Chalk this one up to another group I'd never even heard of from that beloved Post Punk era of the early 80s. Fantastic stuff.
**
The first issue of Batman's Grave, that Warren Ellis/Steve Hitch twelve-month series came out this week, and I'm doing everything I can to not go into The Comic Bug and buy it. My mantra? Wait for the trade. Wait for the trade. Ellis always reads better in trade. Always.
I know, I know. We've seen this shot a million times by a million artists. What's special about this one? The artist is working with Warren Ellis, that's what.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)
10/10: Creepshow Episode 3
I didn't have it in me yesterday to watch more than the new episode of Creepshow before I passed out for the night.
**
Playlist for 10/10:
Sam Hain - November Coming Fire
Jefre Cantu-Ledesma - In Summer EP
The Smiths - Meat is Murder
Mark Morrison - Return of the Mack (single)
Deftones - White Pony
Doomriders - Black Thunder
Pigface - A New High in Low (Low Disc)
Opeth - Deliverance
Deth Crux - Mutant Flesh
Deth Crux - Pears of Anguish EP
1919 - The Complete Collection
Ain Soph - Rituals
Bauhaus - Burning From the Inside
**
Card of the day:
Very good to see the Four of Wands today, which I'm taking as a direct nod to the fact that if I keep at it, I'll finish the first pass on the outline of Book Two this weekend. There's bound to still be some tweaking needed afterward, but as long as I have all the points on the grid, I'll be able to use it as a map to start actually writing the prose. This is the first time I've ever outlined anything this heavily, but what a difference it has already made.
The Playlist for Joe Begos' new film Bliss has turned out to be the gift that keeps on giving! I've spent the last twenty-four alternating between Deth Crux's Mutant Flesh album and Doomriders' Black Thunder. Both these records are start-to-finish fantastic, and I haven't even had time to dig into some of the other bands with killer tracks on it. Here's the embedded full playlist - if you dig it, follow some of these folks on BandinTown, Spotify, Bandcamp or Apple Music.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)
Wow. When Masters of Horror aired back in the mid-'00s, I cursed not having cable. I looked forward to the inevitable DVD releases with a sort of frantic fan devotion. I mean, here was a series that assembled most of the greatest living horror auteurs, new and old, in one place. How could that be bad?
When all was said and done, I enjoyed the few I saw (Carpenter's Cigarette Burns, Coscarelli's Incident On and Off a Mountain Road, and Stuart Gordon's Lovecraft adaptation Dreams in the Witch House) but somehow never got around to the rest.
It's as if I knew.
Last year, I went back to the series for the first time in forever, primarily because at ~an hour each, MOH provides a great way to check a box for 31 Days of Horror on a work night. Yesterday, with a late start and an early wake-up time, I sought the series out again, opting to buy the first season digitally on Prime. Once acquired, K and I settled in for one of the episodes I had always anticipated but never got around to: Tobe Hooper's Dance of the Dead.
Dance is an adaptation of an old Richard Matheson short story of the same name that I first read in the early 90s; in fact, Matheson wrote the teleplay to adapt the story for Hooper, so everyone involved with this film is in my 'good book.' That makes it even stranger that I absolutely hated the finished product.
I didn't hate the way the story was adapted. No, what I disliked, and what I now wonder might hold true for more of the MOH series - and maybe even a lot of Mid-'00s, big-name Horror in general - is the aesthetic. I can't speak to that broader picture yet, but let's take a look at Dance of the Dead as a possible microcosm of the overall macrocosm of 2000s Horror.
Dance of the Dead suffers from an extremely dated adherence to mid-'00s culture: the guys in DOD all look like Bros, the attitude of everyone seems an extrapolation and acknowledgment of 'extreme' culture - something horror was DEFINITELY guilty of trafficking in; remember the Dimension: Extreme imprint? - and their messy hair, mountain dew attire, piercings, tattoos, etc. really just look embarrassing for the costume designer and producers. After a similar cultural rift, a lot of us look back on this same broad-stroke cluelessness on 80s youth culture as endearing (bandanas, shoulder-hoisted ghetto blasters, switchblades, etc), so maybe that will happen with the 2000s as well.
Though I doubt it. The schism is a little hard to explain, but if you were socially cognizant during the 00s, you'll know what I mean.
Along with the above, DoD sports an overly enthusiastic reliance on digital effects and awkward, heavily effected camera work that manifests as constant shaking-and-trailing of the picture frame, superimposed imagery, and a general frenetic editing pace that directly detracts from the film's visual exposition, in my opinion. During this period, I remember having a theory that everyone in Hollywood thought the entirety of youth culture suffered from ADD.
Finally, this befuddlement of youthful values and mores leads to a palpable and frankly ugly mean streak, especially when looking back from higher ground. Horror is horror, but in my experience, 'mean' generally doesn't hold up in the light of hindsight.
I fully intend to watch more of the first season of Masters of Horror, so I can only hope some of the other films contained therein prove me wrong.
**
Playlist from 10/09:
Tones of Tail - Everything
Various - Bliss Soundtrack Playlist
Bauhaus - In the Flat Field
Doomriders - Black Thunder
Deth Crux - Mutant Flesh
Twin Tribes - Shadows
Ritual Howls - Into the Water
From the soundtrack to Joe Begos' Bliss, a film that I absolutely had a blast with on the big screen at the Egyptian last Saturday night. Producer/Editor/Actor Josh Ethier posted a link to the Spotify playlist, and various tracks from that will probably be popping up here for the next few days because it is loaded with great stuff that really fleshed out the aesthetic of the film and helps re-live it.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
Hell House, LLC was a very nice surprise. I really dug this one; while K liked it but feels most found footage movies feel like re-treads because the original Blair Witch did it already and did it better. I agree to a point, but there's something about the MO of a found footage flick that seems to lend itself to making genuinely scary moments - when handled correctly. Hell House, LLC has a couple of deep, sustained moments of, "What the fuck, ah!" horror, my favorite of which became hard to watch as one of the characters, when faced with inexplicable entities directly in front of their face, chose to pull the covers over their heads and, I guess, hope for it to go away.
