Off the top of my head, you know what'd be cool? Some new music from King Woman in 2021. I'll keep checking their Bandcamp and hope for the best.
Pre-order:
The culmination of eleven months of work is finally official! Murder Virus releases everywhere on March 23rd - one day before my 45th birthday and exactly 374 days after the early morning trip to a barren Trader Joes to wait in line for scraps that convinced me I'd be crazy not to dig out the manuscript for the first successful piece of long-form fiction I ever wrote, dust it off, and re-write it.
2007 - in order to cope with the constant insanity of working retail for the first time in my life - as a manager to boot - I wrote The Secret Life of Murder, a novel about a murder virus that moves through the population, causing people to kill one another in epic scale. The idea was to create a harmless microcosm where I could vent my frustrations with fictionalized violence. It was my first attempt at writing a novel that I actually thought worked, and I always kept it in the back of my mind that I would dust it off one day and re-write it. Well, what better time than during an actual viral pandemic? So that's why the second Shadow Play book was delayed - I literally shifted gears in the middle of writing it to focus on this.
The title Murder Virus, which I hated at first, worked its way into my brain stem and eventually convinced me to love it, especially after a friend compared it in simplicity and 'high concept' to Fight Club, which also sounds pretty generic until you actually read it. That's my feeling with this one, too. Murder Virus is a lot darker and stranger than I realized while writing it, and the story does not end up anywhere I could have predicted. This makes it my favorite thing I've written to date. I'm extremely proud of this one, and obviously, because of the infusion of mental, physical, and historical elements of the past year, it's special to me and will no doubt always remain so; a time capsule of 2020 and where my head and emotions were while navigating the most difficult year (so far) of my life.
You can pre-order Murder Virus from Barnes and Noble HERE.
And the pre-order for Murder Virus from Indiebound isn't up yet but should be in a day or two (same with the Barnes and Noble paperback - right now they only have the ebook added to their site).
If you have a brick-n-mortar book store and really want to do me a solid, ask them to order a few copies from Ingram. They'll know how to do it. Oh, and thanks for reading!
Also, as always, that beautiful cover design was my concept executed well above my expectations by Jonathan Grimm. His website is HERE - check it out!
Playlist:
White Lung - Eponymous
Beth Gibbons, The Polish National Radio Sympony Orchestra & Krzysztof Pernderecki - Henryk Górecki: Symphony No. 3
As I continue to work my way through that stack of records that Relapse Records put out in 2020 and that I won for their 20th Anniversary, one of the bands I had no experience with whatsoever is Inter Arma. Garbers Days Revisited is an all-covers record, and I have to say, my first listen was super fun. Opening with Ministry's "Scarecrow" - super relevant to my recent listening habits - the group move through versions of "Southern Man", "March of the Pigs", and "Running Down a Dream", to name a few. All these versions range from sludged-up to more or less straight forward, such as the above Prince track.
Very cool record with one of my favorite album covers in a while, so I'll definitely be digging deeper into the Inter Arma catalogue.
Read:
Not realizing that Bernie Wrightson's graphic novel adaptation of Mary Wollstonecraft Shelley's Frankenstein is out of print, I ordered what I thought was a copy from Amazon a few days ago. What arrived instead was the illustrated novel that features 40 of Wrightson's drawings. Needless to say, I was a bit disappointed - I've read Wrightson's sequel, Frankenstein Alive, Alive, but never that original. What makes it worse - the book goes for a minimum of $150 used with the nice version garnering between $300-$500 - is Bernie Wrightson's Frankenstein adaptation was a book that routinely sat on the shelves at the borders I helped manage for years, and I just never got around to buying it.
Regardless of the letdown, looking at the illustrated novel, I realized it's been since Junior High since I actually read the original, and this new version has a bunch of cool supplemental material - a forward by Stephen King, a "historical context" essay and timeline, and the 1831 introduction by the author herself. Needless to say, this is my next read.
Looking through the illustrations, I realize what a shame it is I came to really appreciate Wrightson so late, as Mr. Wrightson's work is only describable as exquisite.
Playlist:
Bit of a 90s parade of late, but that doesn't happen all to often, so I'm going with it:
Death - Human
Faith No More - The Real Thing
Guns N' Roses - Appetite for Destruction (Deluxe)
Deafheaven - 10 Years Gone
Disappears - Pre Language
Garbage - Eponymous
The Maine - You Are OK
Inter Arma - Garbers Days Revisited
Card:
As I often view this card as a nod toward saving money or 'nesting,' I've taken recent interpretations to possibly reference avoiding tempting social situations. I've had about five social outings - all super small with only one or two other people outside my own household - in the last year (hence this blog's brief stint titled 'Quarantine Junkie'), but recently, I've felt the urge to see a friend or two. Nope. Time to batten back down that Will and get the course set straight ahead. I recently came across this article that should serve as enough of a reminder. The idea of our air quality being so adversely affected by a record number of cremations is baffling - we're living in the setting for a Sci-Fi Horror Film, and not even aware of it on a day-to-day level.
As much as I dislike everything about this band from about 1994 on, I feel like I've reclaimed a bit of myself by finally being able to come to terms with the fact that the Billy Corgan who recorded the music for these first two Pumpkins albums was replaced by some lame doppelgänger from planet suck around the time the band started recording Melon Head and the Infinite Sandwich.
