Because I can't seem to get enough Type O this year. Well, that's every year in Autumn, but I suppose I'm smoking more pot this year, and it's making me appreciate them in a way I don't normally get to relive these days. Big difference between having a few beers and listening to music, and smoking out with one. Especially one you've loved for this long.
31 Days of Halloween:
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
10) Firestarter/George A. Romero's Bruiser
11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2
12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses
13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)
14) The Haunting of Bly Manor episodes 6 and 7
15) The Haunting of Bly Manor episodes 8 and 9
Yeah, so I'm hearing a lot of talk that people feel Bly Manor isn't as good Hill House. To each their own, I suppose. Both series are two distinctly different things, and I don't see how, for myself, I could compare them. I loved both, and I watched them two years apart, so I do not feel qualified at the moment to compare them. I will say, the finale of Bly Manor really dug into the heart strings. A class act all the way around the board on this one.
Because Ritual Howls' 2016 album Into the Water is one of those perfect albums, some of the individual songs that make up that perfection get taken for granted. This is one of those. Although, honestly it's hard to hear this in a way that doesn't lead directly into the next track on the album, 'Coils and Magnets'.
31 Days of Halloween:
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
10) Firestarter/George A. Romero's Bruiser
11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2
12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses
13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)
14) The Haunting of Bly Manor episodes 6 and 7
Playlist:
Halloween Playlist
St. Germain - Tourist
Concrete Blonde - Bloodletting
The Smiths - The Queen is Dead
Prince - Sign O' The Times
Deftones - Ohm
Jucifer - L'autrichienne
Chris Connelly - Sleeping Partner
Blut Aus Nord - Hallucinogen
Type O Negative - World Coming Down
Card:
Getting the wheel turning again on several things that are in need of closure.
It's been nice to finally get the first album by my old band Darkness Brings the Cold digitally distributed. I recorded this album roughly fourteen years ago - I finished it shortly before moving to LALALand. There's more to come, as the singer/songwriter Dennis Hellmann and I recorded by ourselves before putting the band together, and then via email after I moved. The stuff before is great but a little rough around the edges at time, especially when other collaborators are involved (not the guys in the eventual band). The stuff after is great, and I have no qualms about releasing it as it stands now.
For the record, I have zero shame in liking this music so much because frankly, all I did was play the guitar, and on every album but this one, I never heard any of the songs until after they were finished and a full album. When we were working by email, sometimes that was months. There's still one we recorded ten years ago that I've never heard (massive production stall, and then some). Dennis wrote almost all the songs on bass with an Acid Pro backing track, then I came in and laid guitar. In the case of this particular album, Devil Swank, Vol. 1, former Tub Ring drummer Dave Tavares - a long-time friend well before this band - and the dearly departed Jeremy Musika helped Dennis and I re-arrange preexisting material for a four-piece band.
It's nice to finally get this stuff on streaming platforms so I can seamlessly interject it into my Halloween playlist.
31 Days of Halloween:
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
10) Firestarter/George A. Romero's Bruiser
11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2
12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses
13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)
I know I post a lot from these folks, but their covers are always so damn awesome. This one really made me laugh this morning, not because it's funny or they're making fun, but because it just looks like they are having such a good time covering this classic Ozzy song which has kind of slipped into the seat cushions of my life. Thanks for the reminder guys - gonna fire up Diary of a Madman now.
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
10) Firestarter/George A. Romero's Bruiser
11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2
12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses
I'm really trying to mix up the 31 nights of viewing this year, however, there are a few films that are absolute must-watch entries every year. Rob Zombie's House of 1000 Corpses is one of those. Here's the opening scene, which next to the opening scene from Christopher McQuarrie's 2000 Way of the Gun, is my favorite intro to a movie ever:
See? The level of humor and unease mix so well in this scene, and that could not have been easy to do.
The Horror Vision:
Here's the newest episode of The Horror Vision - our 2 year anniversary episode no less. Also available on all streaming platforms.
