I'll admit that I'm not nearly the Stereolab fan today that I was in the late 90s-early 2000s. I had quite the collection of their albums on CD, but eventually realized it was hard to listen to a lot of those records in any mind-frame other than a passive one. The textures of their music are amazing, but a lot of it ends up being 'mood' pieces. Kind of sonic wallpaper, as one friend put it. That's not a dig, however, my listening has become increasingly 'active' since I first fell in love with the band. Still, very cool to see they're releasing another of their Switch On series, which, if I remember correctly, are all B-Sides and rarities. In keeping with these past releases, and again emphasizing the sheer volume of music this group has released in the last several decades (quantifying how many decades will put me in danger of feeling frighteningly old) I'm not entirely sure if Super-It ever saw the light of day before, however, here today, it sounds pleasingly fresh.
You can order Electrically Possessed, the fourth volume in Stereolab's Switched On series, one HERE, it drops Friday.
Watch:
I have been wanting to see The Strange Color of Your Body's Tears for a couple years now, and it finally landed on Shudder, so I left work on time yesterday, loaded up a chillum when I got home,e and fell straight into this one:
The first 40+ minutes are a delight. After that, however, despite fighting like made to keep an open mind and positive outlook, this one devolves into what I would say is little more than aesthetic. I want to love this film, but a perhaps overly generous three-stars is all I could muster on Letterboxd. Still, Tears is GORGEOUS even as it tries your patience, and the OST is fabulous.
Ghost of Vroom - I Hear the Ax Swinging (pre-release single)
Ghost of Vroom - 2 (Single)
Card:
Pretty gnarly advice for me and a friend (I think) on how we can get tripped up by our own thinking and expectations of what we believe is "going to happen" based on pre-existing experience, which emotionally, can masquerade as emotional empirical evidence, such a thing that is not to be taken on faith.
From the Grimoire: "Beware the mire of the mind; consciousness needs to flow freely, not become muddied by obsession. Push past what you think you know and be open to the Universal influence that can often reinvigorate our thoughts and practices."
I emerged from a mid-afternoon nap yesterday to a text from Mr. Brown alerting me to the fact that Mike Doughty and Andrew "Scrap" Livingston's Ghost of Vroom dropped a new track. "I Hear the Axe Swinging is from the forthcoming album Ghost of Vroom 1, out March 1st. Pre-order the album HERE.
Watch:
K and I started Penny Dreadful this weekend. Wow! I always suspected I would dig this show, and I don't know if my relationship with it is so good because our timing meant it dovetailed with my finishing Mary Shelley's Frankenstein, but this one is fantastic. There's an obvious debt to Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen, but Penny Dreadful is dark, disturbing, and often quite gruesome, and the show's ambitions to bring together so many iconic Horror personalities is really served well by in-depth research.
Playlist:
White Lung - Paradise
Melvins - Working with God
Sleaford Mods - Nudge It (single)
Lard - Pure Chewing Satisfaction
The Blueflowers - Relapse EP
Gwar - Scumdogs of the Universe
Uncle Acid and the Deadbeats - Wasteland
Type O Negative - Origin of the Feces
Small Black - Duplex (single)
PM Dawn - Set Adrift on Memory Bliss (single)
The Bangles - Different Light
Van Halen - 1984
Def Leppard - Pyromania
Chuck Berry - Berry is on Top
The Raveonettes - In and Out of Control
Card:
"Look unto yourselves for answers, as it is in your partnership you will find that which you seek."
This made me laugh out loud. Wow, I love Jello Biafra!
Watch:
Can't wait, even if the first season of Shudder's Creepshow was a bit of a mixed bag.
Playlist:
White Lung - Paradise
Nothing - The Great Dismal
Megadeth - Rust in Peace
Nothing - Downward Years to Come
Orville Peck - Pony
NIN - Add Violence
How to Destroy Angels - Welcome Oblivion
Genghis Tron - Board Up the House
The Cure - Kiss Me Kiss Me Kiss Me
Card:
Ebb and flow, which is exactly the tactic I'm currently using to balance between another final (for real this time!) edit on Murder Virus, and working on Shadow Play Book Two. This is not normally how I work; jumping between books prevents momentum. However, I received the proof for MV and reading it as an actual book - as opposed to a document on a screen - is a lot of edits to the surface. Which is a good thing.
No, I'm not talking about where all this freaky weather is eventually going to lead us, I'm talking about new music from Iceage! Seek Shelter is out May 7th on Mexican Summer. Pre-order HERE.
Watch:
K and I finally got back around to finishing His Dark Materials season 2 on HBO. Damn. This show is fantastic. The scope! I'm chomping at the bit to re-read these books, and since the three-book set that was so ubiquitous in the early 00s that sat on my shelf for over a decade went with the ex, I snagged a copy of the Omnibus that came out a few years back. After I finish Frankenstein, I believe I'll be digging into that one.
While I wait for the third and final season, I took to youtube to see if I could find anything documenting the two-part stage play adaptation that I saw in London circa 2004. This was all I could find, but it gives at least a little bit of an idea of what this looked like:
Playlist:
Genghis Tron - Ritual Circle (pre-release single)
Tomahawk - Eponymous
Airiel - Molten Young Lovers
Beach House - Thank Your Lucky Stars
Beach Slang - The Deadbeat Bang of Heartbreak City
Queensrÿche - Empire
Melvins - Working With God (pre-release tracks)
Melvins - Houdini
Melvins - (A) Senile Animal
White Lung - Wild Failure (Single)
White Lung - Paradise
Genghis Tron - Board Up the House
The Raveonettes - Raven in the Grave
The Raveonettes - Lust Lust Lust
Card:
Something important is obscured, or for some reason I am just not seeing what is right in front of my face.
