Street Trash, Baby!

 

You can grab this and a bunch of other Ten Athlone goodness directly from their site HERE. From the Street Trash E.P. by Ten Athlone.

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Watch:

Ryan Kruger's Street Trash is, indeed, fantastic. In fact, it's jumped the top ten line and landed somewhere in the center. It's goopy, gory, bombastic and a lot of fun. Also, the characters are fantastic!

I really can't say enough good things about this one. It's true to the 80s Exploitation roots, not over-done production-wise, walking a line between bare bones and full-bore, which is great. It leads to fantastic practical FX right in line with the original and a very DIY underbelly that endears the film and its characters to you even more. 

Ryan Kruger's Street Trash is a $4.99 rental on Prime at the moment. If you're a fan of Pschyo Goreman and/or Hobo with a Shotgun, definitely give it a try. If you don't know either of those films but you want to get your weird on, this will do nicely.

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Read:

My reading has been sporadic at best of late, but I've failed to post about it here. After blowing through Laird Barron's new collection, Not A Speck of Light (from Badhand Books HERE), I side-stepped directly back into his previous collection, 2016's Swift to Chase.

Barron's work brings out the obsessive in me, and I'm reading these stories with the Laird Barron Mapping Project never more than a click or swipe away. There are all kinds of weird connections I've felt the edges of previously but not fully grasped. Also, somehow I never really understood the concept that some of the stories take place in what is called Barron's Antiquity Universe, so I'm gearing up to read all of those in a row soon. But first...

As I finish the last few pages of Swift's final story Tomahawk Park Survivors Raffle, I'm also about halfway through Ivy Tholen's new Slasher novel Mother Dear:

Once again taking place in the town of Belldam, Texas, Mother Dear is rife with the kind of under-the-radar social commentary I've come to expect from Ivy's books. The characters - while unlikeable - are so perfectly engineered that they feel like archetypes and actual people I know all at the same time. The opening death is magnificent, and the insidious manner these spoiled, rich folks burrow into my brain via their "first world, 1% problems" reminds me a bit of Bret Easton Ellis' American Psycho in approach, if not actual execution. 

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Playlist:

John Carpenter - Lost Themes IV: Noir

Ghostland Observatory - Sad Sad City (single)

Uncle Acid and the Deadbeats - Blood Lust

Sumerlands - Dreamkiller

Chelsea Wolfe - She Reaches Out to She Reaches Out to She

Godflesh - A World Lit Only By Fire

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Card:

Today's card is XII: The Hanged Man.

My big take away with this card has always been Four points over one, or reason triumphs over spirituality. Dark ages begin or dreams tripped up by rational thought. This doesn't have to be a bad thing, and I think this card is especially dependent on those around it in a pull. 

In his The Book of Thoth, Crowley writes extensively about this card. A lot of it is the usual impenetrable associations to Elemental forces, initiation, and Astrological forces. One idea that stands out is sacrifice, but not just standard sacrifice. Sacrifice as a form of Baptism or Death. This is, after all, the card of the "Dying God."

Ghostland Observatory

 

It'd been a while since I'd seen a clip of Ghostland Observatory playing in the drums/guitar combination; thought I'd share, seeing as their music has slipped back into my rotation.

 

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NCBD:

Let's talk about yesterday's pull. Started out, I thought this would be a light week. As often occurs, though, I came home with more than I bargained for:

GIJOE: ARAH has the oddest publication schedule! Every so many months, it takes an extra month off between issues. Not really a complaint so much as an observation; I still haven't actually put this on my pull list, so my interest buoys at best. Still, with Larry Hama at the helm, despite the 200 issues I missed, I'm enjoying reconnecting with this one, especially in the midst of this "Battle for Springfield" total clusterfuck storyline. Allegiances shift, enemies become allies, and this issue set us up for a Destro vs. Serpentor Khan mano y mano next issue - bring it on!

 

First issue picking Oni Press's EC Comics Epitaphs From the Abyss up monthly. Loved the series so far, figured I'd stay on for a while. Another I haven't actually added to my Pull, so I might have to do that tonight.

Loved the first issue of this. Notice how Batman on the cover looks an awful lot like Keaton's Batman from 1989. Interesting. I've talked about this one a bit on Drinking with Comics and The Horror Vision - maybe my cohost is just rubbing off on me, but it's so nice to have short, left-of-center Batman stories to read here and there. Also, I'm sure at some point Bruce has squared off with some kind of Lycanthrope before, but this is the first time I've seen it and so far, kinda fantastic. 

Speaking of the Dark Knight...

I finally got my hands on a copy of Dan Jurgens, Mike Perkins and Mike Spicer's The Bat-Man in First Knight issue #2. I had grabbed the first off the shelf back in March and dug it, however, this one slid right off my radar after that and it wasn't until last month when I visited my Chicago shop that I located issue three. But what the hell can you do with the first and last of a three-issue series? So it was with great excitement I saw issue 2 on the shelf at Rick's yesterday. Can't wait to read this entire series. Batman in the 30s, no tech, pure detective. Very cool. 

Next, and I had no idea this was a thing until I saw it on the stands...

Rebekah and David Ian McKendry have a comic from Dark Horse? I grabbed this after seeing their names and I can tell you, this might be my favorite first issue of the year. Really cool story that has all the markings of a great cult film but in comic form. Here's the solicitation blurb from League of Comic Geeks:

"At the center of the Mojave Desert, at the crossroads between hell and gone, lies Barstow. Agent Miranda Diaz is in this godforsaken land on the trail of a missing agent. He's a man she's never met, and yet her name was the only clue he left behind. Something dark... something demonic... lurks beneath this oddball town, but can Miranda unravel the mystery before all hell breaks loose?"

