The Founder/Guitarist from iconic Horror Soundtrack Prog group Goblin passed away at 70. Goblin has many amazing tracks and albums, this may be the greatest.
Also, along with guitars, Morante played the bouzouki. How about that? If you're like me, you might find yourself suddenly wondering if that's the instrumental layers in some of their music you could never quite place before.
Watch:
I know there's not a lot of Goblin's music in the intro scene to Dario Argento's Suspiria, however, it feels like there's more than there is, right? I believe that's because Goblin crafted such a fantastic score - and I'm under the (possibly mistaken) assumption that they wrote the music without having viewed the final cut of the film - in such a way that it mixes perfectly with the nightmare logic of Argento's cinematic aspirations.
I love the way the music hard stops when they cut from what Susie sees to the medium close-up of her walking. The direction, editing and score suggest she's not seeing what is actually there, which, if you think about it, fits the film perfectly from start to finish. Or rather, she's seeing what is there but what no one else can see. She's entering a Nightmare. Massimo Morante ladies and gentlemen. Rest in Peace, sir.
Playlist:
Orville Peck - Pony
Roy Orbison - Mystery Girl
Gordon Lightfoot - Greatest Hits
The Soft Moon - Him (pre-release single)
Hank Williams III - Straight to Hell
The Essential Dolly Parton
Johnny Cash - At Folsom Prison
Alabama Shakes - Sound & Color
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Open to new influence, awareness and new life. Not sure any of that really does me any good at the moment. Both K and I are having MASSIVE doubts about our plans for TN. There are a ton of reasons, but a lot of it boils down to it may not be exactly what we thought, we're priced out of the area we wanted and our second choice isn't nearly the same, and even though we've seen some houses we love and almost jumped on, there's the idea that, find the perfect home, move in, and if you have nothing around it to make you happy, in six months it's a prison and that will make you resent it and maybe your partner. And fine, so don't move, but the thing is, I really don't know where the hell we're going to live if we don't move here. Stay in LaLaLand paying insane rent? There's really nowhere else we've thought of, so we would have to take some serious time. In my head, there's also the idea that, if this shit with my lungs goes south, I want to be able to get her into a house that's hers before I check out. That's probably paranoia, but that doesn't mean it isn't clouding the situation.
Really digging this new track from Preoccupations that not only did Heaven is an Incubator post about recently, but both my good friends Jacob and Mr. Brown sent me last week (or the week before, we are now officially in a blur, ladies and gentlemen). It's been some time since we had new music from these guys, and I'd forgotten just how much I love their Eponymous and New Material Records (not to mention the Viet Cong stuff).
The new album Arrangements is out September 9th, and you can pre-order it now HERE. I'm currently on a ban from anything pending our move, but that shouldn't hold you back.
Watch:
I feel like someone sent me something about this one a few months back, as the title rings familiar. After watching this trailer, however, I don't know. The first feature from Writer/Director Zach Cregger, this is new to me:
Holy smokes. SOLD. What a fantastic trailer - it gives us so much of the aesthetic but gives NOTHING away (I'm assuming). Bill Skarsgård is beginning to be enough to make me stop and consider anything he's in, so there's that, and the 'tunnels under suburbia' angle is right in my sweet spot, so my arse will be in a seat come 8/31.
Playlist:
Black Sabbath - Eponymous
The Mars Volta - Blacklight Shine (pre-release single)
The Soft Moon - Him (pre-release single)
Preoccupations - Ricochet (pre-release single)
Smokey Robinson and the Miracles - 1957-1972 (Live)
Card:
Fortify your position. Definitely apt. I'm having massive "is this the right thing?" thoughts as we look at houses.
Holy cow - NEW MARS VOLTA! This news still caught me by surprise, despite the fact that Mr. Brown sent me a message yesterday about a show at Chicago's Aragon Brawlroom in early October. I'm hoping this heralds a new album on the horizon, which it almost certainly does because even though this official video for "Blacklight Shine" is over 11 minutes long, well over half of that is the percussive section that accompanies the images of dancers; the actual single on streaming services isn't even three minutes in duration, and thus, just about the shortest Mars Volta song that's not a 'lead-in' track EVER.
Oh yeah, how cool is it that Omar directed the video?
NCBD:
Since I'm traveling, a lot of these will be waiting for me in my pull box back home. Some of them, however, are books I haven't yet added to my official list, and instead have been scooping up off the shelf with reserve the last few months. Those, I'll be stopping at a local shop to pick up. I'll probably go with Rick's Comic City.
I'm still reeling from how awesome issue three of this new iteration of The Amazing Spider-Man was; hoping number four continues on the same path. There's really something classic about seeing Spidey duke it out with a bunch of street-level hoods, even the goofy ones like the Rabbit or whatever the chick with white rabbit ears calls herself.