More new Genghis Tron. Very much looking forward to this record when it drops! Pre-order Dream Weapon - out March 26th - from Relapse Records HERE.
READ:
I wanted to plant this HERE. really for myself, so I can find it again easily later. In going through old Orbital Operations emails for inspiration, I found this link to Sean Bonner's website. I am wholly unfamiliar with Mr. Bonner, or at least I was before reading this - but it's interesting that I read this now. There would appear to be a lot of synchronicities with me reading this post at the moment, not the least of which is that I'm about to turn 45. Anyway, since Orbital Operations went on hiatus last year, I've sorely lacked intermittent missives that at least in some regard pertain to the process of writing or creating or just structuring time (hence re-read old OOs), and Mr. Bonner's newsletter looks as though it may help fill that void.
NCBD:
This is obviously a big one. I'm curious if, after the reveal at the end of issue #1, The Last Ronin will remain so highly sought after. My guess is no, but who knows? Also, who cares - the book is bad ass and I'm super excited for the next chapter.
One of my favorite series in years, issue #4 of We Live kind of set the whole series on its ear, and if I'm not mistaken, this is the final issue of the series.
Another final issue. Hopefully, both We Live and Miskatonic will be back with second seasons. If not, it's been a hell of a ride for both in a very short time.
Playlist:
Nothing - The Great Dismal
Dance with the Dead - B-Sides, Vol. 1
Teenage Wrist - Earth is a Black Hole
Ozzy Osbourne - The Ultimate Sin
Ozzy Osbourne - No More Tears
Mr. Bungle - Raging Wrath of the Easter Bunny
Primitive Man - Immersion
Ceremony - In the Spirit World Now (Synthetic Remixes)
Card:
Balance and synthesis, two things I'm a skosh hung up on at the moment. I received the proofs of Murder Virus and am a bit underwhelmed at how the art looks in person. Also, I found a fucking typo on the first page! WTF!!! I've gone over this so much, I'm no longer seeing what's in front of my face. Ultimately, all this is easy to fix before the on-sale date of 3/23/21, but it's the point.
I'm pretty late checking out Nothing's latest release, which came out last year on Relapse Records. The Great Dismal was included in my Golden Ticket haul from Relapse, and I'm still working through that.
A Fabricated Life begins the record, and I won't lie - its slow, soft, dreary sound hasn't been where my head is at. That said, listening to the record on headphones for the first time this morning, I'm able to grasp the nuance and vibe of the song, and it has stirred something within me. Something that harkens back to the first Nothing release, Downward Years to Come, which I discovered back in 2013. I love this band, and haven't spent nearly enough time with them these past two records, so I'll start correcting that today.
Watch:
I stumbled across this short film - really more of a Proof of Concept trailer for a movie I can only hope gets made. Very cool use of CGI, ingenious locations, and what looks like the set-up for an intriguing take on Cosmic Horror. Directed by Matt Sears and written by Ryan Grundy, Mr. Sears' youtube channel appears packed with interesting content. Sub HERE.
Playlist:
Cinderella - Long Cold Winter
Ghost - Opus Eponymous
Metallica - Kill 'Em All
The Plimsouls - Everywhere at Once
Perturbator - Dangerous Days
Metallica - Master of Puppets
Emilie Autumn - Opheliac
Keiichi Okabe - NieR: Automata OST
Card:
Spot on today, as I've definitely been preoccupied with a sort of drifting that has displaced a lot of my creative intent. I'm sure it's just a phase, but it makes me contemplate ideas like, "What if I lose all motivation to write?" which is ridiculous, but, you know, this is the way the mind works.
Wow, I am in a weird headspace this morning. Woke up earlier than needed and went right to looking this album up on Apple Music. I've had hair rock on the mind for the last few days. This goes back to that Recontextualizing the 80s idea I was posting about here a few years ago. Some of this stuff from the Sunset Strip sound of the 80s is definitely best left forgotten, but some of it has a place in history. Or at least in my history, I guess.
I never owned Cinderella's Long Cold Winter, but a friend in the neighborhood did, and I can remember hanging out at his house and popping it into the stereo more than a couple times. Other favorites at the time (off the top of my head) would have included Metallica's ...And Justice for All, ICE T's Power, GnR's Lies, and NWA's Straight Outta Compton. This was really at the start of my getting into music in a 'beyond the radio' way, and this neighbor was loaded and, in the way of a lot of rich folk a bit clueless, so he tended to buy tapes and CDs rather haphazardly (I didn't have a CD player yet, so he was my first exposure to the format).
I still have no idea why or how he chose to pick up a Cinderella album in the first place, this really wasn't his sound, but it was that anomaly factor that made me first pluck it from a pile of CDs and put it in the more than ample stereo. Over the course of a couple of weeks, Long Cold Winter became a go-to when hanging out at his house and listening to music, but that friendship dissolved shortly thereafter and he was lost to the waves of time. I haven't heard the album since.
Once you get past Tom Keifer's throat-singing, this record has a pretty cool sound. The title track still stands as a damn good example of that 80s rock/blues sound that, in my opinion, was perfected on Gary Moore's Still Got the Blues for You, and it's this quality, as well as the ripping slide guitar sprinkled here and there, that elevates Long Cold Winter above your standard 80s Hair Rock sound, although Cinderella does that to varying degrees of palatability throughout the rest of the record, as well.
Watch:
Joe Bob Briggs gave us the best of his Holiday specials he's done in some time last Friday with the Joe Bob Put a Spell on you, where he paired the Gore-cut of Tammy and the T-Rex with Anna Biller's The Love Witch.
