Isolation: Day 8 - More New Me and That Man!

At this point, I'm not listening to any more of Me and That Man's new record until I have the full album in my hands (pre-order HERE), but I'm posting it here so I can go back to it, and so you, dear reader, can strike out into the territory I'm eschewing simply because I am such a fan of full album immersion.

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The best thing to come out of social media that I've seen since the Pandemic began? Right here:



Love these guys.

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Finished Black Stars Above this morning. Five Issues of creepy, nuanced cosmic horror. Here's one of my favorite images, from issue four:

This very much reminds me of Alan Moore and JH Williams III's Promethea. Jenna Cha's art, Brad Simpson's colors, and Lonnie Nadler's story work in such perfect synthesis. They have to, it's the only way to tell such a macro/micro story that delves into infinite cosmic territory. This page illustrates the beautiful way the creative team delivers the ineffable.

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Mindful Habitation:

As so many others are, Southern California is on Shelter-in-place. Weird, but really only in perception and big picture theory. Day-to-day won't be that different for many of us. I'm bummed to know this will halt a lot of businesses, the smaller ones especially. Many of those smaller ones are really using this to innovate and think outside the box. The Comic Bug remains purveyors of media via mail, delivery, or scheduled appointment (HERE for details). King Harbor Brewery is doing same-day local Growler delivery (HERE). These are examples local to me, however, I'm getting reports of this from friends all over the place, so if there's a business you love, reach out and see if they are working with similar innovations.

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Event Viewing:

Episode Four of Alex Garland's Devs landed last night, and it was quite the ride. The opening floored me with it's image/sound juxtaposition. Geoff Barrow and The Insects' score is overall fantastic, but in this particular scene, it was unearthly, layered, textured sounds arranged in a way that made the images bloom from the screen.

And Nick Offerman? Killing it.

Playlist:

Exhalants - Eponymous
Anthrax - Spreading the Disease
Slayer - Live Undead/Haunting the Chapel
The Bronx - The Bronx (I)
Seefeel - Fracture/Tied (Single)
David Bowie - Aladdin Sane
Deth Crux - Mutant Flesh
Metatron Omega - Evangelikon
Myrkur - Folkesange

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Card:

An agent of enlightenment. Reproductive force - not necessarily biologically speaking. I'm leaning more toward an interpretation that reinforces people are finally learning what needs to be done and doing it (even a certain douche celebrity decided to comply and close his shitty restaurant). Also, the gray skeins in the background speak to the illusory world losing its leverage as knowledge dawns. That's the Devil - the Morningstar, enlightener extraordinaire.

Isolation: Day 7 - Type O Negative - Open Air Festival 1995

As usual, Brooklyn Vegan has been killing it on curation and content during these trying times. THIS article, posted Wednesday, 3/18, runs down a list of several fantastic live shows currently available in-full on youtube. Of course, I went directly to the Type O one. I saw them twice on the October Rust tour - the shows are among my fondest concert memories - and this footage takes me back in a way I did not quite expect. With the tenth anniversary of Peter Steele's death on the horizon (April 14th), and with rain falling intermittently more than usual in LaLa Land, this landed at the perfect moment for me. Thanks Brooklyn Vegan, for all that you do!

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Two nights ago, K and I finished the second season of Netflix's Castlevania, which means we finally get to move on to Season Three, which I keep seeing referred to as "Psychedelic Horror." Can't wait for that, especially considering the way events played out at the end of Season Two. Written by legendary comics scribe Warren Ellis, Castlevania is pure joy for Horror/Comics/Video Game fans alike. Ellis' writing is top notch; think of when the mostly creator-owned writer steps into high level IP's like X-Books, Batman, or, if you're like me and fondly remember Nextwave: Agents of H.A.T.E., and you'll get a ballpark sense of what a joy it is seeing this man play with super well-known toys. For a peak inside his process, go to Orbital Operations and sign up for his weekly newsletter. It is seriously one of the things in life I most look forward to reading every week, both for the process insights, and his unmatched aptitude as a curator of all things awesome! In the meantime, for only those who have finished Season Two, here's a clip of the penultimate battle that just blows my f*&king mind!



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Playlist:

The Mars Volta - Deloused in the Comatorium
Antemasque - Eponymous
The Black Angels - Eponymous EP
SOD - Speak Spanish or Die
Chris Isaak - Heart Shaped World
Slayer - Decade of Aggression
Type O Negative - Origin of the Feces
Beach House - Thank Your Lucky Stars

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Card:

I'm not sure how to read the common interpretation of "Seed to a Tree." In light of world events, I'm not sure if that's positive for us now, on this side of what this thing will eventually become, or if it's referring to the growth of COVID-19, or if we're talking about the mass culling of our population and eventual rebuilding phase. Another common interpretation here is that something will begin, but that's pretty much as eerily ambiguous as the other.

Let's hope future generations aren't as irresponsible as we (collectively) have been.

As more and more cities go into Shelter-in-Place, I'm having moments throughout my day where Science Fiction interlopes my daily routines and shows me where we very well may be going. Remember, the difference between Science Fiction and Fantasy is Science Fiction is - in its purest form - fiction based on the extrapolation of current Scientific Knowledge/Method. In other words, the Orwells, RAW's, and Huxley's of the world - not to mention the Gilliams -  have been warning us for decades. My company announced today they are drafting official documents for us in the event of checkpoints being erected to control non-quarantine compliance. I heard this and couldn't help envision a scene cobbled together from various fictional sources I've consumed in my life: I pull up to a police or military checkpoint, lower my window, and hand a gas-mask wearing official my papers, which they check over and hand back.

Wow. Yeah, that is most likely where we are going.

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Mindful Habitation:

It has never been my intention to make this blog political, primarily because there is no answer when it comes to politics. I detest both sides and long for the day when I can remove my support from either tired old institution we continue to placate. I thought that would be this year. Now - assuming we still have an election in November - I not only want Captain Hairdo out of office, I want to see him tried for Crimes Against Humanity. Because all the other shit was bad, but not that different from what the other side does. Now though, we have a 'leader' who is very much responsible for not only the loss of human life on a grand scale, but what is looking like it will be the end of 'this great nation.' No, I'm blaming him for the existence of COVID-19. But when you follow his words and sentiment, you see where the irresponsibility sets in, and why I make such strong accusations.