As good as that sounds, I don't think it quite does the book justice. This reminds me a bit of David Lapham's Lodger and a bit of Alex Cox's Repo Man construction-wise. Really interesting, and I'm dying to see where it goes. 

Finally, I'd forgotten about Mark Spear's Monsters entirely until I saw issue two on the shelf last night:

I haven't had a chance to read this one yet, and honestly, the first issue came out back in September, so I should probably one-two them, however, the art continues to baffle and astound me. 

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Watch:

Not sure how I neglected to post this one here yet, but I am really looking forward to Ryan Kruger's Street Trash!

This is up as a rental on Prime for $4.99, and I'm aiming to sit down with it before the week's out. One of my most eagerly anticipated films this year.

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Playlist:

Ghostland Observatory - Paparazzi Lightning

Interpol - Turn on the Bright Lights

Drug Church - Prude

Frank Black - Teenager of the Year

Kings of Leon - Because of the Times

Sepultura - Lookaway (single)

60 Songs That Explain the 90s - "What's Up" 4 Non Blondes

4 Non Blondes - Bigger, Better, Faster, More!

Zombi - Shape Shift

Deafheaven - 10 Years Gone

Opeth - My Arms Your Hearse

Chelsea Wolfe - She Reaches Out to She Reaches Out to She

John Carpenter - Lost Themes IV: Noir

Arcade Fire - Everything Now

Frightened Rabbit - The Midnight Organ Fight

Amigo the Devil - Yours Until the War is Over

Francois-Eudes Chanfrault - Computer Assisted Sunset

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Six of Cups

• Two of Pentacles

• Page of Cups

Seek guidance in something bigger than yourself. I nod to slip outside of the id and ego and look for a deeper connection.

The Salt Will Come Out in the Wash

 

From sElf's 1999 masterpiece Breakfast with Girls, which has been in regular rotation at our house of late. Driving back from Chicago today. Saw Deafheaven and Interpol last night. My first time at Salt Shed. Pretty nice venue (I wasn't in love with Deafheaven's sound). Tired A.F. Probably start the drive with this one.

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Playlist:

sElf - Breakfast with Girls

Beck - Odelay

Cypress Hill - III: Temples of Boom

Bandsplain - NIN

Huey Lewis and the News - Sports

Steely Dan - Katy Lied

Bob Seger and the Silver Bullet Band - Night Moves

Boston - Eponymous

Arcade Fire - Everything Now

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New Music from The Jesus Lizard!

 

New music from The Jesus Lizard! This non-album single follows in the wake of this year's Rack, the band's first album in 26 years. Hoping for an E.P.

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Watch:

I continued Noirvember last night with my first-time viewing of Jules Dassin's 1948 The Naked City.

I have to say, this eventually won me over, but I didn't love it. I think the expectation set by notoriety and my previous obsession with the John Zorn album may have led me to believe this would be something more than it is. Darker. Also, it doesn't help that this is essentially the template for all of the Bug Bunny cartoon Noir trope lampoons, from Muldoon down to the narrator. Still, as the story evolves, it grows more endearing. Released four years after Double Indemnity, though, I was expecting sharper teeth.

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Playlist:

Uncle Acid & the Deadbeats - The Night Creeper

Uncle Acid & the Deadbeats - Nell' ora blu

The Jesus Lizard - Rack

Antibalas - Where the Gods Are in Peace

Chelsea Wolfe - She Reaches Out to She Reaches Out to She

Moon Wizard - Sirens

PJ Harvey - Stories from the City, Stories from the Sea

Melvins - Tarantula Heart

Interpol - Turn on the Bright Lights

Somnium Nox - Apocrypha EP

The Atlas Moth - Coma Noir

Oh Baby - The Art of Sleeping Alone

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Godflesh's Streetcleaner turned 35!

 

This past Wednesday, Godflesh's seminal album Streetcleaner turned 35! That's three-and-a-half decades since this blistering slab was released upon an unsuspecting world. 

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Watch:

Last night, I showed K Fabrice Du Welz's 2008 film Vinyan. Homework for an upcoming episode of The Horror Vision Presents: Elements of Horror.

This is a favorite from the 00s, a film I own on DVD but haven't watched in quite some time. I think I originally saw this via Netflix back in the USPS days, immediately purchased a copy, rewatched, then did not watch again until a viewing in 2021 that I have no memory of (but posted about HERE. THIS is why I maintain this site!). Regardless, the film has stayed with me quite clearly ever since; it's a haunting journey into loss and madness, and Rupert Sewell and Emmanuelle Béart give powerful performances that really drive home the horror of their situation - which keeps getting worse. Basic synopsis from IMDB

"A couple are looking for their child who was lost in the tsunami - their search takes them to the dangerous Thai-Burmese waters, and then into the jungle, where they face unknown but horrifying dangers."

Even without children, the setup strikes me as particularly horrific, but when you add in the 'we're in over our heads and probably in terrible danger" of the approach the characters take, contracting local gangsters to take them into Burma, the tension continually increases. 

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Playlist:

The Cure - Songs Of a Lost World

Neon Nightmare - Faded Dream

Godflesh - For Those About to Rock (We Salute You)

Feel the Knife - So Raw... So Nasty... So Hideous

Dreamkid - All Thriller, No Filler

Dreamkid - Daggers

Frankie & The Witch Fingers - Data Doom

Godflesh - Streetcleaner

Melvins - (A) Senile Animal

The High Confessions - Turning Lead Into Gold with the High Confessions

USSA - The Spoils

Self - Breakfast with Girls

Uncle Acid and the Deadbeats - Vol. 1

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Card:

Today's card is the Ten of Wands, affectionately dubbed "Oppression" by Mr. Crowley.