I've been hip-deep in old Skinny Puppy records and it feels great. It's been a while since I've sunk this deep into theirt catalogue, and I've even begun making inroads into listening to some of their later records, beginning with 1996's The Process, a record I avoided when I was younger because of all the hulabaloo around its release. I have to say, other than the first song - which is the only track on the record that was recorded at their old Canadian studio - I'm not entirely convinced I should go any further. Last Rites always just seemed like a perfect place for their existence to stop.
31 Days of Halloween:
We did the first two episodes of Mike Flanagan's new The Haunting of Bly Manor yesterday for our main entry in 31 Days of Halloween. Really good. Flanagan's craft continues to evolve, his ability for total immersion in the worlds he creates among the best out there. Based on the works of Henry James, basically wrapping all of his ghost stories up into one narrative, I can't wait to see where this goes.
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
10) Firestarter/George A. Romero's Bruiser
11) The Haunting of Bly Manor (episodes 1 & 2)/Texas Chainsaw Massacre 2
Playlist:
Skinny Puppy - Last Rights
Skinny Puppy - Inquisition EP
Naked Raygun - Raygun... Naked Saygun
Bauhaus - Burning from the Inside
Bauhaus - The Sky's Gone Out
Van Halen - 1984
Skinny Puppy - Too Dark Park
Card:
This card suggests a reserve of quiet strength and a domestic outlook. This is interesting when I juxtapose those concepts with my own continued estrangement from the state in which I live. Over the last few months, I've begun to seriously long for transporting my life with K to a more reliable, affordable, and low key location. Small town life sounds amazing to me. I think some of this is just a natural reaction to all the insanity the last four years have produced, however, I am not foolish enough to think that if captain hairdo gets voted out things will change or get better. In fact, regardless of the outcome - in which I definitely hope captain hairdo is ousted - I think things are only going to get worse. This is where that reserve of quiet strength comes in handy, and I'm happy to be reminded of it now.
I knew nothing of David Borden until my good friend Chester sent me a link to the above track this morning. I must say, I went in blind, having only just woken up, and was immediately entranced. This led to a google-storm that finished at the Bandcamp page HERE where you can buy this wonderful re-issue of Music For Amplified Keyboard Instruments for only $8.25, lovingly released by Cleveland, Ohio's Spectrum Spools. This is the label also responsible for Belong's October Language, one of my favorite ambient or soundscape records in the last ten years
From the Bandcamp page: "If there was ever a missing link in American Minimalism, David Borden is that link. He not only composed, innovated and performed in the peak years of this imperative movement, but did so on his own terms, with a startling lack of recognition for his revelatory contributions to contemporary musical history."
Wake of a Nation EP out October 23rd, pre-order HERE.
31 Days of Halloween:
Last night's viewing was an unexpected one: Darren Lynn Bousman's Repo! The Genetic Opera. It'd been probably six years since I saw this one last - I remember because that was a communal viewing in a cemetery with a shadow Cast! At any rate, I had to dig my DVD out of storage, but it was well worth it. I love this flick so much, especially Anthony Stewart Head's character. Here's one of my favorite scenes:
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
Oh! And I did attempt to watch 976-Evil II, but within 30 minutes deemed it unwatchable. I do not believe this is Mr. Wynorski's fault; quite the contrary. Within the film there is an evident barren feeling due to what I would imagine is a limited budget and a complete misuse of the funds they did have. The sets are often barren, as with the hotel room George "Buck" Flower's Turrell finds himself in after being taken into protective custody by the police. I don't know if I'm simply still adjusting to having a 4K television and how it highlights shortcomings in older productions, but the sparse contributions by the Art Department, and the ridiculous explosions (a toilet? Really? You spent production money on an exploding potty?), combined with the limited lighting, made me feel as though I was watching this one through the view screen on a camcorder.
Also, the gratuitous Spike-with-Machine-Gun scene was just lame.
Read:
After I finished re-reading Clive Barker's iconic The Hellbound Heart, I picked up the Kindle edition of The Toll, a novella written by Mark Miller, who works with Mr. Barker at his production company, Seraphim.
