I stumbled across the record by the band Vreid two days ago and quickly went from being impressed by their ability to conjure and own a lot of old school metal tropes to completely blowing my mind by moving through a network of decidedly non-metal elements to flesh their sound out into a pretty unique beast. Listen to the track above, then go on and hit play on this.
I kept thinking the Apple Music algorithm had moved me onto another band. The album does that, slowly incorporating other, decidedly non-metal ideas into its progression in a way that makes it a journey, which is very cool, and apparently exactly what I needed.
NCBD:
Okay, so I actually went and bought every back issue The Comic Bug had on the shelf for this newest Amazing Spider-man series, which means I have now read issues 49-64. I say this, because despite the storyline feeling a bit weighed down by plot threads - I mean, there are a f*&king LOT of them - I've kind of fallen for this book. There's a very Uncanny-Xmen-Chris-Claremont feeling at how writer Nick Spencer sets up future plots/reveals via one and two-page asides. This creates some serious Gottasees that build over the course of, in some cases, a lot of issues. Case in point, who was the extra corpse that Carli Cooper found among the bodies Kindred exhumed? They drop this with a two-page scene in issue 57, and we still don't know, going on 8 issues later! It's stuff like this, and a mounting idea that Spencer seems like he might be setting up to undo the "Brand New Day" stuff from back in 2008 that pushed all the old-school, Peter-and-Mary-Jane stuff aside in favor of streamlining Spidey for younger readers. Either way, I'm super intrigued at where this is all going.
One issue left after this. Love this series, and love its covers, especially this one.
The first two issues were so much fun, how can I not come back for more? I'm still not jumping on the Carnage train, however, the stories in the second issue of the titular symbiote's Black, White & Blood book felt like horror films, which is super cool to see a major "Fan Favorite" like this treated that way.
Another penultimate issue for a mini-series that I'm currently following. Short and sweet, and even if we don't hear from Pendermills, this and 4 Kids Walk Into a Bank have cemented Tyler Boss as someone whose work I will follow.
If you didn't know Larry Hama is writing an Iron Fist comic, don't feel bad, neither did I. I'm new to the character, however, I jumped at the chance to pick up a new, finite Hama project and so far, so good.
This book definitely skews a little more "classic Image" than I normally like. That said, I'm digging it and will follow it for the time being.
Playlist:
Deftones - Ohms
Deafheaven - Ordinary Corrupt Human Love
Vreid - Wild North West
Boy Harsher - Careful
Black Sabbath - Sabotage
Card:
Death is just the beginning, right? It's funny, yesterday my interpretation of the Queen of Disks was so on the nose that I'd used the words "Responsibility" and "Culpability" in discussion probably five times by 9:00 AM. I'm curious if my standard reading for Death as Change or Metamophasis will be as on the nose.
Sampa the Great is new to me (see below), but I am digging on this entire record.
Watch:
A couple weeks ago my Drinking with Comics cohost Mike Wellman sent me this interview with Mike Patton. Fantastic discussion, but of special interest here is his mention of Sampa the Great, who I'd never heard of before and whose 2019, award-winning record The Return is currently blowing my mind. Here's my favorite track (so far) on an album where there are a lot of tracks and all of them are good.
What I love best here is the fact that, if you go to the All-Music entry on The Return and check the credits, almost all of the instrumentation is real, very little in the way of samples. Plus, all of it hits that 70s Soul/ R&B sweet spot I love so much. You know, back before people considered crap like beyonce R&B.
Playlist:
Death Valley Girls - Under the Spell of Joy
Perturbator - Excess (Single)
Perturbator/Author & Punisher - Excess n (Single Remix)
Vreid - Wild North West
Sampa the Great - The Return
Deftones - Ohms
Ice-T - Power
Card:
The Queen of Disks always feels like a bit of an indictment to me. Kind of the spiritual or theoretical equivalent of Dante's change experiment in Clerks (yeah, I know that's an odd reference to tie into Tarot). While your better self (or Star self as I always imagine Crowley called it and didn't) is looking the other way, are you participating in something you shouldn't? The goat up front staring at us, essentially breaking the fourth wall, is a reminder you should always be aware, because others are whether you realize it or not.
There's a reminder of culpability here that I like, and whenever I see it, I try and run a mental checklist to see if all my ducks are indeed in a row. Interestingly, I feel like there's an element of that in The Return, as the record is peppered with dialogue snippets - mostly third party phone messages by Sampa's friends - that seem bent on making her understand something the world around her expects of her, but that she herself has left behind. And that's part of culpability, too, making sure that just because the world expects something of you, if it doesn't align with who you actually are inside, you're not falling in line. Keep your ducks in a row, not theirs.
After discovering Death Valley Girls late last year via (I think) the Henry Rollins radio show on LA NPR WKRC and having a brief moment with their then-new album Under the Spell of Joy, I kinda forgot about them again. However, the album popped back up on my radar last week during my black-out period here (BUSY!), and I've been listening to it ever since. Excellent album, which you can pick up from Suicide Squeeze Records HERE.
