New Doves' album releases February 14! Not sure if anyone else knew this was coming, but it was a total surprise to me when I saw this pop up online in the middle of the night Sunday, and in keeping to form, I'm instantly smitten.
Peacock's Hysteria! is a show I read about and thought, "Sounds great, but I'll bet the execution will put me off."
Nope. I am happy to report that halfway through the series and I'm really digging this one.
Bruce Campbell is a huge plus here. He's just so likable, and yeah, we all know that, but honestly, he's never been enough to get me to watch something that seems like I won't take to it (I still haven't seen Black Friday). Here, though, he anchors an otherwise fantastic cast of characters, and while I'm pretty sure I can see what's coming a mile away, hey, I might very well be wrong. In the meantime, this 80s tale of Heavy Metal and Satanic Panic takes me back to my youth, and what's more, nostalgia is not all Hysteria! has to offer. I'm genuinely curious where this is going and I'm enjoying the road there, so this is a full recommend.
Read:
Pretty sure I just read what will be my favorite comic of the year, and that's the seven-issue FISHFLIES by Jeff Lemire.
While I've become a fan of Lemire's work as a writer ever since Gideon Falls, reading much of what he puts out with other artists, but ever since 2022's Maze Book, I've really developed an appreciation for the books he writes and does the art for. That's Fishflies, and it is really something. I'd read the first four or five issues back a few months ago (this was the book I subscribed to via my Chicago store, Amazing Fantasy, so picking it up was sporadic at best), then decided to wait until I had the entire run before rereading.
First, I LOVE how this was released as seven perfect-bound, 64-page issues. I adore that format, and it definitely helped create a great reading experience. Perfect-bound always does. It reminds me of old-school prestige-format books like Batman: The Cult andThe Punisher: No Escape. Second, this book starts one place and then really veers into some strange territory. That's all I'll say, as I wouldn't want to ruin anyone else's experience, just let it be said if you dig Lemire's work, I think you'll love FISHFLIES.
Playlist:
Doves - Renegade (Pre-release single)
Nachtmystium - Survivor's Remorse (single)
Dr. John - Gris Gris
Melvins - Tarantula Heart
Antibalas - Where the Gods Are in Peace
John Carpenter - Lost Themes IV: Noir
Chrystabell & David Lynch - Cellophane Memories
Card:
Today's card for study is the 7 of Wands, Valour:
Unintentionally drew two of the four Sevens in a row, so I'll continue on that path for the remainder. Netzach has always been the Sephiroth that drew me most (outside of Tipareth).
From the Grimoire, "A positive result dependent on the actions of the Querent."
Man, 2024 will be the toughest year to whittle out a Top Ten list since I started doing Top Ten lists. There are quite a few albums that feel like my favorite of the year, and the new Drug Church is the chief among them. Never mind that I love Patrick Kindlon as a comic writer; I like him even more as the singer of this awesome f@cking band!
Pick up the record or some merch from Pure Noise Records HERE.
Watch:
My copy of Severin Film's All the Haunts Be Ours, Volume 2, arrived late last week, and Saturday night I sat down and chose a first offering to watch from it. If you haven't seen the 'track listing,' it's too verbose for me to reiterate here, so follow THIS LINK.
Anyway, I chose Don Sharp's 1973's Psychomania. This was on Shudder for what felt like forever a few years ago, and while I think I caught some of it on a late-night Shudder TV jag, it made no impression other than the film looked like the era of its origin. Flash Forward to last night and the first thing I noticed upon hitting 'Play' was the pristine remastering Severin performed on this one. This comes as no surprise - the inaugural edition of All the Haunts Be Ours showed how serious Severin's approach is to applying their staunch approach to film preservation in the hallowed halls of Folk Horror. So, restoration-wise, picture and sound, this presentation of Psychomania is a pure pleasure to behold. That said, how's the film? Solid. There's a Hammer affectation here without all the trappings that come with Hammer Horror, which I am generally only a fan of for about a month every four to five years.*
My favorite part of this film, though? The opening credit sequence. I watched it three times before moving on to the rest of the film. It's spooky and gorgeous, and the wah guitar-driven score is perfect for capturing the mood and era of the film. Here it is below, albeit culled from YouTube, not Severin's pristine version.