First, I finally made a list to keep track of what cards I'm using for the study. As I suspected, looking back at the entries since I began this at the beginning of August, I've retread several cards multiple times. My next post will examine what that might be trying to instill in me, for today, we'll just continue on the current course.

The Ten of Wands is an easy card in my head - Tens are the association of Malkuth, the Earthly plane. So we are oppressed by the physical realm, whether that means the limitations of our bodies, our money or lack thereof, whatever. 

Let's take it a bit deeper, though. 

In The Book of Thoth, Crowley goes on about all kinds of things I don't give a toss about feeding into my interpretation. One thing that hits home, though, is this:

"It is a Will which has not understood anything beyond its dull purpose, its "lust of result," and will devour itself in the conflagrations it has evoked."

Maybe we didn't need that entire quote because the idea I want to hone in on is the "lust of result." Anyone who has studied Chaos Magick knows this as the enemy. Whatever you want to achieve, your lust of result will get in the way. This to me, fits in perfectly with the idea I set out above, the kind of 'shackled by Malkuth," because what is that lust of result if not Malkuth exerting itself upon us?

Glass Beams

 

I had never heard of Glass Beams before the incomparable KEXP put them in my feed. Kind of akin to Thievery Corporation's The Mirror Conspiracy if Spoon wrote it. Check out their Bandcamp HERE. Also, I have to say if you're not following KEXP on YouTube, you're missing out. 

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Watch:

I caught the trailer for Heart Eyes before Smile 2, and I'm definitely giving this one a chance. 

Love that f*cking mask! 

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NCBD:

Light week this week. 

Astrotrain! I love how they've made this character a big deal in the Energon Universe and I'm curious how he ties into the second part of the Starscream's origin arc.

I have to say, I am far less excited about this than I thought I'd be. Still, I'm sure good things are coming that I just can't quite see at the moment. 

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Playlist:

Oranssi Pazuzu - Muuntautuja

Oranssi Pazuzu - Live at Roadburn 2017

Oranssit Pazuzu - Mestarin kynsi

Ministry - HOPIUMFORTHEMASSES

FACS - Still Life in Decay

Mr. Bungle - California

Spoon - They Want My Soul

Chelsea Wolfe - She Reaches Out to She Reaches Out to She

Interpol - Antics

Deafheaven - New Bermuda

Interpol - Turn On the Bright Lights

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Noirvember!

 

Yesterday would have been Ennio Morricone's 95th birthday. Sadly, the legend left us back in 2020, but here at the onset of Noirvember, I couldn't pass up posting the title theme from his score for Sergio Sollima's 1970 Città Violenta, AKA Violent City.

 

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Watch:

So yeah, I have so much fun with 31 Days of Horror every year that I've decided to pick up on another month-long theme for viewing. That's right - Noirvember is officially underway! 

This is the first time I remember hearing about this one, courtesy of an article on Bloody Disgusting last week. It sounds perfect for the early darkness of November (which is totally f**king with me this year, for some reason). We kicked this off last Friday night with a screening of The Cohen Brothers' stunning debut, Blood Simple!

I love this film. So stark, brutal and just dark, man. DARK! Every performance is a gem; so many little Cohen Brothers flourishes help endear this one. Perfect example - the incinerator out back of Julian's bar. I would argue this is as much a Horror film as it is Noir, but there's no need to argue because no matter how you classify Blood Simple, it's a powerhouse and a classic, perfect for kicking off Noirvember! (Also, I love how much this poster reminds me of my favorite poster for Lucio Fulci's House By the Cemetery).

Next up, Billy Wilder's 1944 seminal classic Double Indemnity!

Nothing I can say about this film that hasn't been said a million times by people far smarter than me. A masterpiece and seminal Noir that sits right up alongside Sunset Blvd. Stanwyck really brings it; she's seductive, cold and evil. And MacMurray - it's hard to believe he was largely known for comedies up to this point. He's just perfect (if a skosh overcooked). Plus, Edward G. Robinson as Keyes - one of my favorite characters in film history.

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Doc:

I absolutely love Drug Church's new record, Prude, so when a short making-of documentary popped up in my YouTube feed, I cracked a beer and hit play. 

Prud is a serious contender for my favorite album of the year, and although I only recently learned that Patrick Kindlon - who I was familiar with from writing comics - is also the singer of the group, I know very little else. Sometimes, learning anything about a band is a bad thing. With Drug Church, however, you can just tell by their lyrics that these guys walk it like they talk it. And filmmaker Dookie Meno did a helluva a job with this. Highly recommended. 

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Playlist:

The Cure - Seventeen Seconds

Melvins - Tarantula Heart

Frankie and the Witch Fingers - Data Doom

Dreamkid - Chrissy (single)

Melvins - (A) Senile Animal

Morphine - The Night

Uncle Acid & The Deadbeats - Blood Lust

The Cure - Songs Of A Lost World

Swans - The Seer

Tom Waits - Rain Dogs

Squirrel Nut Zippers - Hot!

The Jesus and Mary Chain - Darklands

John Carpenter - Lost Themes IV: Noir

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Card:

Today's card:

From the Grimoire:

"Break the cycle! Pattern interrupt (is) a definite counter to this card's presence. Physically write down the object/cause of anxiety."

