During my recent jaunt to Chicago's Southside, Mr. Brown and I once again did a record swap, and one of the records he loaned me that I cannot stop playing is Antibalas' 2017 Where the Gods Are in Peace. Sounds like Fela Kuti reincarnated! So many parallels to my favorite Fela record, Opposite People/Sorrow, Tears and Blood (might actually be two albums, but I had them on a joint CD Sonny D burned for me ages ago).
Watch:
I did some homework last night for the next episode of The Horror Vision Presents: Elements of Horror. 1926's A Page of Madness
It's been a while since I watched a B & W silent film, so I figured the best course of action would be to isolate myself, turn off all the lights and get stoned. Check, check and check. Maybe too stoned, though. A large part of this played like I was back in High School at a friend's watching "Beyond the Mind's Eye" or something. You don't realize how much dialogue drives a film until you remove it. When I say there's no dialogue here, there aren't even subtitles. That's because the film does indeed share something with those stoner videos of the 90s. It's largely a succession of arresting images, so I just kind of sat back and let them wash over me. This was pleasurable; I can't say much about the 'story' other than it ends up, I think, having something of a twist.
NCBD:
This week's pull:
The inevitable "0" issue. I assume this rounds out the "Road Stories" arc that has taken us strolling through Erica's past. It also marks the start of another hiatus, which bums me out. Still,
This is a new title for me, and I'm hoping to also grab issues 1-3 if they're still floating around the shop. Cruel Universe is the sister title to Epitaphs From the Abyss, which I professed my love for a few entries past. Both titles are part of Oni Press's revived EC Comics line, and I figured since I'm digging Epitaphs so much, I should give this a whirl as well. Plus, Oni Press is one of the oldest, most independent publishers I know of, so it's cool to support them here as well.
Final issue! I've enjoyed this anthology quite a bit and will continue to be on the lookout for these B, W &B series. Or, for that matter, any Spider-Man mini-series I can get my hands on. I miss the ol' Webhead, but still not going to engage in the core books that come out like, every three days or whatever.
Saga is heating up again! Didn't I just post something about how this book kinda lost something after the years-long hiatus? I might be eating my words real soon...
Playlist:
Antibalas - Where the Gods Are in Peace
Spoon - They Want My Soul
John Carpenter - Lost Themes IV: Noir
John Carpenter - Lost Themes III: Life After Death
John Carpenter - Lost Themes II
John Carpenter - Lost Themes
16 - Dream Squasher
Melvins - Tarantula Heart
John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST
Genghis Tron - Board Up the House
Card:
Today's card for study is the 8 of Wands, Swiftness:
Yeah, I know I said I was going to stick with the sevens, but I need to go back and draw up a map of what I've already done for this 'tarot study' segment that I feel has become another daily pull. When I picked up my Thoth to flip to the next Seven, Valour came up again right away (and yes, I had already shuffled since yesterday's). When I put that aside, Swiftness came up. Seeing this, I figured, what the hell?
This is a Hob card, and Hod immediately brings to mind Splendour, but in The Book of Thoth, Crowley reminds us that being of Hod, the Eights share the same difficulties as the Sevens. Quoting directly from page 182:
"The position is doubly unbalanced; off the middle pillar, and very low down on the Tree. It is taking a very great risk to descend so far into illusion, and, above all, to do it by frantic struggle. Netzach pertains to Venus; Netzach pertains to Earth; and the greatest catastrophe that can befall Venus is to lose her Heavenly origin. The four Sevens are not capable of bringing any comfort; each one represents the degeneration of the element. Its utmost weakness is exposed in every case."
I've begun to read these weaknesses in Splendour and Victory as the weakness of the material world. The Earth is beautiful, and we can build Earthly victories, but all of it is a distraction from returning upward into the non-physical realms. Tiphareth has always been, to me, the pinnacle of what we can achieve and still be a part of the world. Maybe it's just the news this morning, but I feel like, as a species, we've left that behind for victories of common treasures. Fame, money, power, etc.
New Doves' album releases February 14! Not sure if anyone else knew this was coming, but it was a total surprise to me when I saw this pop up online in the middle of the night Sunday, and in keeping to form, I'm instantly smitten.
Peacock's Hysteria! is a show I read about and thought, "Sounds great, but I'll bet the execution will put me off."
Nope. I am happy to report that halfway through the series and I'm really digging this one.
Bruce Campbell is a huge plus here. He's just so likable, and yeah, we all know that, but honestly, he's never been enough to get me to watch something that seems like I won't take to it (I still haven't seen Black Friday). Here, though, he anchors an otherwise fantastic cast of characters, and while I'm pretty sure I can see what's coming a mile away, hey, I might very well be wrong. In the meantime, this 80s tale of Heavy Metal and Satanic Panic takes me back to my youth, and what's more, nostalgia is not all Hysteria! has to offer. I'm genuinely curious where this is going and I'm enjoying the road there, so this is a full recommend.
