Back in 2022 my good friend and co-host on The Horror Vision Ray turned me on to Dreamkid's eponymous album. I liked it, but this guy doubles down on the '80s stuff a couple years after a lot of other people already resurrected that vibe and ran it into the ground, so while I dug the record to a degree, there remained a distance with it for me. I listened to it off and on for a while, then forgot about it.
I Went to see Terrifier 3 this evening. Sold out show. Every seat taken. As I walked up to the ticket taker, there was a man dressed as Art - no mask - and his daughter dressed as the child demon from part 2 waiting to have their tickets scanned. They looked awesome! I mean, I don't know if I should be watching these, let alone a girl who probably wasn't more than 8 years old, but it is what it is and we like what we like. It's not that much different than the shit we watched at that age.
Except... maybe it is. The practical FX here are out of this world, but the cruel depravity of these flicks gives me a bit of pause, even if I've really enjoyed seeing these last two on the big screen. In the theatre, Terrifier 2 and 3 have been some of the most immersive films I've seen in ages. There's the gore, but there's also some incredible sound design. It's as good as the practical FX, in my opinion. Plus, the colors, locations, clothes, props, and music. Paul Wiley's score is fantastic. Sick and dreamy. It all works together to make a super fun watch - even if it also kind of skeeves me out.
Dreamkid's "Chrissy" is sort of the theme of T3, and it sounded amazing on the big screen. Still not super sold on the overall sound - it's good, just a bit tough to get past the affectations for someone who grew up in that era. But again, we like what we like and I'm psyched he got his stuff in such a huge movie.
31 Days of Halloween:
Well, I pretty much said everything I wanted to about last night's viewing up above, so let's just log the list and move on.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
NCBD:
Man, I've been so hyped on 31 Days of Halloween that I forgot to post my comic pull yesterday. Better late than never.
I forgot to put this one on my pull last month, so I had to have the guys order me a copy. That's fixed now; I Love these books that Lemire writes and illustrates; they have their own style and it's unlike any other.
After the tease at the end of the last issue, I was just here for Cobra Commander (well, I was here because I read the first four issues). I was not disappointed.
Another super solid triptych of Black Suit-era Spider-Man stories. Love it, and the editorial staff really seem to know how to choose artists whose style works super well with the color format.
Netho Diaz, in particular, blew me away.
New arc and it's Starscream's origin? His real name is what now? This was a super cool issue. Lots of early Cybertron stuff AND a HISS tank? Oh man, we're starting to really cross the streams now...
Playlist:
Type O Negative - Bloody Kisses (Suspended in Dusk Edition)
The Final Cut - Consumed
Saigon Blue Rain - Oko
Skinny Puppy - Too Dark Park
Baroness - Stone
The Smashing Pumpkins - Gish
The Cramps - Songs the Lord Taught Us
The Cramps - A Date with Elvis
Orville Peck - Pony
Various - Lost Highway OST
Boy Harsher - Careful
Dreamkid - Chrissy (single)
Dreamkid - Daggers
Dance with the Dead - Neon Cross (single)
Dance with the Dead - The Shape
The Veils - The Ladder (pre-release single)
Card:
Today's card is XIX - The Sun:
This is what I love about Aleister Crowley. From The Book of Thoth:
"This is one of the simplest of the cards; it represents Heru-ra-ha, the Lord of the New Aeon, in his manifestation to the race of men as the Sun spiritual, moral, and physical."
Simplest? Oh, of course! Heru-ra-ha. Yeah. Easy.
This is a card of epiphany. Rejoice! The answers you seek have arrived. Of course, that can also bring with it unwanted knowledge. So the dance we see is one of balance, a theme much more common in the cards than I previously realized.
It's definitely sacrilege to some, but I much prefer the versions of Gang of Four's classic selection of tunes that appear on 2005's Return The Gift LP to the original versions. I have read that members of Gang of Four were never happy with the early recordings, and I, for one, agree. Entertainment! sounds flat AF compared to these updated recordings, and "I Love a Man in Uniform" - easily my favorite song by the band - well, there's just no comparison at all. Same here.
