New Black Lips!

It's been a minute since I checked in with The Black Lips. "Rumbler" is definitely not where I'm at mentally, but it is awesome nonetheless, and something I'd imagine I'll have in regular rotation before too long. New album, The Black Lips Sing in a World That's Falling Apart is out now on Fire Records, and you can order a copy HERE.

**

Finally had the occasion to watch David Lynch's What Did Jack Do? on Netflix. Wow, easily one of the weirder, more self-indulgent pieces from my favorite director, but I enjoyed it nonetheless. I've been accused of being a "Lynch Apologist" before and I guess that's not wrong. But the man is filled with happiness and optimism, while still being capable of creating some of the most dark and baffling art, that it makes me infinitely happy just to see his face. What Did Jack Do? was no exception.



Here's a nice addendum to the movie. The song Jack performs, "The Flame of Love," is being released on vinyl by Sacred Bones. You can pre-order it HERE. I'm sitting this one out on vinyl - I'm not really a completist for everything Lynch has done (though pretty close), but this will probably end up a bizarre piece of memorabilia.

**

Playlist :

Jefre Cantu-Ledesma - In Summer EP
Arctic Monkeys - Whatever People Say I Am, That's What I'm Not
Various Artists - The Void OST
Chris Issac - Heart Shaped World
The Black Lips - Sing in a World That's Falling Apart

No Card Today.

New Music From Bohren and Der Club of Gore

It's been five years since we had new music from Bohren and Der Club of Gore. Five long years. And while I'm still largely hung up on Sunset Mission, I can't wait for this one. My life needs to feel more like a David Lynch movie, and, well, I can't think of any better way to accomplish that. Other than introducing myself to my neighbor whose husband is missing an ear, but I'm pretty sure this is the better route.

**

It's been a minute since I logged any X-Files episodes, but over the last few days I've been sick and had some time to slip back into that world. First, I have to say, although I was never a huge fan of this show during its original airing - I briefly became interested in the 'Mythology' episodes and made a few half-assed attempts to keep up with those - I am very much enjoying diving into The X-Files now. A large part of that isn't just the quality of the show, which, while still very much "TV," feels very nostalgic for me. This is indirectly the case with Twin Peaks as well; any TV from this early 90s era that I can connect with - which is rare - brings with it a sense memory of that time in my life. The feel of the house I grew up in, the elastic quality of nighttime spent in our living room, the large picture windows pulling the night inside, the many large trees that surrounded our small home always on guard just outside. The suburb I grew up in is essentially a township carved out of a forest preserve, and my memories of growing up there definitely play into watching this show the same way it does the original Peaks; the screen tends to blend with the environment, or in my current, mostly treeless home in LaLa Land, it blends with the memory of those trees and how they were a daily part of my life.

But I digress. It's time once again for...

Season Two, Episode Twenty, "Humbug" - Freakshow! While these days, the whole freak show setting feels overdone to me - I've continued to avoid the titular AHS season due to that feeling - this is another episode with Twin Peaks alumni, and a definite ploy to the at-the-time interest in all things "alternative." Not a bad thing; it works here, and even though Jim Rose and crew feel a little shoe-horned in (remember they opened Lollapalooza for a while in this era), the always marvelous Vincent Schiavelli evens everything out. This guy is such a great character actor, and his distinct visage and more than worthy chops are something I grew up with seeing in a lot of disparate places, from Night Court to Buckaroo Bonzai, so that he owns a little piece of my heart, for all time.

Season Three, Episode Four, "Clyde Bruckman's Final Repose" - A great little episode co-starring Peter Boyle as a reluctant, socially confused psychic; an old man who has lived with a bizarre gift he doesn't want, and what happens when that brings him into a murder investigation. In his notes on this episode, Brown pitched it as, "Creepy," and he was not wrong. I really dug this one.

Season Three, Episode Twenty, "Jose Chung's From Outerspace" - An episode I had seen at least once before, and one that made a mark on me back in the day due to its strangely comedic tone. Really out there at times, to the point it seems to threaten the integrity of the mythology the show is building. But then it doesn't, and everything ends up working perfectly within the confines of what the show has already set up.

Also, Charles Nelson Reilly. 'Nuff said.