Read:
Pretty sure I just read what will be my favorite comic of the year, and that's the seven-issue FISHFLIES by Jeff Lemire.
While I've become a fan of Lemire's work as a writer ever since Gideon Falls, reading much of what he puts out with other artists, but ever since 2022's Maze Book, I've really developed an appreciation for the books he writes and does the art for. That's Fishflies, and it is really something. I'd read the first four or five issues back a few months ago (this was the book I subscribed to via my Chicago store, Amazing Fantasy, so picking it up was sporadic at best), then decided to wait until I had the entire run before rereading.
First, I LOVE how this was released as seven perfect-bound, 64-page issues. I adore that format, and it definitely helped create a great reading experience. Perfect-bound always does. It reminds me of old-school prestige-format books like Batman: The Cult andThe Punisher: No Escape. Second, this book starts one place and then really veers into some strange territory. That's all I'll say, as I wouldn't want to ruin anyone else's experience, just let it be said if you dig Lemire's work, I think you'll love FISHFLIES.
Playlist:
Doves - Renegade (Pre-release single)
Nachtmystium - Survivor's Remorse (single)
Dr. John - Gris Gris
Melvins - Tarantula Heart
Antibalas - Where the Gods Are in Peace
John Carpenter - Lost Themes IV: Noir
Chrystabell & David Lynch - Cellophane Memories
Card:
Today's card for study is the 7 of Wands, Valour:
Unintentionally drew two of the four Sevens in a row, so I'll continue on that path for the remainder. Netzach has always been the Sephiroth that drew me most (outside of Tipareth).
From the Grimoire, "A positive result dependent on the actions of the Querent."
Man, 2024 will be the toughest year to whittle out a Top Ten list since I started doing Top Ten lists. There are quite a few albums that feel like my favorite of the year, and the new Drug Church is the chief among them. Never mind that I love Patrick Kindlon as a comic writer; I like him even more as the singer of this awesome f@cking band!
Pick up the record or some merch from Pure Noise Records HERE.
Watch:
My copy of Severin Film's All the Haunts Be Ours, Volume 2, arrived late last week, and Saturday night I sat down and chose a first offering to watch from it. If you haven't seen the 'track listing,' it's too verbose for me to reiterate here, so follow THIS LINK.
Anyway, I chose Don Sharp's 1973's Psychomania. This was on Shudder for what felt like forever a few years ago, and while I think I caught some of it on a late-night Shudder TV jag, it made no impression other than the film looked like the era of its origin. Flash Forward to last night and the first thing I noticed upon hitting 'Play' was the pristine remastering Severin performed on this one. This comes as no surprise - the inaugural edition of All the Haunts Be Ours showed how serious Severin's approach is to applying their staunch approach to film preservation in the hallowed halls of Folk Horror. So, restoration-wise, picture and sound, this presentation of Psychomania is a pure pleasure to behold. That said, how's the film? Solid. There's a Hammer affectation here without all the trappings that come with Hammer Horror, which I am generally only a fan of for about a month every four to five years.*
My favorite part of this film, though? The opening credit sequence. I watched it three times before moving on to the rest of the film. It's spooky and gorgeous, and the wah guitar-driven score is perfect for capturing the mood and era of the film. Here it is below, albeit culled from YouTube, not Severin's pristine version.
Courtesy of The Other Side of Music's YouTube channel, wdzr. Check out the channel HERE or the blog HERE or HERE. A very interesting little corner of the web for Audio explorers.
* I appreciate what they do; it's just not my jam.
Playlist:
Cocteau Twins - Garlands
The Cure - Songs Of A Lost World
Dr. John - Gris Gris
Matt Cameron - Gory Scorch Cretins
Soundgarden - Superunknown
Soundgarden - Down on the Upside
Michael Jackson - Thriller (single; video)
Goblin - Fearless (37513 Zombie Ave)
Replicas - Gary Numan + Tubeway Army
Roxy Music - Eponymous
Drug Church - Prude
The Hives - Veni Vidi Vicious
The Kills - Midnight Boom
Chelsea Wolfe - She Reaches Out to She Reaches Out to She Reaches Out
Better Lovers - Highly Irresponsible
Turnstile - GLOW ON
Baroness - Stone
Card:
Today's card for study is the 7 of Disks, Failure:
My only entry in the Grimoire is a sparse and foreboding, "A difficult period in material life," so let's see what Mr. Crowley has to say, shall we?