I was fortunate enough to catch the premiere of Vinegar Syndrome's release of the long-lost Gore-cut of Tammy at Beyondfest 2019 - the film actually followed an in-person presentation of Joe Bob doing his How Rednecks Saved Hollywood lecture. Both were fantastic, and it was cool to see the two together again.
The Love Witch is one of the first movies K and I actively waited on the VOD premiere for back in the early phase of our relationship, due to a great LA Weekly article that talked about the absolute care and detail Ms. Biller put into making the film.
Playlist:
Deafheaven - Sunbather
Deafheaven - 10 Years Gone
Jim Jarmusch and Jozef Van Wissem - The Mystery of Heaven
Tom Petty and the Heartbreakers - Damn the Torpedoes
Fleetwood Mac - Greatest Hits
Flying Lotus - Los Angeles
Daniel Pemberton - Motherless Brooklyn OST
Lard - The Last Temptation of Reid
Lard - Pure Chewing Satisfaction
Teenage Wrist - Earth is a Black Hole
Helmet - Meantime
John Carpenter - Lost Themes III Alive After Death
Zombi - 2020
The Bangles - Different Light
Card:
Coincidentally, as I draw from my Thoth Deck, I reflect on the fact that one of the things I most love about The Love Witch is there is a room in the film painted with the colors of the deck.
Hammering away with increased gusto but an edge of carelessness that can bring the whole damn thing down around your ears. Ease back and keep a keen eye. This is totally a nod that I'm overworking myself and need to take tonight to chill out. Science and Will must be strategic (to a degree), and still possessed of mindfullness.
I know I just posted the song, but there was no way I wasn't going to post what might just be my favorite music video in the last decade. It's the rare case where the visuals actually add to the meaning and impact of the song. These two artists are at the top of their game and cranking out material - all of it awesome! Again, I'll echo the sentiment I did the last time I posted this and hope there's an album or EP on the way.
Watch:
K and I did the Netflix Crime Scene: Vanishing at the Cecil Hotel over the last two nights. Wow- this should have been a two-hour documentary, but instead, the creators padded it out with A LOT of really infuriating conjecture and nonsense from the 'web sleuth' community. I would unilaterally detest this community, if not for the side of it on display in the HBO doc I'll Be Gone in the Dark. The difference appears to be one of talent and drive - Michelle McNamara and her immediate confidants within the community are clearly light-years beyond the people spouting obvious banalities in the Cecil doc. Either way, the doc starts pretty good, has a fascinating story at its heart, and ends up finishing a lot better than the middle would have suggested it would.
If nothing else, watching this has made me rabid to re-watch American Horror Story: Hotel, still my favorite season of the five I've seen. Based largely on the Cecil, it will be cool to go back and watch it with the real-world inspiration fresh in mind.
Playlist:
Tomahawk - Tonic Immobility (Single)
King Woman - Doubt EP
King Woman - Created in the Image of Suffering
The Blueflowers - Relapse EP
The Veils - Time Stays, We Go
Vel Indica - Turn Off Your Devices
Def Leppard - Pyromania
Small Black - Duplex (Single)
Guns N' Roses - Appetite for Destruction
Lard - Pure Chewing Satisfaction
Depeche Mode - Essentials
Genghis Tron - Deam Weapon (Single)
Genghis Tron - Cloak of Love EP
Genghis Tron - Board Up the House
Ghost - Infestissumam
Ghost - Opus Eponymous
John Carpenter - Lost Themes III: Alive After Death
Card:
Recognizing the powers in the Universe you cannot contest, and having the heart to allow them to move you. I'm sure that my fortune cookie-esque reading has something to do with the renewed approach I've taken to Shadow Play Book Two, and the fact that while I was away finishing Murder Virus, it has somewhat changed - for the better. Still, changing things at this stage is daunting, even if it means the story will be better. However, as the card says, recognize the powers that move you and listen to what they're telling you.
Off the top of my head, you know what'd be cool? Some new music from King Woman in 2021. I'll keep checking their Bandcamp and hope for the best.
Pre-order:
The culmination of eleven months of work is finally official! Murder Virus releases everywhere on March 23rd - one day before my 45th birthday and exactly 374 days after the early morning trip to a barren Trader Joes to wait in line for scraps that convinced me I'd be crazy not to dig out the manuscript for the first successful piece of long-form fiction I ever wrote, dust it off, and re-write it.
2007 - in order to cope with the constant insanity of working retail for the first time in my life - as a manager to boot - I wrote The Secret Life of Murder, a novel about a murder virus that moves through the population, causing people to kill one another in epic scale. The idea was to create a harmless microcosm where I could vent my frustrations with fictionalized violence. It was my first attempt at writing a novel that I actually thought worked, and I always kept it in the back of my mind that I would dust it off one day and re-write it. Well, what better time than during an actual viral pandemic? So that's why the second Shadow Play book was delayed - I literally shifted gears in the middle of writing it to focus on this.
The title Murder Virus, which I hated at first, worked its way into my brain stem and eventually convinced me to love it, especially after a friend compared it in simplicity and 'high concept' to Fight Club, which also sounds pretty generic until you actually read it. That's my feeling with this one, too. Murder Virus is a lot darker and stranger than I realized while writing it, and the story does not end up anywhere I could have predicted. This makes it my favorite thing I've written to date. I'm extremely proud of this one, and obviously, because of the infusion of mental, physical, and historical elements of the past year, it's special to me and will no doubt always remain so; a time capsule of 2020 and where my head and emotions were while navigating the most difficult year (so far) of my life.
You can pre-order Murder Virus from Barnes and Noble HERE.