Some things to think about are HERE and HERE. Don't dwell in there too long, and don't fall down the Twitter-hole, but these are the things to remember when/if we have an election in November. I would like to see these people Tried in a Court of Law for Crimes Against Humanity. The difference here is, if you compare to, for instance, when Nixon fell from grace, his supporters believed he wasn't guilty until his crimes were proven. In this day and age, people can see proven facts and simply refuse they are facts. This goes back to what I have been saying since the "Alternative Facts" bullshit that began post inauguration. There is no such thing as Alternative Facts. THIS is Orwell's 1984, where the state decides reality, and it's fucking terrifying.

Isolation: Day 6 - Beach Slang's Tommy in the 80s

Holy cow am I in love with this song. From Beach Slang's 2020 record The Deadbeat Bang of Heartbreak City, released this past January on Bridge9 Records. Buy HERE. Many thanks to my friend Jeffrey for kicking this one my way, as the entire record is awesome.

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Black Stars Above #5 comes out today. Or does it? At this point, I'm not sure if either the Comic Bug or Atomic Basement are open, or whether Diamond is distributing at all. So many things are locked down; what do you do? Well, if you're a fucking asshole, you go to Texas or Florida for Spring Break. If you're an even bigger, more famous asshole, you refuse to close your shitty hillbilly restaurant. And if you're the biggest asshole? You blame everyone else for the mess you might not have created, but that you sure as fuck helped spread. I am happy to announce I am now 100% A-political, and consider Capitalism as much a failed experiment as Communism. What's left? Well, if you're Mother Earth, you start trimming the virus choking the life out of you with a pandemic. Sad but true folks; nothing could be better for the planet as a whole than to have a couple billion people removed.

Anyway, here's to hoping no one you or I love gets removed, and come this afternoon, we can all go get some new comics. Unlikely, but I'll take it.

This book is so damn good!

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Playlist:

Porridge Radio - Every Bad
Antemasque - Eponymous
The Black Angels - Eponymous EP
The Black Angels - Passover
Deafheaven - Roads to Judah
Various Artists - The Void OST
Beach Slang - The Deadbeat Bang of Heartbreak City
Metatron Omega - Evangelikon
Zonal - Instrumental Playlist

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Here's today's card:

Yesterday's:

Monday's:

We're looking at a clear progression from Monday to today. Oppression kinda speaks for itself at this point, especially with Shelter-in-Place orders being handed out left and right. There's the Strength this is requiring/going to require to get through, and then there's the Queen, who indicates compassion for others, a mothering nature. We need that right now, and I'm happy that, for as many examples of complete human bullshit, there is an almost equal number of stories of compassion, civic-mindedness, and generosity. However, the Queen of Cups also opens the door for that gentle, compassionate nature to collapse in on itself, turning weakness and resentment. I'm not sure I've seen a three-day spread mirror the three days better.

Take care of people, and what's more - and I can't believe I'm saying this - if the order is to stay put and minimize your contact with others, fucking do it. These orders are not from the president - remember, he doesn't think the WHO's numbers are accurate - it's from the organizations and departments in the government that, despite Captain Hairdo's crippling of them over the last three years, are trying to deal with the strain this is going to put on Hospitals. Also, and fuck the human race for me even having to say this, regarding the fine folks working in groceries, hardware stores, wherever you're going for supplies, don't treat them poorly. They're heroes in this moment, and trust me, you would not want to be doing their job.

Happy St. Paddy's Day - Have Some Pogues!

It doesn't feel much like St. Paddy's, and I'm on call, so my usual gathering with friends to watch State of Grace is postponed. Still, what's March 17th without some fucking Pogues?

Enjoy!

Isolation: Day 3 - Seefeel Fracture

Caught this on Michael Stock's Part Time Punks on KXLU this past Thursday (there's a link via KXLU that archives the playlist for all Michael's shows HERE). Love it. Fracture is from the Fracture/Tied single on Warp Records. You can also find and support Seefeel through other releases available on their Bandcamp.

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Seven episodes into HBO's The Outsider, and it has a hold of me good. Fantastic show that very much scratches the itch left over from True Detective Season One.



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As more and more public events are cancelled, it was inevitable the upcoming Deafheaven tour got postponed. Mr. Brown pointed me HERE, where the band is selling what was supposed to be their tour merch, as well as taking pre-orders for the double live album that was supposed to be recorded over two nights in Chicago, but will now be recorded live in-studio. As the craziness increases, you're going to see a lot of messages from independent artists about helping to support them and/or others like them. Take this seriously. I've always considered myself a 'patron' of the arts, especially as we've moved into such a decentralized paradigm for creating and distributing said arts. Now with this, bands who would have made the bulk of their income touring - because even a band like Deafheaven isn't being supported by their label enough for its individual members to actually exist in the real world - are going to be effectively cut off at the knees. You can't support everyone, but please, support those you can.

Here's one of the older Deafheaven songs I'm hoping ends up on the double live, which titled 10 Years Gone, I'm assuming is a career-to-this-point retrospective:



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Playlist:

Human Impact - Eponymous
Seefeel - Fracture/Tied (Single)
Various Artists - The Void OST
Beach Slang - The Deadbeat Bang of Heartbreak City
Deafheaven - Ordinary Corrupt Human Love
Deafheaven - Roads to Judah

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Card:

That's a bit disturbing in light of recent events. Or, I can interpret it as the hot streak I'm using all the media induced 'pandemic' paranoia to fuel re-writing something I will be releasing in a few months.

RIP Genesis P. Orridge

You timed it juuuuust right, sir.

Isolation: Day 1 - Human Impact This Dead Sea

The debut album by Human Impact dropped on Ipecac Records today. This one brings me back - there's a little Helmet, a little Quicksand, and an undercurrent of Industrial vibes that makes their sound mildly nostalgic while also cutting edge. Haven't heard anything like this in some time, and Chris Spencer's sweat-and-vitriol laced vocals feel pretty damn timely, while the world seems to curl in from around the edges, like an old photograph in a winter hearth.