Courtesy of The Other Side of Music's YouTube channel, wdzr. Check out the channel HERE or the blog HERE or HERE. A very interesting little corner of the web for Audio explorers.
* I appreciate what they do; it's just not my jam.
Playlist:
Cocteau Twins - Garlands
The Cure - Songs Of A Lost World
Dr. John - Gris Gris
Matt Cameron - Gory Scorch Cretins
Soundgarden - Superunknown
Soundgarden - Down on the Upside
Michael Jackson - Thriller (single; video)
Goblin - Fearless (37513 Zombie Ave)
Replicas - Gary Numan + Tubeway Army
Roxy Music - Eponymous
Drug Church - Prude
The Hives - Veni Vidi Vicious
The Kills - Midnight Boom
Chelsea Wolfe - She Reaches Out to She Reaches Out to She Reaches Out
Better Lovers - Highly Irresponsible
Turnstile - GLOW ON
Baroness - Stone
Card:
Today's card for study is the 7 of Disks, Failure:
My only entry in the Grimoire is a sparse and foreboding, "A difficult period in material life," so let's see what Mr. Crowley has to say, shall we?
In opening the Book of Thoth, I'm reminded how little time is spent on the "pip" cards*. Here's the entire entry on the card:
"The number Seven, Netzach, has its customary enfeebling effect, and this is
made worse by the influence of Saturn in Taurus. The disks are arranged in the
shape of the geomantic figure Rubeus, the most ugly and menacing of the
Sixteen. (See Five of Cups.) The atmosphere of the card is that of Blight. On
the background, which represents vegetation and cultivation, everything is
spoiled. The four colours of Netzach appear, but they are blotched with angry
indigo and reddish orange. The disks themselves are the leaden disks of Saturn.
They suggest bad money."
The general sentiment here is to keep your wits about you; something today could go wrong.
Even though I'm pretty sure many of us in 2024 harbor suspicions that our world is winding down, I usually cut the temptation to give that idea any credence by reminding myself that every generation up through time has probably thought the same thing. Blame that on all the fearmongering the Christians used a mentally ill poet named Enoch's writings for. That said, when Robert Smith starts singing about the world ending, I tend to ruminate on the idea with a little more consideration.
"I know, I know my world has grown old..."
Fucking chills, mate. Fucking chills.
Spending my post-Halloween morning with the new album from The Cure. You can order a copy HERE.
31 Days of Halloween:
Once again, I closed the season with George A. Romero's Night of the Living Dead. I picked this ritual up from my good friend/Horror Vision cohost Anthony a few years back, and it has stuck! I can't think of a more meaningful way to close 31 Days of Halloween and Sam Hain than with the movie that birthed the entire modern era of the genre I love. And NoTLD is Public Domain, so it's all over YouTube and I thought I'd post it here today.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
23) The Bride of Frankenstein (1935)
24) Planet Terror
25) Baron Blood
26) The Blob ('88)/ The Thing/Tremors/Abigail
27) Halloween Kills
28) Over the Garden Wall
29) Hereditary
30) House By the Cemetery - The Last Drive-in Presentation (original air date April 16, 2021)
31) Dog Soldiers/The Exorcist (Theatrical cut)/Halloween (78)/ Don't Go in the House/Pizza Panic Party/Night of the Living Dead
Playlist:
Type O Negative - Origin of the Feces
Type O Negative - Bloody Kisses (Suspended In Dusk version)
Oranssi Pazuzu - Muuntautuja
John Carpenter & Alan Howarth - Prince of Darkness OST
Enlightenment. Suppressed desires, or perhaps in my case, ideas. The Lightbringer. Also, a warning against following the answers others may offer to you. A good card for a new year. Raising a glass to the idea perhaps most associated with this card, "Worship Thyself!!!"