And the pre-order for Murder Virus from Indiebound isn't up yet but should be in a day or two (same with the Barnes and Noble paperback - right now they only have the ebook added to their site).
If you have a brick-n-mortar book store and really want to do me a solid, ask them to order a few copies from Ingram. They'll know how to do it. Oh, and thanks for reading!
Also, as always, that beautiful cover design was my concept executed well above my expectations by Jonathan Grimm. His website is HERE - check it out!
Playlist:
White Lung - Eponymous
Beth Gibbons, The Polish National Radio Sympony Orchestra & Krzysztof Pernderecki - Henryk Górecki: Symphony No. 3
As I continue to work my way through that stack of records that Relapse Records put out in 2020 and that I won for their 20th Anniversary, one of the bands I had no experience with whatsoever is Inter Arma. Garbers Days Revisited is an all-covers record, and I have to say, my first listen was super fun. Opening with Ministry's "Scarecrow" - super relevant to my recent listening habits - the group move through versions of "Southern Man", "March of the Pigs", and "Running Down a Dream", to name a few. All these versions range from sludged-up to more or less straight forward, such as the above Prince track.
Very cool record with one of my favorite album covers in a while, so I'll definitely be digging deeper into the Inter Arma catalogue.
Read:
Not realizing that Bernie Wrightson's graphic novel adaptation of Mary Wollstonecraft Shelley's Frankenstein is out of print, I ordered what I thought was a copy from Amazon a few days ago. What arrived instead was the illustrated novel that features 40 of Wrightson's drawings. Needless to say, I was a bit disappointed - I've read Wrightson's sequel, Frankenstein Alive, Alive, but never that original. What makes it worse - the book goes for a minimum of $150 used with the nice version garnering between $300-$500 - is Bernie Wrightson's Frankenstein adaptation was a book that routinely sat on the shelves at the borders I helped manage for years, and I just never got around to buying it.
Regardless of the letdown, looking at the illustrated novel, I realized it's been since Junior High since I actually read the original, and this new version has a bunch of cool supplemental material - a forward by Stephen King, a "historical context" essay and timeline, and the 1831 introduction by the author herself. Needless to say, this is my next read.
Looking through the illustrations, I realize what a shame it is I came to really appreciate Wrightson so late, as Mr. Wrightson's work is only describable as exquisite.
Playlist:
Bit of a 90s parade of late, but that doesn't happen all to often, so I'm going with it:
Death - Human
Faith No More - The Real Thing
Guns N' Roses - Appetite for Destruction (Deluxe)
Deafheaven - 10 Years Gone
Disappears - Pre Language
Garbage - Eponymous
The Maine - You Are OK
Inter Arma - Garbers Days Revisited
Card:
As I often view this card as a nod toward saving money or 'nesting,' I've taken recent interpretations to possibly reference avoiding tempting social situations. I've had about five social outings - all super small with only one or two other people outside my own household - in the last year (hence this blog's brief stint titled 'Quarantine Junkie'), but recently, I've felt the urge to see a friend or two. Nope. Time to batten back down that Will and get the course set straight ahead. I recently came across this article that should serve as enough of a reminder. The idea of our air quality being so adversely affected by a record number of cremations is baffling - we're living in the setting for a Sci-Fi Horror Film, and not even aware of it on a day-to-day level.
As much as I dislike everything about this band from about 1994 on, I feel like I've reclaimed a bit of myself by finally being able to come to terms with the fact that the Billy Corgan who recorded the music for these first two Pumpkins albums was replaced by some lame doppelgänger from planet suck around the time the band started recording Melon Head and the Infinite Sandwich.
I'm pretty sure I've confessed my love for Blueflowers' 2018 album Circus on Fire somewhere in these pages before, but recently, I've been falling deep into their 2019 Relapse E.P.
Blueflowers' sound drips with the kind of sultry, otherworldly space that Chris Issac's music does, or David Lynch's cinema. It's lush, spooky, and sensual, and I absolutely adore it.
Watch:
We had a bit of a marathon last night. Even on Fridays, it's not often I can stay awake long enough to watch multiple movies, so when I do get that kind of momentum, I exploit the hell out of it.
We started with yesterday's episode 5 of Wandavision. I'm not going to post anything about it here, but needless to say, I am salivating at the things this show is setting up!
This one would have been in my 2020 top five at least if I'd seen it before year's end. It had me from start to finish, and was probably at least partially responsible for supercharging my motor enough to make it through another flick afterward. I'm posting the trailer here, but my suggestion is to not watch it - just go in blind. I did, and it made for an awesome ride!
I've avoided this one for years, but now that Wandavision has me flying high on the MCU again, I figured I'd go back and watch/re-watch all the movies to date in the chronological order they take place in the continuity of the MCU. Turns out, I really dug this one, and it was totally the right time for me to see it, as so much dovetails with the current storyline in Wandavision.
Playlist:
Human Impact - Genetic (single)
20 Watt Tombstone - Wisco Disco
Led Zeppelin - Presence
NIN - Get Down Make Love (single)
NIN - Burn (single)
Various - Spawn OST (Manson and Sneaker Pimps & Butthole Surfers and Moby tracks only)
Somehow, I either missed or forgot that Human Impact released a single in September of last year. "Genetic" is a terse little fist to the throat, wrapped up tight in Human Impact's trademark, snarling severity. Hopefully, this is a sign of more new music to come.
