these, with various bells and whistles. I went for the basic ones - no signature or art prints - simply because I'm not really one for all the extras. Just give me the book.

**

Playlist:
Mike Patton - Mondo Cane
Johnny Thunders and The Heartbreakers - L.A.M.F.
Contours - 20th Century Masters
NIN - Pretty Hate Machine
NIN - Ghosts VI: Locusts
Metallica - Master of Puppets
Soviet Soviet - Endless

**
Card:


Wow. Okay already.

What is happening here, what I am trying my best to follow through on, is submitting query letters for the new book. I sent my first yesterday. I'll send another today. The Hierophant represents the established order - ie the traditional publishing industry - and although I've eschewed it for my two previous releases, and will sidestep it again if I don't drum up any agent or publisher interest by October - I'm attempting to use the new book to go down that route. We'll see. I'd rather just publish it through The Horror Vision Press, but why not try the other way, too?

Isolation: Day 142

Had an itch to crack out The Heartbreakers this morning. Classic. Somewhere I have the files for a perfectly curated edition of L.A.M.F., as provided by White Trash Soul Blog. This morning I just went with what I found on Apple Music, the L.A.M.F.: The Lost '77 Mixes (Remastered). I haven't compared the two, but I know the one up on White Trash Soul takes mixes from all the different international releases and compiles what they deemed the best of each song. It's good. So is this. That's the beautiful thing about great music - in most cases, the soul comes across no matter the mix. 

In most cases.

**

Tomorrow, August 7th, from Midnight to Midnight, Two Minutes to Late Night is making their Covers Only release available for purchase. Part of the proceeds go to The Cancer Research Institute, the rest to the musicians contributing. Great causes both. 

If you're unfamiliar with Two Minutes to Late Night, it's essentially a Late Night Talk Show format show created by comedians Jordan Olds and Drew Kaufman, and the show's theme is all METAL! They release episodes complete with guests and skits, the house band is Mutoid Man with occasional guests, and they also release cover videos that pull in all kinds of guests, all playing synched over the internet. Here's one of my favorites from their recent releases:

And yes, that's Max Fucking Weinberg on drums!

Two Minutes to Late Night's website is HERE. Their bandcamp is HERE. I'm not really sure where the covers album will be available, but I'm pretty sure it will be through one of these two sites, or when the following video premieres, they will tell us there. 

**

Playlist:

The Bronx - The Bronx (I)

Nirvana - Nevermind

Low Cut Connie - Hi Honey

Ministry - Toronto 1986 (Live)

Rezz - The Silence is Deafening EP

**

Card:

Loud and clear. 

Isolation: Day 141

Mr. Brown sent me this last night, and after watching it, both K and I are immediate fans. I can't wait to dig into The Hu's catalogue, which you can peruse and purchase from HERE.
**

A new trailer dropped for Season Two of The Boys.



The trailer is a bit overdone, but I'm still excited to see where this goes.

**

NCBD:

Not a lot this week. I did notice this coming from Vault, and I'm curious. Back in the early/mid 90s, I wasn't a RPG'r, but I loved Vampires. I know the entire genre is cliched now, and maybe it was back then, too. I didn't know that. I discovered Anne Rice's Interview with a Vampire when I was a senior in High School, and I LOVED it. This was shortly before the movie - which I'm not a huge fan of - and reading that first novel in Rice's Vampire Chronicles coinciding with my purchasing Type O Negative's Bloody Kisses (the digipak version, of course). I'd smoke out and lay around devouring the novel, while listening to Peter Steele's voice sing of Blood and Fire, and Suspended in Dusk, and Steele's voice became Louie's voice. I haven't gone back to those novels in since I read them; I'm not even sure I'd like them now. Back then though, Rice's fiction had me ravenous for more Blood Lore, and in this way I discovered White Wolf Publishing's Vampire: The Masquerade. My Chicago comic shop Amazing Fantasy carried a lot of books as well (thank you Garrett!), and I believe that is where I bought my first Masquerade novel. I wouldn't even be able to tell you which one it was, it left a bit of an impression on me. Enough that I'm curious to see a comic series reviving the line.