**
Playlist:

Zombi - Shape Shift
Lovecraft and Sabrina Spellman - Straight to Hell
INXS - Kick

Card:

Of particular interest to me here, today, is the image of the Crab, which here symbolizes the aggressive and/or healing attributes of Water, or Emotion. This plays directly into something I wrote into the outline for Book Three yesterday, and I think I'll read this as suggesting an attempt to work in a bit of symbolism in an otherwise literal scene.

2019: June 27th - New Dean Hurley Track!

Frequent collaborator with David Lynch, Dean Hurley's 2017 Anthology Resource Vol. 1 △△ is an eerie walk into another world, and I realize in talking about it now that I do not listen to it nearly enough. And now, Sacred Bones Records will release Hurley's Anthology Resource Vol. II: Philosphy of Beyond on July 12th. You can pre-order the record HERE. I absolutely LOVE this track, and am looking forward to sitting down and listening to the entire album as a whole.

**

NCBD yesterday was sleight, but that's the way things are moving for me. Which is good; it's all by design. So what did I grab?

The final issue (?) of Punks Not Dead: London Calling. Haven't read it yet, but looks like this is the end of the story for the time being. Overall, really enjoyed this one.

I feel like I waited forever for this third and final issue of Damned. Gotta say, love the art in this book, but the story... not so much. Kinda feels a bit like Todd McFarlane's fourth Spiderman title waay back in the day - pretty to look at, but a story that really only supports the images. If it wasn't for my love of comics in Magazine Format, this would be going on eBay tonight. As it stands, it still might, somewhere down the road.

**

Playlist from the previous few days:

Swans - To Be Kind
Shellac - The End of Radio
Grinderman - Eponymous
Jefre Cantu-Ledesma - Joy (Tracing Back the Radiance pre-release single)
Felicia Atkinson and Jefre Cantu-Ledesma - Limpid As the Solitudes
Black Sabbath - Master of Reality
Zen Guerilla - Positronic Raygun
Zen Guerilla - Shadows on the Sun
Spotlights - Love and Decay
Bloody Hammers - Under Satan's Sun
Sunn O))) - Life Metal
Black Sabbath - Sabbath Bloody Sabbath
M83 - Knife + Heart OST
Malaria - Compiled 1981-1984
Dean Hurley - Anthology Resource II: Philosophy of Beyond Pre-release Singles

**

Card of the day:

This one is beyond me at the moment, but I still wanted to record it here, for posterity and future analysis.

2019: June 8th Spotlights - Mountains Are Forever

Well, thanks to Mr. Brown, I found my album of the year. It's early, so this could conceivably change, but I pretty much always know my album of the year the moment I first hear it, and brothers and sisters - this is it! And to think, I'd never even heard of Spotlights before, a husband/wife duo whose new album Love & Decay is out now on Ipecac Records and can be streamed or purchased HERE.

Love & Decay feels a lot like the MBV album I wanted to hear when I ordered their loooong-awaited follow-up to Loveless back in 2013, the self-titled and unfortunately underwhelming eponymous record. I also hear Soundgarden, Deftones, and a lot of other bands I like in the sound of Spotlights, but never in a way that feels trite or repetitive. This leads me to declare for myself and like-minded music lovers a new classic and a band to follow and be excited for from here out! Always a great day when I can say that!

**

I've talked about Kristen Gorlitz's awesome horror comic The Empties in these pages before, and it's time to talk about it again because Kristen just launched the Kickstarter for issue #3! You can go to the Kickstarter page HERE to read more about it and support it; if you've read the first two issues of The Empties, you'll most likely be like me and not need any more convincing. So good!



**

I finally had the chance to watch the new Criterion Edition of David Lynch's Blue Velvet last night. Wow. Gorgeous transfer. This film never gets old for me; I enjoyed this viewing as much as or more than the countless others I've had since discovering this film back in the mid-90s. What I didn't expect  last night was my reaction to the 53 minutes of deleted scenes included as extras on the disc. I watched a few and really had a sense of inspiration in editing. I mean, you look at all the extra stuff Lynch filmed and you can practically see how making Blue Velvet helped him grow as a filmmaker over the course of its creation; all the Jeffery-at-college and Jeffrey-comes-home stuff that got cut would have, if included, very much weakened the film. The elegance to the progression of events in the version that Lynch released and we all love is so much more apparent and enjoyable after seeing the scenes he cut. And after waiting 20+ years to see this stuff - scenes we never thought we'd see back in the Wrapped in Plastic days - I found I could only watch about twenty minutes of them before I grew exhausted and decided to save the rest for a later date.