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Nightmare fuel right here. Jesus, this looks insane, and the "bastard child of Ground Hog's Day and The Babadook" quote just seals the freakin' deal.


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Playlist:

Balthazar - Fever
Beach House - Thank Your Lucky Stars
The Birthday Party - Mutiny/The Bad Seed
Beth Gibbons/Henry Gorecki - Symphony No. 3
Drab Majesty - Modern Mirror
Eagulls - Eponymous
Emma Ruth Rundle - Marked for Death
Jaye Jayle - No Trail and Other Unholy Paths

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Card:

On this, the second time in three days I've pulled The Emperor, I'm reading on a more Macroscopic level. The Emperor is establishment, social order, social contract. Namely, all the things that feel like they are in jeopardy at the moment. I'm inclined to read this as a nod to the unwavering persistence of these systems we have set up - even though many of them are fucked up or in jeopardy in other ways - and that the current scare will subside without decimating our society. There's a host of conspiracy theories the Mulder in my brain keeps throwing at the back of my eyes, but I'm trying to acclimate to just believing everything will be, relatively, okay. Even if a lot is probably going to change by the end of the year.

JARV IS - House Music All Night Long

Apparently Jarvis Cocker is now JARV IS, and the new album Beyond the Pale is out May 1st on Rough Trade. Pre-Order HERE.

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NCBD was a huge one yesterday, simply because I picked up a handful of new titles I'd decided to add to my pull over at The Atomic Basement. The split that occurred between my Drinking w/ Comics co-host Mike and The Comic Bug co-owner Jun - both great guys - left me in a bit of a funk. The Bug is literally walking distance from my crib, and Jun is a friend of mine. So while I of course want to support Mike's new venture, I didn't want to do it at Jun's expense. Thus, I've added a handful of titles to my monthly pull and pretty much set an even balance at both stores. Here's what I grabbed at The Atomic Basement this week:

I'm reminded of Black Monday Murders, and hope that this undertaking isn't taking place instead of a continuation of that book. Regardless, insanely vast opening to what seems like it might be a small story in a massive world.

No idea where this is going, but it's as creepy as it is gorgeous.

I'm not sure how long these Joe Hill books are running, but so far, I'm really digging Daphne Byrne, so I figured I'd give Low Low Woods a chance as well.

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Two episodes into Alex Garland's new Hulu/FX series Devs and it's already established itself as a powerhouse; something that could totally change the Medium. AND - it's weekly, so it gives me some much-needed Event Viewing for the next few weeks, hopefully to get us right up to that next season of Joe Bob's Last Drive-In, although to my knowledge they haven't confirmed a date for that one's return.



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Devs put me in the mood for some more techy fiction, so I finally made it back around to Black Mirror and watched Black Museum. My favorite of the few episodes I've watched since Netflix brought this show back. Directed by Colm McCarthy, whose indie horror flick Outcast I wrote about here last year - and which I LOVED and is now on Prime so watch it! - Black Museum sets up something I would like to see return - Rolo Haynes' titular roadside attraction, the Black Museum. There are at least a couple dozen stories that could spin out of this, and Douglas Hodge's portrayal of Haynes was a sheer joy to watch, so hopefully this will recur at some point.




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Playlist:

Man Man - Beached (Single)
Fen - Dustwalker
The Thirsty Crows - Hangman's Noose
Ghosts of Glaciers - The Greatest Burden
The Mars Volta - Deloused in the Comatorium
Myrkur - M
Beth Gibbons/Henry Gorecki - Symphony No. 3
Neon Kross - Darkness Falls

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Card

The positive break-up of structures and limitations.

New Music from Man Man!

From Man Man's forthcoming Dream Hunting in the Valley of the In-Between, the band's first album since 2013's On Oni Pond. You can pre-order the new record from Sub Pop HERE.

As much as I love Man Man, they had completely fallen off my radar until, maybe two or three months ago, I went through a little jag with 2011's Life Fantastic. Then, a few days ago, Mr. Brown messaged me about the new record, and now I find myself quite anxious for May 1st and the first new record by the group in seven years.

What I did find while digging around in Apple Music, was that Man Man released an EP in 2019, two songs, both of which are fantastic, but one I adore. Here's that song, too:



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Having been in something of a funk the last week or so, I left work a skosh early yesterday with the desire to do nothing more than recharge by watching a couple flicks. I went with Benson and Moorehead's Resolution and The Endless, the second of which I'd watched before, October 2018, and not really liked. The links for my micro reviews on Letterbxd are linked to each title, suffice it to say, I loved Resolution, and it is now my opinion in order to fully appreciate the themes and situations of The Endless, you have to watch them one after the other. Not necessarily in one sitting, but it helps. Both are exceptional films - I'm really kind of staggered by the elegance of The Endless and its metaphors, and now I can't wait for the two creators' next film, Synchronic, which seems as though it should have already been released, and which I'm pretty sure will deal with Flower, the hallucinogenic plant people smoke in both films.

Normally, I'd post trailers, but I think any pre-knowledge will ultimately take away from both films, so I figured I'd use the awesome poster art and be done with it. Resolution is currently streaming on Prime, and The Endless is on Netflix.


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Playlist:

Man Man - Cloud Nein (pre-release single)
Man Man - Beached (Single)
Nick Lowe - Jesus of Cool
Neon Kross - Darkness Falls
Thundercat - Dragonball Durag (pre-release single)
Parliament - Mothership Connection

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Card:

Lots of red, with authoritarian overtones. Mars. Pretty sure this is a sign to pull myself up out of my funk and get back to work.

Chelsea Wolfe - Highway

Always a good day when there's a new Chelsea Wolfe video. One of my favorite artists insofar as how she puts imagery to her music; there's always a visual representation of the hollow loneliness that permeates her songs. Not sad loneliness, but the kind you feel when you're out in the desert, dwarfed by the environment around you, and isolated from other humans.