Watch:
I watched quite a few movies over the last five days or so since the last time I posted, however, Donald Cammell's White of the Eye may have left the biggest impression on me from those films I didn't already know. My co-host Tori talked about this one on the most recent episode of The Horror Vision, and our fellow cohost Anthony hit it square on the head when he described the film as a "Southwestern American Giallo."
You're going to have to be in the mood for 80s tropes, i.e. gratuitous guitar over sweaty sex scenes, and mullets like you may have never seen before, but if you can put you're head there and imagine you're watching this one late at night on a local affiliate at around 1:00 AM on a Saturday, you'll do just fine. Stand out performance by David Keith, who kind of transcends his "poor-mans Kurt Russell" thing and really does something cool with his role.
Playlist:
I'm not even going to try and log everything I've listened to, because I on a good day I usually mess that up. Here's what I remember:
Death Valley Girls - Under the Spell of Joy
Jello Biafra and the Guantanamo School of Medicine - White People and the Damage Done
Black Sabbath - Vol. 4
Mrs. Piss - Self-Surgery
Prince - Sign O' The Times
Gram Rabbit - Music to Start a Cult To
Voyag3r - Doom Fortress
Tomahawk - Tonic Immobility
CCR - Bayou Country
Deftones - Ohms
Lustmord - Hobart
Card:
My second shot of the Pfizer Vaccine is coming up this Thursday, so let's see if it knocks me out as hard as the first one did.
Oh man, how did I miss this last July? Would have come in handy.
NCBD:
Here's what I'll be picking up today for New Comic Book Day:
I'm pretty excited about this new Daniel Warren Johnson Beta Ray Bill series.
Deadly Class returns! What's more, issue 45 bumps the timeline up to 1991 - notice Marcus' shirt - and I can't wait to see how Rick Remender handles the era of my own teenage years.
Two hyphenated superheroes? Man-Thing and Spider-Man, seeing as how I've really been digging Spidey again and Man-Thing is an all-time favorite, this should equal a win-win for me.
Two Moons is dark, proto-American West Horror tied into Native American folklore. What more do I have to say, other than so far, I love it.
Playlist:
Belbury Poly - The Gone Away
Blut Aus Nord - Hallucinogen
Gost - Behemoth
Zombi - Cosmos
Judas Priest - Painkiller
Minnie Riperton - Ten Best
GWAR - Scumdogs of the Universe
Blut Aus Nord - Memoria Vetusta III: Saturnian Poetry
Huey Lewis and the News - Weather
Card:
My old friend, The Fool. He's never too far away, is he? The voice of inexperience and novelty, a reminder that everything old is new again, and sometimes you have to look beyond your routines to make any progress.
I woke up one day last week and literally, before I could even climb from bed, thought, "Unchained Melody is one of the greatest songs ever recorded."
Now, I've know this song my entire life, and I've long enjoyed it, however, this was something different. I don't know where this contemplation and pronouncement came from, because I don't know that I've heard Unchained anytime recently. But there it was, and when I got to work and put in my headphones I had to concur that, yes, this song is epic.
Watch:
Here's one of my favorite new scenarios: I come home from work tired at least two days a week. I settle onto the couch with my pillow and my cat and throw on a movie. Usually, my go-to's for this situation are either Shudder TV or Prime. I almost always end up falling asleep within the first ten minutes or so, then wake up in the last three-quarters of the flick. In the best-case scenarios, whatever I see when I open my eyes prompts me to rewind all the way back and pick up where I dozed off. This happened yesterday with Rusty Nixon's 2017 Residue.
I LOVED this flick. I don't know that I've ever seen anything with this tone before, a kind of deft balance between humor, Horror, and Neo-Noir. Everyone nails their parts, the FX crew is cognizant of their limitations and do an outstanding job working within it (LOVE the Puppetry), and the mythology is just vague enough to leave me desperately wanting to talk about the flick and just specific enough to indicate the filmmaker knew what he was doing and stuck to it. All in all, this is one of my favorite finds in a while, as far as flicks that passed me by from recent years.
Playlist:
Zombi - Shape Shift
Boards of Canada - Tomorrow's Harvest
Judas Priest - Screaming for Vengeance
The Marvelettes - The Hunter Gets Captured By the Game
Windhand - Grief's Infernal Flower
Windhand - Levitation Sessions
High On Fire - Blessed Black Wings
Tomahawk - Immobility
Suburban Living - Always Eyes
P.M. Dawn - Set Adrift on Memory Bliss
Various Artists - Valerie and Friends
Canadian Rifle - Peaceful Death
SURVIVE - Mnqo26
Gram Rabbit - Music to Start a Cult To
Just Once in My Life - The Righteous Brothers
16 - Dream Squasher
Etta James - Second Time Around
Steve Moore - VFW OST
Card:
Center your strength, eh? Okay, that seems like good advice right now.
New video for Deftones' "Ceremony", the second track on last year's Ohms record. Great track.