I'm pretty sure I've confessed my love for Blueflowers' 2018 album Circus on Fire somewhere in these pages before, but recently, I've been falling deep into their 2019 Relapse E.P.
Blueflowers' sound drips with the kind of sultry, otherworldly space that Chris Issac's music does, or David Lynch's cinema. It's lush, spooky, and sensual, and I absolutely adore it.
Watch:
We had a bit of a marathon last night. Even on Fridays, it's not often I can stay awake long enough to watch multiple movies, so when I do get that kind of momentum, I exploit the hell out of it.
We started with yesterday's episode 5 of Wandavision. I'm not going to post anything about it here, but needless to say, I am salivating at the things this show is setting up!
This one would have been in my 2020 top five at least if I'd seen it before year's end. It had me from start to finish, and was probably at least partially responsible for supercharging my motor enough to make it through another flick afterward. I'm posting the trailer here, but my suggestion is to not watch it - just go in blind. I did, and it made for an awesome ride!
I've avoided this one for years, but now that Wandavision has me flying high on the MCU again, I figured I'd go back and watch/re-watch all the movies to date in the chronological order they take place in the continuity of the MCU. Turns out, I really dug this one, and it was totally the right time for me to see it, as so much dovetails with the current storyline in Wandavision.
Playlist:
Human Impact - Genetic (single)
20 Watt Tombstone - Wisco Disco
Led Zeppelin - Presence
NIN - Get Down Make Love (single)
NIN - Burn (single)
Various - Spawn OST (Manson and Sneaker Pimps & Butthole Surfers and Moby tracks only)
Somehow, I either missed or forgot that Human Impact released a single in September of last year. "Genetic" is a terse little fist to the throat, wrapped up tight in Human Impact's trademark, snarling severity. Hopefully, this is a sign of more new music to come.
READ:
I did a lot of catching up on current comics over my brief sabbatical from work earlier in the week. Here's what I read and my take:
I didn't realize The Boys: Dear Becky was ending with issue #8 until I read issue #7. Now that the whole thing is out, I re-read it all from the beginning and enjoyed it quite a bit. The Boys is a really uneven epic in my eyes, with moments of emotional brilliance surrounded by what I've come to think of as Garth Ennis just being Garth Ennis. It worked the best in Preacher, but as with the regular Boys series, Dear Becky tends to step back up into the sublime just as you start to feel jaded about the ridiculousness. Overall, if you only know the show, you probably don't need to go back to the source material - The Boys is possibly the best example of an adaptation-for-screen that has completely trumped its source material - however, if you know and dig the original comic series, Dear Becky will scratch the itch.
Having only just read Laura Marks and Kelley Jones's Daphne Byrne a few months ago, our Deep Dive into Hill House Comics on a recent episode of A Most Horrible Library made me want to revisit this stunning Gaslamp-era New York. It's soooo good. Kelley Jones really just brings the creep factor up to eleven here, and it makes for a really fun, pleasing story with all the fixings - widows betrothed to the Devil, ghastly visions, malevolent visitations, and surly, Hackney con artists using peoples' grief and the rise of spiritualism to take advantage of them.
This one came out in October, but I just read it, then kept it hanging around in the stack so I could read the short story and other backmatter stuff that rounds out every enormous issue of Greg Rucka and Michael Lark's Lazarus, an economy based dystopian world that I have become more and more convinced maybe the closest thing to what the world is going to look like by the end of my lifetime. Equal parts thrilling and intriguing, there's espionage, military strategy, human drama, and action.
I'm using the image for the upcoming HC collection of Hellblazer: Rise and Fall, but if you can find the single issues, that's the way to read this one. The Black Label, Magazine format is perfect for this story, possibly the first new Hellblazer story in years I've actually really liked. This is the 'softer' JC we've seen in recent years, without that trademark Vertigo edge, however, there's still edge to be had, there's homage to previous creators all over the place, and maybe I just really wanted to like A) a new JC story and B) really wanted to like one of these Black Label books, because I dug this one. Three issues, doesn't overstay its welcome, is pretty humorous at times, and still captures some of the Black Magick Heart of the character.
New instrumental album from Depeche Mode's Martin Gore dropped last Friday on Mute. This is the first I'm hearing about it, but I am digging it! Order HERE.
INTERVIEW:
As I mentioned last week, Chris Saunders and I recently had the chance to sit down with comics scribe and artist Jeremy Haun on The Horror Vision's A Most Horrible Library podcast. Available on all streaming platforms, our site, and youtube, it turned out to be a really interesting discussion:
Watch:
I've been off work since Saturday afternoon. K and I took a "mental health week," which I for one needed very badly. We've watched a lot of stuff in that time, which is all logged on my letterboxd. Two of the highlights were:
Much thanks to Mr. Brown on that one. Such a delightful film.
Terminal is a bit of a mess story-wise (although not enough to take away from the experience), but is absolutely gorgeous to look at. That usually isn't enough to get me on a film's side, but Simon Pegg goes a long way, and the obvious Guy Ritchie love helps more than it hurts. Ms. Robbie is pretty great in this one, too (as she usually is).