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Kindle had a Dark Horse comics sale yesterday (it may still be in effect), and for $6.99 I picked up the Alien/Predator/Prometheus Fire and Stone collection. I've heard great stuff about this series, so I'm psyched to jump in, as while I enjoyed by recent viewing of Alien: Covenant for what it is, I would have definitely preferred if they didn't kill all the Engineers off between movies. I've said it many times now, as much as I love Aliens, the films are frustrating for sure, and nothing is more frustrating then their propensity in killing the most interesting characters OFF SCREEN.

Also in that sale, I scored the first Masters of the Universe Mini Comics collection for $5.00. This is pure nostalgia, pleasure reading. These comics are literally primordial Shawn, as I had MotU figures from the time of their initial release, and the accompanying mini comics were among the first comics I ever read, and thus are at least partially responsible for my continued love of the medium.

Also, my Uncanny X-Men re-read continues at a steady pace; I'm now up to Inferno, but I'm going to back track first and re-read the 1984 Magik mini-series first, as events in that series set-up the story that eventually culimates during Inferno. Also, and I'm putting this in print finally, my all-time favorite X-villains are by far Mr. Sinister, S'ym, and N'astirh.

Unbeatable when drawn by my X-Men dream-team of Silvestri and Green.

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Playlist:

Orville Peck - Pony
The Jesus Lizard - Lash EP
Godspeed You! Black Emperor - Luciferian Towers
... And You Will Know Us By the Trail of the Dead - X: The Godless Void and Other Stories
The Jesus Lizard - Liar
Belong - October Language
Testament - The Gathering
Allagaeon - Apoptopsis
Spotlights - Love and Decay
Somnium Nox - Apocrypha EP
The Soft Moon - Deeper
U2 - War

Superblood Wolfmoon and The Invisible Man!

There are two singles out right now from Pearl Jam's forthcoming album Gigaton, which you can pre-order HERE. Both songs are fantastic, but I feel like "Dance of the Clairvoyants" is the one everyone's talking about because of the Talking Heads-vibe that song has. I wanted to post "Superblood Wolfmoon" because it's also fantastic!

Here's where I offer my take on Pearl Jam. I've always respected them. I've always thought they make the music they want to make, and that's amazing in the era they started in and transitioned through. However, previously, my love of their music went like this: All of their debut, Ten. Both songs on the Singles soundtrack. About half of the follow-up Vs. About a third of Vitalogy, and then I tuned out. After Ten their ballads - the stuff that, through no fault of their own, ruled the FM airwaves while I was in high school - all just sounded like audio burlap to me. Drab, scratchy, and uncomfortable. Yet I applauded them for years when friends who were into them would play me their records. I just never really heard any of that stuff, some weird bug in my ear always turned the noise of my brain up and drowned out what was coming in through my ear. I've always wanted something to come along and push me into taking a walk through that now back catalogue, and these two songs may have done just that.

Thanks to Mr. Brown for always forwarding me the newest stuff when he hears it, and for Keller for curating youtube sessions that made me realize just what an unbelievably good person Eddie Vedder is; if I dive back into Pearl Jam's music now, it's largely because of knowing that.

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K and I ventured out to the local theatre last night and saw Leigh Whannell's The Invisible Man. Loved it! Awesome use and sustaining of tension; great atmosphere of fear and helplessness, made especially palpable by Elizabeth Moss' teeth-grinding performance. Really hits the notes on that sweet spot that exists between horror and psychological thrillers - think Pacific Heights and Jacob's Ladder as an example. Oh, and Whannell was not lying; to those who said the trailer gives away the entire movie, that is most definitely not the case.



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Playlist:

Spotlights - Love and Decay
Alice in Chains - Eponymous
The Jesus Lizard - Head
Pearl Jame - Gigaton (pre-release singles)
Pearl Jam - Vs

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Card:

I've been out of touch with my Craft for the last three days. Time to get back on that horse and ride.

Kacey & Willie

This one's been out there for some time, so I'm late to the game. During a back-and-forth listening session with a good friend on Wednesday, I discovered the Kacey Musgraves/Willie Nelson duet "Are You Sure."

Wow.

I know next to nothing about Ms. Musgraves, but when I saw Willie Nelson with her, I became instantly curious; while far from my bread and butter, Willie definitely fit a certain state of mind with me. I saw him live back in 2015 and he blew me away. As for this song, it's incredible. As Mr. Brown pointed out recently, she has a definite Patsy Cline/Loretta Lynn quality.

The video too, is shot in a throwback way that made me half expect to see a muppet sitting next to her when the camera began to pan to the left. It looks like 80s "live" television. Totally appropriate for the inner of the bar and feel of the song, which also harken back to a different era.

**

A new episode of The Horror Vision went up this past Monday. This is our spoiler-free review/reaction piece to The Lodge (loved it - hear why), as well as a discussion that includes AHS Hotel, Netflix's Castlevania and October Faction, Joe Begos' Bliss, and 2011's Fright Night remake, as well as a handful of other titles we've viewed recently. Oh yeah, and this episode's Classic Corner is none other than Tibor Takacs' 1987 The Gate! We love this movie so much, we even sneak in some thoughts on the sequel.



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After finishing Chuck Wendig's frightening and timely Wanderers last week, a conversation with Ray from The Horror Vision prompted me to dig out a large part of Chris Claremont's run on Uncanny X-Men and begin plowing though it. I started just before the Mutant Massacre - which was about when I started reading X-Men back in the day - and plan on going up through Inferno. I might go past that, not sure yet. But I am SO looking forward to Inferno. It's been too long.

Also, the Sequart Documentary Chris Claremont's X-Men is now on Prime for free, so if you're a fan and haven't seen it, totally worth a watch.