I would post the trailer, but it really doesn't do it justice. My advice? If you're interested, turn off all the lights in your home and watch in the dark.
**
Playlist from 10/08:
Type Negative - Life is Killing Me
Various - Twin Peaks: Fire Walk With Me OST
Perturbator - New Model
Dr. John - Gris Gris
How to Destroy Angels - Welcome to Oblivion
Deth Crux - Mutant Flesh
A Place to Bury Strangers - Exploding Head
John Carpenter - Lost Theme II
John Carpenter - Prince of Darkness OST
**
Card of the day:
Change is a'coming. Isn't that always the case? I'm reading this more as the thirteen and reference to Thanatos Energy, Death Energy, which is to say transformative energy.
Chalk another awesome recommendation up to Mr. Brown. Of course, I've been aware of Dr. John's music for a pretty damn long time and never really dipped a toe in, but when Brown recommended this to me yesterday as a left-field pick for some Halloween music, I jumped right in and found myself fully submerged in Gris Gris, the Doctor's first Voodoo-infused take on his Night Tripper persona. Really good stuff, and you'll see a lot of where Tom Waits pulled from when he left the drunken piano-schtick behind.
No offense meant to Waits, he'll always be one of my favorites. But the influence is on his sleeve, for sure.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
**
Playlist from 10/06:
Type O Negative - Bloody Kisses (digipak)
Ritual Howls - Rendered Armor
1919 - The Complete Collection
Type O Negative - Life is Killing Me
White Zombie - Astro-Creep 2000
John Carpenter - Lost Themes II
**
Card of the day:
I always kind of think of the Twos as the spicket through which the Cosmic Perfection of The Crown trickles into Reality. What that means for me today, I'm not sure, but I'm hoping it bodes well for my writing session scheduled for this evening.
Shudder just announced what we all pretty much knew was going to happen. Friday, 10/25 Joe Bob returns!
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
**
Playlist from 10/06:
Carpenter Brut - Leather Teeth
Otis Redding - The Very Best of Otis Redding
Let's start the day with something from Chris Connelly's pre-Ministry project Finitribe, from his Edinburgh days. I dug out an old single I have on vinyl yesterday and enjoyed the hell out of it, and was super pleased to see some of their stuff up on Apple Music.
**
Another wonderful evening at Beyondfest last night, where we saw a double feature of Joe Begos' two new films, Bliss and VFW. Both are FANTASTIC! Bliss is on VOD right now and I urge you to support it; VFW is slated to drop sometime around the end of the year; I'm sure I will post about it again then.
We were able to record a quick-take review of both of these, plus Joe Bob Briggs' How Rednecks Saved Hollywood and Stewart Raffill's Tammy and the T-Rex for The Horror Vision - check it out!
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
**
Playlist from 10/05:
Type O Negative - Bloody Kisses (Digipak)
Testament - Souls of Black
Steve Moore - The Mind's Eye OST
**
No card today - it's late, I've been up for closing in on twenty-four hours, and I have a Tom Atkins triple feature to be at in Hollywood at 11:00 AM tomorrow. And hey, Tom Atkins will be there in person! How's that for a thrill, eh?
You can order the digital version of the new album Closer to GreyHERE. Not sure if there's a physical one looming, which would be a shame, because the album art is a fantastic take on old Giallo poster art.
K and I saw IT Chapter Two last night. I had a few issues, but overall I really dig it. Very horrific, with a nice mix of jump scares and sustained fear, my real issue was simply that it felt light on plot and more a succession of scenes where Pennywise attacks but doesn't really harm all the characters. Of course at some point that stops being true, and the filmmakers offset that with a healthy dose of new children who serve as fodder for the monster, so I'm wondering if upon second viewing this might flow better for me. Regardless, this isn't a negative review - I dug a lot of what the film does.
The score is pretty cool, too. Benjamin Wallfisch hits a sweet spot that seems to draw on a lot of horror's greatest composers; this track reminds me a bit of Pino Donaggio and Joey Bishara, a pedigree guaranteed to get a result from the audience.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
**
Playlist from 10/04:
Type O Negative - Dead Again
Nick Cave and the Bad Seeds - Ghosteen
Bauhaus - This is for When (Live)
Opeth - In Cauda Venenum
Type O Negative - The Origin of the Feces
**
The reminder I needed today to stop and pay attention to the moment. Not the surface moment, but those things going on below the surface, which I have very much been losing sight of lately.
I've been in full October mode, and of course, that means lots of Type O Negative. This song, the final track on their final album before Peter Steele's death, really hit me this morning. Released in 2007, I've always really liked Dead Again, but I never quite warmed up to it as much as Life Is Killing Me, their previous and my favorite of their albums (I just take Bloody Kisses out of the running for that - it's perfect and stands on its own in a timeless continuum of awesome). Last year at this time, however, I felt myself coming around a bit more, and this year, well, I may now consider it the band's best album (again, eschewing BK). The song structures and arrangements are fascinating and far from obvious; listen to the soft countermelody Josh plays on the climax of this track - I feel like one in a million rock keyboardists would write something like that there.
That said, this increased infatuation with Dead Again is what makes hearing Steele sing "All Hail and Farewell to me..." at the end of the song so emotional - I'm willing to bet the reason Dead Again took me so long to fall completely in love with is I'm a bit of a saver. In other words, living with the knowledge that this was their final album (I had a hunch even before Steele passed), I believe I saved this album to have one last record to fall in love with over the years. Now that this love has come to pass, I'm sad. But only so sad, because none of Type O's record ever get old.