Playlist:
Let's do something different. Let me take you back to last February when I wrote in these pages how I'd received a Golden Ticket from Relapse Records. This was a random win, based on my pre-ordering of Steve Moore's OST for the 2019 Joe Begos film Bliss. The contest was held to commemorate Relapse Records' 30th Anniversary, so needless to say, there's been a ton of Relapse bands in my playlist of late, as I slowly work my way through all this glorious vinyl.
Razor - Armed and Dangerous
Genghis Tron - Board Up the House
Portishead - Dummy
Valkeyrie - Fear
Zombi - 2020
Boris and Merzbow - 2R0I2P0
Bangles - Different Light
16 - Dream Squasher
Nothing - The Great Dismal
Helmet - Meantime
Human Impact - Eponymous
Emma Ruth Rundle and Thou - May Our Chambers Be Full
Lard - Pure Chewing Satisfaction
Dream Division - The Devil Rides Out
Dream Division - Beyond the Mirror's Image
The Blueflowers - Relapse EP
The Blueflowers - Circus on Fire
Raspberry Bulbs - Before the Age of Mirrors
Card:
Such an appropriate card, as I will be returning to work this morning after five days off and, as management, need to deal with two employees in a considerably more severe disciplinary fashion than I am used to. Enforcing common sense makes me salty, so I will have to keep my more... robust approach to the language in check.
Wow. I haven't really checked in on Genghis Tron since 2005's Cloak of Love EP, when I fell in love with the track "Arms," putting it on a bunch of mixtapes (ie CDs) and playlists in the early days of iTunes. After only a handful of records in the 00s and nothing since 2008's Board Up the House, Tron is back and have a new record coming March 19, on Relapse Records! Pre-order Dream Weapon HERE.
Watch:
Okay. Wandavision was trying my patience up to and into the third episode, but as of last night's? SOLD.
The same way my favorite X-Men team will always be the Australian hide-out 8-piece of Storm, Havoc, Wolverine, Colossus, Rogue, Longshot, Dazzler, and pre-body shop Psylocke, the Avengers team that sticks in my head is from the same era:
It's not a stellar team, and I can't even say I was a huge fan of any of these characters at the time, but the impending 'End' of the team - very similar to Claremont's Dissolution and Rebirth arc in Uncanny X-Men at the time - coupled with the weird juxtaposition of knowing next to nothing about over half this team, made me interested as hell. Also, the fact that on the cover of Avengers 298 it appeared Dr. Druid was fighting Thor using a Zoid is what probably proved my impetus for picking the book up to begin with:
I digress, big time. However, that's the point. Seeing Monica Rambeau resurface in the hottest current Marvel franchise blows me away and just really makes me take a happy spiral down memory lane. Plus, Kat Dennings? YES PLEASE. Marvel, you have me really interested in seeing how this plays out.
Playlist:
The Besnard Lakes - The Besnard Lakes Are the Last of the Great Thunderstorm Warnings
CCR - Willy and the Poor Boys
Ministry - The Last Sucker
The Big Pink - Velvet (Single)
Mrs. Piss - Self Surgery
Deth Crux - Mutant Flesh
Card:
I can't help but assume this is referring to the fact that we have had two days of glorious rain in LaLaLand and now that I will be off for the next five days, the sun will return and I will be unable to actually enjoy the weather. My folks back home will laugh at this, but the struggle for moisture and rain-soaked atmosphere is real.
Moments after finishing my first listen to Emma Ruth Rundle and Thou's entire new EP The Helm of Sorrow (I was holding out for my vinyl to arrive, but gave in), I log onto youtube and see the two Doom Goddess's have joined forces! Is Anhedonia a harbinger of a full-length to come?
I certainly hope so! In the meantime, I'll play the hell out of this track, because it rules.
A Most Horrible Library is the newest podcast under The Horror Vision umbrella, and my co-host Chris Saunders and I spent a good two hours last night on Zoom talking with comics writer/artist Jeremy Haun. Jeremy's recent book, The Red Mother, wrapped up with its twelfth issue, and I can tell you, it's fantastic. Especially if you're a Clive Barker or Dario Argento fan.
Jeremy is an extremely personable, and very interesting guy. He's a HUGE Horror fan - which endeared him to Chris and I immediately, and he has a bit of a mythology brewing that appears in a lot of what he writes. That mythology - the Four and Seven - also shows up in the short comic stories he publishes via his Patreon, which I subscribed to. Jeremy writes, draws, letters and inks these Haunthology books, and I'm super excited to read them because I'm a sucker for mythologies, and The Red Mother really made an impression on me.
Playlist:
Credence Clearwater Revival - Eponymous
Small Black - Best Blues
Tomahawk - Tonic Immobility (Pre-release single)
Tomahawk - Eponymous
Tomahawk - M.E.A.T. Single
The Jesus Lizard - Lash
The Jesus Lizard - Liar
The Soft Moon - Black Sabbath (Single)
The Soft Moon - Criminal
Dream Division - Beyond the Mirror's Image
Boy Harsher - Country Girl Uncut
Cocksure - K.K.E.P. EP
exhalants - Atonement
Gwar - Scumdogs of the Universe
The Replacements - Tim
Small Black - Duplex (Single)
Emma Ruth Rundle and Thou - The Helm of Sorrow
The Bangles - A Different Light
Drab Majesty - Careless
Deth Crux - Mutant Flesh
Card:
I'm writing this Thursday night and it's raining in LaLaLand. As you've no doubt heard me say before, that's pretty rare. I'm on New Retro New Wave tonight, splitting the decades between the 80s and the previous, jumping from The Bangles to Drab Majesty, to Deth Crux, all on vinyl. It's glorious, and I stop to have K try and take a photo of me standing in the rain with my Israeli Military issue gas mask, really just as an excuse to stand out in the rain for a while. When I come in, I draw this card.