In opening the Book of Thoth, I'm reminded how little time is spent on the "pip" cards*. Here's the entire entry on the card:
"The number Seven, Netzach, has its customary enfeebling effect, and this is
made worse by the influence of Saturn in Taurus. The disks are arranged in the
shape of the geomantic figure Rubeus, the most ugly and menacing of the
Sixteen. (See Five of Cups.) The atmosphere of the card is that of Blight. On
the background, which represents vegetation and cultivation, everything is
spoiled. The four colours of Netzach appear, but they are blotched with angry
indigo and reddish orange. The disks themselves are the leaden disks of Saturn.
They suggest bad money."
The general sentiment here is to keep your wits about you; something today could go wrong.
Even though I'm pretty sure many of us in 2024 harbor suspicions that our world is winding down, I usually cut the temptation to give that idea any credence by reminding myself that every generation up through time has probably thought the same thing. Blame that on all the fearmongering the Christians used a mentally ill poet named Enoch's writings for. That said, when Robert Smith starts singing about the world ending, I tend to ruminate on the idea with a little more consideration.
"I know, I know my world has grown old..."
Fucking chills, mate. Fucking chills.
Spending my post-Halloween morning with the new album from The Cure. You can order a copy HERE.
31 Days of Halloween:
Once again, I closed the season with George A. Romero's Night of the Living Dead. I picked this ritual up from my good friend/Horror Vision cohost Anthony a few years back, and it has stuck! I can't think of a more meaningful way to close 31 Days of Halloween and Sam Hain than with the movie that birthed the entire modern era of the genre I love. And NoTLD is Public Domain, so it's all over YouTube and I thought I'd post it here today.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
23) The Bride of Frankenstein (1935)
24) Planet Terror
25) Baron Blood
26) The Blob ('88)/ The Thing/Tremors/Abigail
27) Halloween Kills
28) Over the Garden Wall
29) Hereditary
30) House By the Cemetery - The Last Drive-in Presentation (original air date April 16, 2021)
31) Dog Soldiers/The Exorcist (Theatrical cut)/Halloween (78)/ Don't Go in the House/Pizza Panic Party/Night of the Living Dead
Playlist:
Type O Negative - Origin of the Feces
Type O Negative - Bloody Kisses (Suspended In Dusk version)
Oranssi Pazuzu - Muuntautuja
John Carpenter & Alan Howarth - Prince of Darkness OST
Enlightenment. Suppressed desires, or perhaps in my case, ideas. The Lightbringer. Also, a warning against following the answers others may offer to you. A good card for a new year. Raising a glass to the idea perhaps most associated with this card, "Worship Thyself!!!"
Absolutely LOVING the debut album by Better Lovers, Highly Irresponsible! You can snag the record from the band HERE, or listen on all streaming platforms. This shit will wake you up!
31 Days of Halloween:
K and I got to see Hereditary on the big screen again last night. My third overall viewing of Ari Aster's breakout debut, and it still totally fucking ROCKS!
The fact that Toni Collete's performance was overlooked by the 'Industry' just solidifies what a pack of cunts they are.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
23) The Bride of Frankenstein (1935)
24) Planet Terror
25) Baron Blood
26) The Blob ('88)/ The Thing/Tremors/Abigail
27) Halloween Kills
28) Over the Garden Wall
29) Hereditary
NCBD:
Not much on my pull today. In fact, only one book. Is this the best we can do the week of Halloween, publishers? Really?
Okay, then, allow me to talk a bit about some books I picked up while in Chicago over the weekend. As usual, I stopped in at Amazing Fantasy Comics, and so far, my favorite thing I picked up was the first four issues of Horror Anthology Epitaphs From the Abyss.
This is Oni Press's revival of EC Comics, and I wanted to pay special attention to the editorial "mission statement" in the first book:
"From the earliest stages of this project, we've agreed amongst ourselves that it would be a fool's errand to try and produce a knock-off simulacrum of the original EC titles... Instead, we've challenged ourselves to imagine a world where the Comics Code never unceremoniously amputated EC's publishing line at the end of 1955 and, through that lens, what kinds of series and stories EC Comics would be producing for a new generation of readers eager to disturb and discover in the year of 2024."
Talk about the right way to approach an undertaking of this magnitude!!!
Look at these covers, courtesy of Lee Bermejo (issues 2-4) and Andrea Sorrentino (issue 1). Absolutely fantastic, and inside? Well, let's say where the revived Creepshow comic (and show) mostly leaves a lot to be desired, Epitaphs from the Abyss is a great read that takes familiar characteristics of the age we live in and turns them against us (even more than we already do ourselves!).