That's a HUGE part of this card for me. It's not just a meaning; it's a tactic. Not a lot of how I have learned to interpret the Tarot gets that pragmatic, but I'd like to get there. Beyond that, in The Book of Thoth, Crowley says, "instability in the very foundations of Matter. This reminds us of the 'intense strain' of physical existence.

Dreamkid Channels Horror

 

 Solid Maxi-single from Dreamkid.

 

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Watch:

It's November, and one of the films that came in the new All the Haunts Be Ours, Vol. 2 Box Set is Rainer Sarnet's 2017 November. This one enchanted the hell out of me a few years ago when I caught it on Shudder TV, so I thought, "Hey, it's November; why not?"

I will now watch this film every November. Gorgeous beyond words, this is the best example of modern authentic Folk Horror I can think of. Of Folk Traditions, the palimpsest of the old world rubbing against the new and the friction - of the "Horror" that causes. Beautifully executed and more than a little comical at times without breaking the tone, primarily because this one has such a strong, unique vision guiding it.  I'm definitely interested in seeing what else Sarnet does.  

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Playlist:

Antibalas - Where the Gods Are in Peace

Fela Kuti - Opposite People

Fela Kuti - Sorrow Tears & Blood EP

Pearl Jam - Vs.

John Carpenter - Lost Themes IV: Noir

The Devil's Blood - The Thousandfold Epicentre

Neon Nightmare - Faded Dream

Dreamkid - All Thriller, No Filler

Dreamkid - Daggers

The Cure - Songs of a Lost World

Drug Church - Prude

Spoon - They Want My Soul

PJ Harvey - Stories From the City, Stories From the Sea

Frankie and the Witch Fingers - Data Doom

Funkdoobiest - Brothas Doobie

Radiohead - Kid A

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Antibalas - NPR Tiny Desk Concert

 

During my recent jaunt to Chicago's Southside, Mr. Brown and I once again did a record swap, and one of the records he loaned me that I cannot stop playing is Antibalas' 2017 Where the Gods Are in Peace. Sounds like Fela Kuti reincarnated! So many parallels to my favorite Fela record, Opposite People/Sorrow, Tears and Blood (might actually be two albums, but I had them on a joint CD Sonny D burned for me ages ago). 

 

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Watch:

I did some homework last night for the next episode of The Horror Vision Presents: Elements of Horror. 1926's A Page of Madness

It's been a while since I watched a B & W silent film, so I figured the best course of action would be to isolate myself, turn off all the lights and get stoned. Check, check and check. Maybe too stoned, though. A large part of this played like I was back in High School at a friend's watching "Beyond the Mind's Eye" or something. You don't realize how much dialogue drives a film until you remove it. When I say there's no dialogue here, there aren't even subtitles. That's because the film does indeed share something with those stoner videos of the 90s. It's largely a succession of arresting images, so I just kind of sat back and let them wash over me. This was pleasurable; I can't say much about the 'story' other than it ends up, I think, having something of a twist. 

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NCBD:

This week's pull:

The inevitable "0" issue. I assume this rounds out the "Road Stories" arc that has taken us strolling through Erica's past. It also marks the start of another hiatus, which bums me out. Still, 

This is a new title for me, and I'm hoping to also grab issues 1-3 if they're still floating around the shop. Cruel Universe is the sister title to Epitaphs From the Abyss, which I professed my love for a few entries past. Both titles are part of Oni Press's revived EC Comics line, and I figured since I'm digging Epitaphs so much, I should give this a whirl as well. Plus, Oni Press is one of the oldest, most independent publishers I know of, so it's cool to support them here as well. 

Final issue! I've enjoyed this anthology quite a bit and will continue to be on the lookout for these B, W &B series. Or, for that matter, any Spider-Man mini-series I can get my hands on. I miss the ol' Webhead, but still not going to engage in the core books that come out like, every three days or whatever. 

Saga is heating up again! Didn't I just post something about how this book kinda lost something after the years-long hiatus? I might be eating my words real soon...

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Playlist:

Antibalas - Where the Gods Are in Peace

Spoon - They Want My Soul

John Carpenter - Lost Themes IV: Noir

John Carpenter - Lost Themes III: Life After Death

John Carpenter - Lost Themes II

John Carpenter - Lost Themes

16 - Dream Squasher

Melvins - Tarantula Heart

John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST

Genghis Tron - Board Up the House

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Card:

Today's card for study is the 8 of Wands, Swiftness:

Yeah, I know I said I was going to stick with the sevens, but I need to go back and draw up a map of what I've already done for this 'tarot study' segment that I feel has become another daily pull. When I picked up my Thoth to flip to the next Seven, Valour came up again right away (and yes, I had already shuffled since yesterday's). When I put that aside, Swiftness came up. Seeing this, I figured, what the hell? 

This is a Hob card, and Hod immediately brings to mind Splendour, but in The Book of Thoth, Crowley reminds us that being of Hod, the Eights share the same difficulties as the Sevens. Quoting directly from page 182:

"The position is doubly unbalanced; off the middle pillar, and very low down on the Tree. It is taking a very great risk to descend so far into illusion, and, above all, to do it by frantic struggle. Netzach pertains to Venus; Netzach pertains to Earth; and the greatest catastrophe that can befall Venus is to lose her Heavenly origin. The four Sevens are not capable of bringing any comfort; each one represents the degeneration of the element. Its utmost weakness is exposed in every case."

I've begun to read these weaknesses in Splendour and Victory as the weakness of the material world. The Earth is beautiful, and we can build Earthly victories, but all of it is a distraction from returning upward into the non-physical realms. Tiphareth has always been, to me, the pinnacle of what we can achieve and still be a part of the world. Maybe it's just the news this morning, but I feel like, as a species, we've left that behind for victories of common treasures. Fame, money, power, etc.