I'm burned out from several insanely close COVID scares at work and all the stress that goes with them and the stupid fucking humans responsible. Luckily, by the time most of you read this, I'll be well into my Friday. Then I'll have a quick and painless (I hope) four hours on Saturday, and I'm off until Thursday. Five year anniversary with K on Monday, and three days to be even more of a Hermit than I already am. It will be glorious.
I had never heard Small Black before Heaven Is An Incubator posted about their upcoming album Cheap Dreams one day last week. Seeing the album cover, I KNEW this would be awesome, and it is. You can pre-order Cheap Dreams from Small Black's Bandcamp HERE; looks like there are a few copies of the 'Red Rain' variant left for the vinyl. "Tampa" is the B-side from lead single "Duplex", and both are killer tracks. And this album cover is haunting!
I just want to walk into that scene and disappear.
Watch:
We finished the first season of CBS's Evil on Netflix and here I am, thinking I can just subscribe to CBS All Access and see the second season, and WHOAH! Not out yet!
WTF?!?
For a procedural, this show is NUTS, and it has some genuinely scary AF moments and Michael Emerson gives Paul Reiser's Burke from Aliens a run for his money in the slimy scumf&ck department.
Playlist:
Chelsea Wolfe - Abyss
Genghis Tron - Dream Weapon (pre-release single)
Sleaford Mods - Spare Ribs
Small Black - Duplex Single
The Bangles - Different Light
Credence Clearwater Revival - Eponymous
Drab Majesty - Careless
Card:
Sudden change. I feel a touch hesitant about this.
While scrolling through instagram a few days ago, I stumbled upon the fact that there's a new album coming from Rob Zombie in March. I've posted my conflicted musings about Mr. Zombie in these pages before, and that more or less remains. Do I like this song? Well, here's the thing. This stuff is made to be played loud in a room with distractions. Other people at a party, or, since we can't do that at the moment, while you're cleaning. Just plugging in the headphones and focusing too much on Rob Zombie's songs make a lot of them disintegrate into the broad-stroke caricatures they are. Even this video feels lazy; notice there are no wide shots to place Zombie or his band on the stages or even in the same room that the brief, initial, establishing stage shots set up. Now, this is obviously due to COVID, so of course, I don't want to bag on them for being safe. It just could have used something else; most of RZ's vocals are delivered in Extreme Close Up shots with no context, and they're delivered with next to no energy. This robs the video, and subsequently the song, of the momentum the guitars and rhythm ride.
I'm really reading too much into this, aren't I?
Anyway, a new track drops in a few days, so we'll see how that is. I usually click into an RZ groove for a week or so every year or two, play the hell out of the White Zombie stuff I dig, then cycle through his solo albums (Or better yet, curated playlists of the standouts from those albums), and then move on.
Pre-order The Lunar Injection Kool Aid and Eclipse ConspiracyHERE from Nuclear Blast Records.
READ:
After burning through the entire 12-issue run of his The Red Mother comic from Boom! Studios, I sought out a copy of Jeremy Haun's 2007 graphic novel Narcoleptic Sunday:
About 70% through it, this one is great, too. A B&W Noir, Sunday kicks off with the "guy meets girl, guy sleeps with girl, guy wakes up and girl is dead" Noir trope and pretty much just steps on the gas from there. This is an especially interesting achievement in a story where the lead character has what appears to be a form of the titular sleep disorder, and as such falls asleep at random moments.
Playlist:
The Smashing Pumpkins - Gish
PM Dawn - Set Adrift on Memory Bliss (Single)
Small Black - Duplex (single)
The Cure - Disintegration
The Bangles - Different Light
The Jesus Lizard - Lady Shoes 45 single
The Jesus Lizard - Wheelchair Epidemic 45 single
Rob Zombie - The Triumph of King Freak (pre-release single)
Gwar - Scumdogs of the Universe
Lard - Pure Chewing Satisfaction
Human Impact - Eponymous
Ministry - The Last Sucker
Card:
Back to my full-size Thoth this morning:
Uncompromising honesty; Balance. I can't help read something like this as advice to stock my personal arsenal with altruistic accouterments for the day.
I've been beginning each day musically with PM Dawn's 1991 "Set Adrift on Memory Bliss".
Being that the track and video were in heavy rotation when I was 15 years old, this one resonates deep. I wouldn't say I was a huge fan of the song at that time, and honestly, I'm not even sure if I realized back then that the bulk of the music is lifted straight from Spandau Ballet's "True," another track that feels archetypal to me now, as I was absolutely aware of its pop-chart presence 8 years prior when I was 7 and had my ear pretty much constantly glued to a little blue, transistor radio that I would take to bed with me every night. Despite that, I don't have a memory of putting two and two together. This was probably because, at 15 in 1991, I'm not entirely sure I (or anyone other than the musicians doing it) knew what sampling was yet, or how it was being used by a lot of artists to craft new music beds for their beats and lyrics.