From the author: "Hellraiser: The Toll is a novella that bridges the events of The Hellbound Heart and The Scarlet Gospels. We thought it would be fun to see what kinds of hell Pinhead had been raising before we saw him in The Gospels. In Clive's novel, there's mention of a lot of mayhem Pinhead has been getting into in preparation for his hostile takeover of Hell. So there was lots of room to dive into what exactly that mayhem might look like. And in that conversation between Clive and me, it seemed to make sense that he'd visit Kirsty and that he'd also want her to be a witness for him, since their fates are tied together.
"It's a short book, but Kirsty goes through a lot along the way. And we also get to see who she's become since her time with the legendary hell priest. I'd written for the comic, which was an incredible experience. And having worked so closely on Gospels, and also with Clive all these years, when he gave me his blessing to take them into the world of prose, I hit the ground running and never looked back. A lot like Kirsty in the story. But you'll have to read it to find out exactly what that means."
I liked The Toll, but I didn't love it. It's cool to see a literary sequel to the Hellraiser film, as opposed to a sequel to The Hellbound Heart. There are definite differences between the two, primarily that in Hellbound, Kirsty is not the daughter of Julia's husband, and he is not named Larry. Instead, Julia's bough is Rory, and Kirsty is merely a friend. Barker's original novella is, of course, well worthy of its iconic status, however, being that he wrote and directed the film, the book has always seemed to me a first pass at what he eventually perfected on camera.
How often does that happen, eh?
At any rate, I liked catching up with Kirsty, and I loved the story's utilization of the defunct Devil's Island prison as a gateway to The Wastes. That said, the story seemed a bit rushed and under realized, and I could have done with a more fleshed out Pinhead (pun intended), not the mostly perfunctory one we receive instead.
Either way, Barker's The Scarlet Gospels looms on my horizon. First though, I once again find myself in the mood for a Halloween-timed re-read of Bret Easton Ellis' Lunar Park.
Playlist:
We're in full Autumnal musical territory now:
NIN - Pretty Hate Machine
Joy Division - Still
Bauhaus - In the Flat Field
The Final Cut - Consumed
Darkness Brings the Cold - Devil Swank, Vol. 1
Naked Raygun - Raygun... Naked Raygun
Skinny Puppy - Too Dark Park
Card:
The watery aspect of fire, or the ability (and experience) to know when to temper intellect with emotion. Also, clear insights and the fresh perspective of adopting the perspective of another and cutting your own head off long enough to truly experience that other perspective.
Damn. I just received word from Mr. Brown that Naked Raygun Bassist Pierre Kezdy has died at 58. Chicago local, Kezdy played on all the Raygun releases I heard in my high school group of friends when people's older brothers began to decimate albums down through their younger siblings' ranks. Holding You is the first Raygun song I ever remember hearing, and it's still my favorite. Something about that Sax. From the album, Raygun... Naked Raygun, which always struck me as hysterical when combined with the album art concept, a kind of James Bond-esque, cut-out, paper doll incoporating the band members' faces.
Very cool. These guys, along with Pegboy, The Effigies, and Big Black were the Chicago bands that formed my teenage views of one half of Chicago's musical scene/legacy (the other half of that being the Industrial scene).
It's about time I brought out the Bauhaus. Of course, it hasn't been easy getting into a Halloween state of mind with the heat wave in LA, however, it appears *fingercrossedfingerscrossed* to have broken. 80? 75? I'll take it. Especially with the sun setting noticeably earlier now. So yeah, King Volcano is here...
In the course of posting this song, I came to realize that neither Burning From the Inside, nor The Sky's Gone Out are on streaming platforms at the moment. This leads me to believe there may be a rights struggle between Murphy and the rest of the band. Interesting...
Also of interest, I randomly found that two days ago, Crippled Black Phoenix released a cover version of "She's in Parties", the first Bauhaus song I ever heard and the one that made me an immediate fan.