**

Playlist:

The Vines - Total Depravity
Talking Heads - Fear of Music
16 Horsepower - Low Estate
Zombi - Shape Shift
Worm is Green - Automagic
Greg Puciato - Fire for Water (single)
Greg Dulli - Random Desire
Mazzy Star - So Tonite That I Might See
Grimes - Art Angels
Led Zeppelin - I
Led Zeppelin - IV
The Jesus Lizard - Lash
The Jesus Lizard - Head
The Jesus Lizard - Pure EP
Chris Connelly - Sleeping Partner
Alice in Chains - Eponymous
Lustmord - The Dark Places of the Earth
Anthrax - Attack of the Killer B's
Anthrax - Spreading the Disease
Various - The History of Northwest Rock Vol. 2 (The Garage Years)
Nick Cave and the Bad Seeds - Ghosteen
Grimes - Visions

**

 Card:

Hacking off pieces in order to gain the time/vantage to reflect. I pulled a 'mental health day' yesterday, not from my day job, but from writing. The current global situation has got me down, and I've realized despite all my declarations that I will not vote for either of the two parties in hogging the US political system, I am indeed going to be casting a vote for one asshole in November simply to keep the bigger (biggest?) asshole out of office. I also realize that this won't work and we most likely have four more years of... this. Unless of course, Captain Trips wins the day and purges the planet of a large enough amount of the human population as to inspire a total societal change in this country.

I won't hold my breath. Fuck jetpacks, where's our Common Sense?

The Lodge!

The new episode of The Horror Vision is up! As I mentioned yesterday, we start out with a Spoiler-Free review of The Lodge!



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Speaking of Horror, here's a couple of upcoming horror trailers that caught my attention last week. The first, Saint Maud, looks promising, but also kind of looks like A24 fishing for another Hereditary. Either way, I'll give it a chance, because we all know trailers can make movies look more like other movies even if the film doesn't (nothing against Hereditary, I'm merely suspicious of derivative material):




Scare Package looks like it will, like a lot of anthologies, be hit or miss. Based on this trailer, I'll definitely give it a shot:



Also, look at the poster art for this one. Love it!

**

Playlist:

Hall and Oats - Greatest Hits
Odonis Odonis - No Pop
Greg Dulli - Random Desire
Deftones - Koi No Yokan
Deafheaven - New Bermuda
Talking Heads - Fear of Music

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Card:

Might represent good news on the salary front. Which would be helpful in longer-termish plans I am making in my head.

Orville Peck - Queen of the Rodeo

I love the way, between this and the AHS 10 Cast announcement video published last week, Peck has swung back around and recaptured my imagination of late. Not that I ever leave the record very far behind - it's a staple and feels like it will be for the rest of my life - but it feels strangely timely again.

**

Saturday night K and I, along with 3/4 of the rest of The Horror Vision crew went to the theatre and supported the big-box roll out for Veronika Franz and Severin Fiala's The Lodge. Fantastic film! I've jokingly been referring to it as the, "Feel good hit of the summer," simply to help me process just how damn dark it is, but overall, I really liked this one. Afterward, we recorded an episode of the podcast, so that'll be up in a couple of days or so.




**

Playlist:

The Mars Volta - The Bedlam in Goliath
Odonis Odonis - No Pop
The Smiths - Meat is Murder
Myrkur - M
Mazzy Star - So Tonight That I Might See
Bohren and Der Club of Gore - Patchouli Blue
The Mars Volta - Frances the Mute
Odonis Odonis - Post Plague
Blut Aus Nord - Hallucinogen
Boy Harsher - Careful
Anthrax - Among the Living

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Card:

A relaxing weekend, if a chilly one (I know, I know. I can hear my family and friends in the Frigid Midwest. Fuck me, California boy). Stability achieved after a stressful week on-call for Jury Duty. I got a lot of work done on Friday and Saturday, saw a great movie, and now it's time to use that clear head and march right back to work. Turning in a packet of docs to a collaborator today, hopefully we'll see some movement with that (eventually; long submission process), and it's back to my outlines for Shadow Play books Two and Three, which are more finished than not.

Candyman! Candyman! Candy...

Looks fantastic; I love that Peele's Production is going for a sequel instead of a re-boot.

**

Playlist:

John Carpenter and Alan Howarth - Prince of Darkness OST
The Mars Volta - De-Loused in the Comatorium
The Mars Volta - The Bedlam in Goliath
The Mars Volta - Frances the Mute
Mol - Jord
Zombi - Shape Shift
Steve Moore - Bliss OST
Slayer - Live Undead/Haunting the Chapel
Mazzy Star - So Tonight That I Might See
Bohren and Der Club of Gore - Patchouli Blue
Myrkur - M
The Smiths - Meat is Murder

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Card:

Zenith of development. I'm very close to having everything in the arc of both Shadow Play Books 2 and 3 come into full alignment.

RIP David Roback

As a teenager, I must have gotten stoned and tranced on this song hundreds of times. Thank you and godspeed to one of the artists who made it possible.

Bohren and Der Club of Gore - Deine Kusine

Last night Bohren and Der Club of Gore released a music video - really a short film - for "Deine Kusine," the fifth track off their new record Patchouli Blue, available HERE. A great album, my favorite of the band's since 2000's Sunset Mission, which I've recently noticed is criminally hard to find.

**

Along with Netflix's Black Spot, which we're almost caught up with and which is becoming increasingly interesting, I've circled back around to two shows I've been meaning to watch for quite some time now. The first, which I binged several episodes of over the weekend, is Love, Death, and Robots, the David Fincher-produced anthology of short, animated films. Those who know me know that, for whatever reason, I really don't get into much animation. Aside from shows with nostalgic value and Cowboy Bebop - truly the work that transcends the genre/medium - animation usually does not connect with me. For this show, I feel like I'm getting more out of it than usual, and the premises so far have been very interesting, so I'm enjoying it. I especially liked Frank Balson's Suits, where the humdrum, simple country life of the farmer has evolved to include piloting mech suits to fight off alien invaders, and Alberto Mielgo's The Witness, which plays like Cold Hell with strippers.