**

Playlist from 6/06:

Man or Astro-Man - Intravenous Television Continuum
Spotlights - Love & Decay

Playlist from 6/07:

Man or Astro-Man - Intravenous Television Continuum
Spotlights - Love & Decay
Los Amigos Invisibles - The New Sound of the Venezuelan Gozadera
Pelican - Nighttime Stoties
Bloody Hammers - Under Satan's Sun
Primus - Antipop

Card of the day:

Paradigm shift! Just in time for the next project.

2019: March 27th - New Music from The National

While even after multiple attempts, I really never developed a taste for The National's much-lauded 2017 album Sleep Well Beast, I am such an enormous fan of 2010's High Violet that I give everything they do a chance. Admittedly, You Had Your Soul With You probably dropped a while ago, so I'm posting it here well after the fact, but I've been careful about getting off on the wrong foot with I Am Easy to Find, the band's forthcoming album on 4AD. With some bands, pre-album release singles can create false expectations for the overall tone of the album. Despite this, something forced my hand this morning, and now I am very intrigued about the full album, which you can pre-order HERE.

**

I've been cleaning a lot of music out of my iTunes to make room on my Mac Book, and this morning I was super freaked out to find I can no longer find my Twin Peaks Music Archive tracks. For those of you who remember this, roughly eight years ago, David Lynch released a massive archive of every music track used in the original show. This included all incidental tracks, and every variation of every track. I'm not entirely sure how I would have deleted these, and there's a chance I have it backed up on a secondary drive somewhere (please please please), but until then, I'm sweating it a little bit. Here's a taste of what I was looking for this morning:



**

Playlist from 3/26:

Talking Heads - Remain in Light
PJ Harvey - Uh Huh Her
Nabihah Iqbal - Weighing of the Heart
Finn Andrews - One Piece at a Time
Jaye Jayle - No Trail and Other Unholy Paths
Emma Ruth Rundle - On Dark Horses
Windhand - Grief's Infernal Flower
Brand New - Science Fiction
The Atlas Moth - Coma Noir
M83 - Saturdays Equal Youth

No card today.

2019: February 20th

Currently in love with Louisville, KY band Jaye Jayle's 2018 record No Trail and Other Unholy Paths. This was produced by David Lynch's long-time music supervisor/collaborator Dean Hurley, and pretty much blew me away from first spin. Think Mark Lanegan/PJ Harvey vibe, but with some dirgey Doom goodness thrown into the mix, I can't wait to go through the band's back catalogue, available on their bandcamp HERE.

Jaye Jayle's music - or at least on this album - totally fits in with my visual life at the moment, because tonight K and I are scheduled to finish Season 3 of Deadwood. I've watched the series before, although I haven't seen Season 3 but the one time, back in the aughts. This viewing has kind of been like seeing it for the first time again. I'm amazed at the pot boiler the show is building out of the Hearst/Swearengen-Bullock skirmish, and I can't wait to finish this out and then keep my fingers crossed 24/7 that the movie we have now actually seen pictures of in EW really does come to pass. Seems impossible at this point that it wouldn't, but you never know...

NCBD: Not a whole lot today, but a new issue of Seven to Eternity is always a reason to celebrate, and D.J. Kirkbride's Errand Boys comes to a rip-snortin' finish with issue #5!

Playlist from 2/19:

Pink Floyd - Works
Young Widows - Old Wounds
Jaye Jayle - No Trail and Other Unholy Paths
Alice in Chains - Rainier Fog
Algiers - Eponymous
The Body - I Have Fought Against It, But I
Chris Connelly - Artificial Madness
Beck - Odelay

No card today.

2019: February 1st

Although Chrysta Bell and David Lynch released the album This Train back in 2011, they've just dropped a video for closing track The Truth Is a few days ago. Really cool video that should serve to remind us how we all have different masks we wear to navigate the world around us. Why is that? Well, maybe one day that won't be the case, but for now, many humans are still obsessed with hating anything different than they are. Must be a sad existence, that, as although I was never wired to hate anybody except maybe ben stiller and jim carrey, I wouldn't be able to find the time for it. And maybe that's the key: fill your mind, body, and soul with things you love, and you won't have time to hate.

Today is my three year anniversary of meeting K. What an amazing three years this has been! We love and support one another, she's my devoted first listener/reader, and gobbles up as many horror movies as I can cram into our daily lives. K - I Love You. Thank You for making my life complete.