At fifteen, "Set Adrift" was definitely not in my wheelhouse, and yet, I can remember sitting on the ottoman in my parents' living room while Friday Night Videos (we didn't have cable) played PM Dawn's video. The tropical images flickering before me, I remember thinking there was something so calming about the song. I never sought out the album, but that memory has stayed tethered to me at a distance so that every great while I think of the song.
Last spring, without planning it, while writing the initial draft of Murder Virus, I came to a chapter that I automatically named after this song. I don't name all my chapters, and as I said, I hadn't planned this, but I guess days of hardcore writing had the soup in my head at full boil and that's what came out.
And it fit.
After, I went through an increasingly frustrating attempt to locate the song on Apple Music and could not. Then, two days ago, my Horror Vision co-host Ray Larragoitiy and I had a conversation on the phone that ended up moving around to PM Dawn, and I learned that Ray had gone through a similar search (Note: This song is most definitely in Ray's wheelhouse; he's also the one who, a few years ago, played me Al B Sure's "Night and Day" and subsequently led to my present on-again-off-again obsession with that song) and located the song and the reasons behind its current obscurity.
Rights. It comes down to the fact that "Set Adrift" on "Memory Bliss" contains samples from other bands (from what I see there are the Spandau Ballet and a Soul Searchers sample), or if it's another case of a pre-streaming artist who has been left out of payment rights from their music via streaming services and thus taken the label currently holding the license to court. Either way, Ray also cued me in on the fact that other than youtube, you can actually find the original Set Adrift on Memory Bliss on Apple Music (and not on Spotify, though) on the OST for the 2012 movie Seeking A Friend For the End of the World.
Watch:
Last night, K and I rented Steven Kostanskis's new flick Psycho Goreman on Amazon and set up that little Discord watch party with our friends that I mentioned a few days back. The party itself worked pretty good; there were definitely some issues with volume, but overall, it was cool to watch a flick like this with my long-time movie night friends. Of course, we all had to mute our microphones, so there wasn't the usual camaraderie during the flick, however, it was still a cool Quarantine experience, even if one I wouldn't repeat on a first-time viewing again.
So how was the flick? Fantastic! I think I've posted the most recent trailer here a couple times lately, so let's go back and revisit the original one, back from March of last year:
There's a definite perfunctory nature to a lot of the script, especially when it comes to character development and motivation. That said, look at those insane practical effects!
The writing is not bad in any respect, and if anything does itself a great service by quickly developing a kind of visual shorthand that moves you through exposition and development at a fast clip, because all this really does that one could pick at is creates a 'quick to get to a punchline without a proper set-up' feeling. But again, this isn't an issue that that will resonate negatively to anyone who is A) a fan of this kind of cinema, and B) is not a major publication new critic.
Playlist:
PM Dawn - Set Adrift on Memory Bliss
The Jesus Lizard - Wheelchair Epidemic 45
The Jesus Lizard - Puss 45
The Jesus Lizard - Lady Shoes 45
Mission to the Sun - Damaged (pre-release single)
Mission to the Sun - The Unbroken Sea (pre-release single)
Small Black - Best Blues
Small Black - Duplex Single
The Police - Synchronicity II (single)
Robert Fripp - Exposure
Queens of the Stone Age - Villains
The Black Keys - El Camino
The Jesus Lizard - Last EP
Jefre Cantu- Ledesma - Love's Refrain
The Jesus Lizard - Liar
Ministry - The Last Sucker
Lard - Pure Chewing Satisfaction
Dance with the Dead - B-Sides: Vol. 1
Queens of the Stone Age - Songs for the Deaf
Card:
With the inauguration, the Tower definitely toppled this week. However, what also happened, is we kind of started a process whereby all the crazies come out of the woodwork and into the light, which is both good and bad. I had this happen to me this week - beyond the media streams all around us - when an old friend resurfaced on social media to show his ignorant worldview and it made me realize what this card is really communicating is something I think will ultimately be more insidious.
The war on education and the educated.
Have you noticed alt-right folks using the term 'indoctrination' to replace 'education?' This isn't something new, but I believe it's found a larger setting of influence in the wake of our previous administration, and it seems as though the idea of avoiding or actively badmouthing/undermining education is going to become a much bigger issue in the immediate future. Because, you know, why go learn facts if they conflict with what you want the world to be?
Make no mistake, this is a major campaign in the larger setting of the war on reality that I believe will undermine what we think of as real to the point that, in the next ten years, I believe the world and Reality will no longer look anything like what it does now. And that's true of the current moment, if you stop to compare your day to day in 2021 with your day to day of just a few years ago, however, if Reality takes a big enough hit, my guess is that the Science Fiction needle might move drastically enough that things really get strange, kind of like what March 2020 did.
Ah, now we're really starting to get into the releases for the new year. The first new album from Tomahawk since 2013's Oddfellows! A bit of a coincidence, as I've had Duane Dennison on the mind and on the spinner, as you'll read below.
I'm excited!
You can pre-order Tonic Immobility, which you can of course order from the always delightful Ipecac Records, HERE. The record drops March 26th!