Absolutely LOVING the debut album by Better Lovers, Highly Irresponsible! You can snag the record from the band HERE, or listen on all streaming platforms. This shit will wake you up!
31 Days of Halloween:
K and I got to see Hereditary on the big screen again last night. My third overall viewing of Ari Aster's breakout debut, and it still totally fucking ROCKS!
The fact that Toni Collete's performance was overlooked by the 'Industry' just solidifies what a pack of cunts they are.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
23) The Bride of Frankenstein (1935)
24) Planet Terror
25) Baron Blood
26) The Blob ('88)/ The Thing/Tremors/Abigail
27) Halloween Kills
28) Over the Garden Wall
29) Hereditary
NCBD:
Not much on my pull today. In fact, only one book. Is this the best we can do the week of Halloween, publishers? Really?
Okay, then, allow me to talk a bit about some books I picked up while in Chicago over the weekend. As usual, I stopped in at Amazing Fantasy Comics, and so far, my favorite thing I picked up was the first four issues of Horror Anthology Epitaphs From the Abyss.
This is Oni Press's revival of EC Comics, and I wanted to pay special attention to the editorial "mission statement" in the first book:
"From the earliest stages of this project, we've agreed amongst ourselves that it would be a fool's errand to try and produce a knock-off simulacrum of the original EC titles... Instead, we've challenged ourselves to imagine a world where the Comics Code never unceremoniously amputated EC's publishing line at the end of 1955 and, through that lens, what kinds of series and stories EC Comics would be producing for a new generation of readers eager to disturb and discover in the year of 2024."
Talk about the right way to approach an undertaking of this magnitude!!!
Look at these covers, courtesy of Lee Bermejo (issues 2-4) and Andrea Sorrentino (issue 1). Absolutely fantastic, and inside? Well, let's say where the revived Creepshow comic (and show) mostly leaves a lot to be desired, Epitaphs from the Abyss is a great read that takes familiar characteristics of the age we live in and turns them against us (even more than we already do ourselves!).
Playlist:
Sumerlands - Dreamkiller
Revolting Cocks - Beers, Steers and Queers
Various - The Daptone Super Soul Revue LIVE at the Apollo
Uncle Acid and the Deadbeats - Blood Lust
Dinosaur Jr. - Sweep It Into Space
Deafheaven - Infinite Granite
Card:
Today, we're going to take a look at XX: The Aeon.
From my own personal Grimoire: "The Pivotal Sequence - what comes next is upon you!"
Another note I have that catches my eye right away is "Holography- multiple outcomes contained within a whole."
For Crowley, this card was all about Nuit, arched above Horus, the Crowned and Conquering Child. Nuit is the doorway to the new Aeon. So much of Crowley's work revolved around the Age of Horus. Did it come upon us? Probably. Did it affect us? Definitely, although these kind of subtle energies never manifest as anything as gaudy as a flying saucer landing on the white house lawn or some politician tearing away their flesh to reveal a scaly visage beneath (not yet, anyway). These energies creep in through the back door of the human collective unconscious and change the world by changing us over time. I'm reminded immediately of Donald Tyson's bone-chilling essay, "Enochian Apocalypse" (read it HERE). I'm also reminded that in his Book of Thoth, Crowley has this to say, "... the child Horus is born... he is also solar in character, and is therefore shown coming forth in a golden light." To which I drew an arrow and wrote in the margins oh so long ago, "UFO???"
Now, that's not to say I believe in UFOs (or whatever they're called now), but the idea for the card is something arrives that will change your perception of what is real or possible. The very definition of a new Aeon, eh?
From Dr. John's very Halloween-appropriate album Gris Gris, now an annual Autumn listen for me thanks to Mr. Brown. Love this tune, and coincidentally, the posthumous release Things Happen That Way contains a pretty banging version as well. I love both, however, the original on headphones really puts you there.