New Music From Doves!

 

New Doves' album releases February 14! Not sure if anyone else knew this was coming, but it was a total surprise to me when I saw this pop up online in the middle of the night Sunday, and in keeping to form, I'm instantly smitten.

Pre-order Constellations For The Lonely HERE.

 

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Watch:

Peacock's Hysteria! is a show I read about and thought, "Sounds great, but I'll bet the execution will put me off."

Nope. I am happy to report that halfway through the series and I'm really digging this one.

Bruce Campbell is a huge plus here. He's just so likable, and yeah, we all know that, but honestly, he's never been enough to get me to watch something that seems like I won't take to it (I still haven't seen Black Friday). Here, though, he anchors an otherwise fantastic cast of characters, and while I'm pretty sure I can see what's coming a mile away, hey, I might very well be wrong. In the meantime, this 80s tale of Heavy Metal and Satanic Panic takes me back to my youth, and what's more, nostalgia is not all Hysteria! has to offer. I'm genuinely curious where this is going and I'm enjoying the road there, so this is a full recommend.

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Read:

Pretty sure I just read what will be my favorite comic of the year, and that's the seven-issue FISHFLIES by Jeff Lemire.

While I've become a fan of Lemire's work as a writer ever since Gideon Falls, reading much of what he puts out with other artists, but ever since 2022's Maze Book, I've really developed an appreciation for the books he writes and does the art for. That's Fishflies, and it is really something. I'd read the first four or five issues back a few months ago (this was the book I subscribed to via my Chicago store, Amazing Fantasy, so picking it up was sporadic at best), then decided to wait until I had the entire run before rereading. 

First, I LOVE how this was released as seven perfect-bound, 64-page issues. I adore that format, and it definitely helped create a great reading experience. Perfect-bound always does. It reminds me of old-school prestige-format books like Batman: The Cult and The Punisher: No Escape. Second, this book starts one place and then really veers into some strange territory. That's all I'll say, as I wouldn't want to ruin anyone else's experience, just let it be said if you dig Lemire's work, I think you'll love FISHFLIES.

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Playlist:

Doves - Renegade (Pre-release single)

Nachtmystium - Survivor's Remorse (single)

Dr. John - Gris Gris

Melvins - Tarantula Heart

Antibalas - Where the Gods Are in Peace

John Carpenter - Lost Themes IV: Noir

Chrystabell & David Lynch - Cellophane Memories

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Card:

Today's card for study is the 7 of Wands, Valour:

Unintentionally drew two of the four Sevens in a row, so I'll continue on that path for the remainder. Netzach has always been the Sephiroth that drew me most (outside of Tipareth). 

From the Grimoire, "A positive result dependent on the actions of the Querent."

Drug Church - Mad Care

 

Man, 2024 will be the toughest year to whittle out a Top Ten list since I started doing Top Ten lists. There are quite a few albums that feel like my favorite of the year, and the new Drug Church is the chief among them. Never mind that I love Patrick Kindlon as a comic writer; I like him even more as the singer of this awesome f@cking band!

Pick up the record or some merch from Pure Noise Records HERE.

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Watch:

My copy of Severin Film's All the Haunts Be Ours, Volume 2, arrived late last week, and Saturday night I sat down and chose a first offering to watch from it. If you haven't seen the 'track listing,' it's too verbose for me to reiterate here, so follow THIS LINK.

Anyway, I chose Don Sharp's 1973's Psychomania. This was on Shudder for what felt like forever a few years ago, and while I think I caught some of it on a late-night Shudder TV jag, it made no impression other than the film looked like the era of its origin. Flash Forward to last night and the first thing I noticed upon hitting 'Play' was the pristine remastering Severin performed on this one. This comes as no surprise - the inaugural edition of All the Haunts Be Ours showed how serious Severin's approach is to applying their staunch approach to film preservation in the hallowed halls of Folk Horror. So, restoration-wise, picture and sound, this presentation of Psychomania is a pure pleasure to behold. That said, how's the film? Solid. There's a Hammer affectation here without all the trappings that come with Hammer Horror, which I am generally only a fan of for about a month every four to five years.*

My favorite part of this film, though? The opening credit sequence. I watched it three times before moving on to the rest of the film. It's spooky and gorgeous, and the wah guitar-driven score is perfect for capturing the mood and era of the film. Here it is below, albeit culled from YouTube, not Severin's pristine version.

Courtesy of The Other Side of Music's YouTube channel, wdzr. Check out the channel HERE or the blog HERE or HERE. A very interesting little corner of the web for Audio explorers.

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* I appreciate what they do; it's just not my jam.

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Playlist:

Cocteau Twins - Garlands

The Cure - Songs Of A Lost World

Dr. John - Gris Gris

Matt Cameron - Gory Scorch Cretins

Soundgarden - Superunknown

Soundgarden - Down on the Upside

Michael Jackson - Thriller (single; video)

Goblin - Fearless (37513 Zombie Ave)

Replicas - Gary Numan + Tubeway Army

Roxy Music - Eponymous

Drug Church - Prude

The Hives - Veni Vidi Vicious

The Kills - Midnight Boom

Chelsea Wolfe - She Reaches Out to She Reaches Out to She Reaches Out

Better Lovers - Highly Irresponsible

Turnstile - GLOW ON

Baroness - Stone

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Card:

Today's card for study is the 7 of Disks, Failure:

My only entry in the Grimoire is a sparse and foreboding, "A difficult period in material life," so let's see what Mr. Crowley has to say, shall we? 