The other show I've gone back to is Warren Ellis' Castlevania. This one, K and I had the missed opportunity of starting multiple times when it first landed, and each and every one of those viewing experiences resulted in our falling asleep. I had long suspected this was not the show's fault, and now that I've settled back into it and completed the first season - at a whopping four episodes - I'm hooked. The first three episodes we'd seen before, in parts multiple times, and they just didn't do it for me. Episode Four? Fantastic. I plan on binging the rest of this over the coming weekend, just in time for Season Three, which Ellis announced in his weekly newsletter recently, and which the trailer for just dropped last week:



**

New Comic Book Day is slight but marvelous:

Previously, whenever I see the new issue of either Black Stars Above listed on Comics List's New Comics This Week list, the solicitation is always at least one week before the book actually ships. I'm hoping that this time, that is not the case. Black Stars Above continues to astound me with it's complex narrative, fluid prose, and beautiful art. I could really go for all of that today.

**

Playlist:

The Mars Volta - De-Loused in the Comatorium
Roxy Music - For Your Pleasure
Roy Orbison - Mystery Girl
Second Still - Equals EP
Odonis Odonis - Post Plague
Odonis Odonis - No Pop
Mazzy Star - So Tonight That I Might See
Various Artists - The History of Northwest Garage Rock, Vol. 2

Mark Lanegan - Skeleton Key

From Straight Songs of Sorrow, the new Mark Lanegan out May 8th via Heavenly Recordings. Pre-order HERE. Apparently, this record is "closely aligned" with Lanegan's forthcoming memoir Sing Backwards and Weep, out April 28th. Pre-order that HERE or HERE.

I can't wait to read that book!

**

Over the weekend, in the interest of starting something new and mostly unknown, K and I started Netflix's Black Spot, which comes to the US via France.


BLACK SPOT trailer season 1 vfsta from MEDIAWAN RIGHTS on Vimeo.

Although highly derivative of Twin Peaks, Dark, and True Detective Ssn 1, I'm enjoying Black Spot quite a bit; it borrows heavily from all three aforementioned shows, but is definitely its own thing. I'd definitely recommend it for fans of those shows and thrillers in general. I've seen references now to both this and Dark as belonging to a genre being called "Into the Woods," and although genre splitting and tagging can become tiresome, I kinda dig that. Suffice it to say, Black Spot is creepy, extremely well lit and well shot, and the voice they've given to the forest is mysterious and exciting.

**

This happened last night and I am still unable to completely wrap my head around it:

Apparently, in honor of Relapse's 30th Anniversary, they chose people who pre-ordered records in the past few months and randomly awarded them these nifty golden tickets. What's it good for?

Whoah. I don't know that I've won anything since 1991, when I called Chicago's seminal Rock statin The Loop and won 10 free lawn tickets to see Guns n' Roses on their Use Your Illusions tour. Of course, I never got to cash those in, because two nights before that Chicago show, Axl jumped off the stage in Cincinnati, OH and clocked a dude with a camera, subsequently landing in jail.

One reason why I've always disliked Axl.

Anyway, looks like I have a lot of vinyl coming my way this year. Very cool. Thank you Relapse Records and Happy 30th Anniversary - here's to 130 more (at least)!

**

Playlist:

The Mars Volta - De-Loused in the Comatorium
Type O Negative - Bloody Kisses (Digipak)
Mol - Jord
Various Artists - The Void (OSM)
Frederic Kooshmanian - Black Spot (OSM)
Me and That Man - Songs of Love and Death
Burzum - Filosofem
Grimes - Miss Anthropocene
Greg Dulli - Random Desire
Various Artists - Garage Rock (Compilation used in Black Spot)
Slayer - Show No Mercy
Nothing - Guilty of Everything
The Gutter Twins - Adorata
Chris Isaak - Heart Shaped World
Uncle Acid and the Deadbeats - Wasteland
Uncle Acid and the Deadbeats - The Night Creeper

**

Card:

I've done a few pulls over the last few days that haven't been logged here, almost all of which have been Swords. The Nine of Swords - Cruelty has followed me a bit. Swords is the Suit I know the least in the Tarot, and this card in particular is, at a glance, always tempting to fear based on face value. However, from the Grimoire:

"The airy nature of Intellect, it is difficult for Swords to rest. Rabid analyzation and thinking in general can produce a loop that one becomes trapped in, the ultimate revelation that Nothing really leads Anywhere and in the end, there is Nothing."

Now, juxtapose this with a clarification card I drew and an interpretation begins to take shape.

Reality is breaking a bit, as Chuck Wendig's Wanderers escalates into a pandemic that cuts a massive swathe through the human population. Oh, and the disease's origin? Bats.

Can you see how that would start to saturate my reality? Also, it was the day after I started reading this book that the first really scary images from China began to appear back in January, and since, well, the arc of the book has been so parallel to the arc of real life (except, thus far, we're on a MUCH smaller scale) that I've had a lot of time to reflect on everything. Interestingly enough, long periods of time reflecting on everything, on all of our existence, leads to the ultimate understanding that Nothing is at the heart of it. Humanity holds itself up by the bootstraps, and although there are more good than bad humans - I think - if things go ugly, it doesn't really matter for the overall organism of the Planet Earth. In fact, it might be better for Her if we were to largely die off. I hope not, because there's a lot of humans I really like - including myself. But then, it's one thing to have an objective view of an extinction event, it's quite another to be able to conduct yourself that way.

Happy Twin Peaks Day!

Greg Dulli Random Desire Out Today

Greg Dulli's new solo album Random Desire is out today, and as I sit here this morning listening to it, it's fantastic and will no doubt jump start a binge on his various projects. This is the first of Dulli's solo albums I've listened to, and I'm remedying that as well. 2005's Amber Headlights is cued up and ready to roll in just a little bit.

**

Last night while reading Chuck Wendig's Wanderers, the book jumped from a solid three to an all-out five. Page 392, just over the half-way point. Game-changing development I did not see coming. At all. This book is about so many things, such an intricately crafted puzzle that also, reads in an eerie harmonic with events unfolding in China. This real-life effect is a first for me with a novel, and it's adding a layer that is as disconcerting as it is riveting.

I am so utterly infatuated with this novel now and fully intend on reading more of Mr. Wendig's work.