Playlist:
Sumerlands - Dreamkiller
Revolting Cocks - Beers, Steers and Queers
Various - The Daptone Super Soul Revue LIVE at the Apollo
Uncle Acid and the Deadbeats - Blood Lust
Dinosaur Jr. - Sweep It Into Space
Deafheaven - Infinite Granite
Card:
Today, we're going to take a look at XX: The Aeon.
From my own personal Grimoire: "The Pivotal Sequence - what comes next is upon you!"
Another note I have that catches my eye right away is "Holography- multiple outcomes contained within a whole."
For Crowley, this card was all about Nuit, arched above Horus, the Crowned and Conquering Child. Nuit is the doorway to the new Aeon. So much of Crowley's work revolved around the Age of Horus. Did it come upon us? Probably. Did it affect us? Definitely, although these kind of subtle energies never manifest as anything as gaudy as a flying saucer landing on the white house lawn or some politician tearing away their flesh to reveal a scaly visage beneath (not yet, anyway). These energies creep in through the back door of the human collective unconscious and change the world by changing us over time. I'm reminded immediately of Donald Tyson's bone-chilling essay, "Enochian Apocalypse" (read it HERE). I'm also reminded that in his Book of Thoth, Crowley has this to say, "... the child Horus is born... he is also solar in character, and is therefore shown coming forth in a golden light." To which I drew an arrow and wrote in the margins oh so long ago, "UFO???"
Now, that's not to say I believe in UFOs (or whatever they're called now), but the idea for the card is something arrives that will change your perception of what is real or possible. The very definition of a new Aeon, eh?
From Dr. John's very Halloween-appropriate album Gris Gris, now an annual Autumn listen for me thanks to Mr. Brown. Love this tune, and coincidentally, the posthumous release Things Happen That Way contains a pretty banging version as well. I love both, however, the original on headphones really puts you there.
31 Days of Halloween:
You know, based on my question about Michael Walsh's Frankenstein issue three last week, I found that I have no real memory of The Bride of Frankenstein. I watched so many of Universal monster movies as a kid that I'd always assumed I'd seen most of them. However, cracking James Whale's 1935 Frankenstein sequel out two nights ago, I realized I may never have actually seen it all the way through from the beginning.
In particular, the "Little People" sequence kind of dropped my jaw. There's a definite comedic vein that runs through part of this film, and I don't love it. The recurring Minnie character, Dr. Pretorious' aforementioned little people experiments - hardly the same science as our man Henry's, perhaps closer to early IVF - and the Burgomaster shepherding the doddering villagers at the inception of the Bride all rub me the wrong way. That said, the climatic laboratory scenes just may outclass the original film's 'birthing' sequence, and the opening with Lord Byron, Mary and Percy Shelley hanging out immediately made me want to rewatch Ken Russell's 1986 Gothic, an old-school favorite I've kind of forgotten about over the last two decades.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
23) The Bride of Frankenstein (1935)
24) Planet Terror
25) Baron Blood
26) The Blob ('88)/ The Thing/Tremors/Abigail
27) Halloween Kills
Watch:
Tom Savini on the old NBC Letterman show in the run-up to Day of the Dead's release.
I think I smiled for nearly twenty-four hours straight after watching this one. To see Savini go through some of the iconic props in a movie I love, and Letterman react in the way only Letterman can. Wow.
From my favorite Skinny Puppy album, 1991's Last Rights. This record blew my mind when I used a gift token from Coconuts to purchase it back circa 1992/93, not knowing what to expect, just that the weird/cool Industrial Senior in my art class named Matt once told me, cryptically, "The keyboards in Skinny Puppy will make you feel... like... you're... GOD!"
He wasn't wrong.
31 Days of Halloween:
Unpopular opinion: I actually prefer Carrie 2: The Rage to Brian De Palma's original Carrie. Now, I'm not saying Carrie 2 is a better film, but for me, there are a few major irks with De Palma's film.
Carrie is well made, but the 70s were often an ugly decade, and all the costume design and set decoration seems (to me) to revel in that ugliness.
This is an excellent story; such a raw treatise on bullying and the personal, world-bending pain that comes of it. That’s something I love and respect. That and most of the performances. Sissy Spacek and Piper Laurie are a fucking powerhouse, and Nancy Allen is an unforgettable bitch.
Alas, a lot of the suspense just doesn’t work for me. The entire protracted sequence before the bucket spills feels absurd on a cartoon level, with Sue and the Gym Teacher looking here, looking back, looking at each other, looking away… it ends up taking away from the blood and fire of the climax. Not completely, but enough that I get annoyed.
Finally, I’ve said this for three decades, but travolta is not a good actor and really brings down every scene he’s in.