In opening the Book of Thoth, I'm reminded how little time is spent on the "pip" cards*. Here's the entire entry on the card:

"The number Seven, Netzach, has its customary enfeebling effect, and this is made worse by the influence of Saturn in Taurus. The disks are arranged in the shape of the geomantic figure Rubeus, the most ugly and menacing of the Sixteen. (See Five of Cups.) The atmosphere of the card is that of Blight. On the background, which represents vegetation and cultivation, everything is spoiled. The four colours of Netzach appear, but they are blotched with angry indigo and reddish orange. The disks themselves are the leaden disks of Saturn. They suggest bad money."

The general sentiment here is to keep your wits about you; something today could go wrong. 

New Music from The Cure!!!

Even though I'm pretty sure many of us in 2024 harbor suspicions that our world is winding down, I usually cut the temptation to give that idea any credence by reminding myself that every generation up through time has probably thought the same thing. Blame that on all the fearmongering the Christians used a mentally ill poet named Enoch's writings for. That said, when Robert Smith starts singing about the world ending, I tend to ruminate on the idea with a little more consideration. 

"I know, I know my world has grown old..."

Fucking chills, mate. Fucking chills.

Spending my post-Halloween morning with the new album from The Cure. You can order a copy HERE.

 

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31 Days of Halloween:

Once again, I closed the season with George A. Romero's Night of the Living Dead. I picked this ritual up from my good friend/Horror Vision cohost Anthony a few years back, and it has stuck! I can't think of a more meaningful way to close 31 Days of Halloween and Sam Hain than with the movie that birthed the entire modern era of the genre I love. And NoTLD is Public Domain, so it's all over YouTube and I thought I'd post it here today.

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1) The Killing of a Sacred Deer

2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)

3) Loop Track

4) It's What's Inside/LONGLEGS

5) The Babysitter/Abbott and Costello Meet Frankenstein

6) The Hitcher/Lost Highway

7) GDT's Cabinet of Curiosities: Graveyard Rats

8) V/H/S Beyond

9) Killer Klowns from Outer Space

10) Terrifier 3

11) Summer of '84

12) Rosemary's Baby/Suspiria ('77)

13) Daddy's Head

14) Undead

15) Moloch/Tea Cup (episode 1)/ Evil Dead 2

16) Smile

17) Laura Hasn't Slept/Smile 2

18) Terrifier

19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)

20) The Woods

21) Rob Zombie's 31

22) Carrie 2: The Rage

23) The Bride of Frankenstein (1935)

24) Planet Terror

25) Baron Blood

26) The Blob ('88)/ The Thing/Tremors/Abigail

27) Halloween Kills

28) Over the Garden Wall

29) Hereditary

30) House By the Cemetery - The Last Drive-in Presentation (original air date April 16, 2021)

31) Dog Soldiers/The Exorcist (Theatrical cut)/Halloween (78)/ Don't Go in the House/Pizza Panic Party/Night of the Living Dead

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Playlist:

Type O Negative - Origin of the Feces

Type O Negative - Bloody Kisses (Suspended In Dusk version)

Oranssi Pazuzu - Muuntautuja

John Carpenter & Alan Howarth - Prince of Darkness OST

Moon Wizard - Sirens

Various - My Halloween Spotify Playlist

Siouxsie & The Banshees - Tinderbox

Siouxsie & The Banshees - The Scream

Skinny Puppy - Last Rights

Goblin - Suspiria OST

Danzig - Black Aria

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Card:

A one-card draw for MY new fiscal year:

Enlightenment. Suppressed desires, or perhaps in my case, ideas. The Lightbringer. Also, a warning against following the answers others may offer to you. A good card for a new year. Raising a glass to the idea perhaps most associated with this card, "Worship Thyself!!!"

Better Lovers - Drowning in a Burning World

 

Absolutely LOVING the debut album by Better Lovers, Highly Irresponsible! You can snag the record from the band HERE, or listen on all streaming platforms. This shit will wake you up!

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31 Days of Halloween:

K and I got to see Hereditary on the big screen again last night. My third overall viewing of Ari Aster's breakout debut, and it still totally fucking ROCKS!

The fact that Toni Collete's performance was overlooked by the 'Industry' just solidifies what a pack of cunts they are.

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1) The Killing of a Sacred Deer

2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)

3) Loop Track

4) It's What's Inside/LONGLEGS

5) The Babysitter/Abbott and Costello Meet Frankenstein

6) The Hitcher/Lost Highway

7) GDT's Cabinet of Curiosities: Graveyard Rats

8) V/H/S Beyond

9) Killer Klowns from Outer Space

10) Terrifier 3

11) Summer of '84

12) Rosemary's Baby/Suspiria ('77)

13) Daddy's Head

14) Undead

15) Moloch/Tea Cup (episode 1)/ Evil Dead 2

16) Smile

17) Laura Hasn't Slept/Smile 2

18) Terrifier

19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)

20) The Woods

21) Rob Zombie's 31

22) Carrie 2: The Rage

23) The Bride of Frankenstein (1935)

24) Planet Terror

25) Baron Blood

26) The Blob ('88)/ The Thing/Tremors/Abigail

27) Halloween Kills

28) Over the Garden Wall

29) Hereditary

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NCBD:

Not much on my pull today. In fact, only one book. Is this the best we can do the week of Halloween, publishers? Really?

Okay, then, allow me to talk a bit about some books I picked up while in Chicago over the weekend. As usual, I stopped in at Amazing Fantasy Comics, and so far, my favorite thing I picked up was the first four issues of Horror Anthology Epitaphs From the Abyss.