NCBD:
Yesterday was NCBD, so here's what I picked up. Mike Wellman and I will be talking about these books and more tonight on the Drinking w/ Comics NCBD Round-up, streaming live on our FB page at 7:00 PM PST:
I'm still not sure I'm in for the long-haul on Marvel's Alien series, but I dug the first issue and am curious where it goes. For now.
I keep saying I'm logging off the newer Spidey titles, but I'm just feeling the character so much right now that I find I cannot.
I love that this character finally has a new series, and when I recently realized Dane's goat-headed butler is named Phillip, and really just wanted to buy Si Spurrier a beer.
I'm not a fan of the extended Symbiote family, however, I had such a damn good time with the first issue of this series that I have to come back for the next. Plus, visually, all these Black White & Blood books Marvel has been doing are outstanding.
And of course, last but certainly not least:
TMNT ongoing has been my flagship book for some time now, and I don't see that going away any time soon. Look at that cover!!!
Playlist:
Kensonlovers - Keep Rolling
Gram Rabbit - Music to Start a Cult To
SURVIVE - Mnq026
The Joy Formidable - AAARTH
Sampa the Great - The Return
Windhand - Grief's Infernal Flower
Tiamat - Clouds
The Righteous Brothers - Just Once in My Life
The Righteous Brothers - You've Lost That Lovin' Feelin'
Mastodon - Once More 'Round the Sun
Jackie Wilson - Higher and Higher
Frankie Valli and the Four Seasons - Definitive Pop Collection
Emma Ruth Rundle and Thou - May Our Chambers Always Be Full
The Besnard Lakes - The Besnard Lakes are the Last of the Great Storm Warnings
Card:
Another "invest in structure" pull that slots in timely after Tuesday's pull.
This past weekend I stumbled on the band Voyag3r. Never heard of these guys before, and I think Apple Music did me a solid by rotating Lord of Doom Fortress in right after a Steve Moore track. I'm still getting used to this new update Apple has that makes their service a bit more like Spotify by continuing to play music after whatever album you're listening to ends. I both like and dislike this feature, but in this case, definite mark in the "Pro" column, because as I said, I don't know that I'd ever have heard Voyag3r otherwise.
Listen to the outro of this track. It's gorgeous. After it ended, I listened to the entire record and absolutely loved it, so I'm on board. LOVE the use of guitars with the synths, it really makes these guys stand out from a lot of the other synthwave stuff out there. You can head over to Voyag3r's Bandcamp HERE and check out their music, or dial them up on your favorite streaming service.
So F*&king down.
Playlist:
SURVIVE - Mnq026
Blood Spore - Fungal Warfare Upon All Life
György Ligeti - Essentials
John Carpenter - Lost Themes III: Alive After Death
16 - Dream Squasher
Alice Donut - Dry Humping the Cash Cow: Live at CBGB
Card:
Prioritizing Earthly concerns, or in layman's terms, starting to save $$$ again. I did really good last year, but some unexpected car maintenance set me back last month. No biggie - gotta keep the machine running, right? Anyway, April was that rare bird where I had three paychecks in 30 days, so this is a reminder to roll into May feeding my savings account again. Can't keep paying rent forever, even in LALA Land.
New Zombi! I'm still blasting last year's aptly titled 2020 and here there is, more on the way! Pre-order from Relapse Records HERE.
Watch:
Our entire household received our first doses of the Pfizer Vaccine on Thursday afternoon and it subsequently knocked me on my ass. I had flu-like body ache, fatigue and borderline nausea until yesterday. Which was fine, because I called out from work on Friday and other than having to work five hours on Saturday - which sucked - and interviewing comics artist and entrepreneur Jay Fotos for A Most Horrible Library afterward (episode out now), I basically watched a bunch of stuff, read a lot, and got some writing done. Oh yeah, and sleep. I slept A LOT.
Watch-wise, first up was Andrzej Zulawski's Possession, which I'd been wanting to see for a long time but is fairly hard to come by. Luckily, Anthony from The Horror Vision has several European Region copies and I now have a Region-Free player, so the stars aligned and my mind was literally blown.
I'm seriously planning a second viewing of this one SOON, because I really need to unpack it.
Friday night, Joe Bob Briggs returned with the first episode of The Last Drive-In. I'm a huge fan of JBB, however, after about thirty minutes of Lloyd Kaufman's Mother's Day, I jumped ship. I respect the hell out of the Kaufman's and Troma, but thus far, I've never had a single one of their movies work for me. This one was no different, so instead, K and I rented Travis Stevens' new film Jakob's Wife.
Starring Barbara Crampton and Larry Fessenden, there was pretty much no way this one would miss for me, and it didn't fail. Solid Five Stars on Lettrbxd.
I'm finally going back and re-watching all the Marvel MCU flicks that I missed due to total Superhero burn-out. If you're keeping track, I loved Ms. Marvel, and now loved Spider-Man: Homecoming!