Playlist from 1/31:

Joy Division - Still
Skid Row - Slave to the Grind
Ozzy Osbourne - Diary of a Madman
Red Rider - As Far As Siam
Ennio Morricone - The Thing OST

Card of the day:

I already know what's stagnant and poisoning the well; I had to post-pone taking care of it because of the end-of-the-month scheduling at work. Perhaps next week. I can feel it though, and this run of what I think of as the 'murky waters cards' is only proving it.

2019: January 19th

When I saw the title of this movie, I thought it was going to be a flick in the realm of Hobo with a Shotgun. But no. This, this looks Epic. LOVE this movie poster:

K and I finished Channel Zero: The Dream Door last night. Wow. Fantastic. I don't know that I've even mentioned the show in these pages yet; we watched the first season about a month ago - Seasons 1-3 are streaming exclusively on Shudder - and I was blown away by that, too. Harley Peyton is one of the Producers, and if you are a Twin Peaks fan from back in the day, you'll know his name as a major creative force on that show's original run, especially during Season 2. And Mr. Peyton's Peaks experience is definitely felt in Channel Zero. The first Season's finale so resembled the Season 2 finale of Twin Peaks that I was floored. This was homage, not an egregious repeating. And again, in The Dream Door's finale, we get some crazy Lynchian imagery. SO good. Can't wait to watch Seasons 2 and 3 - it's an anthology, hence our out of order viewing - but I'm now tempted to save those seasons because also yesterday, on this week's episode of the Shock Waves podcast, I learned Channel Zero has been cancelled.

DAMN YOU!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Playlist from 1/18:

The Cure - Seventeen Seconds
The Black Queen - Infinite Games
David Lynch - The Big Dream
Plaguebringer - As the Ghosts Collect, the Corpses Rest
Television - Marquee Moon
Godspeed You! Black Emperor - Hallelujah! Don't Bend! Ascend!

Eights are Hod. Splendor. Eights are tricky. Splendor can be interpreted as spectacle, and spectacle can be distracting. Literally, an Interference. This is a beautiful card, but its beauty is wrought with images of death and destruction, an unstable background, Chaos is close. I'm not entirely certain how to interpret this today. I have a large writing session coming up to snap a few last bits into place and then continue editing the book in Grammarly, chapter by chapter. After that, it's reading the full text aloud to K. Perhaps the interference I'm being warned about here is because for days I have just barely dodged the urge to start reading it now. I can't do that; even though I have a small checklist of images and bits to pepper back through the chapters, changing one thing, no matter how minutely, may cause ripples backward or forward through the story that then also have to be smoothed. Most of my focus is in the second act, but I do not yet know if that focus will end up requiring a smoothing out in the first act. So reading now would be counterproductive. Even though I want to.

Yep. That sounds like my Interference and as is often the case, it's from myself.

2018: December 6th

I'm doing Thursday's post on Wednesday night because I'm up and off to LAX early in the morning to fly to Chicago! Yay!

A couple months ago I posted about Perturbator's side project, L'Enfant De La Fôret. Well, that record fell right the heck off my radar, and it wasn't until I saw Heaven Is An Incubator post this GORGEOUS track that I remembered how much I'd been looking forward to it. And Tommy hit the nail right on the head - this track reeks of Lynch/Badalamenti, which, of course, immediately endears it to me. I can't wait to ingest this entire record during my trip. Name your price and buy it HERE.



Playlist from 12/05:

The Veils - Total Depravity
Grimes - Art Angels
Godspeed You! Black Emperor - Hallelujah! Don't Bend! Ascend!
The Body - I Have Fought Against It, But I Can't Any Longer.
Gil Scott Heron - The Revolution Will Not Be Televised (Single)
Scroobious Pip vs. Dan Le Sac - Thou Shalt Always Kill (Single)
Algiers - Eponymous
Jóhann Jóhannsson - Mandy OST
David Lynch & Alan Splatt - Eraserhead OST

Card of the day:

"Insatiable hunger for life and endless, powerful energies." Well, that definitely is the standard definition for how I roll in Chicago. It'll be interesting to see if this year is any different? Well, I've hit a point where I just don't have the energy I previously had. I knock out during movies at home ALL the time now on weekends. I feel a general, low-grade exhaustion on a daily basis. Part of it is I'm 42, and part of it is my first alarm rings at 4:07 AM, five days a week. Normally, I hit Chicago and hook up with my lifelong friends and I can hang out all night, drinking beer and talking music, movies, comics, whatever. Will that be the case with this trip? Well, the card seems to imply it will, so we'll see.