This is Oni Press's revival of EC Comics, and I wanted to pay special attention to the editorial "mission statement" in the first book:

"From the earliest stages of this project, we've agreed amongst ourselves that it would be a fool's errand to try and produce a knock-off simulacrum of the original EC titles... Instead, we've challenged ourselves to imagine a world where the Comics Code never unceremoniously amputated EC's publishing line at the end of 1955 and, through that lens, what kinds of series and stories EC Comics would be producing for a new generation of readers eager to disturb and discover in the year of 2024."

Talk about the right way to approach an undertaking of this magnitude!!!

Look at these covers, courtesy of Lee Bermejo (issues 2-4) and Andrea Sorrentino (issue 1). Absolutely fantastic, and inside? Well, let's say where the revived Creepshow comic (and show) mostly leaves a lot to be desired, Epitaphs from the Abyss is a great read that takes familiar characteristics of the age we live in and turns them against us (even more than we already do ourselves!). 

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Playlist:

Sumerlands - Dreamkiller 

Revolting Cocks - Beers, Steers and Queers

Various - The Daptone Super Soul Revue LIVE at the Apollo

Uncle Acid and the Deadbeats - Blood Lust

Dinosaur Jr. - Sweep It Into Space

Deafheaven - Infinite Granite

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Card:

Today, we're going to take a look at XX: The Aeon.

From my own personal Grimoire: "The Pivotal Sequence - what comes next is upon you!"

Another note I have that catches my eye right away is "Holography- multiple outcomes contained within a whole."

For Crowley, this card was all about Nuit, arched above Horus, the Crowned and Conquering Child. Nuit is the doorway to the new Aeon. So much of Crowley's work revolved around the Age of Horus. Did it come upon us? Probably. Did it affect us? Definitely, although these kind of subtle energies never manifest as anything as gaudy as a flying saucer landing on the white house lawn or some politician tearing away their flesh to reveal a scaly visage beneath (not yet, anyway). These energies creep in through the back door of the human collective unconscious and change the world by changing us over time. I'm reminded immediately of Donald Tyson's bone-chilling essay, "Enochian Apocalypse" (read it HERE). I'm also reminded that in his Book of Thoth, Crowley has this to say, "... the child Horus is born... he is also solar in character, and is therefore shown coming forth in a golden light." To which I drew an arrow and wrote in the margins oh so long ago, "UFO???"

Now, that's not to say I believe in UFOs (or whatever they're called now), but the idea for the card is something arrives that will change your perception of what is real or possible. The very definition of a new Aeon, eh?

Walk on Gilded Splinters

 

From Dr. John's very Halloween-appropriate album Gris Gris, now an annual Autumn listen for me thanks to Mr. Brown. Love this tune, and coincidentally, the posthumous release Things Happen That Way contains a pretty banging version as well. I love both, however, the original on headphones really puts you there.

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31 Days of Halloween:

You know, based on my question about Michael Walsh's Frankenstein issue three last week, I found that I have no real memory of The Bride of Frankenstein. I watched so many of Universal monster movies as a kid that I'd always assumed I'd seen most of them. However, cracking James Whale's 1935 Frankenstein sequel out two nights ago, I realized I may never have actually seen it all the way through from the beginning. 

In particular, the "Little People" sequence kind of dropped my jaw. There's a definite comedic vein that runs through part of this film, and I don't love it. The recurring Minnie character, Dr. Pretorious' aforementioned little people experiments - hardly the same science as our man Henry's, perhaps closer to early IVF - and the Burgomaster shepherding the doddering villagers at the inception of the Bride all rub me the wrong way. That said, the climatic laboratory scenes just may outclass the original film's 'birthing' sequence, and the opening with Lord Byron, Mary and Percy Shelley hanging out immediately made me want to rewatch Ken Russell's 1986 Gothic, an old-school favorite I've kind of forgotten about over the last two decades.

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1) The Killing of a Sacred Deer

2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)

3) Loop Track

4) It's What's Inside/LONGLEGS

5) The Babysitter/Abbott and Costello Meet Frankenstein

6) The Hitcher/Lost Highway

7) GDT's Cabinet of Curiosities: Graveyard Rats

8) V/H/S Beyond

9) Killer Klowns from Outer Space

10) Terrifier 3

11) Summer of '84

12) Rosemary's Baby/Suspiria ('77)

13) Daddy's Head

14) Undead

15) Moloch/Evil Dead 2

16) Smile

17) Laura Hasn't Slept/Smile 2

18) Terrifier

19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)

20) The Woods

21) Rob Zombie's 31

22) Carrie 2: The Rage

23) The Bride of Frankenstein (1935)

24) Planet Terror

25) Baron Blood

26) The Blob ('88)/ The Thing/Tremors/Abigail

27) Halloween Kills

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Watch:

Tom Savini on the old NBC Letterman show in the run-up to Day of the Dead's release.

I think I smiled for nearly twenty-four hours straight after watching this one. To see Savini go through some of the iconic props in a movie I love, and Letterman react in the way only Letterman can. Wow. 