Katt Shea fills Carrie 2 to the brim with a sense of embitterment and isolation that, while affecting, fails to measure up to those feelings in De Palma's. That said, I think there is something about the time between the two films (1976 and 1999) and the severely different aesthetics of the eras that helps Carrie 2 feel like a natural extension of the original. Does it need to exist? Absolutely not. The entire movie is really just one long wait for some widespread comeuppance, but when Shea's film delivers this, it is GLORIOUS! I love that pretty much no one is spared. Does the film suffer from that pre-millennial cheese that so many films from this era do? Yes, but it also references both Scream and New York Ripper in the same line of dialogue! I feel some Twin Peaks in here, some NOES 2, a lot of disparate influences that work together to make Carrie 2 way more watchable than a lot of films from this time.
Will I revisit this again? Maybe. Will I revisit the original? Absolutely. I check back in every few years on this and Dressed to Kill to see if my problems are me. So far, that has not been the case.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
22) Carrie 2: The Rage
NCBD:
This week's pull starts off with one I've been excited about since seeing the cover solicitation.
Holy. Shite. I've been waiting for something like this since the inception of The Energon Universe. Cobra-La in space, mixing it up with, I'm assuming, either the Quintessons or the denizens of the Great Ring? And this is probably only the beginning. It's funny how I couldn't give a toss about these 'goofy' Joe cartoon characters in pretty much any other context but what Kirkman and his team are doing. Admittedly, Pythona has the best scene in that G.I.Joe cartoon movie from the '80s, but overall I always sided with Hama's comic and eschewed the increasingly day-glo aesthetic of the cartoon. But Kirkman has recontextualized all of this, and I am excited to see what happens.
Michael Walsh's Frankenstein has not disappointed me yet. I'm sure I've said this before, but Mr. Walsh is one of my favorite artists working today. Also, does this cover allude to The Bride joining the story?
Catching up with Leo? Nice. Loving that this book has been taking its time to release. I'm hoping that doesn't fall away once things really get going.
John Constantine is dead and his trek across the U.S. has been as bizarre as one might expect for a (ghost? Reanimated?) Britsh Punk Rock-reared Magician.
Playlist:
Purple Hill Witch - Eponymous
Ritual Howls - Virtue Falters
Allegaeon - Apoptosis
The Soft Moon - Criminal
The Kills - Midnight Boom
Ministry - HOPIUMFORTHEMASSES
Justin Hamline - The House With Dead Leaves
John Frusciante - Brown Bunny OST
Card:
Today's card for study is XIX - The Sun:
The Triumph of the Spirit! This card is obviously a glorious one, filled with revelation or perhaps the idea of seeking revelation. From my grimoire: "Taking the Pill will open your eyes."
Crowley says it in his Book of Thoth: "This is one of the simplest cards; it represents ... the Lord of the New Aeon in his manifestation to the race of men as the sun."
The dancing children (?) represent humanity accepting the revelation of the new aeon, Crowley's Age of Horus. The philosophical reality of that can be argued, the important thing on the non-Crowley level of just reading the cards is this indicates the person in question will change.
Really digging Purple Hill Witch, an awesome Stoner/Doom band from Oslo, Norway, who recently signed to Totem Cat Records, home of so many other fantastic bands! As I get to know the back catalogue, I'm following these guys on IG and salivating at the prospect of the new record!
31 Days of Halloween:
Rob Zombie's 31 is a polarizing film, to say the least. Even in my own personal conversation about Horror, you know, the one flowing in my head pretty much ALL THE TIME, I have mixed opinions. It starts strong with Doomhead, wears on my nerves with its "King Dong" bag of dick and fuck jokes as we meet the cast, and then really comes up strong again when we get going on the plot. Yet, all that time spent annoying me with character "development" doesn't make me dislike the protagonists at all. What they go through saves them for me.
By the end, I am always intoxicated by 31, and it's often difficult to find something to watch afterward (unless I'm doing House of 1000 Corpses or Devil's Rejects).
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
21) Rob Zombie's 31
Read:
The pre-order went up for the next Laird Barron release on Bad Hand Books. HERE's the link and the solicitation below this amazing cover art by Samuel Araya.
"Barron returns to Bad Hand Books with an all-new novella in his famed Antiquity setting. (Pretty) Red Nails features familiar hero Isaiah Coleridge—but he’s not at all as we remember him.
This is Coleridge with a dark-fantasy twist.
A tall, rangy mercenary armed with a deadly iron spear, Coleridge travels the benighted land astride a nameless piebald stallion while the grinning moon watches from above like a patient carrion bird.
Alongside Lionel Robard and a battle-scarred war dog, Minerva, Coleridge faces off against a mad wizard and the horrifying Pale Ones on a quest to find the fabled city of Ur.
For love. For lust. For pretty red nails."