READ:
I did a lot of catching up on current comics over my brief sabbatical from work earlier in the week. Here's what I read and my take:
I didn't realize The Boys: Dear Becky was ending with issue #8 until I read issue #7. Now that the whole thing is out, I re-read it all from the beginning and enjoyed it quite a bit. The Boys is a really uneven epic in my eyes, with moments of emotional brilliance surrounded by what I've come to think of as Garth Ennis just being Garth Ennis. It worked the best in Preacher, but as with the regular Boys series, Dear Becky tends to step back up into the sublime just as you start to feel jaded about the ridiculousness. Overall, if you only know the show, you probably don't need to go back to the source material - The Boys is possibly the best example of an adaptation-for-screen that has completely trumped its source material - however, if you know and dig the original comic series, Dear Becky will scratch the itch.
Having only just read Laura Marks and Kelley Jones's Daphne Byrne a few months ago, our Deep Dive into Hill House Comics on a recent episode of A Most Horrible Library made me want to revisit this stunning Gaslamp-era New York. It's soooo good. Kelley Jones really just brings the creep factor up to eleven here, and it makes for a really fun, pleasing story with all the fixings - widows betrothed to the Devil, ghastly visions, malevolent visitations, and surly, Hackney con artists using peoples' grief and the rise of spiritualism to take advantage of them.
This one came out in October, but I just read it, then kept it hanging around in the stack so I could read the short story and other backmatter stuff that rounds out every enormous issue of Greg Rucka and Michael Lark's Lazarus, an economy based dystopian world that I have become more and more convinced maybe the closest thing to what the world is going to look like by the end of my lifetime. Equal parts thrilling and intriguing, there's espionage, military strategy, human drama, and action.
I'm using the image for the upcoming HC collection of Hellblazer: Rise and Fall, but if you can find the single issues, that's the way to read this one. The Black Label, Magazine format is perfect for this story, possibly the first new Hellblazer story in years I've actually really liked. This is the 'softer' JC we've seen in recent years, without that trademark Vertigo edge, however, there's still edge to be had, there's homage to previous creators all over the place, and maybe I just really wanted to like A) a new JC story and B) really wanted to like one of these Black Label books, because I dug this one. Three issues, doesn't overstay its welcome, is pretty humorous at times, and still captures some of the Black Magick Heart of the character.
New instrumental album from Depeche Mode's Martin Gore dropped last Friday on Mute. This is the first I'm hearing about it, but I am digging it! Order HERE.
INTERVIEW:
As I mentioned last week, Chris Saunders and I recently had the chance to sit down with comics scribe and artist Jeremy Haun on The Horror Vision's A Most Horrible Library podcast. Available on all streaming platforms, our site, and youtube, it turned out to be a really interesting discussion:
Watch:
I've been off work since Saturday afternoon. K and I took a "mental health week," which I for one needed very badly. We've watched a lot of stuff in that time, which is all logged on my letterboxd. Two of the highlights were:
Much thanks to Mr. Brown on that one. Such a delightful film.
Terminal is a bit of a mess story-wise (although not enough to take away from the experience), but is absolutely gorgeous to look at. That usually isn't enough to get me on a film's side, but Simon Pegg goes a long way, and the obvious Guy Ritchie love helps more than it hurts. Ms. Robbie is pretty great in this one, too (as she usually is).
Playlist:
Let's do something different. Let me take you back to last February when I wrote in these pages how I'd received a Golden Ticket from Relapse Records. This was a random win, based on my pre-ordering of Steve Moore's OST for the 2019 Joe Begos film Bliss. The contest was held to commemorate Relapse Records' 30th Anniversary, so needless to say, there's been a ton of Relapse bands in my playlist of late, as I slowly work my way through all this glorious vinyl.
Razor - Armed and Dangerous
Genghis Tron - Board Up the House
Portishead - Dummy
Valkeyrie - Fear
Zombi - 2020
Boris and Merzbow - 2R0I2P0
Bangles - Different Light
16 - Dream Squasher
Nothing - The Great Dismal
Helmet - Meantime
Human Impact - Eponymous
Emma Ruth Rundle and Thou - May Our Chambers Be Full
Lard - Pure Chewing Satisfaction
Dream Division - The Devil Rides Out
Dream Division - Beyond the Mirror's Image
The Blueflowers - Relapse EP
The Blueflowers - Circus on Fire
Raspberry Bulbs - Before the Age of Mirrors
Card:
Such an appropriate card, as I will be returning to work this morning after five days off and, as management, need to deal with two employees in a considerably more severe disciplinary fashion than I am used to. Enforcing common sense makes me salty, so I will have to keep my more... robust approach to the language in check.
Wow. I haven't really checked in on Genghis Tron since 2005's Cloak of Love EP, when I fell in love with the track "Arms," putting it on a bunch of mixtapes (ie CDs) and playlists in the early days of iTunes. After only a handful of records in the 00s and nothing since 2008's Board Up the House, Tron is back and have a new record coming March 19, on Relapse Records! Pre-order Dream Weapon HERE.
Watch:
Okay. Wandavision was trying my patience up to and into the third episode, but as of last night's? SOLD.
The same way my favorite X-Men team will always be the Australian hide-out 8-piece of Storm, Havoc, Wolverine, Colossus, Rogue, Longshot, Dazzler, and pre-body shop Psylocke, the Avengers team that sticks in my head is from the same era:
It's not a stellar team, and I can't even say I was a huge fan of any of these characters at the time, but the impending 'End' of the team - very similar to Claremont's Dissolution and Rebirth arc in Uncanny X-Men at the time - coupled with the weird juxtaposition of knowing next to nothing about over half this team, made me interested as hell. Also, the fact that on the cover of Avengers 298 it appeared Dr. Druid was fighting Thor using a Zoid is what probably proved my impetus for picking the book up to begin with:
I digress, big time. However, that's the point. Seeing Monica Rambeau resurface in the hottest current Marvel franchise blows me away and just really makes me take a happy spiral down memory lane. Plus, Kat Dennings? YES PLEASE. Marvel, you have me really interested in seeing how this plays out.