Wow. I knew these flicks would all be good, however, damn! This one was awesome. K and I both LOVED Homecoming and now can't wait to watch Far From Home.
Finally, Saturday night we watched Michael Kennedy and Christopher Landon's Freaky. Everyone told me this one was great, and they were all 100% correct. Loved it!
As my good friend Missi said, "Vince Vaughn was born to play a seventeen-year-old girl!" Amen!
Playlist:
Steve Moore - VFW OST
Small Black - Cheap Dreams
Zombi - 2020
Tomahawk - Tonic Immobility
K's 70s Playlist
Kensonlovers - Keep Rolling
Kate Bush - The Dreaming
Lustmord - The Dark Places of the Earth
Selim Lemouchi and His Enemies - Earth Air Spirit Water Fire
Anthrax - Persistence of Time
Christopher Young and Lustmord - The Empty Man OST
Soul Coughing - Irresistible Bliss
Pilotpriest - Original Motion Picture Soundtrack
John Carpenter - Lost Themes III
Judas Priest - Hell Bent for Leather
Mrs. Piss - Self Surgery
CCR - Bayou Country
Greg Puciato - Child Soldier
Numenorean - Adore
Alice in Chains - Facelift
Judas Priest - Painkiller
Allegaeon - Apoptosis
Revocation - Teratogenesis
Guns N' Roses - Appetite for Destruction
Zombi - Shape Shift
Zombi - Escape Velocity
Voyag3r - Doom Fortress
Voyag3r - War Mask
Various - Valerie and Friends
Card:
Definitely feels like a Victory that A) I received that first dose of the vax, and B) I'm back into a pretty great vibe with Shadow Play Book Two!!!
Now that that's taken care of, let's get into some comics!
NCBD has become a much bigger deal to me since Mike Wellman (AKA Mike Wahlman) and I resurrected Drinking with Comics. Here's what I'll be picking up today and (hopefully reading) before tomorrow at 7:00 PM PST when we live-stream the new episode and talk about all this stuff on our FB page! If you miss the stream, the edited episode will be up early Friday. That's the schedule we've set and are attempting to stick to for the foreseeable future. Now on to this week's books in...
PULL LIST:
I'm really feeling Spiderman lately, even though I'm not super into the way Peter Parker appears to be a teenager in his monthlies and an adult in the regular Marvel titles (as evidenced in The King in Black, which I broke down and bought all five issues of last week and overall enjoyed). Spider's Shadow is a kind of limited "What If" that asks What if Peter had become Venom. As for Non-stop Spiderman, this will probably be my last issue of it, however, the current Falcon and Winter Soldier show has my blood up for some Baron Zemo, and he made his appearance in the final pages of Nonstop #1, so I'm back for more Zemo!
I'm not really a huge follower of Red Fang - they're a solid band, they just don't really stand out to me. That said, I LOVE this video.
Read:
Pretty psyched to have been sent a digital copy of Osaka Mime from Behemoth Comics for review on our A Most Horrible Library podcast. This book looks NUTS, and I am all about finding out more everything I can about whatever the hell monster is on this cover:
Super cool. Chris and I should be reviewing this one on our new episode, dropping next Monday morning (Sunday night at Midnight if you do the youtubes).
A very special thanks to Behemoth Comics and creators Andy Leavy, Hugo Araujo, and Robin Jones for sending this our way.
Playlist:
Judas Priest - Firepower
Small Black - Cheap Dreams
Steve Moore - VFW OST
Card:
Significant in that I just sent a Beta copy of a short story I've been trying to solve for almost three years to my good friend (and constant beta reader) Missi. The story is 99.9% there but still feels incomplete; not start to finish, but something textural inside its narrative feels weak. I'm hoping Missi's insight will help me realize what, if anything it is (because it is totally plausible, when you've working on something for this long, to get into a headspace where you can't finish it, even when it's finished).
I'm back on this reassessing the 80s kick, wherein I dig back into a lot of the music I dismissed or, in some cases, openly mocked in my 20s.
The Scorpions were a staple of pre-Grunge radio and a band whose singles I had a particular affinity in my pre-teen years. It would have been around the age of six or seven that I first heard their stadium-packing single "Rock You Like A Hurricane," a song that, at the time, sounded like the heaviest thing imaginable to my young ears, and helped steer me into metal. By '91 however, all these operatic-style vocalist-driven guitar-heavy bands had worn out their welcome, and I never bothered to look any further.
Fast forward to last week when, while unable to stop listening to 80s-era Judas Priest, I went scrolling down the neon corridors of Apple Music looking for another comparable band to unearth.
Scorpions are where I landed.