Three issues of Deadly Class remain after this one. I'll admit, because of all the time jumps in "A Fond Farewell," I began to lose my compass as to where we were a few issues back, but I'm assuming this comes from not seeing the big picture to the final arc yet, and also, reading it monthly.
The final issue of Homesick Pilots, and another one I kind of got lost in a few issues back. I'm planning a series re-read as soon as I get home. This book has been nuts in the best possible way, and there is nothing else out there that even remotely resembles it. I mean, Grunge-era haunted house ghost mech suits employed by the military to fight other ghost mech things? It even sounds nuts. I'll miss this one, but I'm always glad to hold a completed story in hand and relish its completion. Better to leave 'em wanting more than to overstay your welcome.
The first issue of I Hate This Place was great. Let's see where we're going, because all signs point to cattle mutilation - which is disgusting and terrible, but a part of alien mythology that always fascinated me for all its oddness. I mean, why cattle? Regardless, I'm digging the way this one seems to be mixing that Alien lore with haunted houses and a classic slasher set-up. Kind of a kitchen sink aesthetic, which can be tricky, but so far here, has me intrigued.
Do I even have to talk about how I wait for every issue of Kieron Gillen's Immortal X-Men with bated breath? I thought not. On my pull, but I'm picking it up anyway, cuz there's no way I want to wait.
I feel like the art in this Moon Knight book is getting a bit cartoony, which is something I usually don't go for in comics (there are exceptions and East of West springs immediately to mind), but so far, I love what MacKay is doing with the characters, so I'm hanging on.
A new limited series continuing one of my favorite one-off storylines from back in the early 90s?
If you don't know or remember, back in late 90/early 91, for three issues the world thought Reed, Sue, Johnny and Ben were dead, and in their wake, Spidey, Grey Hulk, Logan and Danny Ketch as Ghost Rider took over to avenge their deaths. I haven't re-read this one in a long time, and it was clearly a gambit to boost sales on "The World's Greatest Comics Magazine" and garner ever more exposure for four of the most popular characters of that era (Punisher would fit that bill too, but he doesn't show up until the last page of the final issue in a kind of meta-commentary on the situation by writer Walt Simonson).
Anyway, Marvel's doing a lot of these 'in-continuity' throwback series lately: iconic writers of the 80s and 90s go back and flesh out these classic eras. I've dug Symbiote Spider-Man by Peter David and the X-Men Legends that Walt and his wife Louise wrote for their OG X-Factor team, so of course, I'm giving this a try.
I hadn't been reading this current New Mutants until last issue, when "The Labors of Magik" storyline began. Look, reading the X-books in the 80s, I was... twelve when the original "Inferno" came out. It is still, to this day, the best X-Men Event or Crossover ever. Also, as a pre-pubescent male, The Goblin Queen and Ilyana Rasputin gave me something to live for in some ways, if you know what I mean and I think you do. So all of that is imprinted on me pretty deep. Thus, anything that references back to that storyline is immediately on my radar. They've toyed with this stuff before - wasn't Maddy or Magik or both Queen of Hell before? Or wasn't there another Inferno, before Hickman's new masterpiece that had nothing to do with Limbo or Magik at all? I believe so, but I ignored them. And if the first issue of "Labors of Magik" hadn't been as good as it was, I would have bowed out right away. But it was good, and I'm here again for part two.
Man, I remember when great indie books like Newburn were all I read. Now, they're kinda the minority in my monthly spending habit. Doesn't change the fact that Newburn is awesome, though.
HORROR. That is all.
Being that this is the final issue of X-Men, volume five for Duggan and Larraz? I hope not, but being that A) this is the last issue before the now annual Hellfire Gala, B) this is the final issue before Judgment Day, and C) no writer/artist are listed in Comics CLZ for issues 13 and 14's solicitation, I'm inclined to think maybe. I hope not, as I've LOVED this run. Either way, last issue dropped a BOMB, so let's get to picking up the pieces.
Playlist:
Black Sabbath - Eponymous
Card:
There's no surprise to me that I pulled this one again today. Got the news that my boss's boss is leaving the company, and that puts my keeping my job once I move in question.
I should clarify: I'd previously worked out that I'd be stepping down as Assistant Manager and taking a pay cut to focus on the international logistics side of my job, which exponentially increases every year and leaves me little time to actually 'manage' anyway.
Receiving this news shook me a bit, but it really hit K hard. Which I totally get. But receiving this "Temper Emotion with Reason" message two days in row indicates that we shouldn't make the assumption that I won't be able to keep the job. We also shouldn't assume I will. We have to approach the entire situation reasonably, which I definitely had flashes of yesterday. We looked at a lot of houses yesterday, several with our Real Estate Agent Josh (who is awesome), and several more just using Josh's portal. Zillow and Google Maps to triangulate areas where we saw things we wanted to look at. During those drives, we saw a lot of industry here with positions open. When K dug around online after we got home, there's a lot of stuff out there - whether local or 'remote' - that I more than qualify for. And I won't lie - I got a huge ego boost from totally crushing my officiating speech/duties at my Sister's wedding on Saturday. So I know I could find something good. Maybe better. The downside to losing the position I have now - or rather the new version of it I would have upon moving - is that, despite the fact that it's challenging, once I drop the management side of things - which is KILLING me at the moment - my job will be very cush in that I will have a large workload that will keep me on my toes, but it's a workload I am familiar with and enjoy.