31 Days of Halloween:
You know, based on my question about Michael Walsh's Frankenstein issue three last week, I found that I have no real memory of The Bride of Frankenstein. I watched so many of Universal monster movies as a kid that I'd always assumed I'd seen most of them. However, cracking James Whale's 1935 Frankenstein sequel out two nights ago, I realized I may never have actually seen it all the way through from the beginning.
In particular, the "Little People" sequence kind of dropped my jaw. There's a definite comedic vein that runs through part of this film, and I don't love it. The recurring Minnie character, Dr. Pretorious' aforementioned little people experiments - hardly the same science as our man Henry's, perhaps closer to early IVF - and the Burgomaster shepherding the doddering villagers at the inception of the Bride all rub me the wrong way. That said, the climatic laboratory scenes just may outclass the original film's 'birthing' sequence, and the opening with Lord Byron, Mary and Percy Shelley hanging out immediately made me want to rewatch Ken Russell's 1986 Gothic, an old-school favorite I've kind of forgotten about over the last two decades.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
23) The Bride of Frankenstein (1935)
24) Planet Terror
25) Baron Blood
26) The Blob ('88)/ The Thing/Tremors/Abigail
27) Halloween Kills
Watch:
Tom Savini on the old NBC Letterman show in the run-up to Day of the Dead's release.
I think I smiled for nearly twenty-four hours straight after watching this one. To see Savini go through some of the iconic props in a movie I love, and Letterman react in the way only Letterman can. Wow.
From my favorite Skinny Puppy album, 1991's Last Rights. This record blew my mind when I used a gift token from Coconuts to purchase it back circa 1992/93, not knowing what to expect, just that the weird/cool Industrial Senior in my art class named Matt once told me, cryptically, "The keyboards in Skinny Puppy will make you feel... like... you're... GOD!"
He wasn't wrong.
31 Days of Halloween:
Unpopular opinion: I actually prefer Carrie 2: The Rage to Brian De Palma's original Carrie. Now, I'm not saying Carrie 2 is a better film, but for me, there are a few major irks with De Palma's film.
Carrie is well made, but the 70s were often an ugly decade, and all the costume design and set decoration seems (to me) to revel in that ugliness.
This is an excellent story; such a raw treatise on bullying and the personal, world-bending pain that comes of it. That’s something I love and respect. That and most of the performances. Sissy Spacek and Piper Laurie are a fucking powerhouse, and Nancy Allen is an unforgettable bitch.
Alas, a lot of the suspense just doesn’t work for me. The entire protracted sequence before the bucket spills feels absurd on a cartoon level, with Sue and the Gym Teacher looking here, looking back, looking at each other, looking away… it ends up taking away from the blood and fire of the climax. Not completely, but enough that I get annoyed.
Finally, I’ve said this for three decades, but travolta is not a good actor and really brings down every scene he’s in.
Katt Shea fills Carrie 2 to the brim with a sense of embitterment and isolation that, while affecting, fails to measure up to those feelings in De Palma's. That said, I think there is something about the time between the two films (1976 and 1999) and the severely different aesthetics of the eras that helps Carrie 2 feel like a natural extension of the original. Does it need to exist? Absolutely not. The entire movie is really just one long wait for some widespread comeuppance, but when Shea's film delivers this, it is GLORIOUS! I love that pretty much no one is spared. Does the film suffer from that pre-millennial cheese that so many films from this era do? Yes, but it also references both Scream and New York Ripper in the same line of dialogue! I feel some Twin Peaks in here, some NOES 2, a lot of disparate influences that work together to make Carrie 2 way more watchable than a lot of films from this time.
Will I revisit this again? Maybe. Will I revisit the original? Absolutely. I check back in every few years on this and Dressed to Kill to see if my problems are me. So far, that has not been the case.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
NCBD:
This week's pull starts off with one I've been excited about since seeing the cover solicitation.