Covered by Testament on 1997's Signs of Chaos comp, it was my good friend and Horror Vision cohost Tori who pointed me toward Scorpions' 1977 album Taken By Force, specifically mentioning this song. I was not disappointed in the track, and in fact, despite some of the Scorp's other 70s-era albums not striking a chord with me, this one 100% did the trick. More proto-metal than butt rock, even the ballad "Born to Touch Your Your Feelings" has a dark, ominous allure that reminds me a bit more of some baroque Opeth song at times than Winger (in music only, as I can't rightly compare the vocals). This makes sense; as far as I know, what put the Scorpions to bed in the early 90s wasn't a predilection for mascara and cheese, but endless rotation and what sounds to me now, looking back, like an over-reliance on Producers who grouped them in with everything else 'happening' in generic hard rock at the time. I.E. everything Smells Like Teen Spirit would obliterate in 1991. I'd still rather jam Teen Spirit on most days, however, there's definitely a place for some Scorpions in my world.
Watch:
After catching up on Falcon and the Winter Solider this weekend (Mardripoor!!!), wee watched two flicks this weekend, both of which I enjoyed more than I initially thought I would:
First, Audrey Hepburn and Gregory Peck in Roman Holiday. This stands as probably my favorite movie K has introduced me to. I loved it, and I especially appreciated that they 'stuck' the landing.
Next, the recently released Wrong Turn reboot, which I cover pretty extensively on the new episode of The Horror Vision that went up this morning.
My motivation for watching this one, as I've not seen any other entries into the series (except maybe the first way back when it came out on video) was simply as an act of balance.
On THV's previous episode, my cohost Butcher gave the film a bad review, and as an attempt to provide the benefit of a second perspective I decided to install a 'Second Chance' policy on the show. This is where when one of us gives a new film a bad review - which is totally acceptable and not something the second chance is meant to overturn - someone else will watch and review it as well. In some cases, this will add a possible positive review, and in some, I suspect it will only strengthen the argument against. However, the internet is awash with negativity, especially in regards to movie criticism, and I want our show to be held apart from that rampant, often collegiate negativity. Bad reviews are inevitable in film critique, however, I want our criticism to be better than just name-calling and rampant negativity.
Playlist:
Judas Priest - Firepower
Judas Priest - Hell Bent for Leather
Judas Priest - Screaming for Vengeance
Guns N' Roses - Appetite for Destruction
Alice in Chains - Facelift
Pilotpriest - Original Motion Picture Soundtrack
Zombi - Cosmos
Blanck Mass - No Dice (single)
Scorpions - Black Out
Anthrax - Persistence of Time
Deftones - Saturday Night Wrist
Foster the People - Torches
White Lung - Paradise
Razor - Live! Osaka Saikou
The Rods - Live
Steve Moore - VFW OST
Card:
Balance is exactly what I am striving for this week. Last week was a manic roller coaster wherein I accomplished absolutely nothing and tied my stomach into a knot that finally untangled yesterday after nearly 9 hours of sleep and a cleaning frenzy.
A little old-school Deftones for you. Love this album, but I've fallen into the habit of forgetting about it due to the fact that Apple Music ranks it as "Various Artists" and, thus, puts it in with the "V" artists instead of my other Deftones stuff. Of course, I still have the CD, but with the car stereo out of commission, those aren't nearly as handy as they used to be.
Great track. I love the crickets. I'll forever be grateful to Jacob and Jeremy from Blue Karma for convincing me to give this record another chance, back in '06.
NCBD:
Since Mike Wellman and I brought back Drinking with Comics, I've been buying way more stuff than I normally do. Big Two stuff, even. Later tonight we'll be live-streaming another DwC NCBD run-down on our FB channel, with the edited video to follow tomorrow. In the interim, here are the two surprise big hits this week, both of which I absolutely LOVED.
I don't think I've ever liked a Geoff Johns comic before, but then again, everything I'd be even remotely familiar with would be DC, and I wanted to give the man a chance. Glad I did, because Geiger's first ish knocked my socks off! Great art, and a really cool story, with a super-intriguing final image that guarantees I'll be back for more.
An anthology comic that centers around a cursed (?) silver coin and the various lives it affects, each issue by a different creative team? Well, if this first installment was any indication, I'm in for the duration. I love that this is the second historic (1978) rock band comic horror comic I'm reading at the moment, Home Sick Pilots being the other (90s).
Playlist:
Judas Priest - Hell Bent for Leather
Judas Priest - Screaming for Vengeance
Blanck Mass - Animated Violence Mild
Anthrax - Persistence of Time
Black Sabbath - Heaven and Hell
Judas Priest - Firepower
Valkyrie - Fear
Windhand - Grief's Infernal Flower
Deftones - Saturday Night Wrist
Card:
Insatiable. That feels about right because I'm really unable to concentrate, I'm eating too much, drinking too much, and not writing enough. I think I've run out of patience for this stunted COVID existence. I've been attempting to sign up for Vaccination, but it's mostly just making me frustrated as all hell. Looking toward the horizon and hoping to see better days and a return to productivity.
I follow a man who goes by the handle Jomparantala on IG who has totally made me reassess a lot of the music I grew up with in the 80s but later dismissed. I won't say I ever totally gave up on Judas Priest - Living After Midnight remains a song I never stopped turning up to eleven whenever it comes on, although it's been so long since I listened to any radio station that would play it, so while it lingers on an old playlist, it's been a minute. Seeing Jom post about Priest yesterday, I definitely see myself firing up some today.