Playlist:
Drug Church - PRUDE
Chat Pile - Cool World
Skinny Puppy - Last Rights
Misfits - Static Age
Ministry - The Mind Is A Terrible Thing To Taste
Purple Hill Witch - Eponymous
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• King of Pentacles
• Ace of Swords
• I: The Magician
The King (Prince) of Disks can be a bit of a cunt for matters of Earthly stability. He's a shake-up, a corporate higher-up who stops in to ensure things are running smoothly and routinely finds issues. That said, that kind of pragmatic assessment can lead to enlightenment and enhanced prowess.
BIG thanks to Mr. Brown, who clued me into the fact that comic writer Patrick Kindlon's band Drug Church has a new record out! Kindlon is kind of the pinnacle of the evolution of Punk Rock to me at the moment: he writes wonderfully subversive and thought-provoking comics, and he sings in an awesome band that has a social awareness that reminds me a bit of Fugazi, although turned somewhat inward. Really great stuff.
Not much to say about my viewing over the weekend. Rewatching the original Terrifier, I'm merely reminded how great the second and third entries are with an actual plot, although Leone's FX work is still great (although subdued by lack of budget), and it's interesting to see the Victoria character's origin again, given what she's become. That was Friday night; Saturday was Ti West's The Houe of the Devil with Joe Bob from The Last Drive-In episode aired during the first season of the show, back in 2019. House is normally a film I prefer to watch uninterrupted, but this is my second viewing in the last few months (I watched it when Maxxxine hit theatres, too), and I'd never seen Joe Bob 'do' the film, so it was time. Very cool factoids throughout.
Last night, I re-watched Lucky McKee's The Woods. This was his 2006 follow-up to May. May is one of my all-time favorite films. The Woods is... not a bad film by any means. However, something about it feels very hollow to me. I don't remember how I felt about this one when I first saw it upon the initial DVD release, but it definitely didn't move the needle with me this time.
I feel like I am running out of time this month. There's been a couple not-so-great viewings, and there's a ton of stuff I want to get to. Might have to organize the remainder of my viewings.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
19) The House of the Devil - Last Drive-in Presentation (original air date April 26, 2019)
20) The Woods
Listen:
My friend Justin interviewed Chris Connelly on the latest episode of his YouTube show, Trailer Punk Podcast. Check it out!
Listening to this, I'm reminded I've still never tracked down a copy of Connelly's 2010 novel Ed Royal, and now I realize he has others! No excuses...
Playlist:
My Life With The Thrill Kill Kult - Confessions of a Knife
Oranssi Pazuzu - Muuntautuja
Blut Aus Nord - Hallucinogen
Oranssi Pazuzu - Live at Roadburn
Oranssi Pazuzu -
Värähtelijä
The Sisters of Mercy - Floodland
Perturbator - Nocturne City EP
The Body and Dis Fig - Orchards of a Futile Heaven
Various - Halloween Spotify Playlist
Orville Peck - Pony
Pastor T.L. Barrett and the Youth For Christ Choir - Like a Ship Without a Sail
The final song on this year's Passion Depression, released back in March. I'm really just getting around to this one now. For whatever reason, none of Cold Cave's albums live up to the promise set by the first one I really heard, 2011's Cherish the Light Years, but this album's pretty great, and this final track is my favorite on it. You can head over to CC's Bandcamp HERE and take your pick.
31 Days of Halloween:
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
18) Terrifier
Watch:
Okay. Bloody Disgusting posted the trailer for Beyond the Chamber of Terror a few days ago, and it looks like it will either be a gloriously goofy good time or unwatchable.
I guess the proof, as always, will be in the pudding.
Ritual Howl's album Turkish Leather was released ten years ago on September 30th! Holy smokes. If you're not familiar, check out their discography on Bandcamp. Easily one of my favorite discoveries from the last ten years, for sure.
31 Days of Halloween:
Last night K and I hit the Regal for Parker Finn's Smile 2. I'm not going to post a trailer because last week, before Terrifier 3, I noticed there was a HUGE spoiler image sandwiched in the quick succession of scenes they splice together, and that pissed me off.
That's not Finn's fault. I rewatched the first Smile Wednesday night, and I have to say, third viewing - first at home - Smile not only held up, but I now think it's one of the scariest flicks in recent memory. Sosie Bacon's physical acting - her posture, inflections and facial tics totally sell her anxiety as she spirals, a descent made all the worse by the fact that the movie begins with her patient demonstrating the exact blueprint for what she's about to go through.
Chills!
So how does the sequel hold up? Well, our theatrical experience ranks as the worst I've had in years, but that's definitely not the film's fault. Blame instead the groups of high school students who walked in and out of the theatre on almost constant rotations. I used to be the guy who would stand up and tell people to shut the fuck up when they were talking during a movie, but nearly coming to blows during James Bond: Skyfall (2012?) delivered the epiphany that I had become part of the disturbance. The theatre is my church, and I've learned to grin and bear it. It's not nearly as hard now that I rarely smoke before a theatrical screening. I have a much easier time letting periphery noise go when I'm not hyper-focused. Also, these kids weren't talking so much as just walking in and out of the theatre, so what do you say, anyway?