31 Days of Halloween:
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
Watch:
Unrelated to Halloween (perhaps), K and I went with my Father to see Todd Phillips' Joker: Folie à Deux last night. Three stars and a heart on Letterbxd (review HERE); this doesn't deserve the scorn it's getting. That said, I LOVE the first Joker film, and feel giving this one three stars is enough of a statement as to my disappointment. It's not horrible, I don't even know if it's bad, but it's nowhere near what the original was. Also, this just doesn't need to exist. We were at a free screening of the first film in December 2019 at the Aero in L.A. This was part of Beyondfest's year-round programming, and Director Todd Phillips came out after the film for a discussion and a Q&A. It was at this event that Phillips told the crowd that while WB had been trying to entice him to make a sequel, he wasn't going to.
I bring this up because I'm pretty sure everyone involved, Phillips himself, set out to make sure there would not be a third. Again, it's not a bad film, but the prize here is, of course, Joaquin Phoenix and the movie makes no bones about not having much to say aside from presenting a platform for him to blow our minds with his performance. Also, Lady Gaga is fantastic. Hell, everyone is fantastic. It just didn't need to happen.
Playlist:
Various - Lost Highway OST
The Cure - Kiss Me Kiss Me Kiss Me
Oranssi Pazuzu - Muuntautuja (pre-release single)
Walter Rizzatti - The House By The Cemetery OST
Tones on Tail - Everything!
Fields of the Nephilim - Dawn Razor
Gang of Four - Return the Gift
The Trapezoid & Six Ex - Cannibal Children of the West (single)
The Seven that, in my mind at least, lines up perfectly with its associated place on the Tree of Life, the Seventh Sephiroth, Netzach.
Netzach is Victory, and while valour is a different word, the two are linked. The general definition of Valour is "Great Courage in the face of danger, especially in battle," and what is life if not a battle? That might not have been true for the first twenty-five or so years of my life, but it's definitely become increasingly true over the subsequent twenty-three.
So the Seven of Wands is courage to use the Will in the face of battle. Whether that's the battle to change your life on a micro or macro level or perhaps just to get out of bed in the morning, it suggests you can do it. You WILL do it.
The final song on Human Impact's new album Gone Dark, which dropped this past Friday, October 4th. Fantastic record and the final two tracks really seal the deal.
I knew this was former Unsane guitarist/vocalist Chris Spencer's band. However, I did not realize that the other members hail from equally awesome groups, with Cop Shoot Cop's Jim Coleman on Electronics, Daughters' drummer Jon Syverson and Eric Cooper from Made Out of Babies. Syverson and Cooper replaced Drummer Phil Puleo and bassist Chris Pravdica, both of whom previously played with Swans.
31 Days of Halloween:
Holy cow. What. A. Fucking. BANGER!
I don't know what to say other than what I always say: I went in 100% blind, you should too!!!
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
Read:
I pulled out some of my old issues of Craig Miller and John Thorne's Wrapped in Plastic to prep for a new episode of The Horror Vision Presents: Elements of Horror, where we're going to deep-dive David Lynch's Lost Highway.
If you don't know, Wrapped in Plastic was a bi-monthly magazine published by Win-Mill Productions, which also published Spectrum magazine. WIP was published for 13 years, from 1992 - 2005. I came into it around issue 17 in 1995. This was pre-internet for me, and I no longer even remember how I became aware of the publication, although smart money is on Amazing Fantasy Books & Comics - still my Chicagoland shop of choice - as I remember them having it on their shelves, and '95 would have been about the time I began frequenting A-F every week. Issues 28 and 29 hit hot on the heels of Lost Highway's theatrical release, and I probably read these issues half a dozen times each. My idea in pulling them out was to supplement this next viewing with some outside analysis, and I have to say, it added a lot.
Incidentally, WIP went digital a few years ago, and you can now buy a digital bundle on their website HERE.