**
The second episode of Shudder's Creepshow aired last night. Fantastic! There's a ton of schlock here, but that's how it's supposed to be. I especially liked "The Finger," with DJ Qualls. Breaking the fourth wall doesn't often work, but it did here. As a complementary flavor, K and I followed Creepshow with the first episode of the first season of HBO's Tales from the Crypt. Unlike many of my contemporaries, I didn't see much of this show back in the late 80s/early 90s when it aired. This episode, The Man Who Was Death, proved relevant in several ways. First, William Sadler is one of the stars of Joe Begos' VFW, which we'll be seeing tomorrow night at Beyondfest, and two, Sadler's out-of-work executioner narrates this episode by continuously breaking the fourth wall. A great double-feature in a weekend that will be filled with double and triple features!
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
**
Playlist from 10/03:
Type O Negative - Dead Again
Various - Lords of Chaos Soundtrack (Playlist)
Sisters of Mercy - Floodland
Miranda Sex Garden - Suspiria
Neon Kross - Darkness Falls
Claudio Simonetti and Fabio Pignatelli - Phenomena OST
**
Card of the day:
Taking this as a nod that spending yesterday after work catching up on sleep instead of working was the correct plan of action. I feel revived, refreshed, and ready to continue outlining Shadow Play Book Two!
I'm not sure how long this is staying on youtube, but I wanted to post the link. I don't have the time to listen tonight - I'll probably just listen to it tomorrow when it hits digital platforms.
The new Nick Cave and the Bad Seeds album will be streaming at 2:00 PM HERE. Physical copies drop Friday, October 8th, and you can pre-order HERE.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
**
Playlist from 10/02:
Type O Negative - Dead Again
Various - Halloween Playlist
Rob Zombie - Hellbilly Deluxe
Claudio Simonetti and Fabio Pignatelli - Phenomena OST
Trust Obey - Fear and Bullets
Perturbator - Dangerous Days
**
Card of the day:
I needed a clarification on this but didn't have time to do a full, three-card spread, so I pulled one more:
So the Seven of Wands refers directly to my wavering attempts at getting back on track with my recently re-energized attempts to put myself back on an active path with Magick. I've had a nearly impossible time getting my breathing back under control - and I was doing so good! I'll have to try and pull another card later to get some idea what I need to do to get myself going again.
That runs through my head pretty much from the time Beyondfest begins at the end of September, all the way through November 1st, and this year it's even more pronounced. Because of the late night at Joe Bob and Tammy and the T-Rex Monday night, I took October 1st off, which in turn gives me a nice head start on 31 Days of Horror. I started with a Rob Zombie double feature: I chose House of 1000 Corpses to kick the entire month off as a tribute to Sid Haig. From there I segued into 31, although that essentially played in the background as I started my writing day. BIG breakthroughs on the second book of Shadow Play, now I just have to work them into my outline, rejigger a few things, and then commence writing.
**
Finally: here's a newly expanded version of that Halloween Playlist I've been listening to for the last year or two.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
**
Playlist from 10/01:
Blut Aus Nord - Hallucinogen
Ritual Howls - Rendered Armor
Opeth - Deliverance
Claudio Simonetti and Fabio Pignatelli - Phenomena OST
Zonal - Zonal (Single)
Dean Hurley - Anthology Resource Vol. II: Philosophy of Beyond
Mark Korven - The Witch OST
It's 3:31 AM as I begin this post. I've been up for nearly 24 hours. This is what I'm listening to - Paul Zaza's score for the 1981 My Bloody Valentine. I'm tired, but I have to tell you all something... shhh... lean in close...
I saw Joe Bob Briggs live tonight! He was amazing! Seriously, if you know who Joe Bob is, you probably know he's semi-touring the states doing his How Rednecks Saved Hollywood lecture. I expected it to be in-depth and scholarly, but holy cow. How Rednecks Saved Hollywood is nearly three hours long and, well, professorial is the word I would use. I mean, Joe Bob traces the roots of the 'Redneck' back to late the late Elizabethian era of England, then winds up through the Beverly Hillbillies, Deliverance, Texas Chainsaw Massacre, and Burt Reynolds. It's fascinating, educational, extremely entertaining, and well worth your time if he comes anywhere near your town.
Following JBB we hung around the Egyptian Theatre for the second Beyondfest feature of the night, the newly restored, gore-encrusted version of Stewart Raffill's Tammy and the T-Rex. Now this, this is also worth your time, but in a completely different way than Joe Bob. This is camp done in a hysterical intellectual capacity, and it really has to be experienced to be believed. You'll read about it, or hear someone talk about it, but you will NEVER understand its magic until you see it.
Playlist from 9/30:
Type O Negative - Bloody Kisses (Digipak Version)
Type O Negative - World Coming Down
NIN - The Downward Spiral
Nocturnal Projections - Complete Studio Recordings
Type O Negative - Dead Again
Monolord - No Comfort
Trust Obey - Fear and Bullets
Paul Zaza - My Bloody Valentine OST
**
Card of the day:
I still have to get back to taking care of business, and she's a reminder. I have tomorrow off, so it should be productive.
Two albums after this song made its way into the world on Black Gives Way to Blue it gets a video, and I'm reminded how much this band continues to steal my heart, against all possible odds. Jerry Cantrell - I love you. All you guys. Thank you for a lifetime of amazing, touching music.
**
Grady Hendrix and Will Errickson's Paperbacks From Hell does an amazing job recontextualizing horror literature over the last forty or so years, and Errickson's blog Too Much Horror Fiction has been chronicling lost corners of the genre for years. We know this, and while a large part of the charm of reading PfH is seeing all those wonderful paperback covers in one place, there's also decades worth of pulp Sci-Fi/Fantasy cover art lining the shelves of history. In the interest of celebrating and cataloging some of those covers time forgot, I'm starting a new segment here on the blog: Sunday Sci-Fi Cover Art. This should be fun.
I'll kick it off with this gem, Daniel Galouye's Dark Universe, which I know nothing about, but after reading a short synopsis I definitely intend on tracking down and reading:
A call to arms - I need to organize and devise new systems of routine, as last week's illness has completely thrown my systems out of whack and it's proving difficult to get them back online. See all that red? Martial - tough love is needed.