A few years back, when my friend Missi turned me on to Poppy Z. Brite's fiction from the 90s, it kind of scratched a long-standing itch for this kind of Goth-Pageantry fiction, and it's probably the hangover from reading her Lost Souls last year that has me tempted to pick this up.


**

Playlist:

Young Widows - Settle Down City
Protomartyr - Under Color of Official Right
Rezz - The Silence is Deafening EP
The Teardrop Explodes - Kilimanjaro
Urge Overkill - Saturation
Metallica - Master of Puppets

**

Card:

Keep going despite fatigue. The wheel turns, so says Ka.

Isolation: Day 140 - Vólan!

Vólan is a band from Moscow I'd never heard of until this morning when this live session from Audio Tree popped up on my youtube feed. Pretty awesome! You can hit their Bandcamp HERE for more music and merch!

**

I'm a pretty big fan of Robert S. Wilson's Nightscape Press, and as such I backed their recent Kickstarter HERE. I'd actually meant to post about this earlier, but there's still twelve days left, and even fully funded, this is absolutely worth contributing to. Nightscape is a fantastic and fully independent publisher, and my hope is they will be around for many years to come.


Previously, I've mentioned Nightscape's brilliant Ashes and Entropy anthology - easily one of the best books I read last year. I also recently picked up Dark and Distant Voices, Nightscape's short story collection by Tim Waggoner. I'm only one story in - ALL my pleasure reading is on hold as I work on final edits of two different versions of my forthcoming novel (I'll explain that at some other point). The point is, Mr. Wilson runs a top shelf company who deserve our support.

**

Playlist:

The Thirsty Crows - Hangman's Noose
Aerosmith - Pump
Motörhead - 1916
Nirvana - Nevermind
Low Cut Connie - Hi Honey
The Rolling Stones - Sticky Fingers
Roxy Music - For Your Pleasure
Urge Overkill - Saturation
**

Big picture.

Isolation: Day 139

The beginning of this song is one of the most beautiful pieces of music I've heard on piano. I fell down a bit of a Don Shirley rabbit hole yesterday, and in doing so, came across again some articles that posit 2018's Green Book was a racist film. THIS is the problem with the left; everything is a problem. Every man's a rapist. Every white person is racist. Four years of captain goatfucker in office and everyone loses their fucking minds. The way forward is not to one extreme or the other. It's COMMON SENSE. Until the day this prevails (not holding my breath), I'll use music like this to remind me how beautiful the world is by listening to music like this. Thank you, Don Shirley.

**

The Final episode of HBO's I'll Be Gone in the Dark aired last night. Slightly anticlimactic, but of course that's the bane of most True Crime.

Next up, we're finishing the last half of the final season of Breaking Bad. halfway through, I realize there's a reason I've put off revisiting this show. The emotion destruction that accompanies Season 5 Part 2 is unlike anything else I've seen in serialized television. I love this show for the craft, the concise nature of the storytelling, but it really beats me up.

After that? I think we're going to do one both K and Mr. Brown have recommended to me - Halt and Catch Fire.



I've been looking forward to this for some time, so even though there's a boatload of shows to dig into, this one is next.

**

Playlist:

Low Cut Connie - Hi Honey
Led Zeppelin - Coda
La Hell Gang - Thru Me Again
Roly Porter - Kistvaen
The Jesus Lizard - Head
Jeffery Alan Jones - Most Beautiful Island OST
François-Eudes Chanfrault - Computer Assisted Sunset
Ghost - Opus Eponymous
Ghosts of Glaciers - The Greatest Burden
Blut Aus Nord - Hallucinogen
Underworld - Beaucoup Fish
Don Shirley - Don Shirley's Best
Don Shirley - Total Expressions

**

Card:

Time to pay closer attention to the rules for a bit, especially those I place upon myself. Things may have gotten a bit loosey Goosey of late, with Quarantine-Fatigue, or possibly from the contemplation of actually making it through the tunnel and out into the light again.