Watch:
Somehow I totally missed the fact that Neil Marshall's The Reckoning hit VOD two months ago! What the hell?!? I feel like I waited for this forever, then I let it fall off my radar. Well, that will (hopefully) be remedied this weekend. Here's the trailer. Love those plague masks, right?
Playlist:
The Replacements - Tim
Ted Leo and the Pharmacists - Shake the Sheets
ACDC - Highway to Hell
Alabama Shakes - Sound and Color
sElf - What a Fool Believes (single)
Santigold - Eponymous
The Clash - Train in Vain (single)
Talking Heads - Sand in the Vaseline
Protomartyr - Under Color of Official Right
Protomartyr - The Agent Intellect
Moonlover - Ghost Bath
Deafheaven - Sunbather (single)
Judas Priest - Killing Machine (single)
Zombi - 2020
Goblin - Dawn of the Dead OST
Card:
Everything lately has pointed to self-control, something I've been in short supply of lately (he types as he opens another beer at 11:04 PM moments after setting alarms that being at 4:05 AM)
While I've picked at a few albums by The Replacements over the last five years or so, I've never really fallen for any. Until now. Holy cow! I'm reminded of when, in 2009, I fell hard into The Smiths decades after many people my age did. A friend pointed out that both The Replacements and The Smiths are bands that classmates with older siblings tended to get into when we were younger, and with both of us being the oldest in our houses, that avenue to some of the more sophisticated music of the slightly older classes was cut off from us. That sounds about right, however, I definitely believe you find things when you need them. That was definitely true of The Smiths, and it feels equally accurate for The Replacements, or so far, their 1985 album Tim.
I love falling in love with older bands because I tend to go through these intense exploratory periods. One album at a time becomes an obsession, and within that microcosm different songs tend to cycle through as favorite obsessions. Currently, I'm stuck on "Swinging Party," its subtle lyrics and shimmering guitar, but I've already moved past "Kiss Me On the Bus", and seem imminently bound for "Little Mascara" to commandeer my obsession.
Watch:
With only a handful of episodes left of Penny Dreadful, K and I made the joyous mistake of watching the first episode of Servant on Apple TV. Five episodes later we are HOOKED and not going to be able to go back to Penny until we blow through both seasons of this show. The tone, the ambiance, the characters! I'm a big fan of Lauren Ambrose's character Claire on HBO's Six Feet Under, so it's nice to see her again.
Playlist:
The Replacements - Tim
Garbage - No Gods No Masters (single)
The Joy Formidable - Into the Blue (single)
The Joy Formidable - AARTH
Zombi - Cosmos
Zombi - Shape Shift
Zombi - 2020
Card:
No capacity for interpreting this at the moment, because I'm worn out from being up too late watching Servant!
I really dig this new single by The Joy Formidable, a band I don't know all that much about. Not sure if this is the precursor to a new album from the band, but I'll be investigating their back catalog now, so either way, it's all new to me.
Watch:
It's been a few days since I posted here. Busy as hell. I did find time to watch a few things this weekend, however, the thing that I must discuss is last week's season two opener of Shudder's Creepshow. I can't express how much this episode lit up all the goodwill in my brain. It had everything, including a full-on entry into the Evil Dead mythology, which I don't think any of us were expecting.
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Next up, Mike Wellman and I have returned with Drinking with Comics! It's been difficult to bring this show back, as it's primarily a live show with an audience that, well, for obvious reasons we can't do at the moment, however, for the moment, we're going to do a weekly NCBD round-up on Thursday nights. It will stream live on our FB page, then appear Friday morning on youtube. Here's last week's episode, where we talk Man-Thing, Stray Dogs, Shadecraft, and even find some time to dig into Tomahawk's new record because, you know, you gotta listen to something while you're reading all those comics:
Playlist:
The Replacements - Tim
Alice in Chains - Dirt
Small Black - Duplex (single)
Run the Jewels - RTJ4
Suburban Living - Always Eyes (single)
Godflesh - Pure
Satanic Planet - Baphomet (single)
Tomahawk - Tonic Immobility
Godspeed You! Black Emperor - Asunder, Sweet and Other Distress
Human Impact - EP01
Megadeth - So Far, So Good... So What!
Pixies - Doolittle
Flogging Molly - Float
Zombi - Cosmos
S.O.D. - Speak English or Die
Mr. Bungle - The Raging Wraith of the Easter Bunny
Howard Shore - Crash OST
AC/DC - Highway to Hell
Ghost - Meliora
The Bangles - All Over the Place
Card:
Here's a fella I see quite a bit on these daily pulls. Time to take control of the more willy-nilly, emotionally compromised elements of my Work and steer things back in an orderly direction.