Holy. Shite. I've been waiting for something like this since the inception of The Energon Universe. Cobra-La in space, mixing it up with, I'm assuming, either the Quintessons or the denizens of the Great Ring? And this is probably only the beginning. It's funny how I couldn't give a toss about these 'goofy' Joe cartoon characters in pretty much any other context but what Kirkman and his team are doing. Admittedly, Pythona has the best scene in that G.I.Joe cartoon movie from the '80s, but overall I always sided with Hama's comic and eschewed the increasingly day-glo aesthetic of the cartoon. But Kirkman has recontextualized all of this, and I am excited to see what happens.
Michael Walsh's Frankenstein has not disappointed me yet. I'm sure I've said this before, but Mr. Walsh is one of my favorite artists working today. Also, does this cover allude to The Bride joining the story?
Catching up with Leo? Nice. Loving that this book has been taking its time to release. I'm hoping that doesn't fall away once things really get going.
John Constantine is dead and his trek across the U.S. has been as bizarre as one might expect for a (ghost? Reanimated?) Britsh Punk Rock-reared Magician.
Playlist:
Purple Hill Witch - Eponymous
Ritual Howls - Virtue Falters
Allegaeon - Apoptosis
The Soft Moon - Criminal
The Kills - Midnight Boom
Ministry - HOPIUMFORTHEMASSES
Justin Hamline - The House With Dead Leaves
John Frusciante - Brown Bunny OST
Card:
Today's card for study is XIX - The Sun:
The Triumph of the Spirit! This card is obviously a glorious one, filled with revelation or perhaps the idea of seeking revelation. From my grimoire: "Taking the Pill will open your eyes."
Crowley says it in his Book of Thoth: "This is one of the simplest cards; it represents ... the Lord of the New Aeon in his manifestation to the race of men as the sun."
The dancing children (?) represent humanity accepting the revelation of the new aeon, Crowley's Age of Horus. The philosophical reality of that can be argued, the important thing on the non-Crowley level of just reading the cards is this indicates the person in question will change.
Really digging Purple Hill Witch, an awesome Stoner/Doom band from Oslo, Norway, who recently signed to Totem Cat Records, home of so many other fantastic bands! As I get to know the back catalogue, I'm following these guys on IG and salivating at the prospect of the new record!
31 Days of Halloween:
Rob Zombie's 31 is a polarizing film, to say the least. Even in my own personal conversation about Horror, you know, the one flowing in my head pretty much ALL THE TIME, I have mixed opinions. It starts strong with Doomhead, wears on my nerves with its "King Dong" bag of dick and fuck jokes as we meet the cast, and then really comes up strong again when we get going on the plot. Yet, all that time spent annoying me with character "development" doesn't make me dislike the protagonists at all. What they go through saves them for me.
By the end, I am always intoxicated by 31, and it's often difficult to find something to watch afterward (unless I'm doing House of 1000 Corpses or Devil's Rejects).
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
Read:
The pre-order went up for the next Laird Barron release on Bad Hand Books. HERE's the link and the solicitation below this amazing cover art by Samuel Araya.
"Barron returns to Bad Hand Books with an all-new novella in his famed Antiquity setting. (Pretty) Red Nails features familiar hero Isaiah Coleridge—but he’s not at all as we remember him.
This is Coleridge with a dark-fantasy twist.
A tall, rangy mercenary armed with a deadly iron spear, Coleridge travels the benighted land astride a nameless piebald stallion while the grinning moon watches from above like a patient carrion bird.
Alongside Lionel Robard and a battle-scarred war dog, Minerva, Coleridge faces off against a mad wizard and the horrifying Pale Ones on a quest to find the fabled city of Ur.
For love. For lust. For pretty red nails."
Playlist:
Drug Church - PRUDE
Chat Pile - Cool World
Skinny Puppy - Last Rights
Misfits - Static Age
Ministry - The Mind Is A Terrible Thing To Taste
Purple Hill Witch - Eponymous
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• King of Pentacles
• Ace of Swords
• I: The Magician
The King (Prince) of Disks can be a bit of a cunt for matters of Earthly stability. He's a shake-up, a corporate higher-up who stops in to ensure things are running smoothly and routinely finds issues. That said, that kind of pragmatic assessment can lead to enlightenment and enhanced prowess.
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