Playlist:
Moon Wizard - Sirens
Zeal & Ardor - Eponymous
The Mystery Lights - Purgatory
Human Impact - Gone Dark
Double Life - Indifferent Stars
Ministry - Hopium for the Masses
System Of A Down - Eponymous
The Mysterines - Afraid of Tomorrows
Various - Lost Highway OST
Wilco - A Ghost is Born
Iggy Pop & James Williamson - Kill City
Ministry - The Mind is a Terrible Thing to Taste
Card:
My card today for exploration today is 7 of Cups - Debauch:
I think I've found a better way to do these research entries. I've been treating them like a Pull, in other words random. Here now, though, I think grouping them from here out might be better. I didn't pull this card from the deck today, I specifically chose it to follow the 7 of Swords.
From Crowly's Book of Thoth: "The Seven of Cups... its mode is poison, its goal madness. It represents the delusion of Delirium Tremems and drug addiction." False pleasure.
From the forthcoming album Night Life, out March 21st. Pre-order HERE. Been a minute since I caught up with The Horrors. In that time, according to this video, the singer turned into Alice Cooper. Pretty cool, just like the song.
31 Days of Halloween:
I woke up while it was still dark Wednesday morning. Couldn't fall back asleep, so I do what I always do in that situation - headed up into my office/nerd dungeon, flipped out the sofa bed and fired up Shudder TV. I can usually find something I've seen and then I just pass back out. At that time, , however, there wasn't really anything on Shudder TV, and I saw they'd added a metric shit-ton of flicks for October, so I chose The Houses October Built. Not the two made in 2014/2016. No, this is the original low-budget mockumentary-found footage film from 2011 that scored enough attention to get the filmmakers the dough to make those other flicks. I knew nothing about this franchise - I've never seen any of them.
Man, I don't know if it was going in with low expectations or the middle-of-the-night thing, but this really stayed with me. There are those who will bemoan the ending, and yeah, there could have been more. However, I dug it. Reminded me of the end of the original Blair Witch Project, which is a film I like, so that's a good thing.
Also, got to see the original Texas Chainsaw Massacre on the big screen as part of the 50th Anniversary celebration. How awesome is that?
This flick is still, fifty years after its release and twenty-something years after my first viewing, completely unhinged, frightening, and, still feels dangerous. There are not many films that I'll watch that I can say that about. William Lustig's Maniac springs to mind. And honestly, that's one of the things I've grown to appreciate about Damien Leone's Terrifier series - the only modern films that don't cross my major lines but come close enough to remind me of that dangerous, transgressive feeling films like Maniac and TCM inspire in me (to this day).
Last night, I watched Loop Track on Shudder. This was one I saw added a few weeks back, but the name is off-putting, to say the least. Turns out, I really liked this one.
I'd post the trailer, but after watching it just now, it gives away too much. I went in knowing fuck all, and I would suggest others do the same. Really tense psychological thriller that becomes something completely different in the third act and still manages to be fun.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
Playlist:
Beastmilk - Climax
Fields of the Nephilim - The Nephilim
Gwar - Scumdogs of the Universe
Ian Lynch - All You Need Is Death OST
Bauhaus - Gotham Live
Ritual Howls - Rendered Armor
Moon Wizard - Sirens
Hellbender - Side A
Misfits - Collection One
Miranda Sex Garden - Carnival of Souls
George Thoroughgood and the Destroyers - Greatest Hits
Deftones - B-Sides & Rarities
Type O Negative - Life Is Killing Me
Card:
Today's card: 7 of Swords - Futility:
Sevens line up with Netzach on the Sephirotic Tree of Life, and thus, my initial reading always entails Victory. That said, one of my big take-aways from Crowley's The Book of Thoth is, "This card... suggests the policy of appeasement." In other words, compromise. So this is a Victory by compromise, which might not really feel like a Victory at all.
From Synthesizer, out digitally this Friday, 10/04, with the vinyl to follow on 10/27. You can pre-order the standard album HERE or the insane edition that has a build-your-own synthesizer as the cover direct from Oliver Ackerman's Death By Audio HERE. They even have a test video demonstrating the synthesizer.