Playlist:
The Besnard Lakes - The Besnard Lakes Are the Last of the Great Thunderstorm Warnings
CCR - Willy and the Poor Boys
Ministry - The Last Sucker
The Big Pink - Velvet (Single)
Mrs. Piss - Self Surgery
Deth Crux - Mutant Flesh
Card:
I can't help but assume this is referring to the fact that we have had two days of glorious rain in LaLaLand and now that I will be off for the next five days, the sun will return and I will be unable to actually enjoy the weather. My folks back home will laugh at this, but the struggle for moisture and rain-soaked atmosphere is real.
Moments after finishing my first listen to Emma Ruth Rundle and Thou's entire new EP The Helm of Sorrow (I was holding out for my vinyl to arrive, but gave in), I log onto youtube and see the two Doom Goddess's have joined forces! Is Anhedonia a harbinger of a full-length to come?
I certainly hope so! In the meantime, I'll play the hell out of this track, because it rules.
A Most Horrible Library is the newest podcast under The Horror Vision umbrella, and my co-host Chris Saunders and I spent a good two hours last night on Zoom talking with comics writer/artist Jeremy Haun. Jeremy's recent book, The Red Mother, wrapped up with its twelfth issue, and I can tell you, it's fantastic. Especially if you're a Clive Barker or Dario Argento fan.
Jeremy is an extremely personable, and very interesting guy. He's a HUGE Horror fan - which endeared him to Chris and I immediately, and he has a bit of a mythology brewing that appears in a lot of what he writes. That mythology - the Four and Seven - also shows up in the short comic stories he publishes via his Patreon, which I subscribed to. Jeremy writes, draws, letters and inks these Haunthology books, and I'm super excited to read them because I'm a sucker for mythologies, and The Red Mother really made an impression on me.
Playlist:
Credence Clearwater Revival - Eponymous
Small Black - Best Blues
Tomahawk - Tonic Immobility (Pre-release single)
Tomahawk - Eponymous
Tomahawk - M.E.A.T. Single
The Jesus Lizard - Lash
The Jesus Lizard - Liar
The Soft Moon - Black Sabbath (Single)
The Soft Moon - Criminal
Dream Division - Beyond the Mirror's Image
Boy Harsher - Country Girl Uncut
Cocksure - K.K.E.P. EP
exhalants - Atonement
Gwar - Scumdogs of the Universe
The Replacements - Tim
Small Black - Duplex (Single)
Emma Ruth Rundle and Thou - The Helm of Sorrow
The Bangles - A Different Light
Drab Majesty - Careless
Deth Crux - Mutant Flesh
Card:
I'm writing this Thursday night and it's raining in LaLaLand. As you've no doubt heard me say before, that's pretty rare. I'm on New Retro New Wave tonight, splitting the decades between the 80s and the previous, jumping from The Bangles to Drab Majesty, to Deth Crux, all on vinyl. It's glorious, and I stop to have K try and take a photo of me standing in the rain with my Israeli Military issue gas mask, really just as an excuse to stand out in the rain for a while. When I come in, I draw this card.
I'm burned out from several insanely close COVID scares at work and all the stress that goes with them and the stupid fucking humans responsible. Luckily, by the time most of you read this, I'll be well into my Friday. Then I'll have a quick and painless (I hope) four hours on Saturday, and I'm off until Thursday. Five year anniversary with K on Monday, and three days to be even more of a Hermit than I already am. It will be glorious.
I had never heard Small Black before Heaven Is An Incubator posted about their upcoming album Cheap Dreams one day last week. Seeing the album cover, I KNEW this would be awesome, and it is. You can pre-order Cheap Dreams from Small Black's Bandcamp HERE; looks like there are a few copies of the 'Red Rain' variant left for the vinyl. "Tampa" is the B-side from lead single "Duplex", and both are killer tracks. And this album cover is haunting!
I just want to walk into that scene and disappear.
Watch:
We finished the first season of CBS's Evil on Netflix and here I am, thinking I can just subscribe to CBS All Access and see the second season, and WHOAH! Not out yet!
WTF?!?
For a procedural, this show is NUTS, and it has some genuinely scary AF moments and Michael Emerson gives Paul Reiser's Burke from Aliens a run for his money in the slimy scumf&ck department.
Playlist:
Chelsea Wolfe - Abyss
Genghis Tron - Dream Weapon (pre-release single)
Sleaford Mods - Spare Ribs
Small Black - Duplex Single
The Bangles - Different Light
Credence Clearwater Revival - Eponymous
Drab Majesty - Careless
Card:
Sudden change. I feel a touch hesitant about this.
While scrolling through instagram a few days ago, I stumbled upon the fact that there's a new album coming from Rob Zombie in March. I've posted my conflicted musings about Mr. Zombie in these pages before, and that more or less remains. Do I like this song? Well, here's the thing. This stuff is made to be played loud in a room with distractions. Other people at a party, or, since we can't do that at the moment, while you're cleaning. Just plugging in the headphones and focusing too much on Rob Zombie's songs make a lot of them disintegrate into the broad-stroke caricatures they are. Even this video feels lazy; notice there are no wide shots to place Zombie or his band on the stages or even in the same room that the brief, initial, establishing stage shots set up. Now, this is obviously due to COVID, so of course, I don't want to bag on them for being safe. It just could have used something else; most of RZ's vocals are delivered in Extreme Close Up shots with no context, and they're delivered with next to no energy. This robs the video, and subsequently the song, of the momentum the guitars and rhythm ride.