31 Days of Halloween:
Last night's viewing was a classic, 80s Horror flick:
Well, classic to me. I'm not sure why I have such a soft spot for this one. I definitely love the set design and the lighting. I especially love the outdoor sets, like the cinema and it's "Continuous Horror Marathon All Seats $1.99" marquee, or the street in front of Dante's Shuffleboard and the pay phone next to it. Hell, I just love that there's a business called Dante's Shuffleboard. Also, being that Robert Englund made his directorial debut here, the movie definitely borrows from A Nightmare on Elm Street's dream sequences. The scene where Hoax confronts Spike in the boys locker room looks awesome with its bluish-green fog. Ridiculous for a locker room, but cool nonetheless.
So, after watching the original 976-Evil for the umpteenth time, I checked around and found that the sequel from 1992 is currently free with Prime. I've never seen this, and was delighted to find that with Englund gone, the studio hired Jim Wynorski of Chopping Mall fame to helm the continuation of the story. Alas, I was only able to watch the first fifteen minutes or so before falling asleep, however, I'll definitely be revisiting this one over the weekend.
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
Playlist:
Uncle Acid and the Deadbeats - The Night Creeper
Dance with the Dead - Loved to Death
Trust Obey - Fear and Bullets
Joy Division - Still
Iron Maiden - Fear of the Dark
NIN - Pretty Hate Machine
Card:
Hmmm... my previous pull from this deck came back with the same card.
Although I'd been teasing it for a few days, yesterday I finally fell down the Type O Negative well. It felt GREAT. I swear, I'm not one to say that any one band is 'my favorite band,' but if there's a band that fits 'me' best, it's most likley Type O. I miss them intensely.
I'll take this opportunity to mention that I've dropped the 'Isolation' title from the blog because between two outings to the Drive-In with Ray, the hotel we stayed in after Saturday's Lynch Triple feature (terrifying - imagine 100+ weather and a courtyard with a pool thronged with people, roving packs of maskless children, etc. Fucking petri dish), and visiting Butcher and his family, the isolation phase has been broken and, even if I remain isolated again going forward, that particular spell is broken. I'm still undecided if I will change the name of the blog again. We'll see.
31 Days of Halloween:
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
Soon:
Chalk this one up to something I just heard mentioned on the Bret Easton Ellis podcast but never actually thought would be made. Via the mighty Bloody Disgusting, Tim Hunter - who is listed here as "a director of Breaking Bad" and, while that is accurate, a Director I have loved since I saw his 1986 flick River's Edge, which, like Smiley Face Killers, stares Crispin Glover, another total draw for me. Hunter has mostly done TV through the years, but its been a lot of the stuff I like. Back in high school, when I first saw River's Edge, his name was already known to me by way of the three stellar episodes of Twin Peaks Season Two he directed. From there, the list includes a lot, but specific to my viewing, Deadwood, AHS, and yes, Breaking Bad. Anyway, this trailer isn't blowing me away, but I'll definitely be checking this one out on VOD come December 8th, just to support it.
Playlist:
Death Individual Thought Patterns
Type O Negative - Life is Killing Me
Deftones - Ohms
Type O Negative - World Coming Down
Type O Negative - October Rust
Type O Negative - The Origin of the Feces
Type O Negative - Dead Again
The Ocean - Phanerozoic II
Kevin Ayers - The Confessions of Dr. Dream and Other Stories
Card:
Perhaps a little bit of interior harmony as I (hopefully) head in to a mellower day at the Biorepository and have begun working on the book again, Writer's Block be damned. (It's not Writer's Block, it's exhaustion).
I'm not really a Van Halen fan, and as revolutionary as Eddie Van Halen's guitar style was at the time Van Halen's eponymous debut hit the world, he really just played 'Eruption' over and over for the rest of his career. That's not exactly true, but it's not exactly wrong, either. Doesn't matter: first rock album I ever owned was 1984, and I've loved it ever since. The singles are all gold, but the deep cuts are infinitely better, imo. I almost posted Drop Dead Legs here, but instead I went with Top Jimmy just because I think the intro guitar is some of the most under-stated playing EVH ever did, and that makes it even more awesome. If there's a stage in Heaven, Eddie's gonna take a turn.