I've gotta say, 2020's Melvins album Working With God is easily my favorite of the group's since 2006's (A) Senile Animal. My go-to favorite track has pretty consistently been the album opener, a modified cover of the Beach Boys I Get Around appropriately renamed I Fuck Around. But Hot Fish is a very close second, and one I played more than once today in order to get through some monotonous paperwork.
Read:
I've always dug the Marvel character Dane Whitman, AKA The Black Knight, so I picked up the one-shot King in Black: The Black Knight last week. Not a great story - it starts great and then quickly begins to feel editorially driven. Plus, I'm not going anywhere near a crossover of this size, so it was largely lost on me. Still, I dug enough about it that it inspired me to dig out another Marvel title that plays off the old school, pulp Weird Barbarian stuff, Jason Aaron and Mike Del Mundo's Weirdworld, from circa 2015.
I love this book for so many reasons, however, chief among them would be the use of Crystar the Crystal Warrior and some of his supporting cast (now that's a fucking PULL), and the concept of an entire forest made of Man Things.
I only have the original, post-Secret Wars five-issue run, and I know there's a second volume that followed, so I'm going to need to track that down.
Playlist:
Michael Kiwanuka - KIWANUKA
Thievery Corporation - The Mirror Conspiracy
Kate Bush - The Dreaming
The Replacements - Tim
Deftones - Covers
Selim Lemouchi and His Enemies - Earth Air Spirit Water Fire
Zeal & Ardor - Wake of a Nation EP
Suburban Living - Always Eyes
Gun N' Roses - Appetite for Destruction
Skid Row - Slave to the Grind
Bjork - Post
Tomahawk - Toxic Immobility
Fantômas - Suspended Animation
Run the Jewels - RTJ4
Flogging Molly - Float
Genghis Tron - Dream Weapon
Card:
Change continues unabated: I type this entry on my brain new, M1 Macbook. The old one - which I've had since August of 2012 - isn't going anywhere, but it's slowing down and suffering from an erratic track pad, so this was a necessary change.
The new Tomahawk is out and it's super fun! Favorite track so far? Probably still Business Casual, but from the stuff I've only been living with for twenty-four hours, I'll point to the almost prog-rock guitar of Tattoo Zero. Meanwhile, Predators and Scavengers has an old school Jesus Lizard feel at times, and they released a video.
Watch:
Block Island Sound - which is currently streaming on Netflix - already feels like a frontrunner for movie of the year. Of course it's my way to make bold statements like that in March and April, so we'll see.
Too soon to tell or not, I fully expect the McManus Brothers' latest foray into Horror to be in my top ten at the very least. It's such an ominous film, dread dripping into all the little corners of one family's life.
"As part of Sweet Relief Musicians Fund's recent 'For The Crew' fundraising event, Hooky's son Jack teamed up with Mark Lanegan (Mark Lanegan Band/Screaming Trees), Smashing Pumpkins guitarist Jeff Schroeder and drummer Shane Graham for a special live version of the Joy Division classic 'Disorder'.
All funds raised by this event went towards supporting out of work touring crews who have been hit hard by the coronavirus pandemic.
Please consider making a donation if you are able to: https://givebutter.com/FORTHECREW
If you're in the US you can also text FORTHECREW to (202) 858-1233."
Watch:
I had yesterday off, so Tuesday night K and I had a bit of a marathon. Being that it was my birthday, I wanted to reconnect with what I've come to think of my 'power movies.' There are quite a few, but here's what I went with:
Followed by:
Rounded out by my second viewing of Ryan Gosling's gorgeous directorial debut in the last two months (with a third already scheduled):
This was a great night for me; it'd been longer than I realized since my last viewing of my favorite Horror film of the 00s. Kill List I'd only seen once before but it left such a huge impression on me I'd been planning a follow-up for years. Luckily, thanks to Anthony (Butcher) from The Horror Vision, I located a B-Region BR for $5 a few months ago, so now I can watch my favorite Ben Wheatley film whenever I want. And Lost River has just become one of my all-times. I seriously think about re-watching it every day.
Every. Day.
Playlist:
Deafheaven - Ordinary Corrupt Human Love
Cocksure - TVMALSV
Etta James - Eponymous
Tennis System - Technicolour Blind
The Dead Milkmen - Welcome to the End of the World
Nick Cave and the Bad Seeds - Abbatoir Blues
The Besnard Lakes - The Besnard Lakes are the Last of the Great Thunderstorm Warnings
Genghis Tron - Dream Weapon
Card:
I felt honored and ecstatic to do my first birthday pull from Missi's Raven Deck. I wasn't disappointed, either:
The presence of Boaz and Joachim are very positively charged images for me, one of the reasons this might be my favorite card from this deck. Plus, I've always considered a strong, mythical female presence as the closest thing to a supreme power in the cosmos of my life. Here, flanked by Soloman's pillars and a weird forest-derived rendition of the Tree of Life, I see nothing but the actualization of the processes I have put into place over the last several years.