2018: November 14th

This is pretty awesome if you're a David Lynch fan. Sacred Bones, who just put out the long-thought-lost Thought Gang record (mine should arrive tomorrow!!!), dropped this video a few hours ago. It's a video piece Mr. Lynch did for this year's Festival of Disruption. The music used here is from the Thought Gang record - overall a match made in Heaven, where of course, everything is fine. Oh, and that Thought Gang record is still available HERE.

I'm home from work sick today and spending the morning reading the Bernie Wrightson/Steve Niles/Kelley Jones Frankenstein Alive, Alive! Frank, a childhood monster I was obsessed with, has come back around again in my thoughts of late. First, it was K sitting me down to watch the original Universal Frankenstein last year that started it. After that, I narrowly avoided ordering but spent quite a bit of time lusting over this:

Now, a new acquaintance through the HWA, Robert Payne Cabeen, has just had a series of illustrations published as the visual component of new tome Birthing Monsters: Frankenstein's Cabinet of Curiosities and Cruelties, and viewing his work takes me right back to when I would sit and stare at my Remco Frankenstein for hours. What is it about this creature that captivates so many of us? Is it the idea of human ingenuity and intelligence conquering the mystery of death? Or the posit that man could steal his creator's fire by creating life on his own, in a laboratory instead of with the organs of regeneration said creator gifted us? Of course, there's also the joyous gothic attributes Universal bestowed upon the saga of Victor Frankenstein and his creature, laying a cinematic cowl over Mary Shelley's original work of horrific literature. That same gothic version is joyously recreated in the figure/environment above, and is just as joyously disavowed in both Bernie Wrightson's version and several of Mr. Cabeen's illustrations. Perhaps that is the force that binds us to this legend; in Shelley's original novel the creature is a composite, so there has always been room for so many variations that the imagination can continually find new avenues to explore using the creature as an avatar or guide. Either way, my morning belongs to the monster.

After Monsters, I'll hopefully finish up editing the video version of last Friday's Drinking with Comics, with Special Guest Kristen Renee Gorlitz, whose Kickstarter is still going strong and which I implore you to investigate and, if so inclined, support. The Empties really has impressed the hell out of me, and as you know, I always pass along what I find that I like.

November 9th Dwc is currently available as audio-only podcast on Apple Podcasts, Spotify, and Google Play.

As this ailment came on suddenly yesterday while at work, I left early yesterday and watched two great horror flicks on Shudder. First:



Terrified is a ripping little ghost story from Argentina. It's creepy as hell, and although conceptually it's a bit unclear, I actually really liked that about it. I'm one who is perfectly okay with tales of the supernatural NOT following concrete rules since, you know, it's supernatural and thus, largely unexplained phenomena.

Second flick I watched was an older one, something I'd heard about in the 00s and had been meaning to find and get to eventually:



This obviously isn't the Creep that stars Mark Duplass, which I also liked, obviously for completely different reasons. This one plays to my obsession with stories that take place underground. Its use of tunnels, Earthen passages, and secret rooms underground made me unbelievably happy. Well-made British horror that feels of its time in the early 2000s but still works well today.

Playlist from 11/13:

Curtis Harding - Where We Are (single)
The Knife - Shaking the Habitual
Ghost Cop - One Weird Trick
Flying Lotus - Los Angeles
Nick Cave & The Bad Seeds - B-Sides & Rarities, Vol III

Card of the day:

Again? Well, let's dig deeper and see what old boy is trying to tell me. From the Grimoire, "Action, decisiveness, and high energy. Engage obstacles/enemies. Strength. The structure of civilization, social world - law and order; the establishment."

Two things - Civilization, well western civilization, requires linear thinking and rationality. These can also be a prison. I tend to adhere to a guise of linear, rational thinking when writing, but know it can foist frustration and dead ends upon me. Find a way to work in some non-rational writing time.

2018: November 6th

I'd never heard of Ghost Cop until the most recent newsletter from comic's scribe Warren Ellis, which you can subscribe to HERE and which will make your life better. The Eponymous EP is excellent, really atmospheric electronic music that reminds me of a lot of the more electronically inclined groups and artists I submerged myself in during the 00s. Look for some of that stuff to float back up to the surface of my listening habits.