31 Days of Halloween:
I've been flim-flamming between calling this segment "31 Days of Horror" and "31 Days of Halloween," but I think I'm going to finally settle on the latter, simply because my activities of the last few days have put me in situations where my entries for the day skew outside the realm of Horror. My definition Horror is definitely open to a lot of interpretation, but I feel like I'm really pushing the envelope including Mulholland Drive and Synchronic. So Halloween works a lot better this year.
Monday night, my Horror Vision co-host Ray and I hit our final night of Beyondfest 2020 programming at the Mission Tiki Drive-In with the West Coast Premiere of the looong-awaited new film from Justin Benson and Aaron Moorhead. Synchronic is everything I thought it would be and more, but it also surprised me. These guys are great filmmakers who will no doubt become Nolan-level in time, and I feel privileged to have now seen the film that I believe will bridge the 'Independent' era of their career with what comes next.
Also, Monday night was a double-feature, and Ray and I were also lucky enough to catch the premiere of Justin Simien's new film Bad Hair:
Bad Hair premieres on HULU on October 23rd, and it's a damn good time. If you look up in the right hand corner of this page, you'll see my little Spotify widget has updated with our quick-take, spoiler-free review of both these films.
Finally, last night K and I sat down to watch a flick she's been wanting me to see for a few months now, ever since it popped up on Prime. And what I realized once the film began is, even though I'd been seeing the VHS cover art since I was a little kid, I had completely missed or forgotten that Dolls is a Stuart Gordon film! This, of course, won me over immediately, as did the film, which is excellent in that 'the storm forced us to knock on the door of the creepy old mansion and now we're all being picked off one by one' way that keeps coming up lately, whether it be in Dolls, April Fool's Day, or Clue, all excellent films in my humble opinion. Also, I'm really making an attempt to watch some new stuff this year, instead of just filling the month with my standard October films. This and The Wolf Man were good starts in that direction.
1) The Wolf Man
2) From Beyond/Monsterland: Port Fourchon, Louisiana
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
Playlist:
Deftones - Ohms
The Plimsouls - Everywhere at Once
Mastodon - Leviathan
Ainoma - Necropolis
Type O Negative - Life is Killing Me
Van Halen - 1984
Mastodon - Medium Rarities
Fear Factory - Demanufacture
Card:
Cause and Effect: I've been unable to right for about a week, and my self-esteem is in the toilet. Go figure.
I'd never head of Night Club before when this track from their forthcoming album Die Die Lullaby showed up in my youtube feed. The aesthetic is obviously in my wheel house, so it caught my eye. After watching the video, I can say I dig the visuals but am unconvinced by the music. Still, might not be my thing exactly, but I was intrigued enough to google them, where I found Night Club did the music for a show I have never seen but K has been wanting to show me since we met, Moonbeam City. This put the band in my, "need to know more" category. In the meantime, if you're so inclined, pre-orders for the new album can be had HERE.
Love the close-up of the zombie hand clap, and the appropriation of the Brady Bunch squares.
31 Days of Horror:
Saturday night, K and I hit the Beyondfest David Lynch triple feature at the Mission Tiki Drive-in Movie Theatre. Blue Velvet, Mulholland Drive, and Lost Highway, however, we only stayed for the first two, the second of which ended about 12:30 AM and precipitated us returning to our hotel - a freakish experience in COVID times, let me tell you - in time to catch the Hal Holbrook-starring segment "The Crate", from 1982's Creepshow on some cable network's month of Halloween flix.
1) The Wolf Man
2) From Beyond/Monsterland: Port Fourchon, Louisiana
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
Playlist:
X - Los Angeles
Darkness Brings the Cold - Devil Swank, Vol. 1
Misfits - Collection II
Metallica - Master of Puppets
Styx - Pieces of Eight
The Runaways - Queens of Noise
Kevin Ayers - The Confessions of Dr. Dream and Other Stories
Rupert Lally - Where the Dark Speaks
Card:
This could be a reference to the weird cycle I find myself in with writing at the moment - a cycle preventing me from doing much of it - or to the film I'm headed out to see tonight at Beyondfest's Mission Tiki Drive-In screening of Benson and Moorhead's Synchronic, which I'm thinking is a continuation of the world they began in Resolution and The Endless, and involved loops, reiterations, and cosmic comeuppance. Maybe it's both.