Back to the actual movie. Smile 2 is fantastic; it's not as good as the original, but that's just my opinion. My Horror Vision co-host Missi felt this one matched the first film. One thing's for sure - Parker Finn is a Director I will follow from here out. He used the considerably bigger budget for this sequel to really expand his idea in a way that transcends the genre completely and sets up the next movie with a scale that makes me extremely excited.
In a nutshell, it might not make my top ten of the year - a hard thing to do in 2024 from the sheer volume of awesome films released so far this year - but it's fantastic, moves the series forward in a brilliant and exciting way, and should definitely be seen in a theatre. Just try to get a screening where the brats are sure to still be in school.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head
14) Undead
15) Moloch/Evil Dead 2
16) Smile
17) Laura Hasn't Slept/Smile 2
Read:
I finished my third re-read of China Miéville's Perdido Street Station yesterday. Totally blown away again!
Now, onto Laird Barron's Not A Speck of Light, which I received from Bad Hand Books a week or so ago and have been chomping at the bit to read. I'm four stories in and it's just so wonderful to have new stories by one of your favorite authors. Barron's prose wraps around my brain like a massive alien wyrm slowly strangling the light from the sky.
The plan is to read a couple of short stories in this new collection and then start Ivy Tholen's latest, Mother Dear, which I am also dying to tear into!
Playlist:
Oranssi Pazuzu - Muuntautuja
Emilie Levienaise-Farrouch - Censor OST
Ritual Howls - Turkish Leather
Ritual Howls - Rendered Armor
Bauhaus - In the Flat Field
Ritual Howls - Virtue Falters
Sandrider - Godhead
Jim Williams - Possessor OST
Beastmilk - Climax
Skinny Puppy - Remission
My Life With The Thrill Kill Kult - Confessions of a Knife
Horrendous - Ontological Mysterium
Red Lorry Yellow Lorry - Talk About the Weather
Type O Negative - Origin of the Feces
Card:
Today's Card is IV: The Emperor.
"The Rules that Govern All Life."
That's how my entry in the Grimoire begins. Also, it should be mentioned that this is obviously a very Martial card; Crowly writes about this tying into the card as the representation of the physical embodiment of authority. He also drops this little gem:
"... Aires means Ram. At his (the Emperor's) feet, couchant, is the Lamb and Flag, to confirm this attribution on the lower pane; for the ram, by nature, is a wild and courageous animal, lonely in lonely places, whereas when tamed and made to lie down in green pasture, nothing is left but the docile, cowardly, gregarious and succulent beast. This is the theory of government."
No wonder my friends and I tend to regard this card suspiciously! One of the interpretations I lean toward with The Emperor is "It will be decided for you," which sounds a bit chilling now, when juxtaposed with the above passage from The Book of Thoth. Anyway you cut it, the fourth Atu is not a great card to see in many respects, unless of course, you need a third party to get something done for you.
New music from Chelsea Wolfe, and it reminds me that I sort of forgot about She Reaches Out to She Reaches Out to She, released a few months ago. This woman is such a prolific artist; very inspiring. You can pre-order the new E.P. HERE.
31 Days of Halloween:
Woke up super early yesterday and caught Nico van den Brink's 2022 film Moloch from the beginning on Shudder TV. Solid modern Folk Horror flick from XYZ Films. Here's a trailer that's not too revealing:
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77, DVD)
13) Daddy's Head
14) Undead
15) Moloch/Tea Cup (episode 1)/ Evil Dead 2
NCBD:
Short list this week, and two of these books may be delayed. Let's take a look:
How many times have issues of The Last Ronin II: Re-Evolution been delayed? Hell, I'm not even sure anymore. I love this world and this book, so I'll take it when they give it, and honestly, a production on this level is worth the wait.
Opting for the "B" cover on this final issue of Destro. The Energon Universe party is kind of over; I mean, it's still great, but as Mike Shinabargar and I have discussed on Drinking with Comics quite a bit the last few months, that initial excitement of introducing G.I. Joe into the mix crested with the Cobra Commander and Duke mini-series. Destro has been great, but with everything winding down toward one monthly book, well, something feels flattened.
There's really no way to even begin to discuss this book in any small way. Department of Truth is so much more effective a series read in trade; however, after catching up on the series with the first four volumes, there's just no way I can wait for it to be collected.
Or can I?