If you visit Ghost Cop's bandcamp, their new album is up for pre-order.

Lots of Deadwood news yesterday, and as it so happens, the moment K and I finished 31 Days of Horror, we jumped directly back into season 2, so this is perfect timing. This is K's first go-through with Swearengen and the crew, my second or third. I figured out I'd previously watched roughly the first season and a quarter multiple times, but I don't think I've ever gone through the entire cycle more than the first time, which was after it aired. This might be my favorite non-Twin Peaks show folks. Swearengen is easily one of my favorite characters, but the idea of revisiting these folks ten years down the line show continuity wise with a movie is bittersweet; still not sure why HBO/Milch didn't just keep going in the first place. It's always difficult to go home again. Twin Peaks did it well, by becoming something the original show was not. In my head, I consider Season Three of that show more a new 18-hour DavidLynch movie than a revival of Twin Peaks, which it certainly is in some respects but... I digress

Looks like almost the entire cast is coming back for this Deadwood movie, and I don't want to sound like I'm not elated to have a chance to see these folks again, it's just timing, you know? Still, excited.

Playlist from 10/05:

Tom Waits - Rain Dogs
Preoccupations - Eponymous
Preoccupations - New Material
Massive Attack - Mezzanine
Ghost Cop - Eponymous EP
Tom Waits - Mule Variations
Tom Waits - Swordfish Trombones

Card of the day:

Fire of Fire - Pure, communicative leadership. Ideas. Can represent highest idea - again, exactly what I'm aiming at with Shadow Play, and book one is where it starts. It doesn't matter that this is 8 years since I started it (with a year off in the middle, which made me a much better writer), it has to be perfect so it sets up the bigger picture, which is kind of so big - to me - it feels unwieldy.

2018: November 1st

A Real Indication, video directed by David Lynch.

For those of you who are long-time David Lynch fans like myself, this is track is an oldie. However, Thought Gang's A Real Indication - which is featured in the 1992 film Twin Peaks: Fire Walk With Me - is receiving a breath of new life, as Lynch, Badalamenti (that's him doing vocals on this track, by the way) and Sacred Bones Records are making available Thought Gang's Thought Gang album for the first time. This is actually older news - I pre-ordered a "Monkey Fur" vinyl copy about a month ago and just received word it has shipped! You can grab a copy HERE, if you're so inclined, although I believe the Monkey Fur edition has sold out.

31 Days of Horror concluded last night with a whimper instead of the BANG! I had planned. Previously, I had arranged for today off and planned to stay up late and pack in at least three movies.

That... was ambitious.

I came home from writing last night close to 7:00 PM, sat outside with my devil mask on while K handed out candy to trick r' treaters, and read some comics. In ~40 minutes we had more candy goblins than I had in the entire 12 years I lived in San Pedro. It was awesome. Our entire neighborhood was crawling with costumed families, and seeing it brought me great joy. After we ran out of candy, K and I went inside to begin the night's viewings. Instead of leading with Lucky McKee's May - one of my all-time favorites movies period, let alone Halloween-related films - we couldn't pass up the chance to follow Tuesday night's viewing of Tod Browning's Dracula from 1931 with Francis Ford Coppola's masterpiece, Bram Stoker's Dracula. As you can imagine, the two films pair quite nicely. After that, however, I was out. 4:00 AM wake-ups add up sometimes, and the sad fact is I can no longer fight through my tiredness like I used to when I was younger.

Ugh. Despite all the mental and emotional advantages that accompany ripening as a human being, sometimes age just plain sucks Charlie Brown.

Final 31 Days of Horror Totals:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween
10/20) Mandy
10/21) Satan's Playground

10/22) Flatliners
10/23) Jacob's Ladder

10/24) Halloween III: Season of the Witch
10/25) Ghost Stories
10/26) John Carpenter's The Fog
10/27) Suspiria (2018)
10/28) Suspiria (1977)

10/29) Beetlejuice/Pyewacket

10/30) Trick r' Treat/Dracula (1931)
10/31) Bram Stoker's Dracula

Let's talk NCBD. I hadn't been to the shop in three weeks, so all the tantalizing stuff I've written about for the last few Wednesdays was waiting for me in my pull. I won't reiterate on those, however, let's talk about what Mike put aside for me that I was originally intending to pass on:

The original Lucifer series that spun out of Neil Gaiman's Sandman was written by Peter Carey and drawn by Peter Gross. It ran 75 issues and told one EPIC story. I can't recommend this one enough folks, and I myself am due for a re-read, as I haven't read it since its monthly run. I've had real reservations about going back for another story with this character, especially since the television show came up and basically re-did Castle, but with Lucifer helping the LAPD solve crimes instead of the writer. I've since heard and fully believe the show is good for what it is, however I'm protective of series as amazing as the original Lucifer is, so I'm not interested in the show. Buying this new comic was nothing short of a leap of faith for me. After reading it though, you better believe, I have faith.

This was one of those first issues that drops you in and doesn't concern itself with giving you the lay of the land. NOT a complaint, as I love that when done well. And I really think this book is going to be done well. After all the seemingly disparate story threads introduced in Lucifer #1, I am damned intrigued at where this book is going, so much so I can scarcely believe it.

Also, having Kelley Jones do the variant cover was an A++ for me.

Playlist from yesterday:

Type O Negative - Life is Killing Me
Type O Negative - Bloody Kisses
Ritual Howls - Into the Water
Various - Halloween Playlist
The Final Cut - Consumed
Specimen - Azoic
Jóhann Jóhannson - Mandy OST

Card of the day:

Perfect, considering I spent a large part of two days this past week dressed like him, and LOVED the new Lucifer series. Here's what it says in the Grimoire:

"Materialism over spiritualism."

Short and to the point, eh? Looks like I need to flesh that entry out. In the meantime, I'll regard this pull as a warning to not run up my cc this month the way I did last month. October is always an expensive time of the year for me because it is my favorite time of the year.

2018: September 18th - Lost David Lynch/Angelo Badalameni Album Coming!!!

Pre-order it from Sacred Bones Records HERE. This is the album that contains two tracks we already know from the FWWM OST, The Black Dog Runs At Night and A Real Indication. I had NO idea this was on the horizon, and give many thanks to Mr. Brown for the early morning tip-off.

Playlist from Monday, 9/17 was tiny. A lot of radio in the car where I heard some great tunes (rare for me), and then this Yob record over and over again. This song, in particular:

Yob - Our Raw Heart

No card today.

2018: September 6th

I am in love with this White Lung album! They used the track Wild Failure in that movie Excision I wrote about yesterday and I've been listening to the album since.

NCBD yesterday:

And, what I forgot came out and will no doubt have to hurry to grab a copy of:

Playlist from yesterday:

Reverend Horton Heat - Martini Time
The Atlas Moth - The Old Believer
Alice in Chains - Rainier Fog
Stellar Corpses - Respect the Dead
White Lung - Eponymous
Ennio Morricone - Black Belly of the Tarantula OST

I watched David Lynch's Inland Empire last night for the first time in probably over ten years. One of the most incredible theatrical experiences I've had when it came out back in 2007, I've never made it through the entire film on DVD, simply because it is long, fragmented, and requires very specific viewing criteria for me, criteria that usually means I end up falling asleep because of my early schedule. That criteria is

1) Absolute Darkness
2) Stoned
3) As few interruptions as possible

This usually means I have to watch it late at night, and I just don't make it through. Inland Empire really shines in a theatre, but at home it's a bit arduous. That said, it is a wonderful film, amazingly dream-like, and after reading this awesome little interpretation, I am contemplating another viewing sometime within the next week.

Card of the day:

Again, let's go face value and say this means I'll finish the editing on DwC 43 today.

2018: August 26th

Logged into youtube and found this in my recommended feed. I haven't watched it yet, but I can't wait to and wanted to share.

Late start both days this weekend; DwC took it out of me for most of yesterday, and today I'm just off. Also, bracing for a second showing of Panos Cosmatos' Mandy at the Egyptian, the first of which I missed catching a ticket for. I won't miss this time, especially because I want to bring my friend John with, who will be visiting, and who I want to do something insanely nice for, as his work on The Legend of Parish Fen is just ridiculous. Here's a taste:

That's a shrunken size, so it's a bit foggy, which the final art most certainly is not, but it should illustrate just why I am so excited about this project.

Time to get back to writing, but here's the playlist from the last two days (more or less):

Mastodon - Once More 'Round the Sun
Etta James - Eponymous
Alice in Chains - Rainier Fog
Stellar Corpses - Hellbound Heart EP
Squirrel Nut Zippers - Hot

No card today.