I'm probably not springing for this, but hot damn, I am tempted.
NCBD:
Really cool pull this week.
Issue three. This one is taking a bit to get rolling, but tension is beginning to build.
My money's on an insane body count for the final issue of Garth Ennis and Jacen Burrows' Get Fury. Look at that cover!
One more issue after this one. Better to leave us wanting more than to over stay your welcome, but man, it's going to suck seeing this one go.
Something new from Brian Azzarello and Vanesa R. Del Rey. I'm looking forward to giving this one a shot. From the solicitation by way of League of Comic Geeks:
"In nature there are gods older than the devil... Nothing can prepare you for what's coming in this violent, electrifying descent into this bloody, black metal-infused revenge saga.
Val, an American metalhead attending a festival in Oslo, begins her penumbrous pilgrimage into the vast depths of vengeance.
After her victimization at the hands of a charismatically vile local band, the Old Gods of Norse Mythology guide her along her path in the name of women everywhere."
31 Days of Halloween:
Regal has partnered with A24 during the month of October for "Eerie Series," a weekly program of A24 films that pair nicely with the season. Last night, I caught Yorgos Lanthimos' The Killing of A Sacred Deer. This was my second time seeing the film, first time on a big screen.
I haven't seen all this man's films, but I can pretty much guarantee this is always going to be my favorite. It has such a tense, unyielding eye. The camera moves almost all the time; shots start close and slowly zoom out or start afield and slowly crop in. There's such an ominous feeling of dread, and everyone acts slightly out of whack. It all adds up to an offputting, sometimes hysterical experience in trauma voyeurism, and I love it.
1) The Killing of a Sacred Deer
Playlist:
Alice in Chains - Jar of Flies EP
Dead Man's Bones - Eponymous
Misfits - Static Age
A Place to Bury Strangers - Exploding Head
Cristobal Tapia De Veer - Smile OST
Flipper - Album - Generic Flipper
Odonis Odonis - Post Plague
Beastmilk - Climax
Card:
Today's card is the 5 of Disks - Worry in the Thoth deck:
Fives represent complications or imbalance; the perfection of the fours shivers with an added element - change is constant, nothing coasts for very long. This creates worry in some, however, this is down to how we look at change. Fives tell us to be ready, roll with the punches, adapt and thrive. Applied to Disks, the change we can expect is usually in terms of monetary or Earthly matters.
The Cramps, live in 1986. One of my greatest musical regrets is not seeing these guys live. Goddamn.
Posted to YouTube by Travisbickle1963. Check out their channel HERE - LOTS of awesome stuff.
Watch:
Robert Eggers' Nosferatu gets a trailer (that I'm not watching yet, as this will likely be inescapable in the theatres for the next three months):
Curiosity is driving me mad, but I'm going to attempt to stick to my guns here. I'm really looking forward to this one; I loved The Northman, The Lighthouse and The Witch, and what little imagery we've seen of this remake so far has done nothing to convince me I won't love this as well.
Playlist:
Deth Crux - Mutant Flesh
Ritual Howls - Turkish Leather
Various - Rocktober Blood OST
The Cramps - RockinnReelininAucklandNewZealandXXX (Live)
Discovered this randomly yesterday. Badass - to hear Layne do Ozzy's introductory, "All right now!" just puts a Horror-movie-sized SMILE on my face! It's not the full track, but it's enough. This video was posted by Nerojotun on their Youtube channel, which is filled with Alice in Chains stuff. Check them out HERE.
Watch:
K and I rewatched Jordan Peele's NOPE Saturday night. Hot damn - this movie is absolutely my favorite of Peele's films, and that's saying something because I really dig all of them.
All the characters are so endearing and relatable, human and distinct. It doesn't 'give' the viewer anything - totally drops everything in front of you the entire time and just lets you either pick it up and piece it together or not. Peele's not concerned with convincing or converting anyone; he just wants to make killer cinema. And he does.