I think calling Rupert Lally's Where the Dark Speaks a 'Stephen King' tribute is both accurate and an understatement. In the notes for this record (which you can read in full HERE), Lally beautifully states, "Stephen King's books took me to places so vivid it seemed like I'd actually been there," and when you listen to the tracks on this record, the depths of Lally's travels into the Kingverse show. However, the record also completely stands on its own as a beautiful little slice of atmosphericic Heaven, perfect for October and the Halloween run-up.
But back to the King...
All the songs on Where the Dark Speaks are named after places from King novels - whether it's the Marsten House from Salem's Lot, the Overlook Hotel from The Shining, or, from a more recent novel, The Institute, from King's 2019 novel of the same name, these tracks submerge you in Lally's imagination's interpretation of King's work, and it's glorious!
Finally, look at that cover art, by Eric Adrian Lee - wow! Check out his website, too, for more glorious retro and wholly original visual landscapes.
New Meg Myers? Yes! Wow, Ms. Myers music just keeps getting more lush and interesting. This is obviously very produced, almost to the point that it sounds like a pop queen's record, except her song writing continues along a track that puts her as a natural heir to the lineage that Kate Bush began and Tori Amos continued. Image that: a pop Kate Bush. Actually, as luck would have it, we don't have to imagine it, because here it is.
Pre-order the new album out November 11th on Sumerian Records HERE.
News:
Being that I run a small business, really a micro business at this point, I'll always use this space to promote what The Horror Vision/THV Press is up to. Most recently, I've branched out into THV as a boutique record label. That's right. There is some new music on the horizon, but first up, I've finally taken steps to get the albums I did with Darkness Brings the Cold onto streaming platforms. First up, Darkness Brings the Cold - Devil Swank, Vol. 1 is now on all streaming platforms. Here's a link to Apple Musicand I've updated the widgets on the right hand side of this page with a Spotify widget.
Watch:
Thursday night was a HUGE event viewing night for K and I. We started with the Raised By Wolves Season One Finale. This is now one of my favorite shows going, as it is absolutely unlike anything I have ever seen before. Also, I once again have a teeny tiny sneaking suspicion this may end up tying into the Prometheus/Alien Universe. It doesn't matter if it does or not - hell, at this point, I'd overall probably rather it didn't. But either way, I love this show. Here's the opening credit sequence, with music by Ben Frost, who I am thrilled to see moving on from scoring Netflix's Dark to something as high profile as this.
After Raised By Wolves, we changed it up and did the South Park Pandemic Special. South Park is often hit or miss with me, and I'm not a die hard. Season 19 - the introduction of PC Principal was one of the most genius satires I've ever seen, and this special is right up near it. Maybe I just really needed to laugh, but there was one scene that I honestly believe made me laugh harder than I have ever laughed before. It felt GOOD.
Here's the opening musical number, I Love You Social Distancing, which I guess could kind of be a theme song for this blog:
31 Days of Halloween:
Also over the last two nights, we started our 31 Days of Halloween ritual, month-long viewing. This year, I thought I'd work in as many short films as I could, and as such, it occurred to me to finally take care of a little unfinished business.
I've watched The October Society's Tales of Halloween several times now and never taken to it, and just seems completely insane to me because I love pretty much every director who had a hand in making this anthology. So to kick the first two nights off this year, we began taking one or two shorts a night, as kind of a throwback to old school theater experiences, where cartoons or serialized pulp adventures would precede the feature. First up then was David Parker's Sweet Tooth on Thursday, with Adam Gierasch's Trick and my favorite thus far, Darren Lynn Bousman's The Night Billy Raised Hell.