**

Playlist:

Antemasque - Eponymous
The Mars Volta - De-loused in the Comatorium
Drab Majesty - Modern Mirror
Drab Majesty - Careless
Myrkur - M


**

Card:

Appropriate, yet a bit harrowing based on all the "Age of Horus" that comes up in a lot of the research I've been doing for Shadow Play Books 2 and 3, particularly ideas I'm playing with from Donald Tyson's essay, Enochian Apocalypse, which I first encountered in Disinformation's Modern Occult Tome Book of Lies, but which is readily available online HERE. I fully realize Tyson's work here is complicated in its presentation - read some valid critiques of it HERE - but the idea of Crowley cracking open the Watch Towers and poisoning humanity's collective unconscious just before the start of WWI is as chilling as it is fascinating.

Porridge Radio - Sweet

From Every Bad, out on Secretly Canadian March 13th. Pre-order HERE.

My cousin Charles turned me on to Porridge Radio while I was in Chicago, and they made a huge impression pretty much from the moment he hit play on "Sweet." I immediately felt an Eagulls vibe from their music, and being that lately, I've had frequent lapses into "Where are they now?" reveries concerning that band, this comes at just the right moment.


**

The good folks at Omnium Gatherum - publishers of Robert Payne Cabeen's brilliant novel Cold Cuts, just put up a cool title sequence and I had to post it. Love this.



**

It's time once again for...

Season Four, Episode Six, "Sanguinarium" guest stars Richard Beymer and puts him at the heart of a Medical Coven of Black Magick Practitioners. That sounds a bit mixed up, but keep in mind, this is back in the days when television writing didn't have to do super accurate research on things like Black Magick, witches, etc., in order to incorporate them into a major network show. Thus, a lot of lore gets its wires crossed. That's fine for the era, but would no doubt be chased out of town today (ever read an article by one of the Occult practitioners who rally against Hereditary for the allowances the film makes with Paimon?). "Sanguinarium" is a pretty cool episode that takes Mulder and Scully through a world that is equal parts plastic surgery and black magick, and its bloody, a bit more gorey than I would have expected, and fun. Plus, Ben Horne. Always a win.

**

Playlist:

Antemasque - Eponymous
Talking Heads - Remain in Light
Lloyd Cole and the Commotions - Mainstream
Porridge Radio - Every Bad (pre-release singles)
Porridge Radio - Rice, Pasta, and Other Fillers
20 Watt Tombstone - Wisco Disco
Algiers - There is No Year
The Great Old Ones - Cosmscism
Barry Adamson - As Above So Below
Uncle Acid and the Deadbeats - Wasteland
Ulver - Nattens Madrigal
Ulver - Teachings in Silence

**

No Card today.

Adriano Celentano - Prisencolinensinainciusol

A couple of night ago in the Southwest Suburbs of Chicago, some dear friends hosted a party in mine and K's honor. During this event, I saw a youtube clip that, well, dropped my jaw.

The context, besides liquor, was that Mr. Celentano is quite an interesting fellow when you read about him; he is credited as having introduced Rock n Roll to Italy. All my friend Amy told me as this song began was, to quote Celentano's wikipedia page, "...was written to mimic the way English sounds to non-English speakers despite being almost entirely nonsense."

Sold.

I love everything about this, especially the colors and, um, the fit of Celentano's pants. From someone who was born over half a decade after the 60s ended, this is as much my broad stroke impression of that era as "Prisencolinensinainciusol" is a broad stroke of English. Reminds me a bit of an Italian, "The Revolution Will Not Be Televised," although I can't quite put my finger on why that is.

**

If you've followed these pages for the last few years, you know I'm a fan of Kristen Gorlitz's Relationship/Horror comic The Empties. The new Kickstarter just went up a few days ago for the final, collected volume of the book. Support it if you can - this is a fantastic indie comic, and something I think will eventually make a killer movie.



**

NCBD:

A typically light week, although I find myself in the mood to read some comics. I may pick something up on Kindle, depending what's on sale:

**

Playlist:

Black Sabbath - Children of the Grave (Cassette)
Black Sabbath - Sabotage
Boards of Canada - In A Beautiful Place Out In The Country EP
Bohren and Der Club of Gore - Patchouli Blue
Metatron Omega - Evangelikon
Boards of Canada - Tomorrow's Harvest
Blut Aus Nord - 777 Cosmosophy
Edu Comelles and Rafa Ramos Sania - Botanica De Balcon
Jefre Cantu-Ledesma - In Summer EP
Stevie Wonder - Greatest Hits
Slayer - Live Undead
Testament - The Gathering
The Great Old Ones - Cosmicism

**

Card of the day:

You spend a couple of days off laying out a perfectly functioning brain and emotional state, then you return to work and someone puts two blades straight through everything you worked so hard to shore up.

Me and That Man - By The River

I wanted to post this a few days ago, but with the continued irregularity of my schedule, I've got all kinds of cool stuff piling up. Anyway, By the River is yet another fantastic offering from forthcoming New Man, New Songs, Same Shit Vol. #1, which is out March 27th on Napalm Records. Pre-order HERE.

**

I recently purchased a Kindle compendium of H.P. Lovecraft's works. It's coming in handy on our short stint to Chicago, where we surprised the hell out of my folks for their 50th Anniversary. The book I'm currently reading back home in LaLaLand is still Chuck Wendig's Wanderers - it's awesome, it's just hefty and my time has been erratic - but as an over 700 page hardcover, there was NO way that was coming with me on the trip. Also, my time in my hometown is usually pretty full, so I didn't really expect to have a lot of reading time. So, I've been picking away at re-reads of a few quintessential Lovecraft stories.

First up was The Call of Cthulhu. I re-read this one every couple of years, and I still believe it is both Lovecraft's best writing and my favorite of his works. I've probably said it here before, but the opening paragraph always leaves me in awe:

The remainder of the story is always a joy to read, as it more or less bears out this first paragraph, bringing the reader into events that begin mundane but develop into terror of a truly cosmic proportion.

Next is The Dunwich Horror, which it'd been quite some time since I'd last read. I wanted to re-read this now that Richard Stanley has announced it as his next Lovecraft adaptation in what hopefully will end of a trilogy.