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Playlist:

Various - My Halloween Spotify Playlist

Rodney Crowell - Eponymous

Oranssi Pazuzu - Muuntautuja

Nico Vega - Lead To Light

The Sisters of Mercy - Floodland

Skinny Puppy - Last Rights

Skinny Puppy - Remission

Double Life - Indifferent Stars EP

Dr. John - Things Happen That Way

The Replacements - Pleased to Meet Me

Dr. John - Gris Gris

Entropy - Liminal

Spotlights - Love & Decay

White Zombie - La Sexorcisto - Devil Music Vol. 1

Drug Church - Prude

Better Lovers - Highly Irresponsible

Entropy - Dharmak​ā​ya

YUNGBLUD - Eponymous (single)

The Streets - The Irony of It All (single)

YUNGBLUD - Eponymous

Soundgarden - Down on the Upside

Bandsplain Podcast - Soundgarden Parts 1 & 2  (HERE and HERE)

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Skinny Puppy - Circustance

From my favorite Skinny Puppy album, 1991's Last Rights. This record blew my mind when I used a gift token from Coconuts to purchase it back circa 1992/93, not knowing what to expect, just that the weird/cool Industrial Senior in my art class named Matt once told me, cryptically, "The keyboards in Skinny Puppy will make you feel... like... you're... GOD!"

He wasn't wrong.

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31 Days of Halloween:

Unpopular opinion: I actually prefer Carrie 2: The Rage to Brian De Palma's original Carrie. Now, I'm not saying Carrie 2 is a better film, but for me, there are a few major irks with De Palma's film.

Carrie is well made, but the 70s were often an ugly decade, and all the costume design and set decoration seems (to me) to revel in that ugliness. This is an excellent story; such a raw treatise on bullying and the personal, world-bending pain that comes of it. That’s something I love and respect. That and most of the performances. Sissy Spacek and Piper Laurie are a fucking powerhouse, and Nancy Allen is an unforgettable bitch. Alas, a lot of the suspense just doesn’t work for me. The entire protracted sequence before the bucket spills feels absurd on a cartoon level, with Sue and the Gym Teacher looking here, looking back, looking at each other, looking away… it ends up taking away from the blood and fire of the climax. Not completely, but enough that I get annoyed. Finally, I’ve said this for three decades, but travolta is not a good actor and really brings down every scene he’s in.

Katt Shea fills Carrie 2 to the brim with a sense of embitterment and isolation that, while affecting, fails to measure up to those feelings in De Palma's. That said, I think there is something about the time between the two films (1976 and 1999) and the severely different aesthetics of the eras that helps Carrie 2 feel like a natural extension of the original. Does it need to exist? Absolutely not. The entire movie is really just one long wait for some widespread comeuppance, but when Shea's film delivers this, it is GLORIOUS! I love that pretty much no one is spared. Does the film suffer from that pre-millennial cheese that so many films from this era do? Yes, but it also references both Scream and New York Ripper in the same line of dialogue! I feel some Twin Peaks in here, some NOES 2, a lot of disparate influences that work together to make Carrie 2 way more watchable than a lot of films from this time. 

Will I revisit this again? Maybe. Will I revisit the original? Absolutely. I check back in every few years on this and Dressed to Kill to see if my problems are me. So far, that has not been the case.

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1) The Killing of a Sacred Deer

2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)

3) Loop Track

4) It's What's Inside/LONGLEGS

5) The Babysitter/Abbott and Costello Meet Frankenstein

6) The Hitcher/Lost Highway

7) GDT's Cabinet of Curiosities: Graveyard Rats

8) V/H/S Beyond

9) Killer Klowns from Outer Space

10) Terrifier 3

11) Summer of '84

12) Rosemary's Baby/Suspiria ('77)

13) Daddy's Head

14) Undead

15) Moloch/Tea Cup (episode 1)/ Evil Dead 2

16) Smile

17) Laura Hasn't Slept/Smile 2

18) Terrifier

19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)

20) The Woods

21) Rob Zombie's 31

22) Carrie 2: The Rage

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NCBD:

This week's pull starts off with one I've been excited about since seeing the cover solicitation.

Holy. Shite. I've been waiting for something like this since the inception of The Energon Universe. Cobra-La in space, mixing it up with, I'm assuming, either the Quintessons or the denizens of the Great Ring? And this is probably only the beginning. It's funny how I couldn't give a toss about these 'goofy' Joe cartoon characters in pretty much any other context but what Kirkman and his team are doing. Admittedly, Pythona has the best scene in that G.I.Joe cartoon movie from the '80s, but overall I always sided with Hama's comic and eschewed the increasingly day-glo aesthetic of the cartoon. But Kirkman has recontextualized all of this, and I am excited to see what happens.

Michael Walsh's Frankenstein has not disappointed me yet. I'm sure I've said this before, but Mr. Walsh is one of my favorite artists working today. Also, does this cover allude to The Bride joining the story? 

Catching up with Leo? Nice. Loving that this book has been taking its time to release. I'm hoping that doesn't fall away once things really get going. 

John Constantine is dead and his trek across the U.S. has been as bizarre as one might expect for a (ghost? Reanimated?) Britsh Punk Rock-reared Magician. 

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Playlist:

Purple Hill Witch - Eponymous

Ritual Howls - Virtue Falters

Allegaeon - Apoptosis

The Soft Moon - Criminal

The Kills - Midnight Boom

Ministry - HOPIUMFORTHEMASSES

Justin Hamline - The House With Dead Leaves

John Frusciante - Brown Bunny OST

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Card:

Today's card for study is XIX - The Sun:

The Triumph of the Spirit! This card is obviously a glorious one, filled with revelation or perhaps the idea of seeking revelation. From my grimoire: "Taking the Pill will open your eyes."

Crowley says it in his Book of Thoth: "This is one of the simplest cards; it represents ... the Lord of the New Aeon in his manifestation to the race of men as the sun."

The dancing children (?) represent humanity accepting the revelation of the new aeon, Crowley's Age of Horus. The philosophical reality of that can be argued, the important thing on the non-Crowley level of just reading the cards is this indicates the person in question will change.