... is going to serve as the episode that marked my fervor for this season. Without treading into spoiler territory, the scene with a certain female character and Richard Ramirez having a heart-to-heart, and the darkness it hints at in said character, blew me away. From this point, I'm in, and what's more, I'm rabidly awaiting the next episode!
**
I dug out my first edition of Stephen King's Night Shift - which I found in a Las Vegas thrift store years ago - and re-read Gray Matter, the basis for the first episode of Shudder's new Creepshow series' inaugural story. The reading confirms it - Creepshow's version is a fantastic adaptation of a lesser-known King story, both versions being creepy as all hell.
**
Playlist from 9/27:
Opeth - In Cauda Venenum
Emilie Autumn - Opheliac
Heaven and Hell - The Devil You Know
Opeth's new album In Cauda Venenum dropped this morning and after listening to it, I find it's the first of the 'prog' Opeth that I really like. Maybe enough time has passed that I'm not still pining for the Opeth that gave us Blackwater Park and Deliverance, or maybe I've just come around some kind of corner with the band, but I'm digging this record.
**
If the first episode is any indication, Shudder and Greg Nicotero absolutely NAILED Creepshow. Talk about forty-five minutes of heaven. You can hear The Horror Vision's spoiler-free reaction/discussion at any of the links below:
There's not even a trailer yet, so all I can give you at the moment is this beautiful poster image, which is quite indicative of the film. I attended the West Coast Premiere of Richard Stanley's adaptation of H.P. Lovecraft's The Color Out of Space last night at Beyondfest. A great film! I stayed up late putting together a quick, under five minute review of the film for The Horror Vision, you can link to it below. In a nutshell, as with several other movies of late, I liked The Color Out of Space just fine for the first two acts, with only one or two small gripes, but when the third act rolled around, it cinched the entire film together for me and I ended up really liking it. Specifics at the links below:
New Foals! Like the first Part in this pair of albums, they sound as lush and haunting as ever.
New album, that second part of Everything Not Saved Will Be Lost drops October 18th, pre-order HERE.
**
Recent Playlist:
Sausage - Riddles Are Abound Tonight
Blut Aus Nord - Memoria Vetusta II
Blut Aus Nord - Memoria Vetusta III
Blut Aus Nord - Hallucinogen
Soundgarden - Badmotorfinger
Air - Talkie Walkie
Carpenter Brut - Leather Teeth
**
Card of the day:
Fire of Fire. Charge forward, pick your battles, and focus Will and Intellect. I'm taking this as confirmation I should finish something I've been hesitant to, a story that has languished in a state of perpetual 'almost finished' for some time. One last charge, then it hits the idea limbo for the foreseeable future.
Moments after I posted yesterday's page here I learned that Sid Haig passed away. This seemed inescapable after all the reading I'd done late last week about why he had such a small role in Rob Zombie's 3 From Hell, and sure enough, one week to the day after the film's release, we lost Captain Spaulding. I can think of no great tribute than the scene I've posted above; other than the intro to Way of the Gun, this is possibly my favorite to any movie ever.
**
This record is absolutely fantastic!
After stumbling across it's premature release late last week and posting about it here, I ended up truncating my first listen; last week was my on-call shift at work, and during those weeks I always refrain from smoking, which I knew I wanted to do for my first go-through on this one. So yesterday, after turning the phone over to the next person in the rotation, I returned home after work and hit the ol' dugout, then put on my headphones and lay on the bed listening - and I mean full-attention, not doing anything else listening - to the album all the way through.
It's epic. My favorite Blut Aus Nord record since Memoria Vetusta II, probably because this feels like a direct sequel to that record, even more than Memoria Vetusta III does. Epic, cosmic, and majestic, Hallucinogen takes me straight to the stars, and I love it.
**
NCBD: This will be the first week in number of weeks that anything I read comes out, so I'm pretty excited:
After mis-reporting it last month, here it is, just in time to coincide with my re-read of the series: Black Science ends with issue forty-three!
Two Remender books in the same week - always a great thing!
**
Playlist from 9/23:
Air - Talkie Walkie
Carpenter Brut - Leather Teeth
Rob Zombie - Hellbilly Deluxe 2
Blut Aus Nord - Hallucinogen
**
Card of the day:
Despite not having a formal writing session yesterday, I did a pretty good deal of research and I had a massive breakthrough on a major aspect of the overall Shadow Play story. It would seem the suggestion for today is to do a little housekeeping and translate some of those notes into actual story Bible material.
Lots of intense bursts of inspiration for Shadow Play Book Two: The Absence of Light. I have a general outline, sort of, but there's so much ground to cover and a lot of jumping around in the timeline, which currently runs from about 1576 to 2019, with one chapter most likely occurring in early pre-history. This is easily the most ambitious story architecture I've ever attempted, but it feels strong and alive in a way that is increasingly energizing. Which is great, because lately, I've had a lot of ups and downs with all the short stories I've been working on over the last year, and the first book of Ciazarn is largely written, but I can't quit nail the tone, so I'm easing away for the time being on that one. Frustrations are amplified by the fact that most of these issues would probably work themselves out if I could just get back on a consistent writing schedule. Hoping that happens this week.
**
Super excited to announce I'll be doing a bit of a collaboration with my good friend Mr. Brown. I've never really been an X-Files fan; I don't have anything against it, but I also have never really gotten into it beyond a dalliance with the 'mythology' episodes way back in the day, which dried up as it became apparent the story wasn't really mapped out to conclude in any satisfying way. Or maybe I'm wrong - I liked some of what I saw, but could never commit to a regular watch-schedule with it, despite being sexually obsessed by Gillian Anderson in my late teens/early twenties.
But I digress...
Brown asked me recently if I'd be into the idea of him curating a playlist of stand alone X-Files episodes, the idea being I would watch them and write a little something about them as I go. I love this idea, as I trust Brown's taste implicitly, and have always wanted someone to show me just what the hell everyone loved about this show in the 90s. This is the perfect time for such a project as well; 31 Days of Horror begins next week, and I figure on days with little watch time, I could pepper in some X-Files. I have the list and can't wait to start!