Sunday Bandcamp: Dead Swords

Holy shit, where has this been my whole life? I stumbled across New Jersey's Dead Swords while tripping off this awesome record that Heaven is an Incubator posted a few days ago. Talk about an algorithm!

This album goes deep, so strap on some ear goggles and disappear to another dimension.

Isolation: Day 138 The Royal Screw

I cannot get enough of this album! It is perfect, and this song is probably my favorite (I'm rotating through the track list day-by-day). The drum sound on this record is a total throw-back to old school Rhythm and Blues, while having the advantages of modern technology. The alto sax that peppers through the verses evokes Boots Randolph, while the chorus horns hit hard and serve as a good-natured reminder that former Dap-King Thomas Brenneck produced this collection of perfection. Finally, the vocals are perfect - striking a bit of an evocation of classic Van Morrison while still being completely Adam Weiner, snark and energy going full throttle.

**

Last night K and I watched the indie film Cosmos. Loved it! In fact, I kept thinking "I never knew astronomy could be so riveting! This reminded me of Darren Aronofsky's π, not in style or tone at all, but simply because the filmmakers made something most people see very little in and make it thrilling (in π it's math).



Cosmos was directed by brothers Elliot and Zander Weaver and stars a total of four freakin' people, and it's one of the best examples of 'more with less' I've seen in a while. True, the score is definitely heavy, and really helps to dramatize situations that might have had slightly less impact, but overall, this one get a four-and-a-half star from me.

The Weavers' production company is Elliander Pictures, website is HERE.

**

Playlist:

The Thirsty Crows - Hangan's Noose
Low Cut Connie - Hi Honey
Run the Jewels - RTJ4
JK Flesh - Posthuman
Dead Swords - Enders
Low Cut Connie - What Has Happened to Me (pre-release single)
JK Flesh - Depersonalization
Baroness - Gold and Grey
Led Zeppelin - How the West Was Won

**

Card:

Turning once again to the Raven Deck, I get a nod to follow my instincts. I think this card is a vexing counterpoint to the 4 of Wands' continuous advice.

Isolation: Day 137

Mr. Brown had to remind me several times to look up Low Cut Connie, and when I finally did, I understood and became extremely thankful for his persistence. So far, 2015's Hi Honey is all I know, but MAN is it a fantastic album. This is a tie for my favorite track - so far - with Royal Screw, which I might just post here tomorrow.

**
As of yesterday, my short story Pentagram Girls is available to read for free on Wattpad, just follow the widget below:



If you dig the story, you can follow the widgets to the left to order the book - I have a 'quarantine special' of $.99 for the Kindle copy running now, so that's a pretty great deal, if I do say so myself. Also, that fantastic cover art is from my good friend and often co-conspirator Jonathan Grimm. If you dig his art, check out his site HERE.

**

Playlist:

Primus - Frizzle Fry
Low Cut Connie - Hi Honey
The Smiths - Louder Than Bombs
The Blues Brothers - Briefcase Full of Blues
Orville Peck - Pony
Baroness - Gold and Grey
Nothing - Guilty of Everything
Joy Division - Closer
Black Sabbath - Sabotage
Dead Swords - Enders

**

Card:

I keep getting this card because I shake my head like I understand and heed the advice contained therein, then turn around and do the exact opposite.

Isolation: Day 136

It was a real disappointment to learn that Shane Carruth - whose films Primer and Upstream Color are among the best films made in the last twenty years - is not a very cool person. I won't go into everything, but aside from numerous accounts of his assholery to everyday people, it appears that he may have made public certain aspects of his estranged relationship with director Amy Seimetz in a weird attempt to sabotage the release of her new film, She Dies Tomorrow. I'm not sure this is exactly what's going on, but regardless, I wanted to see this film before all this happened, now I'll be making it my Friday night watch next week when it drops on the 8th, just to help bump the film's numbers. Looks awesome, and seeing Jane Adams and Tunde Adebimpe from TVOTR is just too good to be true.