Also, I watched a handful of movies:

Liked, didn't love

Ridiculously delicious

Classic

Fell asleep and probably won't return

2018: June 2nd

I woke up late in the morning and spent a few hours trying to finish off Lords of Chaos; the book has become increasingly unpleasant (not the writing, but the subject matter) and the authors track Black Metal-related atrocities across the globe. It feels as though I'm reading a true crime book, and that's not a genre I dabble in because, frankly, I become too disturbed. At any rate, I may not finish the book, but if I do, I decided I need something to counter balance the negativity. The above musical suite is helping, as is the source of my discovery of it. Years ago David Lynch wrote a book called Catching the Big Fish: Meditation, Consciousness, and Creativity. I bought it and was able to shake his hand and have him autograph it - one of those rare autograph opportunities I took advantage of - but never really read it. I'm doing so now, and it's magical. I love this man so much, he has been such a positive, life-affirming influence on me in every way. Reading the book and listening to Andre Previn and the London Philharmonic Orchestra's version of Weber's Adagio for Strings - which Lynch name drops in the book when briefly talking about The Elephant Man as an example of marrying music to picture - is almost too much beauty to reflect on, and it has definitely salvaged my mood after reading about misguided miscreants committing horrendous crimes in the name of non-existent deities.

Playlist from 6/01:

The Damage Manual - Limited Edition
Ghost - Prequelle
Ministry - Animositisomina
Zombi - Shape Shift

Card of the day:

The Fiery aspect of Air. I need to get my arse in gear and express my Will today, because thus far, other than this meager post, all I've done is consume.

2018: May 25th 6:54 AM

I shut the door pretty hard on Twin Peaks last year when it ended. Nothing against it, but when I stop to consider how much time and energy it consumed from me, it makes perfect sense that I would have needed to distance myself (I remember saying I was going to rewatch it like a month later - ha!). I've really only began to even think about it again recently. One insight these new considerations have  revealed is the idea that I'm slightly unsure and maybe even a little bit nervous as to how the new series may have affected my relationship with the original - when I deep dive, I'm not really finding that first run occupying the same place in my head. Maybe this is just an integration period - the new series fractured the old and how I relate to it, now I have to rebuild? Probably thinking about this too much (probably = definitely). I spent the last two days getting increasingly jazzed on the music from the new series again, and that's very much making me want to rewatch it. I've got a three-day weekend ahead of me, however I also have a backlog of flicks to watch and roughly 53K words to write in the next 35 days, so I'm thinking that probably won't happen. I will, however, continue to enjoy the music, like the link above. I know it's not the actual Lynch remix that appears on the Score for season three, but honestly I like this one better. It's a part of the Twin Peaks playlist I made early on during Season 3, adding to as I went along and peppering in some BlueBob and a few tracks from the Twin Peaks musical archive that was released through David Lynch.com a few years back.

Playlist from yesterday:

Dosh - Pure Trash
Twin Peaks Playlist
Twin Peaks Season 3 OST
Chromatics - Night Drive
Burzum - Filosfem
Blut Aus Nord - 777 Trilogy

Card of the day:

Emotionally charged but creative juices flowing? Luckily, I'm actually well-rested and think I can handle this today. I want to try and write at least 15K words over the next three days, so we'll see.

Evolution of the Arm: A Twin Peaks Discussion (Ep. 17 & 18)

One week ago tonight it ended. I think it could end here and be perfectly complete. That said, I certainly would love more. As far as arriving at a working interpretation, here are my thoughts.

Evolution of the Arm: A Twin Peaks Discussion (Ep. 16 No Knock, No Doorbell)

Hectic week and I forgot to post this here Tuesday night when it went up. Tomorrow 27 years of waiting comes to a head. I can't wait but will also, obviously, be sad to see it go.

Cooper Light Socket/Ruby at the Roadhouse side x side

There's definitely something here. Unbelievable work by youtube Beyond Reason who also did the Sam and Tracy/Naido Cooper side x side from earlier in the season:



The idea of Lynch directing one scene while watching another to pace it is marvelous! The detail in this season is beyond anything he's done before, simply because he's had 18 hours to work with and what amounted to more time to shoot it than a standard film shoot.

2 weeks and 3 episodes left I want the climax but am afraid to get to it.

See you in the trees...