My good friend Mr. Grez recently introduced me to Maldita Vecindad y Los Hijos del Quinto Patio, or from what I'm seeing, more commonly shortened simply to Maldita Vecindad. This band is fantastic; they kind of run all over the place, but for an elevator pitch I might simply go with - from the few songs I know so far - Los Amigos Invisibles meets the Blue Meanies. Check this song out, which in particular was the impetus for me pulling out the Meanies late last week.
Read:
It's been difficult to log anything in this particular segment of late because I've literally been drowning in the written word (a nice way to go, eh?). From the early 90s Fantaco Night of the Living Dead graphic novel adaptation series (thanks, Butcher!), to Phillip Pullman's His Dark Materials series, to weekly issues of the monthly series I follow, to the last-minute Bernie Wrightson/Kelley Jones re-reads I flew through over the weekend as prep for Chris Saunders and I sitting down with Jones to discuss Wrightson on the newest episode of A Most Horrible Library, I've been in and out of so many continuities lately that my heads started to spin a bit.
But something I've casually commented on over the last month or so that's percolating into a full-on reread is the old Hellblazer series.
Although I was already in the middle of a slow crawl through Jamie Delano and John Ridgway's original arc collected in Original Sins, I went and reread perhaps Constantine's most iconic arc, the Garth Ennis and Will Simpson's Dangerous Habits. This was seasonal reading - the story I went to over a few pints of Guinness on St. Paddys last week. I finished it last night, and really felt a different aspect of the story resonate with me this time, and that's John's relationship with Matt.
This relationship is extremely poignant in the Constantine evolution because it's one of (if not the first) time in the series that we see John make a new friend, and how because of how he's let down or betrayed so many of his other, old school friends, we see what Matt's friendship means to him, how he comes down on himself in such a brutal fashion when he gets a new lease on life and realizes he may have forgotten about Matt. This B-story is honestly more emotionally fulfilling than the iconic (and still awesome) Constantine cheats the Devil one in the foreground, and it's something that I don't really think made as big an impact on me back in the day as it does now.
From here, I'm going to continue through Original Sins, however, a full-on Ennis/Dillon reread is imminent at this point, now that my appetite for Ennis' particular take on the character has been reawakened.
Watch:
Patreon is a slippery slope. I launched one for The Horror Vision recently, mostly because last year, I found out there is another guy out there using our podcast name. We've had the name (and the .com) since October 2018; he started his almost a full year later. He also very obviously realized there was already a podcast with the same name when he went to buy the website and saw ours (his website is a derivation). At any rate, I don't really bear this person any ill will, however, I find it a little perplexing and frustrating that he wouldn't just, you know, come up with another name. So, after discovering all this, I immediately went and branded everything I could think of with our name, Patreon being one of the big ones.
But do we, The Horror Vision, as a podcast, do anything that warrants someone paying to support us on this platform? At the moment, no. I'm slowly working on getting some things off the ground that will make me better about occupying this space - the Patreon exclusive Podcast Elements of Horror is coming SOON - but in the meantime, I just feel weird about even having it. I mean, I don't even totally understand Patreon. Or, at least I didn't until I subscribed to Jeremy Haun's.
Now, this is nothing against Jonathan Grimm, whose Patreon I subbed to some time ago. John's one of my favorite artists working today, a frequent collaborator, and one of my best friends, so it's different. But Jeremy is someone who I met as a fan, and, I think, hit it off with over the course of a podcast interview so that, while I don't know that we're 'friends' exactly yet, we're friendly. And Jeremy's mind, the narrative work he creates, it just has me. The Red Mother was a unique and completely enthralling experience to read; having the opportunity to pick Jeremy's brain about it (and a hundred other things) was a pleasure and one that made me think I would absolutely benefit from supporting him on the Patreon platform. Turns out, I was right.
Just the Haunthology stuff alone fills my heart with the jet-black glee I love so much. Jeremy's is a narrative with ongoing, far-reaching continuity, and that's my favorite thing. Literally. The video above should help demonstrate that. I guess this is probably coming off as a sales pitch for Jeremy's Patreon, and I guess to some degree it is, because I just spent a wonderful hour immersing myself in it and feel completely elated, the way I do when I sit down and read a full arc by David Lapham, or a Hellblazer trade, or watch a great movie. And those are always going to be the things I want to tell other people about on here, because I like to spread the word. Works for the creator, works for the consumer. Literally, win-win.
Playlist:
Drab Majesty - Modern Mirror
Genghis Tron - Board Up the House
Pailhead - Singles
Primitive Man - Immersion
Steve Moore - The Mind's Eye OST
Sunn O))) - Kanon
Steve Moore - VFW OST
Card:
I have always loved the colors in this card. The rocky, pixelated backdrop and the emerald symmetry of the image in the foreground work together so well to create this feeling of order over chaos, which of course, is the nature of a truce.
This is the truce within myself that I have to navigate in the midst of the, frankly, insane workload I've created in my life. It's a constant energy drain to dodge and weave between projects, but there's no other way I can do things at this point. I believe it's how I've stayed sane during this trying time.