**
Recent Playlist:
Carpenter Brut - Leather Teeth
Carpenter Brut - Trilogy
Uncle Acid and the Deadbeats - Wasteland
The Ocean - Heliocentric
Drab Majesty - Careless
Various - A Girl Walks Home Alone At Night OST
Boy Harsher - Careful
Rob Zombie - Hellbilly Deluxe
Monolord - No Comfort
Joseph Loduca - Evil Dead 2 OST
John Carpenter - Prince of Darkness OST
**
Card of the day:
Turning. Changing. Cycles. You can see on the diagram below that Atu X: Fortune manifests as the path between Mercy and Victory. Not sure how to read that in my own current context, but while digging around online for the image below, I came across something I'd never really noticed about Fortune - The Wheel or The Wheel of Fortune in other decks. It moves counter clockwise. Macro-definitions aside, I'm looking at this today as a nod to move forward in reverse-engineering something that has been giving me a bit of trouble.
Holy cow - I didn't even know this was coming! Read about the whys and wherefores of the early release HERE. Meanwhile, I'll be clicking over to Debemur Morti's North American Shop to pick this one up (even though I missed out on the awesome pink and purple splatter variant! Drat!)
At a very early first listen, Hallucinogen appears to be the first Blut Aus Nord album in a while that really grabbed me right off the bat. That makes me super happy.
Also, I'm noticing Memoria Vetusta III: Saturnian Poetry is back in stock on Vinyl. That's been a long time coming! Can't wait for this package to arrive - two of my favorite album covers ever in one box!
M83's new album Digital Shades Vol. II dropped today. It's gorgeous, and coincidentally makes a perfect soundtrack to my re-read of Rick Remender and Matteo Scalera's Black Science. I'm eleven issues in and th Telepathic Millipede death cult is one of the awesomest/creepiest lifeforms I've seen in a SciFi/Fantasy story like this. Check that - there are no SciFit/Fantasy stories like this. Pure, unraveling, multi-dimensional madness, and I'm loving it, especially with this lush, analog soundtrack. I fell out with M83 after HUWD, and I still want a non-instrumental record from them again, but in the meantime, DSVII is fantastic.
**
Larry Fessenden's modern take on Mary Shelley's Frankenstein is fantastic, and if you're in Hollywood and get a chance to see that - or any of the other goodies playing there - you should definitely drop in at Arena Cinelounge. Fantastic venue for short run/obscure flicks. I posted the trailer for Depraved yesterday, so today, here's a super cool behind the scenes shot I found online, along with a LINK to a cool article by Fessenden on why he makes movies.
For my money, Mr. Fessenden is the closest thing to a John Carpenter-level talent who isn't wearing his JC influence on his sleeve (not always a bad thing, the point here is LF is as original in his approach now as JC was to his back in the day), toiling away in partial obscurity, making original, solid flicks that are as interesting to the philosophical mind as they are to the eye. Support this man's work!
My full, short review of Depraved is up on Letterbxd HERE.
**
Playlist from 9/19:
Tomahawk - Eponymous
Pixies - Beneath the Eyrie
Sleep - Sleep's Holy Mountain
Uncle Acid and the Deadbeats - Mind Control
Rob Zombie - Hellbilly Deluxe
**
Card of the day:
Wow, talk about the cards talking directly, clearly, right to me! Two days of the 4 of Disks, Power while I recharge my mental and physical batteries, directly followed by the 3 of Disks, Work, telling me to get my ass back in gear and get to work. Time to wrap Black Science for the day and head out to write!
A friend and I are going to check out Larry Fessenden's new film Depraved in Hollywood tonight, and I am excited! I've been waiting for some time for this, a modern re-telling of Mary Shelley's classic Frankenstein tale. The trailer looks fantastic, and the theatre the film is playing at is one of my favorite little nooks and crannies in a city where everything is overblown and overexposed. A fun time will be had by all, of that I am certain.
**
New Fangoria arrived two days ago and I've barely had a chance to scratch the surface.
Great cover.
**
Playlist from 9/18:
Sausage - Riddle Are Abound Tonight
Sleep - Sleep's Holy Mountain
Sepultura - Roots
Malcolm Middleton - Sleight of Heart
Lustmord - The Word as Power
Perturbator - Dangerous Days
**
Card of the day:
I love seeing the same card multiple days in a row, especially when I can interpret the pull as a nod that what I've been doing is the right thing to be doing. Burnt out and not in the best physical shape, I took another day off from writing after work yesterday and had a big ol' nap. It was glorious! This restorative, Powering Up period has worked wonders - I feel considerably better today than I did yesterday, so tomorrow it's going to be rest in the morning, and then back at it.
Actually, I did a little bit of work yesterday: finally dug out an old manuscript I intend to canabalize for an upcoming short story. It was fun revisiting old material, especially looking at it with fresh eyes, seeing what I can use and what will be changed or tossed. This new one's been on my mind for over a year, so I can't wait to tear into it!
SO happy I helped kickstart this one! There are two slots for this year's Beyondfest still to be announced - I'm hoping one of them is Blood Machines. My hope for the other slot is either Babak Anvari's Nathan Ballingrud adaptation Wounds or the Soska Sisters' Rabid.
Speaking of Beyondfest 2019, I was able to get tickets to almost everything I wanted:
Joe Bob Brigs - How Rednecks Saved Hollywood Tammy and the T-Rex
Joe Begos Double Feature: Bliss and VFW, with Begos and crew in person
Tom Atkins Triple Feature with Mr. Atkins attending: Halloween III Season of the Witch, Night of the Creeps and John Carpenter's The Fog
The only flick I missed out on is Richard Stanley's adaptation of H.P. Lovecraft's The Color Out of Space with Stanley in person, but I'm cool with what I was able to score. There's also tickets available for a bunch of other films I'm toying with, but I'll probably decide some of those last minute since most are during the week.