**

K and I caught up to the current episode of HBO's I'll Be Gone in the Dark last night. This show is a powerhouse of emotion and terror, and although I usually don't have the stomach or nerve for true crime - I prefer my horror to have at least a dash of supernatural so it doesn't color the world around me any darker than I already perceive it - this is one I would recommend to everyone. I've loved most of what Michelle McNamara's husband Patton Oswalt has done since someone turned me onto Feelin' Kinda Patton in the mid-00s. To see this side of his life, and the lengths Michelle McNamara went to hunting a decades-old killer, it's inspiring.



**

Playlist:

Primus - Frizzle Fry
Count Raven - Storm Warning
Angel Witch - '82 Revisited
Testament - Titans of Creation
Low Cut Connie - Hi Honey

**

Card:

Another pull from my beautiful new Raven Deck:

So I'll be paying more attention to my intuition.

Isolation: Day 136 - New Sumac

A couple years ago, I caught Sumac live opening for Converge. Fantastic band. I kind of forgot about them after that, but with this lead track off their forthcoming album out October 2nd on Thrill Jockey - Pre-order HERE - I'm all in.

**

NCBD:

Finally! We haven't been waiting for this new Brubaker/Phillips graphic novel for very long, but it's felt like a millennium! These guys are aces, and if you subscribe to Brubaker's email newsletter, you will have seen his announcement that they are releasing three original graphic novels over the next year as part of a new series. He hasn't released all the details yet, but he did include a few pages of the finished product, and it looks fantastic. Of course.

I'm a bit on the fence with this one, but I'm absolutely down to give Chris Condon and Jacob Phillips' That Texas Blood the benefit of a few issues to lock into place.

I LOVE this cover! So old school, black and white TMNT. This book just gets better and better, breaking new ground with world building no longer beholden to the old iterations.

**

Playlist:

Mitch and Ira Yuspeh - Seven Doors of Death OST

Godflesh - Streetcleaner

Low Cut Connie - Hi Honey

JK Flesh - Depersonalization

Baroness - Gold and Grey

Blueneck - Repetitions

Primus - Frizzle Fry

Blut Aus Nord - Hallucinogen

Black Sabbath - Sabotage

**

Card:

I was super excited to draw a card this morning from my new deck, one my good friend Missi colored for me. The deck is just the Major Arcana, but that's super cool. I know a few people who only draw with the Majors, and I've kind of always wanted a deck to do that with. Broadstroke answers can be insanely helpful.

Of course I shuffled the hell out of the deck - I could feel the energy Missi put into these things - and what card flips out on its own and lands face up in front of me? The Fool, of course, because I'm beginning a new journey with a new deck. Not replacing my beloved Thoth, but adding to it, in a way.

I've never been one to have multiple decks, but this is special and I love it. Look at how gorgeous this card is! I'm christening this deck the Raven Deck, after Missi. 

Isolation: Day 135 - Kilroy Was Here

I was elated to see this trailer yesterday. Ever since Tusk, I've been on the outs with Kevin Smith; I used to be a huge fan of his films and his podcasts. Even when his material wasn't great - Clerks II - I always gave him the benefit of the doubt, simply because I'd heard him talk about his creative process and the industry numerous times in person or on his podcasts, and always considered him an aspiration. The thing about Tusk that sunk that boat was despite the fact that Michael Parks gives a fantastic performance, and the cinematography and set design is fantastic, it felt stupid and ill-conceived, not to mention a total tonal mess. Why didn't he get the benefit of the doubt that time? Well, in the year or two before Tusk, Smith began talking about how pot had become a major part of his creative process, allowing him to follow through on ideas he normally would have dismissed. Guess what? That's not a good thing, to jettison your internal quality department by way of inhibition dampening drugs. Hey, I'm no angel. I drink and smoke often. That said, I rarely work on major projects when under the influence. I might get a breakthrough idea while stoned - that happens somewhat often - but I also know when I sober up what to discard as fanciful crap and what to keep. Tusk feels like a pretty good idea that went off the deep end, I'm guessing due to Smith's state of mind while writing it.