Vinyl:
I managed to score a complete set of what I now believe to be a 2009, Record Store Day reissue set of all The Jesus Lizard's 7" singles from back in the day. Nine in total, I originally thought I was getting the original pressings, which, you know, considering one would have been a split with Nirvana (Puss and Oh the Guilt, the cassette for which I still have) and which the actual 45 for would be worth more than I paid for all nine of these re-presses, makes sense that this is not that. Either way, it was super cool, after a workday that ended with me having to get a COVID test, to come home, open a Sierra Nevada, and fire up Mouth Breather on vinyl!
Negative, by the way.
Not a great picture, but you get the point.
NCBD
Because of the scare, I did not stop in to pick up my comics. However, here's what's waiting for me today:
One issue left! Look at that cover! The greens that often flood Jerome Opêna's art are definitely what pulled me into this series. There's something so 'Sci Fi pulp paperback novel from the 80s cover art' about them. Not the style, but the settings: Swamps, bogs, mountains, etc.
Love this book, LOVE this cover, too.
Wow, great covers this week.
These "Best of" books have been the most "pure joy" comic books I've read in years. I don't even bag-and-board these, I have them sitting around just so I can pick them up and hold them every once in a while.
After issue 3 of We Live, this is the book I think of the most. What started as pure SciFi, really took on a Girl With All the Gifts vibe in its last chapter, and the mash-up works perfectly. Can't wait to see where this goes!
Playlist:
Ministry - The Last Sucker
Ministry - Rio Grande Blood
Sleaford Mods - Spare Ribs
The Jesus Lizard - Mouth Breather 45
The Jesus Lizard - Gladiator 45
Card:
Today I went for my original, full-size Thoth deck. I don't have very many decks. As much as I love a lot of what I see out there as far as Tarot Deck's, I'm purely a pragmatician with these. Sure, that DC Vertigo deck is amazing, and, well, maybe one day that is one I would grab just to look at, but I started with the Crowley/Harris deck nearly 20 years ago, and it is two of my three decks (Missi also gifted me a pocket-sized Thoth a few years back). So it's Thoth and Raven, that's it.
I can't help but feel this is a direct nod to the COVID scare and the test I took last night. Hearing I might be infected set me on a negative thought tirade - especially when it comes to imagining the beating I would like to issue to the chin-diaper, COVID-denying moron at work who is the 'patient zero' in our building (always gotta be one). That said, I came home, pulled my shit together, found a place to get a rapid test, and just did it.
It's funny how, in moments like those hours where I thought I might have it - which of course the ego immediately translates to I definitely have it - there's such a pull to surrender, to woe is me, to give up.
Fuck that. Science. Or, in the words of the esteemed Mr. Pinkman:
Literally can't wait for this. There's a great interview with writer/director Steven Kostanski about his influences in the new issue of Fangoria, and reading that really put this one back on my radar. I missed it at Beyondfest last year, so I'm tempted to do something I've not yet done during Quarantine - a watch party with friends! Either way, looks like Psycho Goreman hits VOD on the 22nd, so the wait is almost over!
God this looks fantastic.
Playlist:
Ministry - The Last Sucker
Ministry - Psalm 69: The Way to Succeed and the Way to Suck Eggs
Ministry - Alert Level (Quarantined Mix; single)
Ministry - The Mind is a Terrible Thing to Taste
Ministry - From Beer To Eternity
Wax Electric - Apple Music Playlist
Lard - Pure Chewing Satisfaction
Lard - 70s Rock Must Die
Deth Crux - Mutant Flesh
Chasms - On the Legs of Love Purified
Dance with the Dead - B-Sides: Vol. 1
Sleaford Mods - Spare Ribs
John Carpenter and Alan Howarth - Big Trouble In Little China OST
Because this was the first song I listened to when I woke up this morning, and because it's such an awesome example of the marrying of Rock and Pop that was so flawless in the early 80s.
Watch:
Kind of stumbled into watching the first season of Evil on Netflix this weekend. I'd seen the minimalist billboards for this around town last year and was intrigued, but being that it's on CBS I dismissed it as network. However, this one's pretty cool for network (and it's not actually on regular, network CBS, but their All Access). There's some really interesting camera work and a decidedly bigger budget - or at least a bigger 'approach' - than a network show would take. And there are some genuinely scary moments so far, so I'm in.
Playlist:
Ministry - Houses of the Mole
Ministry - Amerikkkant
Lard - Pure Chewing Satisfaction
ISIS - In the Absence of Truth
Deafheaven - New Bermuda
ZZ Top - Rio Grande Mud
Ministry - The Mind is a Terrible Thing to Taste
Ministry - The Last Sucker
The Bangles - All Over the Place
Deth Crux - Mutant Flesh
Etta James - Third Album
Etta James - Second Time Around
Card:
Financial breakthrough, which I will gladly take on with a smile.
I finally picked The Lost Gospels According to Al Jourgensen back up earlier this week, and this time, I find I can't put it down. More about that below. For right now, reading the Biafra interview in the book and hearing Al talk about the origin of the band Lard, I felt motivated to dig out 1997's Pure Chewing Satisfaction. This is one of those records I had on cassette back in the day, and because I still have the actual cassette, I always put off listening to it on Apple Music under the guise that I should dig out that tape. Well, that never happens, so I haven't heard Pure Chewing in a loooong time. Guess what? I gave up on the tape and started playing it the other day, only to find out I miss the hell out of this record!