Play:
Cosmic Horror Metroidvania for Switch? Holy shit, sign me up:
Voidwrought hits Switch on 10/24. Thanks to Bloody Disgusting for posting about this one, as it was not on my radar at all.
Playlist:
Trust Obey - Fear and Bullets (1998 Edition)
Cold Cave - Cherish the Light Years
Crystal Castles - (II)
Fvnerals - Let the Earth be Silent
Blut Aus Nord - Disharmonium Undreamable Abysses
Blut Aus Nord - Disharmonium Nahab
Deth Crux - Mutant Flesh
Intronaut - Habitual Levitations (Instilling Words with Tones)
Alice in Chains - Dirt
The Replacements - Tim
Silent - Modern Hate
Card:
Card for today:
"Structure, time and space. Laws of growth and decay. Completion." - That's from a book I have named Keywords for the Crowley Tarot. I like this because, to me, Fortune - The Wheel in traditional Tarot - is an example of the laws of space and time. Simply put, what goes around comes around. I don't believe in Karma, per se, but as a concept, I think it's close (I just don't like the word, probably because hippies adopted and ruined it).
Another fantastic find courtesy of Mr. Brown. I love this record! It reminds me a bit of The Monks' Black Monk Time, a bit of The Black Lips, and a bit of a general "Nuggets" era garage band or bands I can't quite put my finger on. Order the new album Purgatory directly from the band's Bandcamp HERE, from Daptone's new Rock subsidiary Wick Records HERE.
Watch:
Last night, K and I went to the theatre to see the new E.L. Katz/Simon Barrett film Azrael. Solid Post- Apocalyptic Survival flick. It's also part of what I've come to think of as the "Subtraction Apocalypse" subgenre - you take an apocalyptic event and then remove a sense from the survivors. Josh Malerman's Birdbox takes sight, A Quiet Place takes sound, Azrael has its own spin.
If you're even remotely interested in seeing Azrael in the theatre, do so soon - this one is definitely not going to last past next Thursday on the big box screens. That said, it's another Shudder/IFC collaboration, so it should be on Shudder in 2-3 months.
Also, Coralie Fargeat's Reality+ short film was the subject of a recent article on Bloody Disgusting (read the article HERE), and while I haven't had a chance to watch it yet, I wanted to leave it here as a placeholder.
I haven't found a Director whose work has grabbed me like this in a very long time.
New music from The Cure! From the album Songs Of A Lost World, out November 1st. Pre-order HERE. I definitely wasn't expecting to see this today. I'd heard some titterings that amounted to, "The Cure are up to something," but that's about the extent of any foreknowledge I had of a new album. Full Disclosure: I can't remember the last new Cure record I listened to, kind of left them at Blood Flowers - which I don't know hardly at all - but I'm curious.
Watch:
Ready to have your heart ripped open again? The Last of Us season two is coming. Here's the teaser, which I'm not even going to bother to watch.
As I'm sure I mentioned here previously, I have never played the Last of Us game, so the storyline is completely new to me. I dig it; however, I will say it's A LOT emotionally, and season one took me a bit to get through. It's more difficult to watch a post-apocalyptic story with such emotional weight when you basically live in a post-apocalyptic world.
NCBD Addendum:
A quick word on the new DSTLRY book, The Missionary, that I mentioned yesterday. Stay away. Awful. Reminds me of when Todd McFarlane and a bunch of the other "hot" artists at the moment split off and formed Image. Yes, Image Comics ended up being a very good thing, but most of those first gen guys should have stuck to art, as they really only approached writing as a means to string a bunch of awesome pictures together. Which, admittedly, was the comic zeitgeist at the time; however, that was also mainly because of them.