All that aside, Kilroy looks FANTASTIC. I'm super happy to be excited about a Kevin Smith project again, especially one that's horror.

**

I received my copy of Eibon Press's The Beyond #1 yesterday, and I'm excited to confirm that this is not a straight adaptation of Lucio Fulci's film. There's a lot of background here, with the issue ending where the film begins, so that we get an interesting backstory for Schweick and Liza. Very cool, and the art is just fantastic in all its gory goodness!

The fourth issue finale comes out this Friday, and I'm pretty sure I'll be ordering the rest of the series then. Eibon Press's Fulci page is HERE. If you dig Fulci, support a truly independent company!

**

Playlist:

Thirsty Crows - Hangman's Noose
Talking Heads - Remain in Light
Metallica - Master of Puppets
The Stooges - Funhouse
The Smiths - Panic (Single)
The Smiths - The Queen is Dead
Brainiac - Bonzai Superstar
Savages - Silence Yourself
Low Cut Connie - Hi Honey

**

Card:

Lots of feminine energy this week so far. Makes sense. 

Isolation: Day 134

Following up yesterday's Sunday Bandcamp feature of JK Flesh's 2012 Posthuman with his newest release. Depersonalization dropped at the beginning of the month on Hospital Productions, a label I am completely unfamiliar with. Buy on cassette HERE.


**

After watching that video of Henry Rollins geeking out over Rhino's 50th Anniversary box set of The Stooges Funhouse, I knew there was no way I was going to spend $400 on it, so I did the next best thing. My copy of Raw Power on CD disappeared a few years back, so I decided to finally replace it with Vinyl. Huge bonus, too, because without even realizing it, the copy I picked up has four sides - the complete 1973 Bowie mix, and the complete 1997 Iggy mix, both remastered, both sound great.

Bowie Mix:


Iggy Mix:


There's some insane differences between the two mixes, and where I used to prefer the Iggy mix hands down - it's the first way I ever heard the album - after spending part of Friday night comparing the two side by side, I think I'm split perfectly down the middle. The one huge sticking point has always been Penetration, which I prefer with the chime. However, the remaster of Bowie's mix shows what older copies on disc don't - the chime is there, and slowly creeps into the mix, where in the Iggy mix, it's pretty much in your face from the jump. Both have merit, especially when you factor in some of the insane levels Bowie mixed Pop's vocals at. Having Iggy sit that far on top of the mix doesn't always work, but on a few tracks, it gives the music an even more intense feeling of chaos.

**

Playlist:

Iggy and the Stooges - Raw Power
My Bloody Valentine - MBV
Discharge - Never Again
Heads. - Push
Gösta Berlings Saga - Konkret Musik
Baroness - Gold and Grey
La Hell Gang - Thru Me Again
The Smiths - Louder Than Bombs
The Smiths - The Queen is Dead
Mannequin Pussy - Patience
Godflesh - Streetcleaner
JK Flesh - Depersonalization

**

Card:

Taming creative force with strategy. This is PERFECT, as Saturday I put myself in a bit of a tizzy in regards to what I'm doing with the new book. There's so many avenues out there for authors now, but it's hard to figure out exactly what to do. This leads to stalemate, a feeling of paralyzed frustration that comes from the paradox of choice. Weathering this will be no small feat, but it is possible.

Bandcamp Sunday: JK Flesh

There's a great interview with Broadrick on daily Bandcamp HERE.