**

Playlist:

Slayer - Live Undead
Myrkur - M

Also my cousin, my friend Amy and my friend Joe all turned me on to a lot of random music that will no doubt be incorporated into my playlists over the next several days. The Babies, Porridge Radio, Gene, Cornershop, and Lloyd Cole, to name a few.

**

No card today.

New Myrkur/New Hillary Woods

I love that the resurgence of Folk Horror has grown out of and subsequently helped perpetuate a return of Folk sentiment in other areas of culture, particularly music. Myrkur's Sophomore release M made my "Best of" list back in 2015, but I've not followed her since. That sometimes happens with Best of lists - albums make an impact when they're released, but the time and place of that impact may fade or transfer as the moment disintegrates, giving way to all the other new music that I'm constantly finding. Anyway, I stumbled across this new single this morning, and immediately remembered why I dug Myrkur so much.

You can pre-order the new Myrkur album, Folkesange, HERE. It drops March 20th on Relapse Records.

Speaking of Folk-ish Female musicians, how about a double-header? A new Hillary Woods dropped a few short moments ago, and it fits in nicely along Myrkur, further illustrating this Folk-flavored resurgence.



Ms. Woods' new album, Birthmarks, drops one week before the Myrkur on Sacred Bones Records. Pre-order HERE.

**

New episode of The Horror Vision is up! This episode, we watch and react to Jon Wright's delightful Grabbers, an Irish monster movie with a drunken twist that I personally loved.



Other topics include but are not limited to: AHS, Shudder's The Marshes, Osgood Perkins' Gretel and Hansel, the premiere of Netflix's Locke and Key, and Vault Comics' The Plot and Black Stars Above, two horror comics getting seemingly NO attention. Both are awesome.

Also available on Apple, Stitcher, and Google Play.

**

Between work and having a few days off with my buddy Dave to hit two of the three LALA Land Mr. Bungle reunion shows, I haven't posted much of late, and I realized yesterday that I forgot to log the most recent episode of The X-Files I watched for Mr. Brown's list. Let's remedy that, because it was a good one: Season Four, Episode Two.

This is the one, folks. This is the episode that legendarily aired once and was never re-run on Network TV. I never saw it back in the day, or rather I think I saw the final few moments on a VHS recording a friend made, but I never had the context for those final images. Regardless, this one is really F'ed up. Home is violent, gross, filled with disturbing sexual imagery and concepts, and, maybe worst of all for Normal 90s America, just plain weird. After finally seeing it, I will say that if you strip all the hype/legend away, I'd say it's one of the best episodes of the show I've seen so far. Great writing, directing, acting, everything. The lighting in the farmhouse of ill repute is spectacular, and although the whole sordid mess owes a little to Tobe Hooper's original Texas Chainsaw Massacre, it really stands on its own two legs as a great piece of serial television, regardless of the era.


**

Playlist:

sElf - Gizmodgery
Slayer - Seasons in the Abyss
Boy Harsher - Careful
Anthrax - Among the Living
Antrax - Stomp 442
Corrosion of Conformity - Animosity
Tom Petty and the Heartbreakers - Damn the Torpedoes
Testament - The Gathering
Talking Heads - Remain in Light
Suicidal Tendencies - Controlled by Hatred/Feel Like Shit... Deja Vu
sElf - Super Fake Nice EP
Chris Isaak - Heart Shaped World
Myrkur - M
Slayer - Live Undead
Slayer - Decade of Aggression
Edu Comelles and Rafa Ramos Sania - Botanica De Balcon

**

No card.

Self - What a Fool Believes

Last week was a much-needed respite for me. My good friend Dave was out, and we bounced between hanging out at home watching movies and taking in two of the three Mr. Bungle Raging Wraith of the Easter Bunny shows at LaLa Land's Fonda Theatre (one of my favorite West Coast venues). We drank a ton of great beer (me), and artisanal Gin (him), and generally just acted like two friends who don't see each other nearly enough and welcomed the chance to hang out and act foolish. And as usual when I see Dave, certain songs/groups followed us wherever we go. One of those songs was Michael McDonald's What a Fool Believes. McDonald had a bad rep for about a decade and a half, mostly thanks to a certain early 00s comedy, but whatever you feel about him and his music, he's a great song writer. This is the pinnacle of truth to that statement, but of course, Matt Mahafey makes everything better than it already was.

Especially with toy piano.

**

Congratulations Joker. I haven't seen Parasite yet, but I was glad to see Todd Phillips' masterpiece clean up - including Hildur Guonadottir receiving best score. I'm still not thrilled about this one having a sequel on the horizon, but when you're film grosses over a billion dollars, well, that's inevitable.

Speaking of Joaquin Phoenix, one of the movies I watched while Dave was visiting was Lynne Ramsay's 2017 You Were Never Really Here. Not what I expected, and deeply affecting. I really enjoyed this one, despite subject matter that would normally make me cringe. Ramsay knows how to handle the intensely disturbing pockets of our world just right, and seeing this has me considering watching 2011 We Need To Talk About Kevin, a film I have completely avoided for eight years despite all the accolades, because, well, I'm a wimp and everything I've always heard about this one makes me think it will burrow way too deep beneath my skin.



**

Five episodes into Netflix's Locke and Key and I'm digging it quite a bit. Quite a few of my friends are considerably more invested in the comic than I - I finally read the series this past December/January - and most of them have reservations. So far though, I'm enjoying it, even if it is a little more "CW" than it should be.



It's really interesting to see how Mike Flanagan's Haunting of Hill House and its success have affected titles that pre-date it in other forms, specifically here Locke and Key. The show definitely has a similar feel, and that's no accident. Flanagan's show was an unmitigated smash, and stands as one more example of why the man has become such a stalwart in the Horror genre.

**

Playlist - pretty much all thrash of late, thanks to those Bungle shows:

SOD - Speak Spanish or Die
Anthrax - Spreading the Disease
Testament - The Gathering
Anthrax - Among the Living
Me and That Man - Songs of Life and Death
Slayer - Reign in Blood

**

Card of the day:

Fertility and the idea of creating something new; propagation. Fits exactly with an insight I had into a stalled project from last year, which I may spend some time outlining soon.