Anyway, I couldn't even make it through the first issue of The Missionary. I might try again - Jason Howard's art is fantastic - but man, it's just not good. There's a scene early on with the demon possessing the main character, where they're having this interior monologue back-and-forth that just feels so cheesy; I experienced a similar cringe to the one Beetlejuice Beetlejuice inspired in me several nights ago. Maybe it's because I'm a little over half through my third reading of China Miéville's Perdido Street Station, wherein the prose is intelligent and elegant, to say nothing of the plotting and storytelling. Miéville's work unfolds so intricately that I don't have time for a book that seems to be shooting for a goofy take on Angels and Demons, wearing a sort of artistic clumsiness on its sleeve as part of its style.
No thanks.
Playlist:
Type O Negative - Bloody Kisses (Suspended in Dusk Edition)
Type O Negative - Origin of the Feces
The Thirsty Crows - Hangman's Noose
The Coasters, The Brains & Rezurex - Yakety Yak (single)
44 years ago today. Damn. Maybe When the Levee Breaks is old hat to some, but I'll never get tired of this song, and what's more, this song IS the drums. Not just how they're played, but how they're recorded.
Thanks to my good friend Seth for sending this my way, catchiest thing I've heard in some time.
NCBD:
An interesting haul awaits me later today. Let's see what I'm bringing home for NCBD:
The first issue of Michael Walsh's Frankenstein brought great joy to our house! K loved it, I loved it, and we're both rarin' for more.
Saga issue 69 gets the most appropriate and Saga-like celebration of the number I could have hoped for. I still love this book, despite the cooling of the fervor that settled in with all the hiatuses.
Ryan Stegman's art on Donny Cates' Venom run a few years ago drew me into that title, and now he's writing a book with Jason "Trees" Howard on art? Definitely picking up this first issue, at the very least. Also, this will be my first Dstlry book. Here's the solicitation, cribbed from League of Comic Geeks:
"Bryce Hunter is a devoutly religious man whose faith is shattered when he catches his wife being...Intimate with an Elder from his church. This harrowing event sends Bryce spiraling into the hands of a demonic entity named Uvydus, Instead of rejecting possession, Bryce ACCEPTS Uvydus. Bryce wants to learn to be “bad” and Uvydus wants to be “less than completely evil.” But before Bryce can use this new partnership to finally live a little, the world's greatest Exorcist sees Bryce as his greatest challenge. But that's not even the worst of it as a murderous group of demons breaks free from Hell and threatens to re-shape earth into a kingdom over which they rule!"
The penultimate issue. Let's see that boom stick, sir!
Watch:
Another Autumn is upon us, so that means a new V/H/S flick is just around the corner.
I dug last year's, but these are still usually a mixed bag for me. Still, taking the idea of "Beyond" to this series might make for some very cool ideas.
Playlist:
Eldovar - A Story of Darkness and Light
Type O Negative - Life is Killing Me
Card:
Today's card for study is I: The Magus.
Skill and/or Wisdom. Magick. Take initiative.
You know, when I set out to 'study' these cards more, I had grand designs to really dig deep. I certainly have enough stores of knowledge on them assembled. That hasn't actually happened, though. I really haven't been doing anything different than I normally do, drawing a card for the day and writing out its interpretation/possibilities. I want to change that, but there's just not enough damn time at the moment.
Looking at Crowley's The Book of Thoth, I'm reminded that he refers to this card as "The Juggler."
Okay, newish music from Dance of the Dead, as I've meant to post this one for a while now and keep forgetting. That neon green cross in the thumbnail is something I'd pay to have hanging on my walls, so you can say it caught my eye.
From the new EP Dark Matter, out October 25th. They also have a tour coming up, dates for which you can find HERE.
Watch:
Last night, K and I finally saw Tim Burton's Beetlejuice Beetlejuice. This will be the last time I give Mr. Burton A) the benefit of the doubt and B) my time.
Such a waste of a great cast. It's painful to realize that Mr. Burton is very clearly not the same person he was when he made his mark on pop culture, and it's even more painful to watch him try desperately to recapture that person and fail every time. The last movie by him I saw was Dark Shadows, and that, too, made me cringe about his entire aesthetic, which honestly has always been his main appeal. The problem with style over content is, eventually, if it wears out, it's welcome for want of substance.