I'm traveling, so any posts here will probably be abbreviated and sporadic. I'm not really a Skynard fan, however, after hearing the Deftones cover this one on their B-Sides collection that came out a few years ago, I realized I very much dig this song.
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I don't know anything about Luke Boyce's upcoming flick Revealer, which debuts on Shudder this coming Friday, however, here's the trailer:
Being that I'm traveling and have had a lot of my time spoken for over the last week, I missed last Friday's penultimate episode of Joe Bob Briggs' The Last Drive-In, where the trailer for Revealer played between movies. The following day, however, I saw this tweet and subsequently looked into the film:
This entire thing just makes me so happy, for Luke Boyce, for the movie, and for us, because this flick looks awesome! 80s Chicago? Mandy color-palette? I'm in.
Read:
I finally began reading The Song of Salome by Tom Johnstone, published by the always wonderful Omnium Gatherum.
Playlist:
Black Sabbath - Eponymous pretty much on repeat, all day, every day. When I have a chance to listen to music, that is.
Card:
Bridging emotion (Cups) and reason (Air, Princes).
I feel like there's a lot of that right now, as we set up shop in Tennessee looking for houses, my parents in tow. I love my parents but haven't lived with them in over twenty years, or near them, aside from when I come home to visit every year, and I'm finding they are... a little bit of a challenge. Prince of Cups is one of the cards that represents me pretty well, as I'm pretty good at mitigating emotion with reason. Let's hope I can
I had no idea Julee Cruise did an album with Kid Congo Powers. Holy cow - what a fantastic pairing of musicians.
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Whoah:
Kudos to Shudder for putting this one out there. I've never been a rabid Gwar fan, as some of my friends, but I love them, and the one time I saw them live - Halloween (I think) circa 1999 (again, I think), they were awesome. Dave Brockie's death was a sucker punch from out of nowhere, but I've admired the band's perseverance and can't wait to see the band's history from start to present, as I have a lot of gaps in my knowledge of them.
NCBD:
Here's the haul; I've got a lot of reading to do before I head to the airport this afternoon:
The first issue of Moon Knight's turn at the Black, White & Blood series was fantastic, so I've really been looking forward to this second issue.
Love that cover; turns out it's more disturbing seeing The Corinthian's eye-mouths eat meat than the human eyes we're used to seeing them gorge on.
Really hoping this issue quells my reservations about where this one is going, because I like A Town Called Terror quite a bit so far.
I dig West of Sundown A LOT. There's a lot of Penny Dreadful influence, but not in a bad way.
I'm just loving the idea of setting this book primarily on Arrako, the former planet Mars. Also, I love both these damn covers, but that second one - I so want to see Storm and Brand go head-to-head.
And finally, the book I've been anticipating for months hits shelves this week:
With the success of Brubaker and Phillips' Reckless hardcover graphic novel series, I'm excited to see more creators go that route. And after the absolute creep-out of last month's Bone Orchard preview, I have super high expectations.
Here Julee Cruise's haunting vocals and Angelo Badalamenti's equally compelling music provided the soundtrack to one of my favorite scenes from Twin Peaks, Season One: The hike to find Jacques Renault's cabin!
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To once again refer back to that Netflix trailer dump from last week; GDT and Panos Cosmatos working together as part of a GDT anthology series?
Sold! Also helming episodes are Jennifer Kent, David Prior, Guillermo Navarro, Keith Thomas, Catherine Hardwicke (on a thus-far untitled episode that has H.P. Lovecraft credited as a writer), Vincenzo Natali, and Ana Lily Amirpour!
Playlist:
Julee Cruise - The Art of Being A Girl
Sex Pistols - Never Mind the Bollocks...
Def Leppard - Hysteria
Angelo Badalamenti - Dark Space Low (Hour-long version HERE)
Yard Act - The Overload
Card:
The watery, or emotional aspect of our Earthly drives/desires/needs. This is a presumption since I won't be house hunting in Tennessee for about another week, but I think this is a good reminder that we have to temper our emotional drive to get the hell out of California with the pragmatic realities of actually doing this smartly and successfully.
Also, the Queen of Disks always reminds me to survey my 'Kingdom' and appreciate where I am and how I got there, especially the people in my life who have helped. If you're one of them - and you very well might be if you're reading this and I know you - thank you. You've helped bring me to this point in my life.