The Last Temptation of Reid has always been the go-to masterpiece in the Lard catalog as far as I was concerned; however, now I find Pure Chewing Satisfaction is every bit as awesome, starting with this, the opening song, which I could listen to over and over again ad nauseam.
Watch:
Watching the first two episodes of Marvel's Wandavision last night was quite the experience. I now very much understand what Elizabeth Olsen meant in the interviews she did during the run-up to this show when she repeatedly said, "I just can't believe they let us actually do this show."
This is the evolution of Marvel's style.
I'm speechless. Wandavision isn't the best thing I've ever seen or even my favorite of the Marvel stuff, but being that it breaks their fight-on-catwalk-stop-him-before-he-ends-the-world-and/or-destroys-the-entire-city mold and shows that they will begin to take chances, I'm excited. And as fans, that's all we can ask for. That's how the comics gave us things like Matt Faction's Hawkeye series, or Rick Remender's Uncanny Avengers, or any of the mold-breaking stuff Marvel occasionally does to draw in new readers who don't necessarily jive with fight-fight-fight and crossover-crossover-crossover paradigm they seem to still be stuck in.
I'm totally fine having (mostly) given up reading Marvel Comics if I can get stories like this from their MCU.
Read:
Last year when Mr. Brown sent me his copy of Al Jourgensen's autobiography, I read about a fourth of it and had to walk away. This happens a lot with musician autobiographies. Soul Coughing's Mike Doughty's book really started to affect how I felt about one of my favorite bands of all time, so I stopped reading that, too. I thought that would be the case here, but when I picked Gospels up again recently to give it one more chance, I found I couldn't put the fucking thing down.
Al still comes off like a complete douche, which I guess really shouldn't be a surprise. However, the book is also laugh-out-loud hysterical at times. Really, once I got past the utter nonsense of him bragging about how many chicks he nailed as a teenager and moved into the origins of Ministry, well, the douchery didn't stop, but it became mixed with a lot of great information about a band I've loved for most of my life (thanks also to Brown, who lent me his copy of The Mind is a Terrible Thing to Taste when we were Juniors in High School).
Anyway, if you can get past those initial chapters, and deal with him being one of those "Been there, done that, did that first, fuck those guys I used to work with" tirades, and the endless drug stories that make him really look like an ass - the River Phoenix one is especially awful - then this is a pretty good read.
Playlist:
Lard - Pure Chewing Satisfaction
Lard - The Last Temptation of Reid
The Veils - Total Depravity
The Replacements - Tim
Deafheaven - 10 Years Gone
Ministry - Dark Side of the Spoon
Card:
This morning I thought I'd pull from the Raven Deck. Every time I bring these cards out, I marvel at the work and detail my good friend Missi put into them. The cards literally hum with the energy she put into them, and so they make reading an incredibly unique experience.
Change. From Peter J. Carroll's Liber Null: "The only clear view is from atop a mountain of your dead selves."
I have 100% agreed with this statement since I first began reading Carroll in the early 00s. And I find it funny that I pull this card now, as I try to understand how I've suddenly become able to reintegrate The Smashing Pumpkins' Siamese Dream back into my life.
Tangent? No. Hear me out.
I loved this record upon its release the summer before my Senior Year in high school began, but I have been mostly unable to feel passionately about it since about two or three years later. Everything about this album and that band that I loved was, in my opinion, flipped on its head beginning with the release of the follow-up, and The Smashing Pumpkins became kind of an antithesis to me. However, for every reason I feel justified in distancing myself from their music and personas, I realize too, I was distancing myself from who I was when this album meant so much to me. Which is fine. That's the mountain of dead selves at work right there, and that's important. And there's a vulnerability to reconnecting with something that was so integral and intertwined with who you were when you were a teenager, and I began to make it a point to execute and deny most previous versions of myself somewhere about the time I graduated college and became a bartender (ha! what a sentence).
Anyway, I guess the poignant part of all this is that while Siamese Dream was executed and thrown on the pile with that old version of Shawn, along with records by bands like Pantera, Sublime and the like, it's a new one for me that I can dig this one out of that mountain of corpses, dust it off, and reconnect with it in such a strong way.
Will it last? It feels like it will, however, I should probably avoid hearing anything billy corgan says in the media if I want that to last.
New Mogwai! From the forthcoming album As The Love Continues, out February 13th. Pre-order HERE.
Watch:
Last night, K and I finished watching the Night Stalker documentary that dropped this week on Netflix. Serial killer stuff is normally outside of my comfort zone, however, after moving to LA in 2006 and hearing a good friend talk about what it was like to grow up here as Richard Ramirez held the city hostage for the better part of a year has proved motivation for a fascination that overcomes my squeamish nature when it comes to this type of thing. That, combined with the fact that once you start watching this series and see that director Tiller Russell places the two Police Detectives who hunted Ramirez as the main characters, this was a great documentary that didn't leave me feeling dirty.
As much as I love AHS 1984, I still have issues with the fact that they made Ramirez a character I ended up rooting for (to a degree).
While flipping around Bloody Disgusting earlier I saw they finally released a trailer for Christopher Smith's The Banishing. I'm very much looking forward to seeing this one on Shudder in March, just a couple of days after my forty-fifth birthday no less.