**
NCBD - so weird. Third NCBD in a row with no books, and I'm not particularly bothered. In fact, probably to sub the weekly comic experience, I chomped down hard on my re-read of Rick Remender and Matteo Scalera's Black Science, which I erroneously reported ended last month, but actually ends next week with issue forty-three. As of last night, I am eight issues into the re-read, and having an absolute blast with it. Such great world building, both story wise and with Scalera's incomparable art.
**
I've been doing a lot of digital reading. So much so, that it's becoming a bit of a problem. Kindle books are so cheap it's insane. Case in point, this was $0.99:
Forty freakin' stories by a variety of different authors. Some of those, like the Lovecraft and the Howard I already have, but there's a ton of stuff I do not. In fact, what led me to this one was researching T.E.D. Klein, whose OOP paperback Dark Gods keeps coming up in conversation as essential reading to further Lovecraft's mythos, but which runs for about $50+ on eBay. Klein's story The Events at Poroth Farm is included in this one, and it also comes recommended as a great place to start with his work. Instead of that one though, I started with a Clark Ashton Smith, whose SciFi/Fantasy work I adore, but whose entries in the mythos I've never read before. I'm about a quarter of the way through The Return of the Sorcerer, and it is, as I suspected, fantastic. Smith's handling of Lovecraft's work actually reminds me a lot Howard's, whose Lovecraft-related work I actually probably like better than Lovecraft's. Sacrilege, I know, but the man can write. And so can Smith.
**
Well, I went and saw Rob Zombie's 3 From Hell two nights ago. I didn't like it. My short review is up on Letterbxd HERE. I'll add that I am happy RZ made the movie he wanted to, it just wasn't to my tastes or what I wanted from a sequel to two movies I adore. Despite of my negative take, I'll still go see the next one when it comes out (there will be a next one).
**
Playlist of late:
Danzig - Danzig 1
Sepultura - Chaos A.D.
Mark Korven - The Witch OST
Slipknot - We Are Not Your Kind
Marilyn Manson - Antichrist Superstar
David Bowie - Aladdin Sane
Flipper - Generic Flipper
Various - Under Frustration, Vol. 2
Brass Hearse - Eponymous EP
Rob Zombie - Apple Essentials
Brass Hearse - In Death (I'll Love You More) single
**
Card of the day:
To me, this card always indicates a solid foundation, or re-gathering thereof. And that's what I've been doing of late - a lot of rest. I've felt out of sorts, stressed out, and my wrist in probably badly sprained. I may continue to rest today, even if I am neglecting my writing. We'll see. The reading - of comics, The Queen's Conjuror, and now some Cthulhu Mythos, is also an attempt at re-cementing my foundation, and that combined with the added rest is helping put me back together a bit after traveling and a grueling return to work last week.
Ghost released two new tracks last week. At first listen, I'll be honest and say I wrinkled my nose a bit. After a few more, I've come around a bit. I get the campy 70s thing, I just don't particularly care for it. Still, new Ghost is always something to look forward to. However, now I'm curious. Since the second record, Ghost's M.O. has been an album every two years, with an E.P. in-between. Do the two tracks released as "Seven Inches of Satanic Panic" constitute the entire release, or is there more still to come?
**
In keeping with the theme, I watched Chelsea Stardust's Satanic Panic last night. Solid horror comedy, with some very bizarre scenes. Watch Rebecca Romijn read recently excavated intestines was fantastic, and I'm always happy to see AJ Bowen.
**
A new episode of The Horror Vision went up Saturday. Featured film is Richard Stanley's Hardware, but we hit all kinds of stuff, from Wes Craven's original The Hills Have Eyes, to Mindhunter Season Two, to the theatrical release of Ari Aster's Midsummer.
Pixies - Head Carrier
Ghost - Seven Inches of Satanic Panic
Ghost - Prequelle
Twin Temple - Twin Temple (Bring You Their Signature Sound... Satanic Doo-Wop)
**
Card of the day:
Change. This is good. I've been so stressed out from work lately, I'm having night terrors. First time for that, and it's pretty fucked up. Also, my diet is not what I want it to be, and I need to change that; I've developed a running fear of heart attacks due to the stress and the amount of red meat I've been eating. Change won't be easy though, because having K's mother live with us means for the last year and some change and continuing forward, there's a lot of food in the house I would normally not buy. I need to figure out a way to topple this current paradigm. I also need to get back to my breathing exercises and meditation, which, after a good start, went out the window with my Chicago trip. First part of the battle though, is recognizing what needs to Change.
The new Pixies album came out yesterday. It's fantastic.
Long time Pixies fan, but I've always been a bit disappointed that their reconvening has pushed Black's solo career out of the picture. So there's that. But I loved Indy Cindy, and all the weird, negative shit I'd see online, like, "This isn't the Pixies I remember!" felt so ridiculous to me. It's that, no-matter-what-when-a-band-reunites-I'm-gonna-hate-it attitude that I don't get. I mean, I always approach long-awaited reunions with skepticism, but some bands pull them off. Off the top o' me head, Bauhaus' Go Away White in 2006 was fantastic. And I put Indy Cindy in that camp as well. Then Head Carrier came out and I tried multiple times but just did not get it. Until, several nights ago in Chicago, Mr. Brown recommended I give it another chance. This time, I did what I had not previously done - headphones. Late one night while staying at my parents' place, I had a late night writing session and put Head Carrier on the old Apple Music.
Instant fan.
And now, here's Beneath the Eyrie. And although I'm still spending most of my Pixies time with Head Carrier on repeat, the one somewhat choppy listen I've been able to give Eyrie lead me to believe it is more of the same.
**
It's been a while. Where do I even start? How about currently reading:
This is research for the second book in my Shadow Play series. The first book has ties into historical events, but in a much smaller way than I always knew subsequent books would. And of course, John Dee and Edward Kelley are going to play a part, because I've been obsessed with them off and on for almost two decades now. Although, their presence may largely be in an indirect way.
Regardless, I needed to brush up and expand my Dee/Kelley knowledge, and Benjamin Woolley's The Queen's Conjuror has turned out to be not only the best historical narrative I've seen yet of the duo, but a very well-written, enjoyable to read book.