I don't love this, but it's definitely worth posting. "Comfortably Numb" was probably my favorite song when I was a stoned teenager in high school. My friend Anthony and I were obsessed with Pink Floyd, and this song... just moved the world for me. I still love it, but it's not all that often I go back and revisit Floyd in the religious manner I used to. Still, seeing this as a cover by Ice-T's thrash metal band Body Count floored me, and it's definitely worth a listen, as they do some interesting things with the song, which is an advance single from the upcoming album Meerciless, out November 22 on Century Media. Pre-order HERE.
Watch:
Last night, K and I watched Tobe Hooper's Poltergeist on Joe Bob Brigg's The Last Drive-In Patreon. The original air date of the episode was 4/3/99 - why does the late '90s look so old to me now? - on a TNT series called Joe Bob's Last Call.
As a huge fan who only ever heard of Joe Bob in 2018 when he hit Shudder with that Marathon (I never had cable growing up), I've obviously become aware of Monstervision and Up All Night, but Last Call was new to me. I'll have to look to see where that slots in between the others. Anyway, Poltergeist is something of an annual or bi-annual Autumn watch for me, and it was especially wonderful watching it with Joe Bob.
This is a perfect film, in my opinion. I never bothered with the 2015 remake, even out of curiosity, and I likely never will. The world on display in Poltergeist is the world I grew up in - early 1980s suburban America - and that's part of what makes it so effective both as a Horror film and a nostalgia piece. Also, I find it super interesting that the first few times I saw this film I was very young and Jobeth Williams was a "Mom" to me, but over the years as I've aged and the version of her in the film hasn't, she's become one of the hottest Horror movie women I've ever seen.
Playlist:
The Damned - AD 2022 Live in Manchester
Human Impact - Gone Dark (pre-release singles)
Human Impact - EP01
Mogwai - God Gets You Back (single)
Dale Crover - Glossolalia
The Mysterines - Afraid of Tomorrows
Bauhaus - Go Away White
Aerosmith - Pump
Deafheaven - New Bermuda
Zeal & Ardor - GREIF
Body Count - Comfortably Numb (single)
Body Count - Eponymous
Soul Coughing - Ruby Vroom
Jane's Addiction - Nothing Shocking
Amy Winehouse - Back to Black
Card:
Today's card is the Ace of Disks:
Financial Breakthrough. Successful implementation of new ideas/rules/parameters in matters of Earthly providence. Growth and prosperity.
The legendary Mary Anne Hobbs premiered a new track by Mogwai a couple of days ago, and now here's the video! No word on a new album yet, but smart money says it's coming, as the band also announcned a 2025 world tour, details of which are HERE.
Watch:
K and I went to see Coralie Fargeat's new film The Substance last night. Pretty sure I will not see a better film for the remainder of the year; Robert Eggers has Nosferatu coming, but The Substance is just... see it on a big screen, that's all I can say.
The term "Batshit crazy" gets thrown around a lot - hell, I do a fair share of the throwing myself - but once in a great while, a film comes along that reminds me I really had forgotten what Batshit Crazy is. This is that film. I cannot believe I saw this in a big box theatre in Middle America. The Substance is absolutely INSANE. It almost wears out its welcome, then doubles down on the crazy and just... it feels like the most Body Horror movie I may have ever seen. And I don't offer that lightly.
Read:
Sweet little comic shop pickup I wasn't expecting the other day; shout out to Ryan and Rick's Comic City for pulling this aside when they got it in, presumably from someone selling some old comics:
Published by Arrow Comics in 1986, this was a fascinating read. Not nearly as intricate as Robert Kirkman's The Walking Dead, this is totally outsider art from before Zombies had become mainstream. A group of survivors make their way through a world not only overrun with Zombies but intelligent zombies. There appears to be a classification here, with the intelligent Dead few and far between but able to manipulate or control the hordes of shambling dead. Very cool concept and execution, a nice piece of the 80s Black and White Explosion's history I'd missed until now.