Playlist:
The Smashing Pumpkins - Siamese Dream
Michael Kiwanuka - KIWANUKA
David Bowie - Reality
Mogwai - As the Love Continues (pre-release singles)
Mogwai - Hardcore Will Never Die, But You Will
Loathe - I Let It In and It Took Everything
Card:
Another signifier for the end of my current project, which will lead to the publication of my next book.
I received the cover art this week from Jonathan Grimm - it's BAD ASS! I can't wait to share it.
Sacred Bones is releasing a new DJ Muggs record of dark, Occult-inspired music? Sign me up! Pre-order this one HERE now, because the $30 Deluxe edition of Dies Occidendum with the illustrated book is limited to 500 copies and will most likely disappear.
NCBD:
Quite a bit coming out today.
Loving this series. Vault does horror comics the right way, 100%.
End of the arc. Jason Howard's Big Girls has been a great stand-in for Trees, his book with Warren Ellis (who I miss SO much).
I picked up the first issue of Homesick Pilots on a whim last month and loved it. A Grunge-era ghost story that has me baffled at some of the mechanics of the haunting and where, exactly, it's going.
The final issue of one of the most horrific books I've read in quite some time.
Playlist:
Howard Jones - Things Can Only Get Better (single)
Sleaford Mods - Spare Ribs (pre-released singles)
Sleaford Mods - Austerity Dogs
Alice in Chains - Facelift
Queens of the Stone Age - Songs for the Deaf
Thou - Rhea Sylvia
Peter Gabriel - Us
Drab Majesty - Careless
Card:
The Beginning of the End.
I'm reading this as two things. First, I'm back on the book and will finish it within the next week. WILL. Second, watching the House vote on impeachment - which personally I feel is a great big waste of time because, well, let him become a private citizen and THEN arrest his ass - I'm realizing that something is ending. Whether or not this is for the better or worse when our country is concerned, I can't really say. However, I'm inclined to think it will not ultimately be for the best. Have I made my prediction on this page yet that within five years time the US will no longer be 50 states? Standing by it, regardless.
This is shaping up to be an early contender for album of the year just based on the strength of the three songs to drop so far! Pre-order HERE.
Watch:
Currently watching a Scandanavian show on Netflix called Equinox, another of what I've seen referred to as an 'Into the Woods' subgenre that originates with Twin Peaks and was perhaps defined/popularized most recently by Netflix's Dark. So far, Equinox is derivative, although it would appear to owe more to Black Spot than any other show. Maybe this genre is simply comfort food to me at this point, but K and I are hooked. Here's a trailer:
Playlist:
Black Sabbath - Paranoid
Faith No More - The Real Thing
Sleaford Mods - Spare Ribs (the pre-released stuff)
One of my favorite current bands covering one of my all-time favorite band's best songs. Magic. After this and that Flaming Lips cover on last year's Medium Rarities record, Mastodon is one of the few bands I like hearing do covers, basically because I can't wait to see what they'll pick to do next.
Watch:
I recently found this super cool, animated reading of H.P. Lovecraft's Dagon that Patronoid Magazine published recently. Lost of cool stuff from these folks, check out their site HERE.
I've had Stuart Gordon's Dagon in mind of late, and not being able to find my old DVD copy (I had two at some point, I love this one so much), is the perfect excuse to buy that gorgeous Blu Ray copy that the resurrected Vestron Video put out a few years back. Here's the trailer:
Playlist:
ISIS - In the Absence of Truth
Alice in Chains - Rainier Fog
Yellow Magic Orchestra - Solid State Survivor
Giraffe Tongue Orchestra - Broken Lines
The Smashing Pumpkins - Siamese Dream
YOB - Our Raw Heart
Emma Ruth Rundle - Marked for Death
Jimi Hendrix - Electric Ladyland
Low Cut Connie - Hi Honey
Black Sabbath - Paranoid
The Beatles - The White Album
David Bowie - Heroes
Card:
Back to the wonderful Raven Deck my good friend Missi made for me:
Whereas this would normally read Completion, and despite the fact that I don't normally recognize ill-dignified (read: upside down), I can't help that dopple-definition fits, because it tends to hinge on 'interruptions' or 'hesitating.' I'm stalled again at the moment, and need to push myself back into 'On' mode.
New video for John Carpenter's Alive After Death, from the forthcoming album Lost Themes III: Alive After Death, out February 5th on Sacred Bones Records. You can pre-order the record from Sacred Bones HERE, or, do what I did and pre-order the Wax Work/Sacred Bones collab like I did HERE, although, without checking, there's probably a pretty good chance this one is long since sold out.
Watch:
K and I finished the new and apparently final "season" of Netflix's Chilling Adventures of Sabrina. Hot damn I love this show! Here's a cool little bloopers reel Netflix dropped on youtube a bit ago. It's cool to see everyone having fun between takes.
Playlist:
Drab Majesty - The Demonstration
Amy Winehouse - Back to Black
Queens of the Stone Age - Songs for the Deaf
Queens of the Stone Age - Villains
Chelsea Wolfe - Hiss Spun
Ravenous Wolves - Stories and Pictures
Ravenous Wolves - A Horror of Shades Demo EP
Emma Ruth Rundle and Thou - May Our Chambers Be Full