I'm really reading too much into this, aren't I?
Anyway, a new track drops in a few days, so we'll see how that is. I usually click into an RZ groove for a week or so every year or two, play the hell out of the White Zombie stuff I dig, then cycle through his solo albums (Or better yet, curated playlists of the standouts from those albums), and then move on.
Pre-order The Lunar Injection Kool Aid and Eclipse ConspiracyHERE from Nuclear Blast Records.
READ:
After burning through the entire 12-issue run of his The Red Mother comic from Boom! Studios, I sought out a copy of Jeremy Haun's 2007 graphic novel Narcoleptic Sunday:
About 70% through it, this one is great, too. A B&W Noir, Sunday kicks off with the "guy meets girl, guy sleeps with girl, guy wakes up and girl is dead" Noir trope and pretty much just steps on the gas from there. This is an especially interesting achievement in a story where the lead character has what appears to be a form of the titular sleep disorder, and as such falls asleep at random moments.
Playlist:
The Smashing Pumpkins - Gish
PM Dawn - Set Adrift on Memory Bliss (Single)
Small Black - Duplex (single)
The Cure - Disintegration
The Bangles - Different Light
The Jesus Lizard - Lady Shoes 45 single
The Jesus Lizard - Wheelchair Epidemic 45 single
Rob Zombie - The Triumph of King Freak (pre-release single)
Gwar - Scumdogs of the Universe
Lard - Pure Chewing Satisfaction
Human Impact - Eponymous
Ministry - The Last Sucker
Card:
Back to my full-size Thoth this morning:
Uncompromising honesty; Balance. I can't help read something like this as advice to stock my personal arsenal with altruistic accouterments for the day.
I've been beginning each day musically with PM Dawn's 1991 "Set Adrift on Memory Bliss".
Being that the track and video were in heavy rotation when I was 15 years old, this one resonates deep. I wouldn't say I was a huge fan of the song at that time, and honestly, I'm not even sure if I realized back then that the bulk of the music is lifted straight from Spandau Ballet's "True," another track that feels archetypal to me now, as I was absolutely aware of its pop-chart presence 8 years prior when I was 7 and had my ear pretty much constantly glued to a little blue, transistor radio that I would take to bed with me every night. Despite that, I don't have a memory of putting two and two together. This was probably because, at 15 in 1991, I'm not entirely sure I (or anyone other than the musicians doing it) knew what sampling was yet, or how it was being used by a lot of artists to craft new music beds for their beats and lyrics.
At fifteen, "Set Adrift" was definitely not in my wheelhouse, and yet, I can remember sitting on the ottoman in my parents' living room while Friday Night Videos (we didn't have cable) played PM Dawn's video. The tropical images flickering before me, I remember thinking there was something so calming about the song. I never sought out the album, but that memory has stayed tethered to me at a distance so that every great while I think of the song.
Last spring, without planning it, while writing the initial draft of Murder Virus, I came to a chapter that I automatically named after this song. I don't name all my chapters, and as I said, I hadn't planned this, but I guess days of hardcore writing had the soup in my head at full boil and that's what came out.
And it fit.
After, I went through an increasingly frustrating attempt to locate the song on Apple Music and could not. Then, two days ago, my Horror Vision co-host Ray Larragoitiy and I had a conversation on the phone that ended up moving around to PM Dawn, and I learned that Ray had gone through a similar search (Note: This song is most definitely in Ray's wheelhouse; he's also the one who, a few years ago, played me Al B Sure's "Night and Day" and subsequently led to my present on-again-off-again obsession with that song) and located the song and the reasons behind its current obscurity.
Rights. It comes down to the fact that "Set Adrift" on "Memory Bliss" contains samples from other bands (from what I see there are the Spandau Ballet and a Soul Searchers sample), or if it's another case of a pre-streaming artist who has been left out of payment rights from their music via streaming services and thus taken the label currently holding the license to court. Either way, Ray also cued me in on the fact that other than youtube, you can actually find the original Set Adrift on Memory Bliss on Apple Music (and not on Spotify, though) on the OST for the 2012 movie Seeking A Friend For the End of the World.
Watch:
Last night, K and I rented Steven Kostanskis's new flick Psycho Goreman on Amazon and set up that little Discord watch party with our friends that I mentioned a few days back. The party itself worked pretty good; there were definitely some issues with volume, but overall, it was cool to watch a flick like this with my long-time movie night friends. Of course, we all had to mute our microphones, so there wasn't the usual camaraderie during the flick, however, it was still a cool Quarantine experience, even if one I wouldn't repeat on a first-time viewing again.
So how was the flick? Fantastic! I think I've posted the most recent trailer here a couple times lately, so let's go back and revisit the original one, back from March of last year:
There's a definite perfunctory nature to a lot of the script, especially when it comes to character development and motivation. That said, look at those insane practical effects!
The writing is not bad in any respect, and if anything does itself a great service by quickly developing a kind of visual shorthand that moves you through exposition and development at a fast clip, because all this really does that one could pick at is creates a 'quick to get to a punchline without a proper set-up' feeling. But again, this isn't an issue that that will resonate negatively to anyone who is A) a fan of this kind of cinema, and B) is not a major publication new critic.