Another book I grabbed on the day of release but haven't started reading yet came by way of a recommendation Warren Ellis wrote in his most recent Orbital Operations email newsletters. Tamsyn Muir's Gideon the Ninth had me at this blurb by author CharlesStross (also awesome):
"Lesbian Necromancers explore a haunted gothic palace in space!"
Sold! Can't wait to read this one; my deep dive into Alan Campbell's Gravedigger Chronicles earlier in the year left me seriously hungering for some strange SciFi/Fantasy, and Gideon sounds as though it will fit the bill.
**
I watched Gaspar Noe's Climax a few nights ago. With heavy trepidation, might I add. I ended up really liking it; there's a social, "getting to know the characters" scene after the first dance number that I hated violently, but aside from that, Noe crafts a harrowing hell on earth that can only be described as modern de Sade. Also, the choreography in this flick is fucking amazing:
**
K and I finally caught Once Upon a Time... in Hollywood last night. I have to say, I went through most of the film not really liking it; the film often felt aimless. Some of QT's more 'experimental' approaches to editing seemed sloppy. And Kurt Russell's narration appears in a way that made it feel like a rather sloppy device. Then the final, "Cielo Drive" sequence began and I LOVED it so much that this one sequence completely turned the entire experience around for me. I feel like I have to see it again, for sure, even if only to indulge in that final scene. Man! So good. Made me really miss Brad Pitt, so that I'm working it into the remaining days of September to re-watch both Twelve Monkeys and Fight Club, two flicks I haven't watched in ages, and in which Pitt really shines.
**
Highlights of music that is new or has been important to me since my previous entry:
The Pixies - Head Carrier
The Pixies - Beneath the Eyrie
Black Sabbath - Sabotage
Black Sabbath - Children of the Grave (Vol. 4 alternate, cassette release I've had for decades)
Black Sabbath - Eponymous
Fantomas-Melvins Big Band - Millennium Monsterwork
Ghost - Seven Inches of Satanic Panic
Purity Ring - Lofticries (single)
M83 - Saturdays = Youth
M83 - Temple of Sorrow (pre-release single)
M83 - Luna de Fiel (pre-release single)
Alice in Chains - Rainier Fog
Pale Dian - Narrow Birth
Slipknot - We Are Not Your Kind
Uncle Acid and the Deadbeats - Wasteland
Uncle Acid and the Deadbeats - Mind Control
Algiers - The Underside of Power
Iggy Pop - Lust for Life
Roxy Music - For Your Pleasure
Moderat - II
Nabihah Iqbal - Weighing of the Heart (ALL I listened to on the flight back to LA)
Drab Majesty - Modern Mirror
Venom - Welcome to Hell
David Bowie - The Rise and Fall of Ziggy Stardust
**
Card of the day:
A nice apocalyptic image that fits right in with my delving back into Enochian Magick.
This track puts you in my exact headspace at the moment. Holed up in the business center in San Jose Airport - a layover on my way to Chicago - I've had a restful day of low impact/low stress. I arrived at Long Beach Airport an hour and a half early and spent most of that time sitting absolutely still, regulating my breathing, giving Tool's Fear Inoculum a second chance. Turns out it's fantastic, and designed around what I would guess is a formidable, uncompromising vision. That said, I've come away from two repeated listens with a newfound respect, but still feeling I'm only ever going to make a connection in it when I'm sitting in an airport, sitting perfectly still. Which isn't often.
**
My life reached a stress pinnacle and I had to rethink how I do this blog. My work day is now overflowing, and the writing/business of starting a publishing imprint draws much of the rest of my time. I'm still going to do these entries as often as possible, I just don't know that it'll be every day. Or even every other day. We'll see. But anyone who reads, I thank you for doing so, and there will always be more awesome to come.
**
Beyondfest 2019's lineup is a dream come true. Well, I've been going for something like five years now, and it's always a dream come true. Here's the list - my order of priority is as follows:
• Joe Begos double feature of Bliss and VFW, with Begos, Josh Ethier, and probably a lot more of the cast and crew present. A few years ago when Begos came to Beyondfest with Mind's Eye, I think he brought like, everybody. It was pretty fucking awesome. I can't wait. Highest priority.
• Tom Atkins afternoon triple feature of Halloween III: Season of the Witch, Night of the Creeps, and John Carpenter's The Fog, with Atkins in person. Let me say that again: with Tom Atkins in person. 'Nuff said.
• Richard Stanley's The Color Out of Space, with Stanley in person. SOLD.
• Joe Bob Briggs - How Rednecks Saved Hollywood. Joe Bob in person, doing the lecture he's becoming very sought after in city after city to do. This man is a low-fi genius, and I look forward to hearing him do his thing in person.
• Tammy and the T-Rex- the newly restored 90s kid's movie that, turns out, was really a heavily edited, gorey A.F. revenge movie where a girl's murdered boyfriend's brain gets put into the body of a T Rex. I haven't seen this in either form, but I've heard it discussed on Shockwaves and I'm IN. Also, it immediately follows the Joe Bob, so that should be nice and easy to maneuver.
There's also a handful of free showings I might try to make, and some unannounced dates, at least one of which I'm crossing my fingers will be The Soska Sisters' in person screening their remake of David Cronenberg's Rabid. That would also get high priority in my book. We'll see. The last three years, getting tickets to a lot of these screenings becomes difficult because every year, Fandango crashes. This year, apparently, they've moved ticket sales to Brown Paper Tickets. Hopefully the handle everything better.
**
Another minor logistical problem with buying tickets to Beyondfest this Saturday is, about the time they go on sale, I'll be at Scary Perry's Halloween Store for their Scare Faire. Jonathan Grimm and I have a table - he'll be hocking prints, magnets, stickers and who knows what else with his unbelievable art, I'll have copies of both A Collection of Desires: 7 Tales of Modern Horrorand the just-released Shadow Play Book One: Kim and Jessie. Unfortunately, due to some printing errors, I won't have as many copies as I would like, but there's a solid twenty of each, so if you're interested, come on down!