Moving on to features, we capped Thursday with George Waggner's original, 1941 The Wolf Man. A perfect film to kick off this year's October viewing, especially with a full moon that night (and another coming on the 31st; oh 2020, what sights you have to show us).
Friday was a half day from work, and I continued the 31 Days with an afternoon viewing of Stuart Gordon's From Beyond. I had no idea this was coming to Shudder, so the moment I saw it in the Just Added section, I hit play. This one is even better than I remembered it - first and only viewing was quite some time ago - like maybe 20 years. From Beyond is a practical FX extravaganza, and Jeffrey Combs, Barbara Crampton, Ken Foree, and Ted Sorel act their asses off!
Next, HULU premiered their new series Monsterland on Friday. I know I've talked about this in these pages ad nauseam, but now that it's here, I'm overjoyed. Monsterland is, of course, an adaptation of Nathan Ballingrud's first collection of short stories, North American Lake Monsters. I've been waiting for this one since I got to meet Babak Anvari, the Director of Annapurna Pictures' first adaptation of Mr. Ballingrud's novella The Visible Filth, 2019's Wounds, at Scream Fest last year.During my brief discourse with Mr. Anvari - super nice chap, btw - we geeked out over Ballingrud's writing and he excitedly mentioned this series was en route.
The first episode, Port Fourchon, Louisiana, adapts the first story in the book, You Go Where it Takes You. I really think Bloody Disgusting/Fangoria writer Megan Navarro drove the proverbial nail in the palm when she wrote of the show, "... cuts straight to the heart of the human condition and at its ugliest and most hopeless. It's not the monsters that provide the horror here, but humanity." (Full article HERE). This is definitely a downbeat, philosophically reflection on humanity and the corners we like to paint ourselves into.
Let's start the count:
1) The Wolf Man
2) From Beyond/Monsterland: Port Fourchon, Louisiana
Playlist:
Deftones - Ohms
Deftones - Diamond Eyes
Sepultura - Quadra
Type O Negative - Bloody Kisses (digipak)
The Sisters of Mercy - Floodland
Tangerine Dream - Sorcerer OST
Darkness Brings the Cold - Devil Swank, Vol. 1
Also, I spent a lot of time updating my All Hallows Playlist and adding it to Spotify. Here's a link:
If you've been reading these pages long enough, you probably know that David Lucarelli is the author of both The Children's Vampire Hunting Brigade and Tinseltown comic series. He's also a friend. A jack of all trades, David recently brought back his band Dame Fortune with a brand new track, and after listening to it oh, maybe a dozen times the other day, I have to say, it's got a shit ton of swagger, awesome lyrics, and the kind of 1987, Sunset-strip bravado that catapulted a lot of hard rock bands to instant stardom back in the days of my youth. It's usually hard to reach me with that kind of sound, but call me crazy, Am I a Warrior rocks, and it's exactly what I needed to hear right now.
Read
I picked up one new comic that was not on my list until I saw it on the shelves yesterday and I have to say, I have not spent $5.99 in a comic shop in quite some time that has brought me so much joy. What book is it I speak of?
This is a big, floppy, glossy volume of absolute joy that takes me back to how much I loved comics as a kid. The first (of three) stories inside is from the old Mirage TMNT, now colorized by Tom Smith's Scorpion Studios (new to me, but I love the name and they did a fantastic job). It tells the tale of Raphael's first encounter with Casey Jones. This is old school, and glorious because of it, and it set the stage for a fabulous reading experience, juxtaposed with two newer, IDW-era Raph stories (both also featuring Casey). Well worth a look.
Playlist:
Electric Wizard - Let Us Prey
Deftones - Ohms
Deftones - Diamond Eyes
Kensonlovers - Keep Rolling
Blood Incantation - Hidden History of the Human Race
Mannequin Pussy - Patience
Bob Mould - Blue Hearts
Card:
I don't feel nearly as grounded as drawing a three would suggest, however, per the Grimoire, "denotes upon appearance a situation to know yourself, what you want, and throw your self doubt away."