Playlist:
PM Dawn - Set Adrift on Memory Bliss
The Jesus Lizard - Wheelchair Epidemic 45
The Jesus Lizard - Puss 45
The Jesus Lizard - Lady Shoes 45
Mission to the Sun - Damaged (pre-release single)
Mission to the Sun - The Unbroken Sea (pre-release single)
Small Black - Best Blues
Small Black - Duplex Single
The Police - Synchronicity II (single)
Robert Fripp - Exposure
Queens of the Stone Age - Villains
The Black Keys - El Camino
The Jesus Lizard - Last EP
Jefre Cantu- Ledesma - Love's Refrain
The Jesus Lizard - Liar
Ministry - The Last Sucker
Lard - Pure Chewing Satisfaction
Dance with the Dead - B-Sides: Vol. 1
Queens of the Stone Age - Songs for the Deaf
Card:
With the inauguration, the Tower definitely toppled this week. However, what also happened, is we kind of started a process whereby all the crazies come out of the woodwork and into the light, which is both good and bad. I had this happen to me this week - beyond the media streams all around us - when an old friend resurfaced on social media to show his ignorant worldview and it made me realize what this card is really communicating is something I think will ultimately be more insidious.
The war on education and the educated.
Have you noticed alt-right folks using the term 'indoctrination' to replace 'education?' This isn't something new, but I believe it's found a larger setting of influence in the wake of our previous administration, and it seems as though the idea of avoiding or actively badmouthing/undermining education is going to become a much bigger issue in the immediate future. Because, you know, why go learn facts if they conflict with what you want the world to be?
Make no mistake, this is a major campaign in the larger setting of the war on reality that I believe will undermine what we think of as real to the point that, in the next ten years, I believe the world and Reality will no longer look anything like what it does now. And that's true of the current moment, if you stop to compare your day to day in 2021 with your day to day of just a few years ago, however, if Reality takes a big enough hit, my guess is that the Science Fiction needle might move drastically enough that things really get strange, kind of like what March 2020 did.
Ah, now we're really starting to get into the releases for the new year. The first new album from Tomahawk since 2013's Oddfellows! A bit of a coincidence, as I've had Duane Dennison on the mind and on the spinner, as you'll read below.
I'm excited!
You can pre-order Tonic Immobility, which you can of course order from the always delightful Ipecac Records, HERE. The record drops March 26th!
Vinyl:
I managed to score a complete set of what I now believe to be a 2009, Record Store Day reissue set of all The Jesus Lizard's 7" singles from back in the day. Nine in total, I originally thought I was getting the original pressings, which, you know, considering one would have been a split with Nirvana (Puss and Oh the Guilt, the cassette for which I still have) and which the actual 45 for would be worth more than I paid for all nine of these re-presses, makes sense that this is not that. Either way, it was super cool, after a workday that ended with me having to get a COVID test, to come home, open a Sierra Nevada, and fire up Mouth Breather on vinyl!
Negative, by the way.
Not a great picture, but you get the point.
NCBD
Because of the scare, I did not stop in to pick up my comics. However, here's what's waiting for me today:
One issue left! Look at that cover! The greens that often flood Jerome Opêna's art are definitely what pulled me into this series. There's something so 'Sci Fi pulp paperback novel from the 80s cover art' about them. Not the style, but the settings: Swamps, bogs, mountains, etc.
Love this book, LOVE this cover, too.
Wow, great covers this week.
These "Best of" books have been the most "pure joy" comic books I've read in years. I don't even bag-and-board these, I have them sitting around just so I can pick them up and hold them every once in a while.
After issue 3 of We Live, this is the book I think of the most. What started as pure SciFi, really took on a Girl With All the Gifts vibe in its last chapter, and the mash-up works perfectly. Can't wait to see where this goes!
Playlist:
Ministry - The Last Sucker
Ministry - Rio Grande Blood
Sleaford Mods - Spare Ribs
The Jesus Lizard - Mouth Breather 45
The Jesus Lizard - Gladiator 45
Card:
Today I went for my original, full-size Thoth deck. I don't have very many decks. As much as I love a lot of what I see out there as far as Tarot Deck's, I'm purely a pragmatician with these. Sure, that DC Vertigo deck is amazing, and, well, maybe one day that is one I would grab just to look at, but I started with the Crowley/Harris deck nearly 20 years ago, and it is two of my three decks (Missi also gifted me a pocket-sized Thoth a few years back). So it's Thoth and Raven, that's it.
I can't help but feel this is a direct nod to the COVID scare and the test I took last night. Hearing I might be infected set me on a negative thought tirade - especially when it comes to imagining the beating I would like to issue to the chin-diaper, COVID-denying moron at work who is the 'patient zero' in our building (always gotta be one). That said, I came home, pulled my shit together, found a place to get a rapid test, and just did it.
It's funny how, in moments like those hours where I thought I might have it - which of course the ego immediately translates to I definitely have it - there's such a pull to surrender, to woe is me, to give up.
Fuck that. Science. Or, in the words of the esteemed Mr. Pinkman:
Literally can't wait for this. There's a great interview with writer/director Steven Kostanski about his influences in the new issue of Fangoria, and reading that really put this one back on my radar. I missed it at Beyondfest last year, so I'm tempted to do something I've not yet done during Quarantine - a watch party with friends! Either way, looks like Psycho Goreman hits VOD on the 22nd, so the wait is almost over!
God this looks fantastic.
Playlist:
Ministry - The Last Sucker
Ministry - Psalm 69: The Way to Succeed and the Way to Suck Eggs
Ministry - Alert Level (Quarantined Mix; single)
Ministry - The Mind is a Terrible Thing to Taste
Ministry - From Beer To Eternity
Wax Electric - Apple Music Playlist
Lard - Pure Chewing Satisfaction
Lard - 70s Rock Must Die
Deth Crux - Mutant Flesh
Chasms - On the Legs of Love Purified
Dance with the Dead - B-Sides: Vol. 1
Sleaford Mods - Spare Ribs
John Carpenter and Alan Howarth - Big Trouble In Little China OST