**
Playlist from the last couple days:
Budos Band - Burnt Offerings
Jenny Lewis - The Voyager
Roxy Music - For Your Pleasure
Joy Division - Closer
The Ocean - Rhyacian: Untimely Meditations (2017 Version)
The Ocean - Aeolian
The Ocean - Precambrian
The Ocean - Anthropocentric
The Ocean - Heliocentric
Twin Temples - Shadows
Slipknot - We Are Not Your Kind
Jane's Addiction - Ritual de lo Habitual
White Hex - Gold Nights
I had a difficult time choosing what track to end my Dead Milkmen Appreciation Week with, but in the end, it was always going to be this track. Why? Well, because I can relate; one time Senior Year, I stumbled across some friends at the party house where we all used to hang out, and saw they were removing banana peels from the oven and rolling them into joints. Perplexed and adventurous, I inquired and then partook. I don't know if what happened had to do with the peels, or the fact that one guy had laced them with Tic (tick?)- something I still have no idea what the hell it is. It was a looooong night. And as usual, the Milkmen nail it. Although really, they're kinda making fun of morons that smoke banana peels, but hey, I was pretty dumb at times as a rebellious teenager. We all were, to one degree or another.
Go out and pick up a Milkman album, download one on Apple Music, stream one on Spotify. Whatever. The point is, this is one band that deserves a lot more recognition than they get.
**
The new Tool album is out, and I may eat my words later on, but after 75% of one listen, I turned it off. My knee-jerk reaction is that all my grudges against them over the last several years have been confirmed and they've released a completely forgettable record that, honestly, I can't imagine giving a second go-round, though I will, just to give them the benefit of the doubt. Part of my major problems is every song has approximately the same tempo, so it all kind of blends together. Oh well, win some, lose some. The Ocean kind of took over as my go-to prog metal band a few years back, anyway, so I've spent the day listening to their 2010 masterpiece Anthropocentric.
**
Playlist from 8/29:
The Dead Milkmen - Metaphysical Graffiti
Led Zeppelin - Eponymous
The Ocean - Precambrian
The Ocean - Phanerozoic I
Type O Negative - Dead Again
**
No card or spread again today. Work has been insanely busy, I've been eeking these posts out on my lunch breaks.
This is amazing in conception; go HERE and read the 'linear notes' on this upcoming Sunn 0))) record - essentially a daily musical meditation everyone assembled to record Life Metal performed and recorded. That's really just a bare bones explanation, the band's is much more in depth and fascinating.
**
I finally watched Turbo Kid last night. Pretty cool. I can't say I'm in love with it as some folks I know are, and it still had to fight for my attention during the first forty minutes or so, but by the end I'd become quite affectionate to it, and will definitely see the upcoming sequel.
**
Although this is day seven of Dead Milkmen Appreciation Week, I'm going to go a full Friday-to-Friday, so consider this the 'penultimate' post. And it's about the time I just start posting tracks I love from my first and still favorite album by the band, 85's Big Lizard in My Backyard. I will forever be grateful for Mr. Brown gifted me this for my birthday one year back in the mid 90s. No bullshit - this has shaped a large part of who I am.
**
Playlist from 8/28:
Sausage - Riddles Are Abound Tonight
The Ocean - Precambrian
Shellac - The End of Radio
Cold Cave - Cherish the Light Years
Sleep - Sleep's Holy Mountain
Martin Atkins is taking Pigface out on the road! According to what I've been reading surrounding the announcement of this tour, it's been 15 years since the rotating line-up insanity that is Pigface toured; that both surprises me and does not. Surprises me, as when I trace fifteen years into the past it's not quite as far back as it feels like it should be (when did the tide line from subtracting 15 from the current date push up to almost the mid-00s?). Fails to surprise me when you consider Atkins - who I'm a fan of - stop beating the dead horse for all it's worth? Well, in the case of this recent tour, which you can read more about on Brooklyn Vegan HERE, the line-up is fantastic, and I'm definitely considering attending an eventual LA stop. That said, if there's one thing we all of us in this generation of music fans know, you can't go home again, so maybe I might just let this one slide by without thinking twice. We'll see how I feel when a venue is announced and tickets go on sale.
I saw Pigface in 1994 for Notes From the Underground, and it's hard to imagine placing another show atop that one in my memory. Three drummers - Danny Carey (yes, that Danny Carey), Atkins, and the Sugar Cubes Sigtryggur Balduron, plus Genesis P-Orridge, Charles Levi, Dirk Flanigan, En Esch, Lesley Rankine, Mary Byker, Chris Connelly, and who knows how many others. It's really hard to imagine even coming close to the magic that night. But maybe it's not about competing with that. I'd be more concerned that after all this time and the probable malaise that has set in, a subpar experience. I don't know, we'll see. I'm always overly skeptical about reunions; there have been fantastic ones, to be sure. But there have also been shite ones.
**
NCBD:
And another book I read comes to and end. Rick Remender and Matteo Scalera's Black Science has been one hell of a ride. My recent initiative to re-read this one from the beginning stalled, but I'm hoping to get back on that this weekend. Don't want to read the finale until I've dug back through the entire series. There's sure to be many points of confluence/closure with what has come before.
And if City at War isn't hot enough already, issue 97 will most likely up the stakes exponentially as we near the conclusion of the first one hundred issues of the best reboot I've ever seen.
**
Dead Milkmen Appreciation Week continues with another more recent track, Big Words Make the Baby Jesus Cry, from the 2012 EP with the same name. As usual, fantastic social mockery from the Milkmen.
**
Playlist from 8/26:
Jeffrey Alan Jones - Most Beautiful Island
Frank Black and the Catholics - Eponymous
Moderat - II
The Ocean - Rhyacian: Untimely Meditations (2017 Version EP)
The Ocean - Precambrian
Sunn 0))) - Flight of the Behemoth