This is the one I am most excited about this week, and it's also the one I've heard has been pushed back. DC, please get this one out before Halloween! Maybe it's Shinabargar's influence, but I've been digging some of these one-off Bat-books lately, and at a tight, three-issue duration, this Batman fights a Werewolf looks pretty rad.
Playlist:
Type O Negative - Dead Again
Barry Adamson - Cut to Black
Moon Wizard - Sirens
Deth Crux - Mutant Flesh
Type O Negative - Bloody Kisses (Suspended in Dusk Vinyl)
The initial notes I made for this card, long ago when I began the Grimoire, reads: "Something more (Divine???) that guides life along its course."
The Prime Mover. This does not have to be a religious interpretation—mine certainly isn't—but it can be. In reality, this can be any "higher" power imparting knowledge, even if it's just someone smarter or more versed than you.
Crowley floods the card with extra meaning. The bull, the elephants, Horus. It all boils down to the ultimate template for the Magickal working: United the microcosm with the macrocosm, itself a reference to our study and how it seeks to draw upon the aforementioned Prime Mover.
I LOVE my Anchor Bay DVD copy of Dario Argento's 1977 Suspiria. LOVE it. One of the awesome features is the third disc is the Score by Goblin. Still reeling from rewatching the film this p However, upon rewatching the film for probably the first time in five years (most previous time before was the 4K restoration's premiere on the big screen at the Egyptian Theatre for Beyondfest, complete with Mr. Argento present to discuss the film!), I realized that, like many DVDs, the picture leaves quite a bit to be desired.
So, I'm finally going to upgrade, and after consulting my Horror Vision cohosts, I've decided the only place to go is Synapse Films.
Although no longer available on the Synapse website, this one is currently available for a cool $25 on Amazon. This is the one my compatriots recommended, and it also has high marks on Blu-Ray.com (Blu-Ray picture and sound review HERE)
31 Days of Halloween:
Yesterday evening, I watched Daddy's Head, the new film by Writer/Director/Composer/Editor Ben Barfoot. This hit Shudder last Friday. It's an excellent piece of moody, haunting filmmaking and a strong recommendation, especially for fans of The Lodge,Goodnight Mommy, or Damien McCarthy's work. This is nowhere near as weird as McCarthy's work; however, there's a restrained balance employed in Daddy's Head that really strengthens the film and reminds me a lot of Oddity, in particular.
I'll also add that this film would make the perfect "Yang" to The Babadook's "Ying" in a Grief Haunting double feature. It's kind of the polar opposite of Jennifer Kent's film.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
12) Rosemary's Baby/Suspiria ('77)
13) Daddy's Head/Poltergeist II*
* First time watch. I was right to avoid the Poltergeist sequels all these years. Awful.
Playlist:
Godflesh - Us and Them
Oranssi Pazuzu - Muuntautuja
My Life With the Thrill Kill Kult - Confessions of a Knife
The second single from the upcoming album I Want Blood, out next Friday, October 18th. Pre-order HERE.
31 Days of Halloween:
Last night, K and I watched Anouk Whissell, RKSS, François Simard, and Yoann-Karl Whissell's Summer of 84 for the umpteenth time. This has emerged as one of my favorite films over the last couple years. It hits EVERY TIME. At first, I dismissed this as capitalizing on Stranger Things' popularity; however, it quickly became apparent that this was not the case. In the same way that Twin Peaks adopts the veneer of the TV night-time soap opera to subvert the genre, Summer of 84 does the same to the "kids on bikes" aesthetic popularized by Stranger Things.*
Summer of 84's ending is, in my opinion, one of the greatest in recent memory.
1) The Killing of a Sacred Deer
2) The Houses October Built (2011)/Texas Chainsaw Massacre (50th-anniversary theatrical screening)
3) Loop Track
4) It's What's Inside/LONGLEGS
5) The Babysitter/Abbott and Costello Meet Frankenstein
6) The Hitcher/Lost Highway
7) GDT's Cabinet of Curiosities: Graveyard Rats
8) V/H/S Beyond
9) Killer Klowns from Outer Space
10) Terrifier 3
11) Summer of '84
* Yes, technically Kids on Bikes was invented and popularized in the 80s. By NO means am I suggesting ST invented it. I'm 48 - I grew up during the 80s. However, it didn't become an acknowledged "genre" - for better or worse - until later, and not a checklist-ready template until after ST.
Playlist:
Various - My Halloween Spotify Playlist
Oranssi Pazuzu - Muuntautuja
Bauhaus - The Sky's Gone Out
Count Gorgann - Corpse Eater: Satanic Misery Live for the Dead
Steve Moore - Christmas Bloody Christmas OST
Card:
Taking a break from the single card studies for a pull from Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
What's it say that the first card I lay down has my new friend here on it?